California Dreaming: The Cream of L.A.’s Seventies Rock

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1So You Want to Be a Rock ’n’ Roll Star
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1967)
recording of:
So You Want to Be a Rock ’n’ Roll Star
Verfasser(in):
Chris Hillman und Roger McGuinn
publisher:
Tickson Music Co.
The Byrds2:06
2Creeque Alley
Produzent(in):
Lou Adler
produced for:
Dunhill Records USA
recording of:
Creeque Alley
Verfasser(in):
John Phillips (The Mamas & The Papas) und Michelle Phillips
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) und Trousdale Music Pub., Inc.
The Mamas & the Papas3.753:48
3For What It’s Worth
Produzent(in):
Charles Greene (producer) und Brian Stone (producer)
Hintergrundgesang:
Richie Furay und Dewey Martin
vocals:
Stephen Stills
phonographisches Urheberrecht (℗) von:
Warner Music International (trademark of Warner Music International the company) (in 1967) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1969)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 63)
recording of:
For What It’s Worth (am 1966-12-05)
Texter und Komponist(in):
Stephen Stills
publisher:
Cotillion, Cotillion Music Inc. (BMI), Richie Furay Music (BMI), Springalo Toones (BMI), Ten East und Ten‐East Music (BMI)
Buffalo Springfield4.252:35
4Love the One You’re With
Techniker(in):
Andy Johns
Produzent(in):
Bill Halverson und Stephen Stills
Bass:
Calvin Samuels (in 1970-03)
Conga:
Jeff Whittaker (in 1970-03)
Gitarre, Orgel, Perkussion und Sologesang:
Stephen Stills (in 1970-03)
Steel Pan:
Stephen Stills
Hintergrundgesang:
Rita Coolidge (in 1970-03), David Crosby (in 1970-03), Graham Nash (in 1970-03), Priscilla Jones (American folk, rock and pop singer) (in 1970-03) und John Sebastian (in 1970-03)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1970)
aufgenommen bei:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich (in 1970-03)
recording of:
Love the One You’re With (in 1970-03)
Texter und Komponist(in):
Stephen Stills
publisher:
Sony/ATV Music Publishing LLC (1995–2020), Warner Chappell, ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und Gold Hill Music, Inc. (in 1970)
sub-publisher:
EMI Music Publishing Scandinavia AB (in 1997)
Stephen Stills3.53:06
5I Don’t Want to Talk About It
sonstige Unterstützung:
Elliot Roberts und Roland Stone
Techniker(in):
Bruce Botnick
Koproduzent(in):
Bruce Botnick und Jack Nitzsche (American musician and score composer)
Mix:
Henry Lewy
Bass:
Billy Talbot
Gitarre:
Nils Lofgren und Danny Whitten
Keyboard und Klavier:
Jack Nitzsche (American musician and score composer)
Schlagzeug [drums]:
Ralph Molina
Slide-Gitarre:
Ry Cooder
Hintergrundgesang:
Nils Lofgren, Ralph Molina, Jack Nitzsche (American musician and score composer), Billy Talbot und Danny Whitten
Sologesang:
Whitten
arranger:
Crazy Horse (American rock band often working with Neil Young)
aufgenommen bei:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California (Kalifornien), Vereinigte Staaten
mixed at:
A&M Studio “E” in Los Angeles, California (Kalifornien), Vereinigte Staaten
engineered at:
Sunset Sound, Studio 1 in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Wally Heider Studio "D" in San Francisco, California (Kalifornien), Vereinigte Staaten
recording of:
I Don’t Want to Talk About It
Texter und Komponist(in):
Danny Whitten
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Crazy Horse Music und Rondor Music
Crazy Horse5:19
6Fire and Rain
Techniker(in):
Bill Lazerus (in 1969-12)
Produzent(in):
Peter Asher (in 1969-12)
Akustikgitarre und Sologesang:
James Taylor (singer-songwriter and guitarist) (in 1969-12)
Klavier:
Carole King (in 1969-12)
Kontrabass:
Bobby ‘Wild, Wild’ West (in 1969-12)
Schlagzeug:
Russ Kunkel (session drummer) (in 1969-12)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1969)
aufgenommen bei:
Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1969-12)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 146) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 227)
recording of:
Fire and Rain (in 1969-12)
Texter und Komponist(in):
James Taylor (singer-songwriter and guitarist)
publisher:
Country Road Music, Inc. (ASCAP-affiliated) (beendet), EMI Blackwood Music Inc. und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
James Taylor4.33:22
7Blue
recording of:
Blue
publisher:
Joni Mitchell
Texter und Komponist(in):
Joni Mitchell
Joni Mitchell2:57
8Sweet Surrender
Techniker(in):
Stan Agol und Chris Huston
Produzent(in):
Jerry Goldstein (producer, record label owner and publisher)
Bass:
Chuck Rainey (American bassist) (in 1972-05)
Bratsche / Viola:
Harry Hyams (in 1972-05) und Ralph Schaeffer (in 1972-05)
Cello:
Jesse Ehrlich (in 1972-05)
Conga:
King Errisson (conguero) (in 1972-05)
Geige / Violine:
Robert Konrad (in 1972-05), William Kurasch (in 1972-05) und Louis Kievman (violist) (in 1972-05)
Gitarre:
Joe Falsia (Producer, songwriter, guitarist) (in 1972-05)
Schlagzeug:
Ed Greene (drummer) (in 1972-05)
zwölfsaitige Gitarre:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (in 1972-05)
vocals:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (in 1972-05)
Saiteninstrumente [string] arranger:
Joe Falsia (Producer, songwriter, guitarist) (in 1972-05)
aufgenommen bei:
Far Out Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1972-05)
remixed at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Sweet Surrender
Texter und Komponist(in):
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
Tim Buckley6:45
9Mama Told Me Not to Come
Techniker(in):
Doug Botnick und Lee Herschberg
Produzent(in):
Russ Titelman und Lenny Waronker
Mix:
Doug Botnick, Lee Herschberg und Bob Kovach
Editing:
Bob Kovach
arranger:
Randy Newman (American singer‐songwriter and score composer)
aufgenommen bei:
Bitter End East in Greenwich Village, New York, New York, Vereinigte Staaten (in 1970-09)
live recording of:
Mama Told Me (Not to Come) (in 1970-09)
Texter und Komponist(in):
Randy Newman (American singer‐songwriter and score composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), January Music, January Music Corp., Supersongs Unlimited, Unichappell Music, Inc. und Warner/Chappell North America
recording of:
Mama Told Me (Not to Come)
Texter und Komponist(in):
Randy Newman (American singer‐songwriter and score composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), January Music, January Music Corp., Supersongs Unlimited, Unichappell Music, Inc. und Warner/Chappell North America
Randy Newman2:11
10Love Has No Pride
recording engineer:
Kendall “Do the Dog” Pacios
Techniker(in):
Nick Jameson und Kendall “Do the Dog” Pacios
Produzent(in):
Michael Cuscuna
Akustikgitarre und Klavier:
Bonnie Raitt (in 1972-06)
Fretless Bass [Fender fretless bass]:
Freebo (in 1972-06)
vocals:
Bonnie Raitt (in 1972-06)
remixer:
Nick Jameson und Kendall “Do the Dog” Pacios
aufgenommen bei:
Bearsville Studios in Bearsville, New York, Vereinigte Staaten (in 1972-06)
recording of:
Love Has No Pride (in 1972-06)
Verfasser(in):
Eric Kaz und Libby Titus
publisher:
Glasco Music Company
Bonnie Raitt43:47
11Chuck E.’s in Love
recording of:
Chuck E.’s in Love
Texter und Komponist(in):
Rickie Lee Jones
publisher:
Blue Raincoat Songs Ltd., Easy Money Music, Reservoir Media Music, Rondor Music (Australia) Pty Ltd, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Rickie Lee Jones3:29
12Midnight at the Oasis
Techniker(in):
Lee Herschberg und Donn Landee
Produzent(in):
Joe Boyd (US producer, founder of Hannibal Records) und Lenny Waronker
Mix:
Lee Herschberg
Akustikgitarre:
David Nichtern
Bassgitarre:
Freebo
E-Gitarre:
Amos Garrett
Klavier:
Mark T. Jordan
Schlagzeug:
Jim Gordon (US drummer with Derek and the Dominos)
Sprecher:
Greg Prestopino
vocals:
Maria Muldaur
Saiteninstrumente arranger:
Nick de Caro
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Midnight at the Oasis
Texter und Komponist(in):
David Nichtern
publisher:
Space Potato Music (in 1974)
Maria Muldaur43:47
13Desperado
Techniker(in):
John Haeny
Produzent(in):
J.D. Souther
Mix:
Al Schmitt
Bass:
Chris Ethridge
E-Gitarre:
J.D. Souther
Klavier:
Spooner Oldham
Posaune:
Gail Martin
Schlagzeug:
Dennis St. John
Trompete:
Darrell Leonard und Mac Johnson
Hintergrundgesang:
Clydie King, Sherlie Matthews (US vocalist) und Marti McCall (session vocalist)
Horn und Saiteninstrumente arranger:
Jim Ed Norman
cover recording of:
Desperado
Verfasser(in):
Glenn Frey (US musician/singer/songwriter, member of the Eagles) und Don Henley
publisher:
Benchmark Music, Cass County Music, Kicking Bear, Neue Welt Musikverlag GmbH (2017 – present), Red Cloud Music, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und Warner Bros. Music GmbH (publisher) (in 1981)
Linda Ronstadt3:33
14Postcards From Hollywood
recording of:
Postcards From Hollywood
Texter und Komponist(in):
Ned Doheny
Ned Doheny5:17
15Black Rose
recording engineer und Mix:
Val Garay
assistierende(r) Techniker(in):
Greg Ladanyi
Produzent(in):
Peter Asher
Akustikgitarre:
John David Souther
Bass:
Paul Stallworth
E-Gitarre [electric guitar (left)]:
Waddy Wachtel
E-Gitarre [electric guitar (right)] und Solo-Gitarre:
Danny Kootch
Klavier:
Andrew Gold
Schlagzeug:
Jim Keltner
Hintergrundgesang:
Ned Doheny, Glenn Frey (US musician/singer/songwriter, member of the Eagles), Don Henley und John David Souther
phonographisches Urheberrecht (℗) von:
Asylum Records (Warner Music subsidiary) (in 1976)
aufgenommen bei und mixed at:
Sound Factory (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Black Rose
Texter und Komponist(in):
J.D. Souther
publisher:
Benchmark Music (in 1976) und Golden Spread Music (in 1976)
J.D. Souther3:51
16Jesus Was a Cross Maker
Produzent(in):
John Beck (producer & member of The Leaves), Henry Lewy und Jim Pons
Gitarre und Sologesang:
Judee Sill
Hintergrundgesang:
Rita Coolidge, Venetta Fields und Clydie King
Orchestrator(in):
Don Bagley und Bob Harris (pianist/songwriter, played keyboards with Frank Zappa in May–Aug 1971)
recording of:
Jesus Was a Crossmaker
Texter und Komponist(in):
Judee Sill
publisher:
EMI Blackwood Music Inc.
Judee Sill3:27
17Life’s Greatest Fool
Bass:
Leland Sklar (bassist, session musician)
Gitarre:
Stephen Bruton (guitarist, producer, singer and songwriter), Gene Clark (US singer-songwriter; founder of The Byrds), Jesse ‘Ed’ Davis und Jerry McGee
Keyboard [keyboards]:
Michael Utley (musician, songwriter, and record producer)
Perkussion:
Joe Lala
Schlagzeug:
Russ Kunkel (session drummer)
Hintergrundgesang:
Ronnie Barron, Cindy Bullens (American singer-songwriter), Venetta Fields, Clydie King, Claudia Lennear, Shirley Matthews (Canadian pop singer) und Carlena Williams
Sologesang:
Gene Clark (US singer-songwriter; founder of The Byrds)
recording of:
Life’s Greatest Fool
Texter und Komponist(in):
Gene Clark (US singer-songwriter; founder of The Byrds)
Gene Clark4:41
18Dixie Chicken
Produzent(in):
Lowell George
vocals:
Lowell George
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1973)
recording of:
Dixie Chicken
Verfasser(in):
Lowell George und Martin Kibbee (singer-songwriter)
publisher:
Naked Snake Music
Little Feat43:56
19Miles Away
recording of:
Miles Away
Texter und Komponist(in):
Marc Cohn
Marc Cohn3:23
20Alone Again Or
Techniker(in):
Bruce Botnick
Produzent(in):
Bruce Botnick und Arthur Lee
Akustikgitarre und Sologesang:
Bryan MacLean (am 1967-09-10)
E-Bass:
Ken Forssi (am 1967-09-10)
Schlagzeug:
Michael Stuart-Ware (US drummer for Love) (am 1967-09-10)
zusätzlich Sologesang:
Arthur Lee (in 1967-09)
Horn arranger und Saiteninstrumente arranger:
David Angel (composer and arranger) (am 1967-09-10)
aufgenommen bei:
Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1967-09-10)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 436)
recording of:
Alone Again Or (am 1967-09-10)
Texter und Komponist(in):
Bryan MacLean
Love4.23:14
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ASIN:UK: B000PLXF9C [Info]