The Best of Bond… James Bond

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 35 vorhanden)

Anmerkung

Catalog numbers

  • Sticker & Back: 00602508731099
  • CD 1: 00602508768941
  • CD 2: 00602508768958

Clear double jewel case, hinge on right.
Sticker on shrinkwrap is peelable
Eight page booklet

Matrix (CD1): [UNIVERSAL logo] 00602508768941V2 A0103267286-0101 17 A00
Mastering SID (CD1): IFPI L557
Mould SID (CD1): IFPI 9455
DiscID (CD1): _6wR7tVEAnjvdmPmSKKa1K5K1Ts-

Matrix (CD2): [UNIVERSAL logo] 00602508768958V2 A0103267291-0101 23 A00
Mastering SID (CD2): IFPI L553
Mould SID (CD2): IFPI 94K8
DiscID (CD2): L4gdjJTlaHCkZS6C3I3VT08flT0-

Variant:

Matrix (CD1): UNIVERSAL logo 00602508768941V2 A0103267286-0101 22 A00
Mastering SID (CD1): IFPI L552
Mould SID (CD1): IFPI 94W7
DiscID (CD1): _6wR7tVEAnjvdmPmSKKa1K5K1Ts-

Matrix (CD2): UNIVERSAL logo 00602508768958V2 A0103267291-0101 41 A00
Mastering SID (CD2): IFPI L551
Mould SID (CD2): IFPI 94V5
DiscID (CD2): L4gdjJTlaHCkZS6C3I3VT08flT0-

Anmerkung zuletzt geändert am 2024-07-12 06:38 UTC.

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1A View to a Kill
Techniker(in) und Mix:
Jason Corsaro (U.S. music engineer, and record producer)
Produzent(in):
John Barry (English score composer), Jason Corsaro (U.S. music engineer, and record producer), Duran Duran (English rock band) und Bernard Edwards (American bassist and record producer)
Sampler:
Jonathan Elias
vocals:
Duran Duran (English rock band)
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1998)
recording of:
A View to a Kill
Orchestrator(in):
John Barry (English score composer)
Verfasser(in):
John Barry (English score composer), Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) und Roger Taylor (Duran Duran drummer)
Komponist(in):
John Barry (English score composer) und Duran Duran (English rock band)
publisher:
EMI Songs und Gloucester Place Music Ltd.
Teil von:
James Bond themes
Teil von:
A View to a Kill (from the James Bond film)
Duran Duran3.63:35
2The Living Daylights
Produzent(in):
a‐ha (Norwegian synth‐pop band), John Barry (English score composer), Jason Corsaro (U.S. music engineer, and record producer), Magne Furuholmen und Paul Waaktaar-Savoy (guitarist, songwriter and singer)
vocals:
a‐ha (Norwegian synth‐pop band)
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
The Living Daylights
Verfasser(in):
Pal Waaktaar (guitarist, songwriter and singer)
zusätzliche(r) Komponist(in):
John Barry (English score composer)
publisher:
ATV Music und BMG Music
Teil von:
James Bond themes
a‐ha44:14
3Licence to Kill
Partner-Produzent(in):
Walter "Babylove" Afanasieff*
Produzent(in):
Narada Michael Walden
Interpret(in):
Gladys Knight (soul and r&b music singer-songwriter)
arranger:
Narada Michael Walden
co-arranger:
Walter "Babylove" Afanasieff*
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1989)
Bearbeitung von:
Licence to Kill (extended version) von Gladys Knight (soul and r&b music singer-songwriter)
recording of:
Licence to Kill
Verfasser(in):
Walter Afanasieff, Jeffrey Cohen (70s/80s US funk/soul producer/songwriter) und Narada Michael Walden
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) und SBK Songs Ltd. (in 1989)
Teil von:
James Bond themes
quotes music from:
Goldfinger
Gladys Knight44:10
4GoldenEye
recorded in:
London (Greater London), England, Vereinigtes Königreich
recording engineer:
Mark “Spike” Stent (producer, engineer)
Programmierung:
Marius de Vries
assistierende(r) Techniker(in):
Paul ‘P Dub’ Walton
leitende(r) Produzent(in):
Bono (singer of U2) und The Edge (U2 guitarist David Evans)
Produzent(in):
Nellee Hooper
Mix:
Nellee Hooper und Mark “Spike” Stent (producer, engineer)
vocals:
Tina Turner
Saiteninstrumente [orchestra] arranger:
Craig Armstrong (Scottish score composer)
recording of:
GoldenEye
Verfasser(in):
Bono (singer of U2) und The Edge (U2 guitarist David Evans)
publisher:
Blue Mountain Music und Songs of PolyGram International, Inc.
Teil von:
James Bond themes
Tina Turner3.353:28
5Tomorrow Never Dies
recording engineer:
Steve Rosenthal
Produzent(in):
Mitchell Froom
Mix:
Tchad Blake
Gitarre:
Steve Donnelly
Klavier:
Sheryl Crow (American singer-songwriter and musician)
Kontrabass:
Greg Cohen
Saiteninstrumente:
Mark Feldman (American violinist), Dylan Fitzgerald, Julianne Klopotic, Matthew Pierce (strings player), Lorenza Ponce und Jane Scarpantoni (cellist)
Schlagzeug:
Pete Thomas (drummer)
zusätzlich Keyboard:
Mitchell Froom
vocals:
Sheryl Crow (American singer-songwriter and musician)
recording of:
Tomorrow Never Dies
Verfasser(in):
Sheryl Crow (American singer-songwriter and musician) und Mitchell Froom
publisher:
BMG Music und Warner Chappell Ltd.
Teil von:
James Bond themes
Sheryl Crow44:52
6The World Is Not Enough
assistierende(r) Techniker(in):
Paul Forgues und Matt Lawrence
Techniker(in):
Billy Bush (mixing engineer)
Produzent(in):
David Arnold (English score composer) und Garbage (US rock band)
Mix:
Garbage (US rock band)
Bass und zusätzlich Bassgitarre:
Daniel Shulman (bass guitarist)
mixed at:
Armoury Studios in Vancouver, British Columbia, Kanada und Metropolis Studios (London) in London (Greater London), England, Vereinigtes Königreich
recording of:
The World Is Not Enough (The World Is Not Enough)
Texter:
Don Black (English lyricist)
Komponist(in):
David Arnold (English score composer)
publisher:
BMG Music und United Lion Music, Inc.
Teil von:
James Bond themes
Teil von:
The World Is Not Enough (film soundtrack)
Garbage3.853:57
7Die Another Day
Programmierung:
Mirwais Ahmadzaï
assistierende(r) Techniker(in):
David Treahearn
Techniker(in):
Mark “Spike” Stent (producer, engineer) und Paul ‘P Dub’ Walton
Produzent(in):
Madonna (“Queen of Pop”) und Mirwais Ahmadzaï
Mix:
Mark “Spike” Stent (producer, engineer)
Sologesang:
Madonna (“Queen of Pop”)
conductor:
Michel Colombier (French score composer)
Saiteninstrumente arranger:
Michel Colombier (French score composer)
recording of:
Die Another Day
Verfasser(in):
Madonna (“Queen of Pop”) und Mirwais Ahmadzaï
publisher:
EMI Music Publishing (do not use as a release label!) und Warner/Chappell (Warner/Chappell Music, Inc.)
Teil von:
James Bond themes
Madonna3.454:37
8You Know My Name
recording engineer:
Todd Parker
assistierende(r) Techniker(in):
Cameron Barton
Techniker(in):
Ryan Castle
Produzent(in):
David Arnold (English score composer), Chris Cornell (Soundgarden lead singer) und Steve Lillywhite
Mix:
David Sardy (American score composer)
Bass und Saiteninstrumente:
Miles Mosley (US jazz/soul musician)
Gitarre:
Chris Cornell (Soundgarden lead singer), Cameron Greider und Gary Lucas (US guitarist/songwriter)
Schlagzeug:
Nir Zidkyahu (drummer)
vocals:
Chris Cornell (Soundgarden lead singer)
phonographisches Urheberrecht (℗) von:
Interscope Records (part of UMG Recordings, Inc.)
aufgenommen bei:
NRG Recording Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Hillside Manor in Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
You Know My Name (Music video) von Chris Cornell (Soundgarden lead singer)
recording of:
You Know My Name
Verfasser(in):
David Arnold (English score composer) und Chris Cornell (Soundgarden lead singer)
publisher:
Disappearing One und EMI April Music Inc.
Teil von:
James Bond themes
Teil von:
Casino Royale (2006 film soundtrack)
Chris Cornell3.84:01
9Another Way to Die
assistierende(r) Techniker(in):
Nathan Yarboro, Mark Petaccia und Josh Smith (engineer)
Techniker(in):
Vance Powell und Vance Powell (Aufgabe: mixdown engineer)
Produzent(in) und Mix:
Jack White (rock & blues multi‐instrumentalist, The White Stripes, Third Man Records)
Baritongitarre und Bassgitarre:
Jack Lawrence (Member of The Greenhornes & The Raconteurs)
Blechblasinstrumente [horns]:
Jack Hale (trombone), Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) und Tom McGinley
Cello:
Lindsay Smith-Trostle
Geige / Violine und Geige / Violine [5-string violin]:
Lyndsay Pruett
Gitarre und Schlagzeug [drums]:
Jack White (rock & blues multi‐instrumentalist, The White Stripes, Third Man Records)
Klavier:
Laura Matula
Kontrabass:
Michael Rinne
vocals:
Alicia Keys und Jack White (rock & blues multi‐instrumentalist, The White Stripes, Third Man Records)
aufgenommen bei:
Blackbird Studio in Nashville, Tennessee, Vereinigte Staaten und Sputnik Sound in Nashville, Tennessee, Vereinigte Staaten
mixed at:
Blackbird Studio in Nashville, Tennessee, Vereinigte Staaten
recording of:
Another Way to Die
Verfasser(in):
Jack White (rock & blues multi‐instrumentalist, The White Stripes, Third Man Records)
publisher:
Colpix Music, Inc., Third String Tunes (Jack White's publishing society) und United Lion Music Inc.
Teil von:
James Bond themes
Jack White & Alicia Keys3.54:24
10Skyfall
recording engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
Mastering:
Tom Coyne (mastering engineer)
Produzent(in):
Paul Epworth
Mix:
Tom Elmhirst (mixing engineer)
Gitarre:
James Reid
Perkussion:
Paul Epworth
Schlagzeug:
Leo Taylor (UK drummer, producer, and DJ, active since 2000s)
Sologesang:
Adele (UK soul/jazz singer)
conductor:
J.A.C. Redford
chorus master:
Jenny O’Grady
recording of:
Skyfall
Orchestrator(in):
J.A.C. Redford
Verfasser(in):
Adele Adkins (UK soul/jazz singer) und Paul Epworth
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Teil von:
The 85th Academy Award for Best Original Song (Nummer: 1), James Bond themes und Academy Award for Best Original Song (Nummer: 2012 winner)
Adele3.94:46
11Writing’s on the Wall
Assistent recording engineer:
Gordon Davidson (engineer, Abbey Road Studios), Darren Heelis (music engineer, producer, programming, additional production), Mike Horner, Toby Hulbert, Christina Paakkari und Charles Wong
recording engineer:
Steve Fitzmaurice (Irish mixer, songwriter and producer), Darren Heelis (music engineer, producer, programming, additional production) und Steve Price (UK recording engineer/producer/orchestrator/arranger)
zusätzliche Programmierung:
Steve Fitzmaurice (Irish mixer, songwriter and producer), Guy Lawrence (Disclosure) und Howard Lawrence (Disclosure)
Produzent(in):
Steve Fitzmaurice (Irish mixer, songwriter and producer), Guy Lawrence (Disclosure) und Jimmy Napes
zusätzliche(r) Produzent(in):
Disclosure (UK electronic duo Guy & Howard Lawrence)
Mix:
Steve Fitzmaurice (Irish mixer, songwriter and producer)
Bass-Synthesizer [Korg Bass]:
Darren Heelis (music engineer, producer, programming, additional production)
Klavier:
James Napes
vocals:
Sam Smith (English singer‐songwriter)
conductor:
Simon Hale
Orchestrator(in):
Simon Hale
concertmaster:
Everton Nelson (violinist)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich, RAK Studios in London (Greater London), England, Vereinigtes Königreich und The Pierce Rooms in Hammersmith, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
mixed at:
The Pierce Rooms in Hammersmith, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
recording of:
Writing’s on the Wall (Sam Smith song)
Verfasser(in):
Jimmy Napes und Sam Smith (English singer‐songwriter)
Teil von:
The 88th Academy Award for Best Original Song (Nummer: 1), James Bond themes und Academy Award for Best Original Song (Nummer: 2015 winner)
Sam Smith34:39
12No Time to Die
Produzent(in):
FINNEAS und Stephen Lipson
Mix:
Casey Cuayo, Eli Heisler, Rob Kinelski und Stephen Lipson
Bassgitarre, Klavier, Perkussion und Synthesizer:
FINNEAS
Gitarre:
Johnny Marr
vocals:
Billie Eilish
vocals arranger:
FINNEAS
Orchestrator(in):
Matt Dunkley und Hans Zimmer (German score composer)
phonographisches Urheberrecht (℗) von:
Darkroom (in 2020), Interscope Records (part of UMG Recordings, Inc.) (in 2020), Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (in 2021) und Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only) (in 2021)
Teil von:
World Soundtrack Awards: Best Original Song (Nummer: 2022)
recording of:
No Time to Die
Verfasser(in):
Billie Eilish O’Connell und Finneas Baird O’Connell
Teil von:
The 94th Academy Award for Best Original Song (Nummer: 1), James Bond themes und Academy Award for Best Original Song (Nummer: 2021 winner)
Billie Eilish3.44:03

Nennungen

Veröffentlichung

hergestellt in:EU (Europa)
art direction:Susan Lavoie
mastering:Evren Göknar (mastering)
Zusammensteller:Frank Collura
design:Empire Design
Verwertungsgesellschaft:BIEM (international rights organization representing member societies from 58 countries)
SDRM (Société pour l’administration du droit de reproduction mécanique, French mechanical reproduction rights society)
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2020)
mastered at:Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Discogs:https://www.discogs.com/release/20465140 [Info]
ASIN:DE: B084QLXHKW [Info]