80s Music Explosion!

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▶CD: Straight Up (disc 1)
2▶CD: Straight Up (disc 2)
3▼CD: Together Forever (disc 1)
Nr.TitelKünstlerBewertungLänge
1Funky Town
cover recording of:
Funkytown
Texter und Komponist(in):
Steven Greenberg
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Intersong Music, Red Sea Songs, Rick S. Music (publishing company associated with Casablanca), Steven Greenberg Music, Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd. und Warner/Chappell Music Ltd. (1996–2019)
Pseudo Echo33:45
2Flashdance
Produzent(in):
Giorgio Moroder
vocals:
Irene Cara
phonographisches Urheberrecht (℗) von:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (in 1983), Unidisc Music Inc. (not for release label use! use “Unidisc” instead) (in 1983) und Universal Music TV (UK, a division of Universal Music Operations Limited) (in 1995)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 38) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 492)
recording of:
Flashdance… What a Feeling
Texter:
Irene Cara und Keith Forsey (drummer, producer and songwriter)
Komponist(in):
Giorgio Moroder
publisher:
Alcor Music (publisher), Carasmatic Music, Carub Music (publisher), Chappell Music Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), GMPC, Intersong Music, Intersong Music Ltd., Intersong U.S.A. (publisher), Sony/ATV Harmony und WB Music Corp. (1929–2019)
Teil von:
The 56th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1983 winner)
Irene Cara3.653:44
3She Works Hard for the Money
Bearbeitung von:
She Works Hard for the Money (album version) von Donna Summer (soul/disco diva)
recording of:
She Works Hard for the Money (in 1983)
Verfasser(in):
Michael Omartian und Donna Summer (soul/disco diva)
publisher:
Warner Chappell, See This House Music (vom 1983 bis heute) und Sweet Summer Night Music (vom 1983 bis heute)
Donna Summer54:12
4Footloose
Produzent(in):
Lee DeCarlo und Kenny Loggins
Bass-Synthesizer:
Michael Boddicker
Bassgitarre:
Nathan East
Gitarre:
Buzz Feiten
Instrumente:
Michael Boddicker
Keyboard:
Neil Larsen und Steven Wood (US soundtrack composer, member of Honk)
Perkussion:
Michael Boddicker und Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
Tris Imboden
Hintergrundgesang:
Marilyn Dorman, Richey Washington und Steven Wood (US soundtrack composer, member of Honk)
Sologesang:
Kenny Loggins
remixer:
Humberto Gatica
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1984), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1984), Sony BMG Music Entertainment Inc. (in 1984) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Footloose
Texter:
Dean Pitchford
Komponist(in):
Kenny Loggins
publisher:
BMG Music Ltd., BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Ensign Music LLC, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Island Music (Island Music Ltd.), Milk Money Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Harmony, Sony/ATV Melody, Sony/ATV Music Publishing Ltd. und Universal Music Publishers MGB Australia Pty Ltd
Teil von:
The 57th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1984 nominee)
Kenny Loggins4.13:43
5Maniac
Produzent(in):
Phil Ramone und Michael Sembello
vocals:
Michael Sembello (in 1983)
phonographisches Urheberrecht (℗) von:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (in 1983) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1983)
recording of:
Maniac (in 1983)
Verfasser(in):
Dennis Matkosky und Michael Sembello
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Intersong Music, Intersong Music Ltd., Intersong USA, Inc. (publisher), Riva Music Ltd., Rondor Music (London) Ltd., Sony/ATV Harmony, Warner Bros. Music Co. Inc., Warner Bros. Music Corp. und WB Music Corp. (1929–2019)
Teil von:
The 56th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1983 nominee)
Michael Sembello4.154:02
6Kokomo
Techniker(in) und Mix:
Keith Wechsler
Produzent(in):
Terry Melcher
accordion:
Van Dyke Parks (von 1988-03-22 bis 1988-04-06)
Akustikgitarre:
Jeffrey Foskett (von 1988-03-22 bis 1988-04-06)
alto saxophone:
Joel Peskin (von 1988-03-22 bis 1988-04-06)
Bass:
Rod Clark (UK bassist) (von 1988-03-22 bis 1988-04-06)
Schlagzeug:
Jim Keltner (von 1988-03-22 bis 1988-04-06)
Slide-Gitarre [electric slide guitar]:
Ry Cooder (von 1988-03-22 bis 1988-04-06)
Hintergrundgesang:
Al Jardine (guitarist and singer) (von 1988-03-22 bis 1988-04-06), Bruce Johnston (US singer‐songwriter, member of The Beach Boys) (von 1988-03-22 bis 1988-04-06), Mike Love (Beach Boys) (von 1988-03-22 bis 1988-04-06) und Carl Wilson (Beach Boys) (von 1988-03-22 bis 1988-04-06)
Sologesang:
Mike Love (Beach Boys) (von 1988-03-22 bis 1988-04-06) und Carl Wilson (Beach Boys) (von 1988-03-22 bis 1988-04-06)
Interpret(in):
The Beach Boys (American rock band) (von 1988-03-22 bis 1988-04-06)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US), Elektra (all releases with “Elektra” or “Elektra Entertainment” logo, 1950 to present) (in 1988) und Touchstone Pictures (in 1988)
Musikvideos:
Kokomo von The Beach Boys (American rock band)
recording of:
Kokomo (von 1988-03-22 bis 1988-04-06)
Verfasser(in):
Mike Love (Beach Boys), Scott McKenzie, Terry Melcher und John Phillips (The Mamas & The Papas)
publisher:
Buena Vista Music Company, Clairaudient Music Corporation, Daywin Music Inc., Honest John Music, Nichion Synch Division (NICHION, INC. Synch Division), Spirit One Music, Touchstone Pictures Music and Songs Inc. und Yamaha Music EH(CM)
The Beach Boys4.253:38
7Baby I Love Your Way/Freebird
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1987) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1988)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 97)
cover recording of:
Baby, I Love Your Way
Texter und Komponist(in):
Peter Frampton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), EMI U Catalog Inc. (publisher; do NOT use as release label), Nuages Artists Music Ltd., Rondor Music (London) Ltd., Universal Music Publishing, Synch Division und Yamaha Music EH(CM)
recording of:
Baby, I Love Your Way
Texter und Komponist(in):
Peter Frampton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), EMI U Catalog Inc. (publisher; do NOT use as release label), Nuages Artists Music Ltd., Rondor Music (London) Ltd., Universal Music Publishing, Synch Division und Yamaha Music EH(CM)
recording of:
Baby, I Love Your Way / Freebird
Texter und Komponist(in):
Allen Collins, Peter Frampton und Ronnie Van Zant
publisher:
Anidraks Music (publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Duchess Music Corporation (BMI-affiliated), Hustler Inc. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Medley von:
Baby, I Love Your Way
Medley von:
Free Bird
Will to Power44:11
8Morning Train (Nine to Five)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1980)
recording of:
9 to 5
Texter und Komponist(in):
Florrie Palmer
publisher:
Chappell Music (UK), Pendulum Music (publisher) und Warner/Chappell Music Ltd. (1996–2019)
Sheena Easton4.353:23
9Sexy Eyes
recording of:
Sexy Eyes
Verfasser(in):
R.J. Mather, Keith Stegall (American country singer / songwriter and record producer) und Chris Waters (Country music singer and songwriter)
publisher:
EMI April Music Inc., EMI Blackwood Music Inc. und EMI Songs Ltd.
Dr. Hook3:30
10I Love a Rainy Night
recording of:
I Love a Rainy Night
Verfasser(in):
David Malloy (American country music and pop songwriter, record producer and A&R executive), Eddie Rabbitt (US country singer & songwriter) und Even Stevens (singer / songwriter)
Eddie Rabbitt43:10
11Together Forever
Keyboard [Fairlight]-Programmierung:
Ian Curnow (in 1987)
assistierende(r) Techniker(in):
Boky, Gordon Dennis (engineer at PWL Studios), Jonathan King und Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
Techniker(in):
Mark McGuire (UK producer/engineer)
zusätzliche(r) Techniker(in):
Jamie Bromfield (member of SNJ Works, The Extra Beat Boys, Recall), Mike Duffy (mixing for Nitzer Ebb), Phil Harding (engineer, producer and remixer) und Karen Hewitt
Produzent(in):
Aitken, Stock (of Stock Aitken Waterman) und Waterman
Mix:
Mixmasters Pete Hammond (UK producer aka “Mixmaster”)
Gitarre [guitars]:
Matt Aitken (in 1987)
Keyboard [keyboards]:
Mike Stock (of Stock Aitken Waterman) und Matt Aitken (in 1987)
Schlagzeug [drums]:
A Linn (Linn 9000) (in 1987)
Hintergrundgesang [backing vocals]:
Dee Lewis (in 1987), Shirley Lewis (in 1987), Mae McKenna (vocalist) (in 1987) und Suzanne Rhatigan (in 1987)
vocals:
Rick (English singer, songwriter and radio personality) (in 1987)
arranger:
Gordon Jenkins
phonographisches Urheberrecht (℗) von:
Pete Waterman Ltd. (copyrights holder) (in 1987)
sonstige Unterstützung:
PWL (Aufgabe: original sound recordings made by)
aufgenommen bei:
PWL Studio 1 (in 1987) und PWL Studio 2 (in 1987)
mixed at:
PWL Studio 1 und PWL Studio 2
recording of:
Together Forever (in 1987)
Verfasser(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
publisher:
All Boys Music Ltd., Songs of Kobalt Music Publishing, Universal Music Careers, Universal–Songs of PolyGram International, Inc. und Terrace Music (vom 1987 bis heute)
Rick Astley4.653:29
12I Think We’re Alone Now
zusätzlich recording engineer:
John Kerns (US engineer)
drum machine [drum]-Programmierung:
John Duarte
Techniker(in):
Bill Smith (US recording engineer)
Produzent(in):
George E. Tobin
Gitarre:
Chuck Yamek
Synthesizer:
John Duarte
Hintergrundgesang und Sologesang:
Tiffany (US 1980s pop star, "I Think We’re Alone Now")
remixer:
George E. Tobin und Bill Smith (US recording engineer)
arranger:
John Duarte
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1987)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 7) (Nummer: 7)
cover recording of:
I Think We’re Alone Now
Texter und Komponist(in):
Ritchie Cordell
publisher:
EMI Longitude Music
recording of:
I Think We’re Alone Now
Texter und Komponist(in):
Ritchie Cordell
publisher:
EMI Longitude Music
Tiffany3.83:47
13Looking for a New Love
remixer:
Louil Silas, Jr.
cover recording of:
Looking for a New Love
Verfasser(in):
André Cymone und Jody Watley
publisher:
EMI April Music Inc., Ultrawave Music und Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1986)
Jody Watley5:09
14Let the Music Play
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 43)
recording of:
Let the Music Play
Verfasser(in):
Chris Barbosa (Rhythm Method) und Ed Chisolm
publisher:
Emergency Music (ASCAP-affiliated), Heath Levy Music Co. Ltd. und Shapiro, Bernstein & Co., Inc.
Shannon55:49
15Obsession
recording engineer:
Jeff Harris (recording engineer)
Programmierung:
Jeff Harris (recording engineer) und Holly Knight
Produzent(in):
John Ryan (producer a/k/a “The Chicago Kid”)
Bassgitarre:
Charles Ottavio
Gitarre:
Bill Wadhams
Keyboard:
Paul Antonelli
membranophone:
Frenchy O'Brien
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 12)
cover recording of:
Obsession
Verfasser(in):
Michael Des Barres und Holly Knight
publisher:
Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07) und The Makiki Publishing Co. Ltd.
recording of:
Obsession
Verfasser(in):
Michael Des Barres und Holly Knight
publisher:
Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07) und The Makiki Publishing Co. Ltd.
Animotion5:37
4▶CD: Together Forever (disc 2)
5▶CD: True Colours (disc 1)
6▶CD: True Colours (disc 2)
7▶CD: Simply Irresistible (disc 1)
8▶CD: Simply Irresistible (disc 2)
9▶CD: Hit Me With Your Best Shot

Nennungen

Veröffentlichungsgruppe

Teil von:Time Life Music (Reihenfolge: 4)