Don Giovanni

~ Veröffentlichung von Mozart; Andreas Schmidt, Gregory Yurisich, Amanda Halgrimson, Lynne Dawson, John Mark Ainsley, Nancy Argenta, Gerald Finley, Alastair Miles, London Classical Players, Roger Norrington (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼CD: Atto Primo (Prague version)
Nr.TitelKünstlerBewertungLänge
1Il dissoluto punito, ossia il Don Giovanni, K. 527: Ouverture. Andante - allegro molto
Techniker(in):
Chris Ludwinski (in 1992-08)
assistierende(r) Produzent(in):
Rosemary Lowther (Aufgabe: production assistant)
Produzent(in):
David R. Murray
Editing:
Tim Handley (engineer/editor/producer) und Mary Hughes (editor, engineer)
Orchester:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
Tonmeister(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1992-08)
recording of:
Don Giovanni: Ouvertura (in 1992-08)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1787)
Teil von:
Il dissoluto punito, ossia il Don Giovanni, K. 527 (Don Giovanni)
Wolfgang Amadeus Mozart5:13
2Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene I. No. 1 Introduzione "Notte e giorno faticar" (Leporello)
Techniker(in):
Chris Ludwinski (in 1992-08)
assistierende(r) Produzent(in):
Rosemary Lowther (Aufgabe: production assistant)
Produzent(in):
David R. Murray
Editing:
Tim Handley (engineer/editor/producer) und Mary Hughes (editor, engineer)
Bass-Gesang:
Gregory Yurisich (baritone) (in 1992-08)
Orchester:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
Tonmeister(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1992-08)
recording of:
Don Giovanni: Atto I. No. 1 Introduzione “Notte e giorno faticar” (Leporello) / “Non sperar se non m’uccidi” – “Lasciala indegno” – “Ah soccorso” (Donna Anna, Don Giovanni, Leporello, Commendatore) (in 1992-08)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart4:51
3Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene II. Recitativo "Leporello, ove sei?" (Don Giovanni, Leporello)
Techniker(in):
Chris Ludwinski (in 1992-08)
assistierende(r) Produzent(in):
Rosemary Lowther (Aufgabe: production assistant)
Produzent(in):
David R. Murray
Editing:
Tim Handley (engineer/editor/producer) und Mary Hughes (editor, engineer)
Baritongesang:
Andreas Schmidt (bass-baritone & teacher) (in 1992-08)
Bass-Gesang:
Gregory Yurisich (baritone) (in 1992-08)
Orchester:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
Tonmeister(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1992-08)
recording of:
Don Giovanni: Atto I. Recitativo “Leporello, ove sei?” (Don Giovanni, Leporello) (in 1992-08)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart0:30
4Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene II. Recitativo "Ah del padre in periglio" / Scene III. No. 2 Recitativo accompagnato "Ma qual mai s'offre, oh Dei" (Donna Anna, Don Ottavio)
Techniker(in):
Chris Ludwinski (in 1992-08)
assistierende(r) Produzent(in):
Rosemary Lowther (Aufgabe: production assistant)
Produzent(in):
David R. Murray
Editing:
Tim Handley (engineer/editor/producer) und Mary Hughes (editor, engineer)
Soprangesang:
Amanda Halgrimson (soprano) (in 1992-08)
Tenor-Gesang:
John Mark Ainsley (tenor) (in 1992-08)
Orchester:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
Tonmeister(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1992-08)
recording of:
Don Giovanni: Atto I. No. 2 Recitativo accompagnato “Ma qual mai s’offre, oh Dei” (Donna Anna, Don Ottavio) (in 1992-08)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:16
5Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene III. No. 2 Duetto "Fuggi, crudele, fuggi!" (Donna Anna, Don Ottavio)
Techniker(in):
Chris Ludwinski (in 1992-08)
assistierende(r) Produzent(in):
Rosemary Lowther (Aufgabe: production assistant)
Produzent(in):
David R. Murray
Editing:
Tim Handley (engineer/editor/producer) und Mary Hughes (editor, engineer)
Soprangesang:
Amanda Halgrimson (soprano) (in 1992-08)
Tenor-Gesang:
John Mark Ainsley (tenor) (in 1992-08)
Orchester:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
Tonmeister(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1992-08)
recording of:
Don Giovanni: Atto I. No. 2 Duetto “Fuggi, crudele, fuggi!” (Donna Anna, Don Ottavio) (in 1992-08)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:25
6Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene IV. Recitativo "Orsù, spicciati presto" (Don Giovanni, Leporello)
Techniker(in):
Chris Ludwinski (in 1992-08)
assistierende(r) Produzent(in):
Rosemary Lowther (Aufgabe: production assistant)
Produzent(in):
David R. Murray
Editing:
Tim Handley (engineer/editor/producer) und Mary Hughes (editor, engineer)
Baritongesang:
Andreas Schmidt (bass-baritone & teacher) (in 1992-08)
Bass-Gesang:
Gregory Yurisich (baritone) (in 1992-08)
Orchester:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
Tonmeister(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1992-08)
recording of:
Don Giovanni: Atto I. Recitativo “Orsù, spicciati presto” (Don Giovanni, Leporello) (in 1992-08)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:20
7Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene V. No. 3 Aria "Ah chi mi dice mai" (Donna Elvira)
Techniker(in):
Chris Ludwinski (in 1992-08)
assistierende(r) Produzent(in):
Rosemary Lowther (Aufgabe: production assistant)
Produzent(in):
David R. Murray
Editing:
Tim Handley (engineer/editor/producer) und Mary Hughes (editor, engineer)
Soprangesang:
Lynne Dawson (soprano) (in 1992-08)
Orchester:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
Tonmeister(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1992-08)
recording of:
Don Giovanni: Atto I. No. 3 Aria “Ah chi mi dice mai” (Donna Elvira) (in 1992-08)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:29
8Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene V. Recitativo "Chi è la? Stelle! che vedo" (Donna Elvira, Don Giovanni, Leporello)
Techniker(in):
Chris Ludwinski (in 1992-08)
assistierende(r) Produzent(in):
Rosemary Lowther (Aufgabe: production assistant)
Produzent(in):
David R. Murray
Editing:
Tim Handley (engineer/editor/producer) und Mary Hughes (editor, engineer)
Baritongesang:
Andreas Schmidt (bass-baritone & teacher) (in 1992-08)
Bass-Gesang:
Gregory Yurisich (baritone) (in 1992-08)
Soprangesang:
Lynne Dawson (soprano) (in 1992-08)
Orchester:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
Tonmeister(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1992-08)
recording of:
Don Giovanni: Atto I. Recitativo “Chi è là? Stelle! che vedo” (Donna Elvira, Don Giovanni, Leporello) (in 1992-08)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:31
9Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene V. No. 4 Aria "Madamina, il catalogo è questo" (Leporello)
Techniker(in):
Chris Ludwinski (in 1992-08)
assistierende(r) Produzent(in):
Rosemary Lowther (Aufgabe: production assistant)
Produzent(in):
David R. Murray
Editing:
Tim Handley (engineer/editor/producer) und Mary Hughes (editor, engineer)
Bass-Gesang:
Gregory Yurisich (baritone) (in 1992-08)
Orchester:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
Tonmeister(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1992-08)
recording of:
Don Giovanni: Atto I. No. 4 Aria “Madamina, il catalogo è questo” (Leporello) (in 1992-08)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart4:48
10Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene VI. Recitativo "In questa forma dunque" (Donna Elvira)
Techniker(in):
Chris Ludwinski (in 1992-08)
assistierende(r) Produzent(in):
Rosemary Lowther (Aufgabe: production assistant)
Produzent(in):
David R. Murray
Editing:
Tim Handley (engineer/editor/producer) und Mary Hughes (editor, engineer)
Soprangesang:
Lynne Dawson (soprano) (in 1992-08)
Orchester:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
Tonmeister(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1992-08)
recording of:
Don Giovanni: Atto I. Recitativo “In questa forma dunque” (Donna Elvira) (in 1992-08)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart0:31
11Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene VII. No. 5 Coro "Giovinette, che fate all'amore" (Zerlina, Coro)
Techniker(in):
Chris Ludwinski (in 1992-08)
assistierende(r) Produzent(in):
Rosemary Lowther (Aufgabe: production assistant)
Produzent(in):
David R. Murray
Editing:
Tim Handley (engineer/editor/producer) und Mary Hughes (editor, engineer)
Chorgesang:
The Schütz Choir of London (in 1992-08)
Soprangesang:
Nancy Argenta (soprano) (in 1992-08)
Orchester:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
Tonmeister(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1992-08)
recording of:
Don Giovanni: Atto I. No. 5 Coro “Giovinette, che fate all’amore” (Zerlina, Coro) (in 1992-08)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:23
12Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene VIII. Recitativo "Manco male e partita" (Don Giovanni, Leporello, Zerlina)
Techniker(in):
Chris Ludwinski (in 1992-08)
assistierende(r) Produzent(in):
Rosemary Lowther (Aufgabe: production assistant)
Produzent(in):
David R. Murray
Editing:
Tim Handley (engineer/editor/producer) und Mary Hughes (editor, engineer)
Baritongesang:
Andreas Schmidt (bass-baritone & teacher) (in 1992-08)
Bass-Gesang:
Gregory Yurisich (baritone) (in 1992-08)
Soprangesang:
Nancy Argenta (soprano) (in 1992-08)
Orchester:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
Tonmeister(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1992-08)
recording of:
Don Giovanni: Atto I. Recitativo “Manco male, è partita” (Don Giovanni, Leporello, Zerlina) (in 1992-08)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:02
13Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene VIII. No. 6 Aria "Ho capito, signor, sì!" (Masetto)
Techniker(in):
Chris Ludwinski (in 1992-08)
assistierende(r) Produzent(in):
Rosemary Lowther (Aufgabe: production assistant)
Produzent(in):
David R. Murray
Editing:
Tim Handley (engineer/editor/producer) und Mary Hughes (editor, engineer)
Bass-Gesang:
Gerald Finley (bass-baritone) (in 1992-08)
Orchester:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
Tonmeister(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1992-08)
recording of:
Don Giovanni: Atto I. No. 6 Aria “Ho capito, signor, sì!” (Masetto) (in 1992-08)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:29
14Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene IX. Recitativo "Alfin siam liberati" (Don Giovanni, Zerlina)
Techniker(in):
Chris Ludwinski (in 1992-08)
assistierende(r) Produzent(in):
Rosemary Lowther (Aufgabe: production assistant)
Produzent(in):
David R. Murray
Editing:
Tim Handley (engineer/editor/producer) und Mary Hughes (editor, engineer)
Baritongesang:
Andreas Schmidt (bass-baritone & teacher) (in 1992-08)
Soprangesang:
Nancy Argenta (soprano) (in 1992-08)
Orchester:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
Tonmeister(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1992-08)
recording of:
Don Giovanni: Atto I. Recitativo “Alfin siam liberati” (Don Giovanni, Zerlina) (in 1992-08)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:42
15Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene IX. No. 7 Duettino "Là ci darem la mano" (Don Giovanni, Zerlina)
Techniker(in):
Chris Ludwinski (in 1992-08)
assistierende(r) Produzent(in):
Rosemary Lowther (Aufgabe: production assistant)
Produzent(in):
David R. Murray
Editing:
Tim Handley (engineer/editor/producer) und Mary Hughes (editor, engineer)
Baritongesang [Don Giovanni]:
Andreas Schmidt (bass-baritone & teacher) (in 1992-08)
Soprangesang [Zerlina]:
Nancy Argenta (soprano) (in 1992-08)
Orchester:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
Tonmeister(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1992-08)
recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) (in 1992-08)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:37
16Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene X. Recitativo "Fermati scellerato" (Donna Elvira, Zerlina, Don Giovanni)
Techniker(in):
Chris Ludwinski (in 1992-08)
assistierende(r) Produzent(in):
Rosemary Lowther (Aufgabe: production assistant)
Produzent(in):
David R. Murray
Editing:
Tim Handley (engineer/editor/producer) und Mary Hughes (editor, engineer)
Baritongesang:
Andreas Schmidt (bass-baritone & teacher) (in 1992-08)
Soprangesang:
Nancy Argenta (soprano) (in 1992-08) und Lynne Dawson (soprano) (in 1992-08)
Orchester:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
Tonmeister(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1992-08)
recording of:
Don Giovanni: Atto I. Recitativo “Fermati scellerato” (Donna Elvira, Zerlina, Don Giovanni) (in 1992-08)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart0:44
17Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene X. No. 8 Aria "Ah fuggi il traditor" (Donna Elvira)
Techniker(in):
Chris Ludwinski (in 1992-08)
assistierende(r) Produzent(in):
Rosemary Lowther (Aufgabe: production assistant)
Produzent(in):
David R. Murray
Editing:
Tim Handley (engineer/editor/producer) und Mary Hughes (editor, engineer)
Soprangesang:
Lynne Dawson (soprano) (in 1992-08)
Orchester:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
Tonmeister(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1992-08)
recording of:
Don Giovanni: Atto I. No. 8 Aria “Ah! Fuggi il traditor!” (Donna Elvira) (in 1992-08)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:12
18Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XI. Recitativo "Mi par ch' oggi il demonio si diverta" (Don Giovanni, Don Ottavio, Donna Anna) / "Ah ti ritrovo ancor" (Donna Elvira)
Techniker(in):
Chris Ludwinski (in 1992-08)
assistierende(r) Produzent(in):
Rosemary Lowther (Aufgabe: production assistant)
Produzent(in):
David R. Murray
Editing:
Tim Handley (engineer/editor/producer) und Mary Hughes (editor, engineer)
Baritongesang:
Andreas Schmidt (bass-baritone & teacher) (in 1992-08)
Soprangesang:
Lynne Dawson (soprano) (in 1992-08) und Amanda Halgrimson (soprano) (in 1992-08)
Tenor-Gesang:
John Mark Ainsley (tenor) (in 1992-08)
Orchester:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
Tonmeister(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1992-08)
recording of:
Don Giovanni: Atto I. Recitativo "Mi par ch' oggi il demonio si diverta" (Don Giovanni, Don Ottavio, Donna Anna) (in 1992-08)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:06
19Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XI. No. 9 Quartetto "Non ti fidar, oh misera" (Donna Elvira, Donna Anna, Don Ottavio, Don Giovanni)
Techniker(in):
Chris Ludwinski (in 1992-08)
assistierende(r) Produzent(in):
Rosemary Lowther (Aufgabe: production assistant)
Produzent(in):
David R. Murray
Editing:
Tim Handley (engineer/editor/producer) und Mary Hughes (editor, engineer)
Baritongesang:
Andreas Schmidt (bass-baritone & teacher) (in 1992-08)
Soprangesang:
Lynne Dawson (soprano) (in 1992-08) und Amanda Halgrimson (soprano) (in 1992-08)
Tenor-Gesang:
John Mark Ainsley (tenor) (in 1992-08)
Orchester:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
Tonmeister(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1992-08)
recording of:
Don Giovanni: Atto I. No. 9 Quartetto "Non ti fidar, oh misera" (Donna Elvira, Donna Anna, Don Ottavio, Don Giovanni) (in 1992-08)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:25
20Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XI. Recitativo "Povera sventurata!" (Don Giovanni)
Techniker(in):
Chris Ludwinski (in 1992-08)
assistierende(r) Produzent(in):
Rosemary Lowther (Aufgabe: production assistant)
Produzent(in):
David R. Murray
Editing:
Tim Handley (engineer/editor/producer) und Mary Hughes (editor, engineer)
Baritongesang:
Andreas Schmidt (bass-baritone & teacher) (in 1992-08)
Orchester:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
Tonmeister(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1992-08)
recording of:
Don Giovanni: Atto I. Recitativo "Povera sventurata!" (Don Giovanni) (in 1992-08)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart0:20
21Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XIII. No. 10 Recitativo accompagnato "Don Ottavio, son morta!" (Donna Anna, Don Ottavio)
Techniker(in):
Chris Ludwinski (in 1992-08)
assistierende(r) Produzent(in):
Rosemary Lowther (Aufgabe: production assistant)
Produzent(in):
David R. Murray
Editing:
Tim Handley (engineer/editor/producer) und Mary Hughes (editor, engineer)
Soprangesang:
Amanda Halgrimson (soprano) (in 1992-08)
Tenor-Gesang:
John Mark Ainsley (tenor) (in 1992-08)
Orchester:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
Tonmeister(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1992-08)
recording of:
Don Giovanni: Atto I. No. 10 Recitativo accompagnato "Don Ottavio, son morta!" (Donna Anna, Don Ottavio) (in 1992-08)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:53
22Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XIII. No. 10 Aria "Or sai chi l'onore" (Donna Anna)
Techniker(in):
Chris Ludwinski (in 1992-08)
assistierende(r) Produzent(in):
Rosemary Lowther (Aufgabe: production assistant)
Produzent(in):
David R. Murray
Editing:
Tim Handley (engineer/editor/producer) und Mary Hughes (editor, engineer)
Orchester:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
Tonmeister(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1992-08)
recording of:
Don Giovanni: Atto I. No. 10 Aria “Or sai chi l’onore” (Donna Anna) (in 1992-08)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:40
23Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XIV. Recitativo "Come mai cerder deggio" (Don Giovanni)
Techniker(in):
Chris Ludwinski (in 1992-08)
assistierende(r) Produzent(in):
Rosemary Lowther (Aufgabe: production assistant)
Produzent(in):
David R. Murray
Editing:
Tim Handley (engineer/editor/producer) und Mary Hughes (editor, engineer)
Baritongesang:
Andreas Schmidt (bass-baritone & teacher) (in 1992-08)
Orchester:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
Tonmeister(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1992-08)
recording of:
Don Giovanni: Atto I. Recitativo “Come mai creder deggio” (Don Ottavio) (in 1992-08)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart0:26
24Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XV. Recitativo "Io deggio ad ogni patto" (Leporello, Don Giovanni)
Techniker(in):
Chris Ludwinski (in 1992-08)
assistierende(r) Produzent(in):
Rosemary Lowther (Aufgabe: production assistant)
Produzent(in):
David R. Murray
Editing:
Tim Handley (engineer/editor/producer) und Mary Hughes (editor, engineer)
Baritongesang:
Andreas Schmidt (bass-baritone & teacher) (in 1992-08)
Bass-Gesang:
Gregory Yurisich (baritone) (in 1992-08)
Orchester:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
Tonmeister(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1992-08)
recording of:
Don Giovanni: Atto I. Recitativo “Io deggio ad ogni patto” (Leporello, Don Giovanni) (in 1992-08)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte (in 1787)
Teil von:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:40
25Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XV. No. 11 Aria "Fin ch'han dal vino" (Don Giovanni)
Techniker(in):
Chris Ludwinski (in 1992-08)
assistierende(r) Produzent(in):
Rosemary Lowther (Aufgabe: production assistant)
Produzent(in):
David R. Murray
Editing:
Tim Handley (engineer/editor/producer) und Mary Hughes (editor, engineer)
Baritongesang:
Andreas Schmidt (bass-baritone & teacher) (in 1992-08)
Orchester:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
Tonmeister(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1992-08)
recording of:
Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni) (in 1992-08)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte (in 1787)
Teil von:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:36
26Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XVI. Recitativo "Masetto: senti un po'!" (Zerlina, Masetto)
Techniker(in):
Chris Ludwinski (in 1992-08)
assistierende(r) Produzent(in):
Rosemary Lowther (Aufgabe: production assistant)
Produzent(in):
David R. Murray
Editing:
Tim Handley (engineer/editor/producer) und Mary Hughes (editor, engineer)
Bass-Gesang:
Gerald Finley (bass-baritone) (in 1992-08)
Soprangesang:
Nancy Argenta (soprano) (in 1992-08)
Orchester:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
Tonmeister(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1992-08)
recording of:
Don Giovanni: Atto I. Recitativo “Masetto: senti un po’!” (Zerlina, Masetto) (in 1992-08)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte (in 1787)
Teil von:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:06
27Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XVI. No. 12 Aria "Batti, batti, oh bel Masetto" / "Pace, pace, o vita mia" (Zerlina)
Techniker(in):
Chris Ludwinski (in 1992-08)
assistierende(r) Produzent(in):
Rosemary Lowther (Aufgabe: production assistant)
Produzent(in):
David R. Murray
Editing:
Tim Handley (engineer/editor/producer) und Mary Hughes (editor, engineer)
Bass-Gesang:
Gerald Finley (bass-baritone) (in 1992-08)
Soprangesang:
Nancy Argenta (soprano) (in 1992-08)
Orchester:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
Tonmeister(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1992-08)
recording of:
Don Giovanni: Atto I. No. 12 Aria “Batti, batti, oh bel Masetto” (Zerlina) (in 1992-08)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte (in 1787)
Teil von:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:36
28Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XVI. Recitativo "Guarda un po' come seppe" (Masetto, Don Giovanni, Zerlina)
Techniker(in):
Chris Ludwinski (in 1992-08)
assistierende(r) Produzent(in):
Rosemary Lowther (Aufgabe: production assistant)
Produzent(in):
David R. Murray
Editing:
Tim Handley (engineer/editor/producer) und Mary Hughes (editor, engineer)
Baritongesang:
Andreas Schmidt (bass-baritone & teacher) (in 1992-08)
Bass-Gesang:
Gerald Finley (bass-baritone) (in 1992-08)
Soprangesang:
Nancy Argenta (soprano) (in 1992-08)
Orchester:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
Tonmeister(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1992-08)
recording of:
Don Giovanni: Atto I. Recitativo “Guarda un po’ come seppe” (Masetto, Don Giovanni, Zerlina) (in 1992-08)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte (in 1787)
Teil von:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart0:39
29Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scenes XVI-XV. No. 13 Finale "Presto presto" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro)
Techniker(in):
Chris Ludwinski (in 1992-08)
assistierende(r) Produzent(in):
Rosemary Lowther (Aufgabe: production assistant)
Produzent(in):
David R. Murray
Editing:
Tim Handley (engineer/editor/producer) und Mary Hughes (editor, engineer)
Baritongesang:
Andreas Schmidt (bass-baritone & teacher) (in 1992-08)
Bass-Gesang:
Gerald Finley (bass-baritone) (in 1992-08) und Gregory Yurisich (baritone) (in 1992-08)
Chorgesang:
The Schütz Choir of London (in 1992-08)
Soprangesang:
Nancy Argenta (soprano) (in 1992-08) und Amanda Halgrimson (soprano) (in 1992-08)
Tenor-Gesang:
John Mark Ainsley (tenor) (in 1992-08)
Orchester:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
Tonmeister(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1992-08)
recording of:
Don Giovanni: Atto I. “Su, svegliatevi, da bravi” (Don Giovanni, Servi) (in 1992-08)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Don Giovanni: Atto I
recording of:
Don Giovanni: Atto I. “Tra quest’ arbori celata” (Zerlina, Don Giovanni, Masetto, Coro) (in 1992-08)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte (in 1787)
Teil von:
Don Giovanni: Atto I
recording of:
Don Giovanni: Atto I. No. 13 Finale “Presto, presto, pria ch’ei venga” (Masetto, Zerlina) (in 1992-08)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte (in 1787)
Teil von:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart4:13
30Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scenes XIV-XIX. No. 13 Finale "Bisogna aver coraggio" (Donna Anna, Donna Elvira, Don Ottavio, Don Giovanni, Leporello)
Techniker(in):
Chris Ludwinski (in 1992-08)
assistierende(r) Produzent(in):
Rosemary Lowther (Aufgabe: production assistant)
Produzent(in):
David R. Murray
Editing:
Tim Handley (engineer/editor/producer) und Mary Hughes (editor, engineer)
Baritongesang:
Andreas Schmidt (bass-baritone & teacher) (in 1992-08)
Bass-Gesang:
Gregory Yurisich (baritone) (in 1992-08)
Soprangesang:
Lynne Dawson (soprano) (in 1992-08) und Amanda Halgrimson (soprano) (in 1992-08)
Tenor-Gesang:
John Mark Ainsley (tenor) (in 1992-08)
Orchester:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
Tonmeister(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1992-08)
recording of:
Don Giovanni: Atto I. “Bisogna aver coraggio” (Donna Elvira, Don Ottavio, Donna Anna) (in 1992-08)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte (in 1787)
Teil von:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:55
31Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XIX. No. 13 Finale "Protegga il giusto cielo" (Donna Anna, Donna Elvira, Don Ottavio, Leporello)
Techniker(in):
Chris Ludwinski (in 1992-08)
assistierende(r) Produzent(in):
Rosemary Lowther (Aufgabe: production assistant)
Produzent(in):
David R. Murray
Editing:
Tim Handley (engineer/editor/producer) und Mary Hughes (editor, engineer)
Bass-Gesang:
Gregory Yurisich (baritone) (in 1992-08)
Soprangesang:
Amanda Halgrimson (soprano) (in 1992-08)
Tenor-Gesang:
John Mark Ainsley (tenor) (in 1992-08)
Orchester:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
Tonmeister(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1992-08)
recording of:
Don Giovanni: Atto I. “Protegga il giusto cielo” (Donna Anna, Donna Elvira, Don Ottavio) (in 1992-08)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte (in 1787)
Teil von:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:27
32Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale "Riposate, vezzose ragazze" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro)
Techniker(in):
Chris Ludwinski (in 1992-08)
assistierende(r) Produzent(in):
Rosemary Lowther (Aufgabe: production assistant)
Produzent(in):
David R. Murray
Editing:
Tim Handley (engineer/editor/producer) und Mary Hughes (editor, engineer)
Baritongesang:
Andreas Schmidt (bass-baritone & teacher) (in 1992-08)
Bass-Gesang:
Gerald Finley (bass-baritone) (in 1992-08) und Gregory Yurisich (baritone) (in 1992-08)
Chorgesang:
The Schütz Choir of London (in 1992-08)
Soprangesang:
Nancy Argenta (soprano) (in 1992-08), Lynne Dawson (soprano) (in 1992-08) und Amanda Halgrimson (soprano) (in 1992-08)
Tenor-Gesang:
John Mark Ainsley (tenor) (in 1992-08)
Orchester:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
Tonmeister(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1992-08)
recording of:
Don Giovanni: Atto I. “Riposate, vezzose ragazze” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro) (in 1992-08)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte (in 1787)
Teil von:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:15
33Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale "Venite, pur avanti" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro)
Techniker(in):
Chris Ludwinski (in 1992-08)
assistierende(r) Produzent(in):
Rosemary Lowther (Aufgabe: production assistant)
Produzent(in):
David R. Murray
Editing:
Tim Handley (engineer/editor/producer) und Mary Hughes (editor, engineer)
Baritongesang:
Andreas Schmidt (bass-baritone & teacher) (in 1992-08)
Bass-Gesang:
Gerald Finley (bass-baritone) (in 1992-08) und Gregory Yurisich (baritone) (in 1992-08)
Chorgesang:
The Schütz Choir of London (in 1992-08)
Soprangesang:
Nancy Argenta (soprano) (in 1992-08), Lynne Dawson (soprano) (in 1992-08) und Amanda Halgrimson (soprano) (in 1992-08)
Tenor-Gesang:
John Mark Ainsley (tenor) (in 1992-08)
Orchester:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
Tonmeister(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1992-08)
recording of:
Don Giovanni: Atto I. “Venite, pur avanti” … “Ricominciate il suono” … Minuetto (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro) (in 1992-08)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte (in 1787)
Teil von:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:50
34Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale "Ecco il birbo" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro)
Techniker(in):
Chris Ludwinski (in 1992-08)
assistierende(r) Produzent(in):
Rosemary Lowther (Aufgabe: production assistant)
Produzent(in):
David R. Murray
Editing:
Tim Handley (engineer/editor/producer) und Mary Hughes (editor, engineer)
Baritongesang:
Andreas Schmidt (bass-baritone & teacher) (in 1992-08)
Bass-Gesang:
Gerald Finley (bass-baritone) (in 1992-08) und Gregory Yurisich (baritone) (in 1992-08)
Chorgesang:
The Schütz Choir of London (in 1992-08)
Soprangesang:
Nancy Argenta (soprano) (in 1992-08), Lynne Dawson (soprano) (in 1992-08) und Amanda Halgrimson (soprano) (in 1992-08)
Tenor-Gesang:
John Mark Ainsley (tenor) (in 1992-08)
Orchester:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
Tonmeister(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1992-08)
recording of:
Don Giovanni: Atto I. “Ecco il birbo che t'ha offesa!” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro) (in 1992-08)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte (in 1787)
Teil von:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart4:00
2▶CD: Atto Secondo (Prague version)
3▶CD: Appendix (Vienna version)

Nennungen

Veröffentlichung

hergestellt in:Holland, Kingdom of the Netherlands
gedruckt in:EU (Europa)
liner notes Übersetzer:Florence Daguerre de Hureaux
Bernd Müller (liner notes, German translation)
Michel Roubinet (translation English-French)
Anne Steeb (liner notes, German translation)
Renate Maria Wendel (liner notes translator, also a singer and bassoonist)
sonstige Unterstützung:Tina Ruta (Aufgabe: language coach)
Cello:Jennifer Ward Clarke (cellist) (in 1992-08)
Hammerklavier:Roger Hamilton (Irish harpsichordist)
John Toll (organist, harpsichordist and conductor) (in 1992-08)
zusätzlich conductor:Roger Hamilton (Irish harpsichordist)
Chorgesang:Schütz Choir of London
design:UNA (London) designers
urheberrechtlich geschützt (©) von:Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1999)
lizensiert von:EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
lizenziert an:Virgin Classics Ltd. (not for release label use! for copyrights use)
ASIN:UK: B00000JJRC [Info]