The Complete Works (Edition Bachakademie)

~ Uitgave van Johann Sebastian Bach (Bekijk alle versies van deze uitgave, 2 beschikbaar)

Nummerlijst

1▶cd: Vol 1. Cantatas CD 1
2▶cd: Vol 1. Cantatas CD 2
3▶cd: Vol 1. Cantatas CD 3
4▶cd: Vol 1. Cantatas CD 4
5▶cd: Vol 2. Cantatas CD 1
6▶cd: Vol 2. Cantatas CD 2
7▶cd: Vol 2. Cantatas CD 3
8▶cd: Vol 2. Cantatas CD 4
9▶cd: Vol 3. Cantatas CD 1
10▶cd: Vol 3. Cantatas CD 2
11▶cd: Vol 3. Cantatas CD 3
12▶cd: Vol 3. Cantatas CD 4
13▶cd: Vol 4. Cantatas CD 1
14▶cd: Vol 4. Cantatas CD 2
15▶cd: Vol 4. Cantatas CD 3
16▶cd: Vol 4. Cantatas CD 4
17▶cd: Vol 5. Cantatas CD 1
18▶cd: Vol 5. Cantatas CD 2
19▶cd: Vol 5. Cantatas CD 3
20▶cd: Vol 5. Cantatas CD 4
21▶cd: Vol 6. Cantatas CD 1
22▶cd: Vol 6. Cantatas CD 2
23▶cd: Vol 6. Cantatas CD 3
24▶cd: Vol 6. Cantatas CD 4
25▶cd: Vol 7. Cantatas CD 1
26▶cd: Vol 7. Cantatas CD 2
27▶cd: Vol 7. Cantatas CD 3
28▶cd: Vol 7. Cantatas CD 4
29▶cd: Vol 8. Cantatas CD 1
30▶cd: Vol 8. Cantatas CD 2
31▶cd: Vol 8. Cantatas CD 3
32▶cd: Vol 8. Cantatas CD 4
33▶cd: Vol 9. Cantatas CD 1
34▶cd: Vol 9. Cantatas CD 2
35▶cd: Vol 9. Cantatas CD 3
36▶cd: Vol 9. Cantatas CD 4
37▶cd: Vol 10. Cantatas CD 1
38▼cd: Vol 10. Cantatas CD 2
#TitelWaarderingDuur
1Kantate, BWV 119 „Preise, Jerusalem, den Herrn“: I. Coro „Preise, Jerusalem, den Herrn“
koor:
Gächinger Kantorei Stuttgart
orkest:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
was dirigent:
Helmuth Rilling (conductor)
opgenomen bij:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Duitsland
is een opname van:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn": I. Coro "Preise, Jerusalem, den Herrn" (van 1978-01 tot 1978-09)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
had de première bij:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Duitsland (op 1723-08-30)
deel van:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn"
6:57
2Kantate, BWV 119 „Preise, Jerusalem, den Herrn“: II. Recitativo (Tenor) „Gesegnet Land! glückselge Stadt“
tenorvocalen:
Adalbert Kraus (tenor)
orkest:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
was dirigent:
Helmuth Rilling (conductor)
opgenomen bij:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Duitsland
is een opname van:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn": II. Recitativo (Tenor) "Gesegnet Land! glückselge Stadt" (van 1978-01 tot 1978-09)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
had de première bij:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Duitsland (op 1723-08-30)
deel van:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn"
1:23
3Kantate, BWV 119 „Preise, Jerusalem, den Herrn“: III. Aria (Tenor) „Wohl dir, du Volk der Linden“
tenorvocalen:
Adalbert Kraus (tenor)
orkest:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
was dirigent:
Helmuth Rilling (conductor)
opgenomen bij:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Duitsland
is een opname van:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn": III. Aria (Tenor) "Wohl dir, du Volk der Linden" (van 1978-01 tot 1978-09)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
had de première bij:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Duitsland (op 1723-08-30)
deel van:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn"
3:09
4Kantate, BWV 119 „Preise, Jerusalem, den Herrn“: IV. Recitativo (Bass) „So herrlich stehst du, liebe Stadt“
basvocalen:
Wolfgang Schöne (bass-baritone)
orkest:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
was dirigent:
Helmuth Rilling (conductor)
opgenomen bij:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Duitsland
is een opname van:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn": IV. Recitativo (Bass) "So herrlich stehst du, liebe Stadt" (van 1978-01 tot 1978-09)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
had de première bij:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Duitsland (op 1723-08-30)
deel van:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn"
1:57
5Kantate, BWV 119 „Preise, Jerusalem, den Herrn“: V. Aria (Alt) „Die Obrigkeit ist Gottes Gabe“
altvocalen:
Ann Murray (Irish mezzo-soprano)
orkest:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
was dirigent:
Helmuth Rilling (conductor)
opgenomen bij:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Duitsland
is een opname van:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn": V. Aria (Alt) "Die Obrigkeit ist Gottes Gabe" (van 1978-01 tot 1978-09)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
had de première bij:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Duitsland (op 1723-08-30)
deel van:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn"
2:49
6Kantate, BWV 119 „Preise, Jerusalem, den Herrn“: VI. Recitativo (Sopran) „Nun! Wir erkennen es und bringen dir“
sopraanvocalen:
Arleen Augér (soprano)
orkest:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
was dirigent:
Helmuth Rilling (conductor)
opgenomen bij:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Duitsland
is een opname van:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn": VI. Recitativo (Sopran) "Nun! Wir erkennen es und bringen dir" (van 1978-01 tot 1978-09)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
had de première bij:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Duitsland (op 1723-08-30)
deel van:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn"
1:03
7Kantate, BWV 119 „Preise, Jerusalem, den Herrn“: VII. Coro „Der Herr hat Guts an uns getan“
koor:
Gächinger Kantorei Stuttgart
orkest:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
was dirigent:
Helmuth Rilling (conductor)
opgenomen bij:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Duitsland
is een opname van:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn": VII. Coro "Der Herr hat Guts an uns getan" (van 1978-01 tot 1978-09)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
had de première bij:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Duitsland (op 1723-08-30)
deel van:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn"
6:23
8Kantate, BWV 119 „Preise, Jerusalem, den Herrn“: VIII. Recitativo (Alt) „Zuletzt! Da du uns Herr, zu deinem Volk gesetzt“
altvocalen:
Ann Murray (Irish mezzo-soprano)
orkest:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
was dirigent:
Helmuth Rilling (conductor)
opgenomen bij:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Duitsland
is een opname van:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn": VIII. Recitativo (Alt) "Zuletzt! Da du uns Herr, zu deinem Volk gesetzt" (van 1978-01 tot 1978-09)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
had de première bij:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Duitsland (op 1723-08-30)
deel van:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn"
0:47
9Kantate, BWV 119 „Preise, Jerusalem, den Herrn“: IX. Choral „Hilf deinem Volk, Herr Jesu Christ“
koor:
Gächinger Kantorei Stuttgart
orkest:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
was dirigent:
Helmuth Rilling (conductor)
opgenomen bij:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Duitsland
is een opname van:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn": IX. Choral "Hilf deinem Volk, Herr Jesu Christ" (van 1978-01 tot 1978-09)
tekstschrijver:
Martin Luther (German theologian of the Reformation)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
had de première bij:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Duitsland (op 1723-08-30)
deel van:
Breitkopf 389 Choralgesänge (nummer: 134)
deel van:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn"
0:58
10Kantate, BWV 120 „Gott, man lobet dich in der Stille“: I. Aria (Alt) „Gott, man lobet dich in der Stille“
altvocalen:
Hildegard Laurich (contralto)
orkest:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
was dirigent:
Helmuth Rilling (conductor)
opgenomen bij:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Duitsland (van 1973-03 tot 1973-04)
is een opname van:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": I. Aria (Alt) "Gott, man lobet dich in der Stille" (former BWV 120) (van 1973-03 tot 1973-04)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
had de première bij:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Duitsland
deel van:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille" (former BWV 120)
5:41
11Kantate, BWV 120 „Gott, man lobet dich in der Stille“: II. Coro „Jauchzet, ihr erfreuten Stimmen“
koor:
Gächinger Kantorei Stuttgart
orkest:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
was dirigent:
Helmuth Rilling (conductor)
opgenomen bij:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Duitsland (van 1973-03 tot 1973-04)
is een opname van:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (former BWV 120) (van 1973-03 tot 1973-04)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] ([anoniem], special purpose artist)
had de première bij:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Duitsland
deel van:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille" (former BWV 120)
7:15
12Kantate, BWV 120 „Gott, man lobet dich in der Stille“: III. Recitativo (Bass) „Auf, du geliebte Lindenstadt“
basvocalen:
Wolfgang Schöne (bass-baritone)
orkest:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
was dirigent:
Helmuth Rilling (conductor)
opgenomen bij:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Duitsland (van 1973-03 tot 1973-04)
is een opname van:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": III. Recitativo (Bass) "Auf, du geliebte Lindenstadt" (former BWV 120) (van 1973-03 tot 1973-04)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] ([anoniem], special purpose artist)
had de première bij:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Duitsland
deel van:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille" (former BWV 120)
1:27
13Kantate, BWV 120 „Gott, man lobet dich in der Stille“: IV. Aria (Sopran) „Heil und Segen“
sopraanvocalen:
Helen Donath (soprano)
orkest:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
was dirigent:
Helmuth Rilling (conductor)
opgenomen bij:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Duitsland (van 1973-03 tot 1973-04)
is een opname van:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": IV. Aria (Sopran) "Heil und Segen" (former BWV 120) (van 1973-03 tot 1973-04)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] ([anoniem], special purpose artist)
had de première bij:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Duitsland
deel van:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille" (former BWV 120)
5:56
14Kantate, BWV 120 „Gott, man lobet dich in der Stille“: V. Recitativo (Tenor) „Nun, Herr, so weihe selbst“
tenorvocalen:
Adalbert Kraus (tenor)
orkest:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
was dirigent:
Helmuth Rilling (conductor)
opgenomen bij:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Duitsland (van 1973-03 tot 1973-04)
is een opname van:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": V. Recitativo (Tenor) "Nun, Herr, so weihe selbst" (former BWV 120) (van 1973-03 tot 1973-04)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] ([anoniem], special purpose artist)
had de première bij:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Duitsland
deel van:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille" (former BWV 120)
0:56
15Kantate, BWV 120 „Gott, man lobet dich in der Stille“: VI. Choral „Nun hilf uns, Herr, den Dienern dein“
koor:
Gächinger Kantorei Stuttgart
orkest:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
was dirigent:
Helmuth Rilling (conductor)
is een opname van:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": VI. Choral "Nun hilf uns, Herr, den Dienern dein" (former BWV 120) (van 1973-03 tot 1973-04)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Martin Luther (German theologian of the Reformation) (in 1529)
had de première bij:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Duitsland
deel van:
Breitkopf 389 Choralgesänge (nummer: 135)
deel van:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille" (former BWV 120)
1:10
16Kantate, BWV 121 „Christum wir sollen loben schon“: I. Coro „Christum wir sollen loben schon“
koor:
Gächinger Kantorei Stuttgart
orkest:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
was dirigent:
Helmuth Rilling (conductor)
opgenomen bij:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Duitsland (van 1980-02 tot 1980-04)
is een opname van:
Kantate, BWV 121 "Christum wir sollen loben schon": I. Coro "Christum wir sollen loben schon" (van 1980-02 tot 1980-04)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
had de première bij:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Duitsland (op 1724-12-26)
deel van:
Kantate, BWV 121 "Christum wir sollen loben schon"
3:32
17Kantate, BWV 121 „Christum wir sollen loben schon“: II. Aria (Tenor) „O du von Gott erhöhte Kreatur“
tenorvocalen:
Adalbert Kraus (tenor)
orkest:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
was dirigent:
Helmuth Rilling (conductor)
opgenomen bij:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Duitsland (van 1980-02 tot 1980-04)
is een opname van:
Kantate, BWV 121 "Christum wir sollen loben schon": II. Aria (Tenor) "O du von Gott erhöhte Kreatur" (van 1980-02 tot 1980-04)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
had de première bij:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Duitsland (op 1724-12-26)
deel van:
Kantate, BWV 121 "Christum wir sollen loben schon"
5:15
18Kantate, BWV 121 „Christum wir sollen loben schon“: III. Recitativo (Alt) „Der Gnad unermeßlichs Wesen“
altvocalen:
Doris Soffel (mezzo soprano)
orkest:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
was dirigent:
Helmuth Rilling (conductor)
opgenomen bij:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Duitsland (van 1980-02 tot 1980-04)
is een opname van:
Kantate, BWV 121 "Christum wir sollen loben schon": III. Recitativo (Alt) "Der Gnad unermeßlichs Wesen" (van 1980-02 tot 1980-04)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
had de première bij:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Duitsland (op 1724-12-26)
deel van:
Kantate, BWV 121 "Christum wir sollen loben schon"
1:22
19Kantate, BWV 121 „Christum wir sollen loben schon“: IV. Aria (Bass) „Johannis freudenvolles Springen“
basvocalen:
Wolfgang Schöne (bass-baritone)
orkest:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
was dirigent:
Helmuth Rilling (conductor)
opgenomen bij:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Duitsland (van 1980-02 tot 1980-04)
is een opname van:
Kantate, BWV 121 "Christum wir sollen loben schon": IV. Aria (Bass) "Johannis freudenvolles Springen" (van 1980-02 tot 1980-04)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
had de première bij:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Duitsland (op 1724-12-26)
deel van:
Kantate, BWV 121 "Christum wir sollen loben schon"
8:09
20Kantate, BWV 121 „Christum wir sollen loben schon“: V. Recitativo (Sopran) „Doch wie erblickt es dich in deiner Krippen“
sopraanvocalen:
Arleen Augér (soprano)
orkest:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
was dirigent:
Helmuth Rilling (conductor)
opgenomen bij:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Duitsland (van 1980-02 tot 1980-04)
is een opname van:
Kantate, BWV 121 "Christum wir sollen loben schon": V. Recitativo (Sopran) "Doch wie erblickt es dich in deiner Krippen" (van 1980-02 tot 1980-04)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
had de première bij:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Duitsland (op 1724-12-26)
deel van:
Kantate, BWV 121 "Christum wir sollen loben schon"
1:17
21Kantate, BWV 121 „Christum wir sollen loben schon“: VI. Choral „Lob, Ehr und Dank sei dir gesagt“
koor:
Gächinger Kantorei Stuttgart
orkest:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
was dirigent:
Helmuth Rilling (conductor)
opgenomen bij:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Duitsland (van 1980-02 tot 1980-04)
is een opname van:
Kantate, BWV 121 "Christum wir sollen loben schon": VI. Choral "Lob, Ehr und Dank sei dir gesagt" (van 1980-02 tot 1980-04)
tekstschrijver:
Martin Luther (German theologian of the Reformation)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
had de première bij:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Duitsland (op 1724-12-26)
deel van:
Breitkopf 389 Choralgesänge (nummer: 42)
deel van:
Kantate, BWV 121 "Christum wir sollen loben schon"
1:11
39▶cd: Vol 10. Cantatas CD 3
40▶cd: Vol 10. Cantatas CD 4
41▶cd: Vol 11. Cantatas CD 1
42▶cd: Vol 11. Cantatas CD 2
43▶cd: Vol 11. Cantatas CD 3
44▶cd: Vol 11. Cantatas CD 4
45▶cd: Vol 12. Cantatas CD 1
46▶cd: Vol 12. Cantatas CD 2
47▶cd: Vol 12. Cantatas CD 3
48▶cd: Vol 12. Cantatas CD 4
49▶cd: Vol 13. Cantatas CD 1
50▶cd: Vol 13. Cantatas CD 2
51▶cd: Vol 13. Cantatas CD 3
52▶cd: Vol 13. Cantatas CD 4
53▶cd: Vol 14. Cantatas CD 1
54▶cd: Vol 14. Cantatas CD 2
55▶cd: Vol 14. Cantatas CD 3
56▶cd: Vol 14. Cantatas CD 4
57▶cd: Vol 15. Cantatas CD 1
58▶cd: Vol 15. Cantatas CD 2
59▶cd: Vol 15. Cantatas CD 3
60▶cd: Vol 15. Cantatas CD 4
61▶cd: Vol 16. Cantatas CD 1
62▶cd: Vol 16. Cantatas CD 2
63▶cd: Vol 16. Cantatas CD 3
64▶cd: Vol 16. Cantatas CD 4
65▶cd: Vol 17. Cantatas CD 1
66▶cd: Vol 17. Cantatas CD 2
67▶cd: Vol 17. Cantatas CD 3
68▶cd: Vol 17. Cantatas CD 4
69▶cd: Vol 18. Congratulatory And Hommage Cantatas CD 1
70▶cd: Vol 18. Congratulatory And Hommage Cantatas CD 2
71▶cd: Vol 18. Congratulatory And Hommage Cantatas CD 3
72▶cd: Vol 18. Congratulatory And Hommage Cantatas CD 4
73▶cd: Vol 19. Mass In B Minor · Sacred Music In Latin CD 1
74▶cd: Vol 19. Mass In B Minor · Sacred Music In Latin CD 2
75▶cd: Vol 19. Mass In B Minor · Sacred Music In Latin CD 3
76▶cd: Vol 19. Mass In B Minor · Sacred Music In Latin CD 4
77▶cd: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 1
78▶cd: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 2
79▶cd: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 3
80▶cd: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 4
81▶cd: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 1
82▶cd: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 2
83▶cd: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 3
84▶cd: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 4
85▶cd: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 1
86▶cd: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 2
87▶cd: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 3
88▶cd: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 4
89▶cd: Vol 23. Magnificat · Sacred Vocal Works CD 1
90▶cd: Vol 23. Magnificat · Sacred Vocal Works CD 2
91▶cd: Vol 23. Magnificat · Sacred Vocal Works CD 3
92▶cd: Vol 23. Magnificat · Sacred Vocal Works CD 4
93▶cd: Vol 24. A Book Of Chorale-Settings CD 1
94▶cd: Vol 24. A Book Of Chorale-Settings CD 2
95▶cd: Vol 24. A Book Of Chorale-Settings CD 3
96▶cd: Vol 24. A Book Of Chorale-Settings CD 4
97▶cd: Vol 25. Organ Works CD 1
98▶cd: Vol 25. Organ Works CD 2
99▶cd: Vol 25. Organ Works CD 3
100▶cd: Vol 25. Organ Works CD 4
101▶cd: Vol 26. Organ Works CD 1
102▶cd: Vol 26. Organ Works CD 2
103▶cd: Vol 26. Organ Works CD 3
104▶cd: Vol 26. Organ Works CD 4
105▶cd: Vol 27. Organ Works CD 1
106▶cd: Vol 27. Organ Works CD 2
107▶cd: Vol 27. Organ Works CD 3
108▶cd: Vol 27. Organ Works CD 4
109▶cd: Vol 28. Organ Works CD 1
110▶cd: Vol 28. Organ Works CD 2
111▶cd: Vol 28. Organ Works CD 3
112▶cd: Vol 28. Organ Works CD 4
113▶cd: Vol 29. Organ Works CD 1
114▶cd: Vol 29. Organ Works CD 2
115▶cd: Vol 29. Organ Works CD 3
116▶cd: Vol 29. Organ Works CD 4
117▶cd: Vol 30. Harpsichord Music CD 1
118▶cd: Vol 30. Harpsichord Music CD 2
119▶cd: Vol 30. Harpsichord Music CD 3
120▶cd: Vol 30. Harpsichord Music CD 4
121▶cd: Vol 31. Keyboard Works CD 1
122▶cd: Vol 31. Keyboard Works CD 2
123▶cd: Vol 31. Keyboard Works CD 3
124▶cd: Vol 31. Keyboard Works CD 4
125▶cd: Vol 32. Keyboard Works CD 1
126▶cd: Vol 32. Keyboard Works CD 2
127▶cd: Vol 32. Keyboard Works CD 3
128▶cd: Vol 32. Keyboard Works CD 4
129▶cd: Vol 33. Keyboard Works CD 1
130▶cd: Vol 33. Keyboard Works CD 2
131▶cd: Vol 33. Keyboard Works CD 3
132▶cd: Vol 33. Keyboard Works CD 4
133▶cd: Vol 34. Keyboard Works CD 1
134▶cd: Vol 34. Keyboard Works CD 2
135▶cd: Vol 34. Keyboard Works CD 3
136▶cd: Vol 34. Keyboard Works CD 4
137▶cd: Vol 35. Keyboard Works CD 1
138▶cd: Vol 35. Keyboard Works CD 2
139▶cd: Vol 35. Keyboard Works CD 3
140▶cd: Vol 35. Keyboard Works CD 4
141▶cd: Vol 36. Keyboard Works CD 1
142▶cd: Vol 36. Keyboard Works CD 2
143▶cd: Vol 36. Keyboard Works CD 3
144▶cd: Vol 36. Keyboard Works CD 4
145▶cd: Vol 37. Keyboard Works CD 1
146▶cd: Vol 37. Keyboard Works CD 2
147▶cd: Vol 37. Keyboard Works CD 3
148▶cd: Vol 37. Keyboard Works CD 4
149▶cd: Vol 38. Orchestral Music CD 1
150▶cd: Vol 38. Orchestral Music CD 2
151▶cd: Vol 38. Orchestral Music CD 3
152▶cd: Vol 38. Orchestral Music CD 4
153▶cd: Vol 39. Works For Violin CD 1
154▶cd: Vol 39. Works For Violin CD 2
155▶cd: Vol 39. Works For Violin CD 3
156▶cd: Vol 39. Works For Violin CD 4
157▶cd: Vol 40. Harpsichord Concertos CD 1
158▶cd: Vol 40. Harpsichord Concertos CD 2
159▶cd: Vol 40. Harpsichord Concertos CD 3
160▶cd: Vol 40. Harpsichord Concertos CD 4
161▶cd: Vol 41. Works For Solo Violin And Solo Cello CD 1
162▶cd: Vol 41. Works For Solo Violin And Solo Cello CD 2
163▶cd: Vol 41. Works For Solo Violin And Solo Cello CD 3
164▶cd: Vol 41. Works For Solo Violin And Solo Cello CD 4
165▶cd: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 1
166▶cd: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 2
167▶cd: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 3
168▶cd: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 4
169▶cd: Vol 43. Restored Oboe Concerti · Musical Offering CD 1
170▶cd: Vol 43. Restored Oboe Concerti · Musical Offering CD 2
171▶cd: Vol 43. Restored Oboe Concerti · Musical Offering CD 3