Have a Nice Decade: The ’70s Pop Culture Box

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1Theme From Shaft
Bearbeitung von:
Theme From ‘Shaft’ von Isaac Hayes
recording of:
Theme From Shaft (Shaft, 1971)
Texter und Komponist(in):
Isaac Hayes
publisher:
Irving Music, Inc.
Teil von:
The 44th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1971 winner)
Teil von:
Shaft (1971 film soundtrack)
Isaac Hayes3.353:18
2Family Affair
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 57) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 138)
recording of:
Family Affair
Texter und Komponist(in):
Sylvester Stewart
publisher:
Mijac Music
Sly & the Family Stone4.353:06
3Whatcha See Is Whatcha Get
Bearbeitung von:
Whatcha See Is Whatcha Get (album version) von The Dramatics (US soul music vocal group)
recording of:
Whatcha See Is Whatcha Get (in 1971)
Texter und Komponist(in):
Tony Hester
publisher:
Groovesville Music (publishing) (beendet), EMI Longitude Music, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
The Dramatics53:33
4Treat Her Like a Lady
recording of:
Treat Her Like a Lady
Texter und Komponist(in):
Eddie Cornelius
Cornelius Brothers & Sister Rose2:46
5Have You Seen Her
recording of:
Have You Seen Her
Verfasser(in):
Barbara Acklin (singer and songwriter) und Eugene Record
publisher:
Intersong Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Chi‐Lites4:49
6Want Ads
recording of:
Want Ads
Verfasser(in):
General Johnson (US soul singer, R&B songwriter & producer), Barney Perkins und Greg Perry
Honey Cone32:48
7Let’s Stay Together
Produzent(in):
Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
E-Bass:
Leroy Hodges
guitar family:
Mabon Hodges (“Teenie”, soul guitarist)
Orgel und Klavier:
Charles Hodges (soul organist)
Posaune:
Jack Hale (trombone)
Saxophon:
James Mitchell (US saxophonist/arranger)
Schlagzeug:
Howard Grimes und Al Jackson, Jr. (Booker T & The MGs drummer)
Tenorsaxophon:
Ed Logan
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
Hintergrundgesang:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer), Donna Rhodes und Sandra Rhodes
vocals:
Al Green (US soul singer, songwriter, pastor and record producer)
phonographisches Urheberrecht (℗) von:
Cream Records (70s Los Angeles) (in 1971) und HI Records Inc. (in 1971)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 34), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 60), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 84)
recording of:
Let’s Stay Together
Verfasser(in):
Al Jackson, Jr. (Booker T & The MGs drummer), Al Green (US soul singer, songwriter, pastor and record producer) und Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
publisher:
Al Green Music Inc. (BMI-affiliated), Al Jackson Jr. Music, Burlington Music Co., Ltd. und Irving Music, Inc.
Al Green4.553:18
8Do You Know What I Mean
recording of:
Do You Know What I Mean
Texter und Komponist(in):
Lee Michaels
publisher:
Rondor Music
adaptations:
Voyez ce que je veux dire
Lee Michaels53:15
9Maggie May
Produzent(in):
Rod Stewart
Akustikgitarre:
Martin Quittenton (guitarist for Steamhammer) (in 1971)
Bassgitarre, E-Gitarre und zwölfsaitige Gitarre:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood) (in 1971)
Becken und membranophone:
Micky Waller (in 1971)
Celesta:
Pete Sears (in 1971)
Hammond-Orgel:
Ian McLagan (in 1971)
Mandoline:
Ray Jackson (in 1971) und David Lindley (in 1971)
Sologesang:
Rod Stewart (in 1971)
phonographisches Urheberrecht (℗) von:
Mercury Records Inc. (copyrights use only) (in 1971), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1971), The Island Def Jam Music Group (American holding company, not normally a release label) (in 1971) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1971)
recording of:
Maggie May (in 1971)
publisher:
Rod Stewart
Verfasser(in):
Mike Peters, Martin Quittenton (guitarist for Steamhammer) und Rod Stewart
publisher:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), H. G. Music Inc, Mushroom Music (Mushroom label’s publishing company), Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Rod Stewart4.25:19
10Mr. Big Stuff
recording of:
Mr. Big Stuff
Verfasser(in):
Joseph Broussard, Carrol Washington und Ralph Williams (US soul composer)
publisher:
Caraljo Music Inc., Malaco Music Company und Peermusic III, Ltd. (BMI)
Jean Knight2:31
11Chick‐A‐Boom (Don’t Ya Jes’ Love It)
recording of:
Chick-a-Boom (Don’t Ya Jes’ Love It)
Komponist(in):
Richard Delvy und Janis Gwin
Daddy Dewdrop2:52
12Brand New Key
recording of:
Brand New Key
Texter und Komponist(in):
Melanie Anne Safka‐Schekeryk (US singer‐songwriter Melanie Safka)
publisher:
EMI Music Publishing Australia Pty. Limited (not for release label use!)
Melanie2:26
13One Tin Soldier (The Legend of Billy Jack)
recording of:
One Tin Soldier: The Legend of Billy Jack
Verfasser(in):
Dennis Lambert und Brian Potter (US songwriter & producer)
publisher:
Duchess Music Corporation (BMI-affiliated)
Coven3:38
14School’s Out
Techniker(in):
Roy Cicala und Shelly Yakus
Produzent(in):
Bob Ezrin
E-Bass:
Dennis Dunaway (original bass player for Alice Cooper)
E-Gitarre:
Michael Bruce (of Alice Cooper) und Glen Buxton (American guitarist)
Gitarre und Hintergrundgesang:
Reggie Vincent
Keyboard:
Michael Bruce (of Alice Cooper) und Bob Ezrin
Schlagzeug:
Neil Smith (former Alice Cooper drummer)
Sologesang:
Alice Cooper (the singer, active as a solo artist 1975‐present)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972, in 1974) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1972)
produced for:
Alive Enterprises Incorporated und Nimbus 9 Productions
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 293) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 319)
recording of:
School’s Out
Verfasser(in):
Michael Bruce (of Alice Cooper), Glen Buxton (American guitarist), Alice Cooper (the singer, active as a solo artist 1975‐present), Dennis Dunaway (original bass player for Alice Cooper) und Neal Smith (former Alice Cooper drummer)
publisher:
Bizarre Music Co. (US work publisher), BMG Platinum Songs US, Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ezra Music, Ezra Music Corp., Opus 19 Music, Primary Wave Music Publishing, Sony/ATV Music Publishing, Third Palm Music, Universal Music Publishing Group, Warner Bros. Music (publisher; do NOT use as release label) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.253:30
15Popcorn
phonographisches Urheberrecht (℗) von:
Musicor (American record label) (in 1972)
cover recording of:
Popcorn (in 1972)
Komponist(in):
Gershon Kingsley
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Hot Butter4.352:34
16Joy
recording of:
Joy (Apollo 100)
Verfasser(in):
[traditional] (special purpose artist)
arranger:
T. Parker (arranger & multi-instrumentalist)
publisher:
Belsize Music Ltd.
Arrangement von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Apollo 1002.52:47
17I Am Woman
Blechblasinstrumente und Saiteninstrumente arranger:
Jim Horn (saxophonist, hornist, flutist and oboist)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2006)
recording of:
I Am Woman (in 1970)
Texter:
Helen Reddy
Komponist(in):
Ray Burton (Australian singer/songwriter)
publisher:
Rondor Music und Rondor Music (Australia) Pty Ltd
Helen Reddy53:17
18A Horse With No Name
recording of:
A Horse With No Name
Texter und Komponist(in):
Dewey Bunnell
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996) und WB Music Corp. (1929–2019)
America53:51
19I’ll Take You There
Bearbeitung von:
I’ll Take You There von The Staple Singers
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 186) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 276)
recording of:
I’ll Take You There
Texter und Komponist(in):
Alvertis Isbell
publisher:
Music for Africa (South Africa)
The Staple Singers53:23
20Everybody Plays the Fool
recording of:
Everybody Plays the Fool
Verfasser(in):
J.R. Bailey (singer and songwriter), Rudy Clark (US songwriter) und Ken Williams (songwriter)
publisher:
Trio Music Company, Alley Music Corp. (in 1991) und Trio Music Co., Inc. (in 1991)
The Main Ingredient3:39
21I Gotcha
Produzent(in):
Buddy Killen
phonographisches Urheberrecht (℗) von:
Dial Records (Late 40s jazz label focused on bop) (in 1972) und Tree Productions (US, Sony‐related) (in 1972)
recording of:
I Gotcha (in 1971)
Texter und Komponist(in):
Joe Tex (American southern soul musician)
publisher:
Sony Music Publishing (worldwide except Japan, ended 1995) und Tree Publishing Co., Inc.
Joe Tex3.52:29
22I’ll Be Around
recording engineer:
Joe Tarsia (engineer)
Produzent(in):
Thom Bell (keyboards, songwriter, producer)
Bass:
Ron Baker (record producer, bassist, arranger and songwriter) (in 1973)
Klavier:
Thom Bell (keyboards, songwriter, producer) (in 1973)
Perkussion [vibraphone, marimba]:
Vince Montana (in 1973)
Schlagzeug:
Earl Young (in 1973)
Baritongesang:
Henry Fambrough (A member of the R&B quintet The Spinners) (in 1973)
Bass-Gesang:
Pervis Jackson (The bass singer for The Spinners) (in 1973)
Hintergrundgesang:
Yvette Benson (in 1973), Carla Benton (in 1973) und Barbara Ingram (in 1973)
Tenor-Gesang:
Billy Henderson (founding member of The Spinners) (in 1973), Bobbie Smith (US R&B lead singer for The Spinners) (in 1973) und Philippé Wynne (A lead vocalist of The Spinners) (in 1973)
conductor:
Thom Bell (keyboards, songwriter, producer) (in 1973)
remixer:
Joe Tarsia (engineer)
arranger:
Thom Bell (keyboards, songwriter, producer)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
aufgenommen bei:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten (in 1973)
mixed at:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten
recording of:
I’ll Be Around (in 1973)
Komponist(in):
Thom Bell (keyboards, songwriter, producer) und Phil Hurtt
publisher:
Mighty Three Music Ld. und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners53:12
23Lean on Me
recording of:
Lean on Me
Texter und Komponist(in):
Bill Withers
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Interior Music (Les Disques du Crépuscule sub‐label), Interior Music Corp., Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bill Withers53:42
24Day by Day
recording of:
Day by Day (Godspell)
Texter, Komponist(in) und arranger:
Stephen Schwartz (musical theatre lyricist/composer)
publisher:
New Cadenza Music Corp., Range Road Music Inc., Valando Music, Inc. und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Teil von:
Godspell (Stephen Schwartz musical)
Stephen Schwartz3:15
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Nennungen

Veröffentlichung

hergestellt in:Vereinigte Staaten
gedruckt in:Vereinigte Staaten
art direction:Hugh Brown (US art director and photographer)
Wendy Sherman
Fotografie:Hugh Brown (US art director and photographer)
Michael Ochs Archives
Andy Strauss (photographer)
liner notes:David McLees
Paul Grein
Lisa Sutton (art director/graphic designer)
Partner-Produzent(in):Patrick Milligan
Paul Grein
Gary Stewart (Rhino Records)
Lisa Sutton (art director/graphic designer)
Produzent(in):Gordon Skeene
Bill Inglot (archival music producer/remastering engineer)
David McLees
remastering:Dan Hersh (mastering engineer)
Andrew Garver
Bill Inglot (archival music producer/remastering engineer)
Ken Perry
Stewart Whitmore
hergestellt von:PolyMedia (a division of PolyGram Group Distribution, Inc.)
urheberrechtlich geschützt (©) von:Rhino Entertainment Company (not for release label use!) (in 1998)
phonographisches Urheberrecht (℗) von:PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1998)
Rhino Entertainment Company (not for release label use!) (in 1998)
Discogs:https://www.discogs.com/release/3762545 [Info]
ASIN:US: B000006OIT [Info]
Allmusic:https://www.allmusic.com/album/release/mr0001333209 [Info]

Veröffentlichungsgruppe

Wikidata:Q5683481 [Info]