Romance: Songs From the Heart

~ Veröffentlichung von Frank Sinatra (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1I’ve Got You Under My Skin
Produzent(in):
Voyle Gilmore
alto saxophone:
Harry Klee (am 1956-01-12) und Wilbur Schwartz (am 1956-01-12)
baritone saxophone:
Morton Friedman (am 1956-01-12)
Bass:
Joe Comfort (am 1956-01-12)
Bassposaune:
George Roberts (american bass trombone) (am 1956-01-12)
Bratsche / Viola:
Alvin Dinkin (am 1956-01-12), Maxine Johnson (am 1956-01-12) und Milton Thomas (violist) (am 1956-01-12)
Cello:
Ennio Bolognini (Argentine-American cellist and composer) (am 1956-01-12), Edgar Lustgarten (am 1956-01-12) und Eleanor Slatkin (US cellist, b. Aller) (am 1956-01-12)
Geige / Violine:
Victor Bay (am 1956-01-12), Alex Beller (am 1956-01-12), Walter Edelstein (am 1956-01-12), Henry Hill (Violin player) (am 1956-01-12), Alex Murray (violinist) (am 1956-01-12), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (am 1956-01-12), Nathan Ross (am 1956-01-12), Mischa Russell (violinist) (am 1956-01-12), Paul Shure (am 1956-01-12) und Felix Slatkin (am 1956-01-12)
Gitarre:
George van Eps (am 1956-01-12)
Harfe:
Kathryn Julye (am 1956-01-12)
Klavier:
Bill Miller (pianist) (am 1956-01-12)
Posaune:
Milt Bernhart (am 1956-01-12), Jimmy Priddy (am 1956-01-12) und Juan Tizol (am 1956-01-12)
Schlagzeug:
Irving Cottler (am 1956-01-12)
Tenorsaxophon:
Justin Gordon (am 1956-01-12) und James Williamson (Saxophone player) (am 1956-01-12)
Trompete:
Harry “Sweets” Edison (am 1956-01-12), Conrad Gozzo (am 1956-01-12), Manny Klein (am 1956-01-12) und Vito "Mickey" Mangano (am 1956-01-12)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-01-12)
Orchester:
The Nelson Riddle Orchestra (am 1956-01-12)
conductor:
Nelson Riddle (am 1956-01-12)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-01-12)
cover recording of:
I’ve Got You Under My Skin (am 1956-01-12)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
43:43
2Time After Time
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
Orchester:
The Nelson Riddle Orchestra
aufgenommen bei:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (in 1953-04)
recording of:
Time After Time
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
publisher:
Chappell/Morris Ltd. und Sands Music Corp.
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
33:29
3Day by Day
recording of:
Day by Day
Texter:
Sammy Cahn
Komponist(in):
Axel Stordahl und Paul Weston
publisher:
Barton Music Corp. und Hanover Music Corp.
2:39
4All the Way
Produzent(in):
Dave Cavanaugh
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1957-08-13)
Orchester:
The Nelson Riddle Orchestra (am 1957-08-13)
conductor:
Nelson Riddle (am 1957-08-13)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-08-13)
recording of:
All the Way (from “The Joker Is Wild”) (am 1957-08-13)
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
Barton Music Corporation OBO Maraville Music Corp, Maraville Music Corp., The International Music Network und Universal Music Corp. OBO Van Heusen Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
Teil von:
The 30th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1957 winner)
2.52:53
5Too Marvelous for Words
recording of:
Too Marvelous for Words
Texter:
Johnny Mercer (in 1937)
Komponist(in):
Richard A. Whiting (composer) (in 1937)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) und Harms, Inc. (am 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:29
6My Funny Valentine
recording of:
My Funny Valentine (from “Babes in Arms”)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) und Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Teil von:
Waiting to Exhale (1995 film)
2:33
7Love Is Here to Stay
Produzent(in):
Voyle Gilmore
Bass:
Joe Comfort (am 1955-10-17)
Bassposaune:
George Roberts (american bass trombone) (am 1955-10-17)
Bratsche / Viola:
Maxine Johnson (am 1955-10-17), Paul Robyn (am 1955-10-17) und Dave Sterkin (am 1955-10-17)
Cello:
Ennio Bolognini (Argentine-American cellist and composer) (am 1955-10-17), Ray Kramer (am 1955-10-17) und Eleanor Slatkin (US cellist, b. Aller) (am 1955-10-17)
Geige / Violine:
Victor Bay (am 1955-10-17), Alex Beller (am 1955-10-17), Sam Cytron (am 1955-10-17), Robert E. Gross (am 1955-10-17), Henry Hill (Violin player) (am 1955-10-17), Dan Lube (am 1955-10-17), Alex Murray (violinist) (am 1955-10-17), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (am 1955-10-17), Erno Neufeld (am 1955-10-17) und Mischa Russell (violinist) (am 1955-10-17)
Gitarre:
George van Eps (am 1955-10-17)
Harfe:
Kathryn Julye (am 1955-10-17)
Klavier:
William (Bill) Miller (pianist) (am 1955-10-17)
Perkussion:
Frank Flynn (am 1955-10-17)
Posaune:
Jim Priddy (am 1955-10-17), Dick Noel (trombone) (am 1955-10-17) und Paul Tanner (am 1955-10-17)
Rohrblattinstrumente:
Mahlon Clark (am 1955-10-17), Justin Gordon (am 1955-10-17), Robert Lawson (am 1955-10-17), Wilbur Schwartz (am 1955-10-17) und Warren Webbe (am 1955-10-17)
Schlagzeug:
Irv Cottler (am 1955-10-17)
Trompete:
Harry “Sweets” Edison (am 1955-10-17), John Best (jazz trumpeter) (am 1955-10-17), Shorty Sherock (am 1955-10-17) und Zeke Zarchy (am 1955-10-17)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1955-10-17)
Orchester:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (am 1955-10-17)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-10-17)
cover recording of:
Love Is Here to Stay (am 1955-10-17)
Texter:
Ira Gershwin
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28), Gershwin Publishing Corp (in 1938) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The Goldwyn Follies
32:41
8I’ve Got a Crush on You
recording of:
I’ve Got a Crush on You
Texter:
Ira Gershwin (in 1928)
Komponist(in):
George Gershwin (composer) (in 1928)
publisher:
New World Music Corp. (beendet), Warner Bros. Music Corp. (beendet), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (von 2019-05-28 bis 2024-01-01)
Teil von:
Treasure Girl (1928 musical)
12:17
9Cheek to Cheek
Produzent(in):
Dave Cavanaugh
Gitarre:
Al Hendrickson
Holzblasinstrumente und Saxophon:
Bill Ulyate, Buddy Collette, Fred Falensby, Skeets Herfurt und Irving “Babe” Russin
Klavier:
Bill Miller (pianist)
Kontrabass:
Keith Mitchell (jazz double-bassist, composer and lyricist)
Posaune:
Ed Kusby, Murray McEachern, Pullman “Tommy” Pederson und Si Zentner
Schlagzeug:
Irv Cottler
Trompete:
Pete Candoli, Conrad Gozzo, Manny Klein und Shorty Sherock
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1958-12-22)
Orchester:
The Billy May Orchestra (am 1958-12-22)
conductor:
Billy May (am 1958-12-22)
arranger:
Billy May
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1958-12-22)
cover recording of:
Cheek to Cheek (from “Top Hat”) (am 1958-12-22)
Texter und Komponist(in):
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
Academy Award for Best Original Song (Nummer: 1935 nominee)
Teil von:
Top Hat (1935 film)
recording of:
Cheek to Cheek (from “Top Hat”)
Texter und Komponist(in):
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
Academy Award for Best Original Song (Nummer: 1935 nominee)
Teil von:
Top Hat (1935 film)
13:07
10Try a Little Tenderness
recording of:
Try a Little Tenderness
Texter:
James Campbell (British songwriter and music publisher) und Reginald Connelly
Komponist(in):
Harry M. Woods (American 1920/30s songwriter)
publisher:
BMG Recordi ex Recordi G.&C., EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Warner Chappell und Campbell Connelly & Co. Ltd. (am 1932-11-04)
3:23
11I Wish I Were in Love Again
recording of:
I Wish I Were in Love Again
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell Music (UK)
Teil von:
Babes in Arms (full musical)
2:29
12Angel Eyes
recording of:
Angel Eyes (1946 jazz standard)
Texter:
Earl Brent (in 1946)
Komponist(in):
Matt Dennis (American singer, pianist, band leader) (in 1946)
publisher:
Bradshaw Music, Inc., Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent), Music Sales Corporation (American copyright holder in both popular and classical music) und Onyx Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
3:45
13In the Wee Small Hours of the Morning
recording engineer:
John Palladino
Produzent(in):
Voyle Gilmore
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Paul Robyn und Dave Sterkin
Cello:
Ray Kramer, Edgar Lustgarten, Kurt Reher (cellist) und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Victor Bay, Alex Beller, Harry Bluestone, Walter Edelstein, David Frisina, Henry Hill (Violin player), Erno Neufeld, Nathan Ross, Mischa Russell (violinist), Paul Shure, Felix Slatkin und Marshall Sosson
Gitarre:
George van Eps
Harfe:
Kathryn Julye
Klavier:
Bill Miller (pianist)
Kontrabass:
Morty Corb (bass, USA) und Meyer "Mike" Rubin (US bassist 1930s - 1960s)
Schlagzeug:
Louis Singer (percussionist)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1955-02-17)
Orchester:
The Nelson Riddle Orchestra (am 1955-02-17)
conductor:
Nelson Riddle (am 1955-02-17)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-02-17)
recording of:
In the Wee Small Hours of the Morning (am 1955-02-17)
Texter:
Bob Hilliard
Komponist(in):
David Mann (American songwriter)
publisher:
Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Redd Evans Music Company und Rytvoc, Inc. (ASCAP)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und 日音 Synch事業部 (NICHION, INC. Synch Division)
Teil von:
The Real Book (compilation of jazz standards, volume I)
33:01
14As Time Goes By
Produzent(in):
Dave Cavanaugh (am 1961-09-12)
Bassposaune:
George Roberts (american bass trombone) (am 1961-09-12)
Bratsche / Viola:
Alvin Dinkin (am 1961-09-12), Virginia Majewski (violist) (am 1961-09-12), Alexander Neiman (violist) (am 1961-09-12) und Paul Robyn (am 1961-09-12)
Cello:
Joseph DiTullio (cellist) (am 1961-09-12), Edgar Lustgarten (am 1961-09-12), Kurt Reher (cellist) (am 1961-09-12) und Eleanor Slatkin (US cellist, b. Aller) (am 1961-09-12)
Geige / Violine:
Victor Arno (am 1961-09-12), Israel Baker (American violinist) (am 1961-09-12), Harry Bluestone (am 1961-09-12), Herman Clebanoff (am 1961-09-12), David Frisina (am 1961-09-12), Ben Gill (am 1961-09-12), Anatol Kaminsky (am 1961-09-12), Dan Lube (am 1961-09-12), Erno Neufeld (am 1961-09-12), Lou Raderman (am 1961-09-12), Nathan Ross (am 1961-09-12) und Felix Slatkin (am 1961-09-12)
Gitarre:
Al Viola (am 1961-09-12)
Harfe:
Veryle Brilhart (am 1961-09-12)
Klavier:
Bill Miller (pianist) (am 1961-09-12)
Kontrabass:
Joe Comfort (am 1961-09-12)
Perkussion:
Emil Richards (am 1961-09-12)
Posaune:
Milt Bernhart (am 1961-09-12), Dick Nash (am 1961-09-12) und Dick Noel (trombone) (am 1961-09-12)
Rohrblattinstrumente:
Gene Cipriano (am 1961-09-12), Justin Gordon (am 1961-09-12), Harry Klee (am 1961-09-12), Ronnie Lang (am 1961-09-12), Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1961-09-12), Irving “Babe” Russin (am 1961-09-12) und Wilbur Schwartz (am 1961-09-12)
Schlagzeug:
Irv Cottler (am 1961-09-12)
Trompete:
Pete Candoli (am 1961-09-12), Vito N. Mangano (am 1961-09-12), Uan Rasey (am 1961-09-12) und Rubin "Zeke" Zarchy (am 1961-09-12)
Waldhorn:
John Cave (french horn) (am 1961-09-12), Vincent DeRosa (am 1961-09-12) und Richard Perissi (am 1961-09-12)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-09-12)
Orchester:
Axel Stordahl and His Orchestra (am 1961-09-12)
conductor:
Axel Stordahl (am 1961-09-12)
arranger:
Axel Stordahl (am 1961-09-12)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-09-12)
cover recording of:
As Time Goes By (the song from “Casablanca”) (am 1961-09-12)
Texter und Komponist(in):
Herman Hupfeld
publisher:
WB Music Corp. (1929–2019) (beendet), Chappell (library/production music), Redwood Music, Redwood Music Ltd. (Carlin), Warner Bros., Inc. (Warner Bros. Music Division) und Warner Bros., Inc. (not for release label use!) (in 1931)
sub-publisher:
香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
Teil von:
Casablanca (original soundtrack of the 1942 American film)
23:19
15At Long Last Love
Produzent(in):
Voyle Gilmore
alto saxophone:
Harry Klee und Wilbur Schwartz
baritone saxophone:
Joe Koch
Bratsche / Viola:
Alvin Dinkin, Maxine Johnson und Dave Sterkin
Cello:
Cy Bernard, Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Victor Bay, Alex Beller, Erno Neufeld, Lou Raderman, Nathan Ross, Mischa Russell (violinist), Paul Shure, Felix Slatkin, Marshall Sosson und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Nick Bonney (guitarist)
Harfe:
Kathryn Julye
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Comfort
Posaune:
George Arus, Ed Kusby und Dick Noel (trombone)
Schlagzeug:
Alvin Stoller
Tenorsaxophon:
Ted Nash (75- US saxophonist, the nephew)
Trompete:
Harry “Sweets” Edison, Conrad Gozzo, Mickey Mangano und Shorty Sherock
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
Orchester:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle
Orchestrator(in):
Nelson Riddle
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-11-20)
cover recording of:
At Long Last Love (am 1956-11-20)
Texter und Komponist(in):
Cole Porter (composer) (in 1938)
publisher:
Chappell & Co., Inc. (USA)
Teil von:
You Never Know
recording of:
At Long Last Love
Texter und Komponist(in):
Cole Porter (composer) (in 1938)
publisher:
Chappell & Co., Inc. (USA)
Teil von:
You Never Know
2.52:25
16I’ll Be Seeing You
Produzent(in):
Dave Cavanaugh (am 1961-09-11)
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Virginia Majewski (violist), Alexander Neiman (violist) und Paul Robyn
Cello:
Ray Kramer, Edgar Lustgarten, Kurt Reher (cellist) und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Victor Arno, Israel Baker (American violinist), Herman Clebanoff, David Frisina, Ben Gill, Anatol Kaminsky (Violinist), Dan Lube, Erno Neufeld, Lou Raderman, Nathan Ross, Felix Slatkin und Marshall Sosson
Gitarre:
Al Viola
Harfe:
Verlye Mills
Holzblasinstrumente und Saxophon:
Gene Cipriano, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Harry Klee, Ronny Lang, Ted Nash (75- US saxophonist, the nephew), Irving “Babe” Russin und Wilbur Schwartz
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Comfort
Perkussion:
Emil Richards
Posaune:
Milt Bernhart, Dick Nash und Dick Noel (trombone)
Schlagzeug:
Irv Cottler
Trompete:
Pete Candoli, Vito N. Mangano, Rubin "Zeke" Zarchy und Jimmy Zito
Waldhorn:
John Cave (french horn), Vincent DeRosa und Richard Perissi
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-09-11)
Orchester:
Axel Stordahl and His Orchestra (am 1961-09-11)
conductor:
Axel Stordahl (am 1961-09-11)
arranger:
Axel Stordahl (am 1961-09-11)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-09-11)
cover recording of:
I’ll Be Seeing You (am 1961-09-11)
Texter:
Irving Kahal (in 1938)
Komponist(in):
Sammy Fain (in 1938)
publisher:
Fain Music (ASCAP), New Irving Kahal Music und Williamson Music Company
sub-publisher:
フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
recording of:
I’ll Be Seeing You (am 1961-09-11)
Texter:
Irving Kahal (in 1938)
Komponist(in):
Sammy Fain (in 1938)
publisher:
Fain Music (ASCAP), New Irving Kahal Music und Williamson Music Company
sub-publisher:
フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
12:48
17Almost Like Being in Love
recording of:
Almost Like Being in Love (from “Brigadoon”)
Texter:
Alan Jay Lerner
Komponist(in):
Frederick Loewe
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., Sam Fox Publishing Co. (London) Ltd., Sam Fox Publishing Company (publisher; do NOT use as release label), WC Music Corp., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
Brigadoon (complete musical)
12:02
18Embraceable You
recording of:
Embraceable You
Texter:
Ira Gershwin (in 1928)
Komponist(in):
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (von 2019-05-28 bis 2024-01-01)
Teil von:
Crazy for You (1992 musical)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
When the Boys Meet the Girls (1965 film)
3:24
19Nice ’n’ Easy (alternate take, previously unreleased)
recording of:
Nice ’n’ Easy
Texter:
Alan Bergman (American lyricist) und Marilyn Bergman
Komponist(in):
Lew Spence
publisher:
Spirit Two Music (beendet), Threesome Music Company (beendet), Warner Bros. Music Corp. (beendet), Eddie Shaw Music Co., Fantasy Mus. Co., Spence Lew Music und Spirit Two Music Crescendo
32:44
20Where or When
recording of:
Where or When (from “Babes in Arms”)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.), Williamson Music Company und Chappell & Co. (in 1937)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
2:33
21If You Are but a Dream
recording of:
If You Are But a Dream
Texter und Komponist(in):
Nat Bonx, Jack Fulton (US jazz trombonist, composer & vocalist) und Moe Jaffe (songwriter / bandleader)
publisher:
Barton Music Corp.
3:54

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Veröffentlichung

ASIN:US: B000KP62HK [Info]