AA302: From Composition to Performance: Musicians at Work (block 3: maroon)

~ Veröffentlichung von The Open University (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

12▼CD
Nr.TitelKünstlerBewertungLänge
1J’os bien a m’amie parler
Chorgesang:
Early Music Consort of London
conductor:
David Munrow (UK early music historian & musician)
Interpret(in):
Early Music Consort of London
recording of:
J’os bien a m’amie parler
Komponist(in):
Adam de la Halle (French poet-composer trouvère, fl. 13th century)
Adam de la Halle1:54
2Vos quid admiramini, virgines / Gratissima virginis species / Gaude gloriosa
Interpret(in):
Benjamin Bagby, Sequentia (early music ensemble) und Barbara Thornton
Philippe de Vitry2:00
3Ay mi! dame de valour
vocals:
Gothic Voices (UK vocal group specialising in 11th–15th c. repertoire)
conductor:
Christopher Page (conductor and medieval music scholar)
Guillaume de Machaut2:59
4Trotto
Produzent(in):
Michael Bremner (producer/engineer)
Bratsche / Viola:
Oliver Brookes
crumhorn, recorder und shawm:
David Munrow (UK early music historian & musician)
Fidel:
Mary Remnant
Harfe, Orgel und Perkussion:
Christopher Hogwood (conductor, harpsichordist)
Laute:
Robert Spencer (English lutenist, guitarist & musicologist)
Posaune:
Alan Lumsden
Countertenorgesang:
James Bowman (UK countertenor)
Tenor-Gesang:
Martyn Hill (tenor) und Nigel Rogers (tenor)
Orchester:
Early Music Consort of London
conductor:
David Munrow (UK early music historian & musician)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1970)
aufgenommen bei:
Decca Studios: Studio 3 in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Trotto (From a document in the British Library in London, Add MS 29987)
Komponist(in):
[anonymous] (special purpose artist)
[anonymous]1:47
5Ecco la Primavera
Orchester und Interpret(in):
Early Music Consort of London
conductor:
David Munrow (UK early music historian & musician)
recording of:
Ecco la primavera
Komponist(in):
Francesco Landini (Italian composer, singer, organist & poet, ca. 1325-1397)
Francesco Landini1:17
6Dye not before thy day
Techniker(in):
Iain Churches
Produzent(in):
Peter Wadland (producer)
Laute:
Anthony Rooley (lute player / conductor) (in 1976-11)
Tenor-Gesang:
Martyn Hill (tenor) (in 1976-11)
conductor:
Anthony Rooley (lute player / conductor)
Interpret(in):
The Consort of Musicke (British early-music group) (in 1976-11)
aufgenommen bei:
Decca Studio No.3 in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1976-11)
recording of:
The Second Booke of Songs or Ayres, No. 4: "Die not before thy day" (in 1976-11)
Komponist(in):
John Dowland (English Renaissance composer, lutenist, and singer) (in 1600)
Teil von:
The Second Booke of Songs or Ayres
John Dowland1:59
7Fantasia in G minor
Clavichord:
David Rowland (chorus master)
Carl Philipp Emanuel Bach2:57
8Fantasia in G minor
Klavier:
Gerald Hendrie
Carl Philipp Emanuel Bach4:20
9Sonata in E minor, K.9 (ed. Edgar Moy)
Domenico Scarlatti3:31
10Sonata in D minor, K.9 (ed. Kenneth Gilbert)
Cembalo:
David Rowland (chorus master)
Domenico Scarlatti2:58
11Fantasia for 3 viols, no.11
Instrumente:
English Fantasie (viol consort)
Thomas Lupo1:49
12Come Again: Sweet Love Doth Now Invite
Laute:
Desmond Dupré (lutenist and viola da gamba player)
Countertenorgesang:
Alfred Deller (countertenor)
recording of:
The First Booke of Songs or Ayres, No. 17: "Come Again: Sweet Love Doth Now Invite"
Komponist(in):
John Dowland (English Renaissance composer, lutenist, and singer) (in 1597)
Teil von:
The First Booke of Songs or Ayres
John Dowland2:28
13Requiem, K.623: Dies Irae
Chorgesang:
Boston Early Music Festival Chorus
Orchester:
Boston Early Music Festival Orchestra
conductor:
Andrew Parrott (conductor)
Wolfgang Amadeus Mozart1:57
14Cantata No.68, aria ‘Mein gläubiges Herze’ (extract)
vocals:
Peter Jelosits (tenor)
Orchester:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
Bearbeitung von:
Cantata No 68 "Also hat Gott die Welt geliebt" BWV68 : II. Aria "Mein gläubiges Herze" von Peter Jelosits (tenor), Concentus Musicus Wien, Nikolaus Harnoncourt (conductor)
teilweise recording of:
Kantate, BWV 68 "Also hat Gott die Welt geliebt": II. Aria (Sopran) + Ritornello "Mein gläubiges Herze" (von 1976-01-14 bis 1976-10-24)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
Librettist:
Christiana Mariana von Ziegler (in 1728)
Teil von:
Kantate, BWV 68 "Also hat Gott die Welt geliebt"
Johann Sebastian Bach0:29
15Alessandro: Overture (keyboard arrangement)
Cembalo:
David Rowland (chorus master)
George Frideric Handel2:17
16Messiah: Overture (extract A)
Orchester:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
George Frideric Handel1:14
17Messiah: Overture (extract B)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist)
George Frideric Handel1:35
18Messiah: Overture (extract C)
Orchester:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
George Frideric Handel1:05
19Messiah: Overture (extract D)
Orchester:
Taverner Players
conductor:
Andrew Parrott (conductor)
George Frideric Handel1:45
20Messiah: Overture (extract E)
Orchester:
English Symphony Orchestra (aka English String Orchestra)
George Frideric Handel3:07
21Rinaldo, Act 2:‘Cingetimi d’alloro’
vocals:
Carolyn Watkinson (mezzo-soprano and contralto)
conductor:
Jean‐Claude Malgoire (conductor and oboist)
Interpret(in):
La Grande Écurie et la Chambre du Roy
George Frideric Handel0:34
22Rinaldo, Act l: ‘Goffredo, se t’arrise’
vocals:
Ulrik Cold (operatic bass) und Paul Esswood (countertenor)
conductor:
Jean‐Claude Malgoire (conductor and oboist)
Interpret(in):
La Grande Écurie et la Chambre du Roy
George Frideric Handel1:09
23Orlando, Act 1: ‘O Angelica’
contralto vocals:
Catherine Robbin (Canadian mezzo-soprano)
Soprangesang:
Arleen Augér (soprano) und Emma Kirkby (soprano)
Orchester:
The Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1989-03 bis 1990-07)
George Frideric Handel1:18
24Belshazzar: ‘O sentence too severe’ (Macfarren edition)
Cembalo:
Donald Burrows
Soprangesang:
Zoë Brown (soprano)
George Frideric Handel0:28
25Belshazzar: ‘O sentence too severe’ (Burrows edition)
Cembalo:
Donald Burrows
Soprangesang:
Zoë Brown (soprano)
George Frideric Handel0:26
26Sonatas of III Parts, no. 3: I.
Instrumente:
London Baroque (founded 1978 by Charles Medlam)
Henry Purcell1:22
27Tallis, ‘Why fum’th in fight’: discussion of variants
Sprecher:
Donald Burrows
[dialogue]10:20
28Why fum’th in fight
conductor:
Andrew Parrott (conductor)
Interpret(in):
Taverner Consort
Thomas Tallis0:52
29Sonata in G minor, HWV 360: I. Larghetto
Instrumente:
L’Ecole d’Orphée (UK early music group)
recording of:
Recorder Sonata in G minor, HWV 360, op. 1 no. 2: I. Larghetto
Komponist(in):
George Frideric Handel (German‐British baroque composer)
Teil von:
Recorder Sonata in G minor, op. 1 no. 2, HWV 360
George Frideric Handel2:23
30Messiah: ‘He trusted in God’ (extract)
Chorgesang:
Christ Church Cathedral Choir, Oxford
Orchester:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
George Frideric Handel0:46