AM Gold: The Early '60s

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1▼CD
#TitoloArtistaValutazioneDurata
1Sherry
produttore:
Bob Crewe
chitarra :
Tommy DeVito
chitarra basso :
Nick Massi
pianoforte e tastiera :
Bob Gaudio
voce:
Bob Gaudio, Tommy DeVito, Nick Massi e Frankie Valli (American singer and actor, best known as the frontman of The Four Seasons)
arrangiatore voci:
Nick Massi
registrazione di:
Sherry
paroliere e compositore:
Bob Gaudio
The Four Seasons52:32
2Rubber Ball
registrazione di:
Rubber Ball
paroliere e compositore:
Gene Pitney e Aaron Schroeder (1950s~1960s US songwriter)
editore:
J. Albert & Son Pty. Ltd.
Bobby Vee2:29
3Will You Love Me Tomorrow
batteria [drums] :
Gary Chester (studio drummer and educator) (nel 1960)
pianoforte :
Paul Griffin (American pianist, session musician) (nel 1960)
timpano :
Carole King (nel 1960)
voce:
Doris Coley (nel 1960), Addie Harris (nel 1960) e Beverly Lee (singer for The Shirelles) (nel 1960)
voce principale:
Shirley Owens (nel 1960)
diritti fonografici (℗) detenuti da:
HHO Licensing Ltd.
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1960 (numero: 4), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 33), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 125), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 151)
registrazione di:
Will You Love Me Tomorrow (Carole King song) (nel 1960)
paroliere:
Gerry Goffin
compositore:
Carole King
editore:
Lushmole Music, Pathe Publications (Far East) Limited, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Warner/Chappell Music Ltd. (1996–2019), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Shirelles3.82:44
4Baby (You’ve Got What It Takes)
esecutore:
Brook Benton
registrazione cover di:
Baby, (You’ve Got What It Takes) (nel 1959)
autore:
Clyde Otis (American songwriter and record producer) e Murray Stein
editore:
Sony/ATV Melody, The Clyde Otis Music Group (publisher; do NOT use as release label), Universal–Songs of PolyGram International, Inc., Chappell Morris Ltd. (nel 1951) e Vogue Music Corp. (nel 1951)
Brook Benton & Dinah Washington3.652:46
5Town Without Pity
registrazione di:
Town Without Pity
paroliere:
Ned Washington
compositore:
Dimitri Tiomkin
parte di:
The 34th Academy Award for Best Original Song (numero: 2)
Gene Pitney2:55
6Where the Boys Are
voce:
Connie Francis (American former actress and chart-topping singer)
registrazione di:
Where the Boys Are
paroliere:
Howard Greenfield
compositore:
Neil Sedaka
editore:
EMI Longitude Music, Robbins Music Corp. Ltd., Screen Gems–Columbia Music, Inc. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Connie Francis2:39
7(Down at) Papa Joe's
Dixie Bells2:33
8Sad Movies (Make Me Cry)
produttore:
Wesley Rose (producer, label executive)
voce principale:
Sue Thompson
registrazione di:
Sad Movies (Make Me Cry)
paroliere e compositore:
John D. Loudermilk
Sue Thompson3:17
9Stand by Me
registrata a:
New York, New York, Stati Uniti (il 1960-10-27)
produttore:
Leiber and Stoller (songwriting team)
voce:
Ben E. King (il 1960-10-27)
direttore d'orchestra:
Stan Applebaum (US composer, arranger and conductor) (il 1960-10-27)
arrangiatore:
Stan Applebaum (US composer, arranger and conductor)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1960, nel 1961), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1961, nel 1986), Progressive Music Publishing Company Inc. (nel 1981) e Trio Music Co., Inc. (nel 1981)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 131) e BILLIONS CLUB
registrazione di:
Stand by Me (il 1960-10-27)
editore:
Mike Stoller
autore:
Ben E. King, Jerry Leiber e Mike Stoller
editore:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music e Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.653:01
10What in the World's Come Over You
registrazione di:
What in the World’s Come Over You
autore:
Jack Scott
Jack Scott2:44
11I'm Sorry
voce:
Brenda Lee (1960s American singer)
voce di accompagnamento:
Anita Kerr Singers (mixed vocal group)
direttore d'orchestra:
Owen Bradley
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1960 (numero: 28) e Rolling Stone: The 200 Greatest Country Songs of All Time (numero: 168)
registrazione di:
I’m Sorry (Brenda Lee song, 1960)
autore:
Dub Albritton (manager and songwriter) e Ronnie Self (rockabilly singer and songwriter)
editore:
Songs of Universal (SOCAN)
Brenda Lee3.52:41
12Dominique
registrazione di:
Dominique (original French version) (nel 1963)
paroliere e compositore:
Sœur Sourire (Belgian singing nun Jeanine Deckers)
Sœur Sourire2:57
13Calendar Girl
registrazione di:
Calendar Girl
paroliere:
Howard Greenfield
compositore:
Neil Sedaka
editore:
Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Universal Music Careers
Neil Sedaka42:39
14Save the Last Dance for Me
registrata a:
New York, New York, Stati Uniti (il 1960-05-19)
produttore:
Leiber and Stoller (songwriting team)
chitarra :
Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (il 1960-05-19)
voce di baritono:
Doc Green (il 1960-05-19)
voce di basso:
Elsbeary Hobbs (il 1960-05-19)
voce di tenore:
Charlie Thomas (The Drifters) (il 1960-05-19) e Johnny Williams (soul/blues vocalist) (il 1960-05-19)
voce principale:
Benny Nelson (il 1960-05-19)
direttore d'orchestra:
Stan Applebaum (US composer, arranger and conductor) (il 1960-05-19)
arrangiatore:
Stan Applebaum (US composer, arranger and conductor)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1988) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1998)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1960 (numero: 12) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 182)
registrazione di:
Save the Last Dance for Me (il 1960-05-19)
autore:
Doc Pomus e Mort Shuman (US singer, pianist & songwriter)
editore:
Hill and Range Southwind Mus S A (BMI-affiliated), Pomus Songs Inc., Progressive Music Publishing Company Inc., Rumbalero Music Inc., The Manor Music Co. Ltd., Trio Music Co., Inc., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Hill and Range Songs, Inc. (publisher) (nel 1974) e Trio Music (publisher) (nel 1974)
The Drifters52:29
15A Hundred Pounds of Clay
Gene McDaniels2:20
16Where or When
registrazione cover di:
Where or When (from “Babes in Arms”)
paroliere:
Lorenz Hart (nel 1937)
compositore:
Richard Rodgers (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.), Williamson Music Company e Chappell & Co. (nel 1937)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Babes in Arms (full musical)
Dion & The Belmonts2:39
17I've Told Every Little Star
tecnico di registrazione e tecnico di missaggio:
John Neff (engineer)
direttore d'orchestra:
Angelo Badalamenti (American score composer)
diritti fonografici (℗) detenuti da:
Milan Entertainment, Inc. (for ℗ & © rights use only, US record company founded in 1978)
mixata presso:
Asymmetrical Studio (David Lynch's studio) in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
I’ve Told Ev’ry Little Star
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein)
compositore:
Jerome Kern
parte di:
Music in the Air
Linda Scott2:16
18Sandy
Larry Hall2:25
19You Don't Know What You've Got (Until You Lose It)
registrazione di:
You Don’t Know What You’ve Got (Until You Lose It)
autore:
George Burton (US songwriter) e Paul Hampton (US singer/songwriter composer and actor)
Ral Donner32:15
20Hurt
registrazione cover di:
Hurt
autore:
Jimmie Crane e Al Jacobs (US songwriter)
editore:
Deb‐Mi Publishing Co. (ASCAP‐affiliated), EMI Miller Catalog, Inc. e Miller Music Corp.
Timi Yuro2:30
21A Million to One
Jimmy Charles2:32
22El Paso
produttore:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) e Don Law
registrazione di:
El Paso (il 1959-04-07)
paroliere e compositore:
Marty Robbins
editore:
Chappell & Co., Inc. (USA), Hill & Range Songs, Inc. (publisher), Mariposa Music Inc. (publisher), Unichappell Music, Inc. e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Marty Robbins54:40

Accreditamenti

Gruppo di pubblicazioni

parte di:AM Gold (Time-Life Music) (numero: 19) (ordine: 19)