I Want My 80’s Box!

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Love Is a Battlefield
assistente tecnico:
Dave Hernandez (Dave “Zulu” Hernandez, engineer)
produttore e tecnico di missaggio:
Pete Coleman e Neil Giraldo (multi-instrumentalist, songwriter, producer)
assistente tecnico di missaggio:
Murray Dvorkin e Bino Espinoza
armonica (a bocca) e chitarra :
Neil Giraldo (multi-instrumentalist, songwriter, producer)
batteria :
Myron Grombacher
chitarra basso :
Roger Capps e Donnie Nossov
percussione :
Charles Giordano (American keyboardist and accordionist), Neil Giraldo (multi-instrumentalist, songwriter, producer) e Myron Grombacher
tastiera :
Charles Giordano (American keyboardist and accordionist)
voce principale:
Pat Benatar
mixata presso:
Soundcastle (Interactive Studios) in Santa Monica, California, Stati Uniti e The Complex Studios in Los Angeles, California, Stati Uniti
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 30)
registrazione di:
Love Is a Battlefield
autore:
Mike Chapman (Australian producer and songwriter) e Holly Knight
editore:
BMG Gold Songs, BMG Music, BMG Music Pbl. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Island Music Ltd., Universal Music–MGB Songs, Warner Chappell, Warner/Chappell Music Ltd. (1996–2019), Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) e Zomba Music Publishing Ltd.
Pat Benatar3.655:21
2Cuts Like a Knife
tecnico di registrazione:
Bob Clearmountain (dal 1982-08-13 al 1982-08-23)
assistente tecnico:
Mike Fraser (Canadian record producer, engineer and mixer), Jeff Hendrickson (sound engineer), Paul Northfield e Robbie Whelan
tecnico:
Bob Clearmountain
produttore:
Bryan Adams (Canadian singer/songwriter) e Bob Clearmountain
tecnico di missaggio:
Bob Clearmountain (dal 1982-10-14 al 1982-10-20)
basso elettrico [bass] :
Dave Taylor (Bass player (Bryan Adams) and engineer) (dal 1982-08-13 al 1982-08-23)
batteria :
Mickey Curry (dal 1982-08-13 al 1982-08-23)
chitarra :
Bryan Adams (Canadian singer/songwriter) (dal 1982-08-13 al 1982-08-23) e Keith Scott (Canadian guitarist) (dal 1982-08-13 al 1982-08-23)
chitarra solista :
Keith Scott (Canadian guitarist) (dal 1982-08-13 al 1982-08-23)
organo :
Tommy Mandel (dal 1982-08-13 al 1982-08-23)
voce di accompagnamento:
Bryan Adams (Canadian singer/songwriter) (dal 1982-08-13 al 1982-08-23), Bruce Allen (Canadian artist manager) (dal 1982-08-13 al 1982-08-23), Bob Clearmountain (dal 1982-08-13 al 1982-08-23), K. Davies (dal 1982-08-13 al 1982-08-23), L. Frenette (dal 1982-08-13 al 1982-08-23), Keith Scott (Canadian guitarist) (dal 1982-08-13 al 1982-08-23), M. Simpson (backing vocalist on Bryan Adams' "Straight From the Heart") (dal 1982-08-13 al 1982-08-23), Dave Taylor (Bass player (Bryan Adams) and engineer) (dal 1982-08-13 al 1982-08-23) e Jimmy Wesley (dal 1982-08-13 al 1982-08-23)
voce principale:
Bryan Adams (Canadian singer/songwriter) (dal 1982-08-13 al 1982-08-23)
diritti fonografici (℗) detenuti da:
A&M Records, Inc. (nel 1983) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1983)
registrata in aggiunta presso:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti (dal 1982-08-13 al 1982-08-23)
registrata presso:
Little Mountain Sound in Vancouver, British Columbia (Columbia Britannica), Canada (dal 1982-08-13 al 1982-08-23)
mixata in aggiunta presso:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti (dal 1982-10-14 al 1982-10-20)
mixata presso:
Le Studio in Morin‐Heights, Québec (Quebec), Canada (dal 1982-10-14 al 1982-10-20)
parte di:
The Downloader’s Music Source Book (numero: 159)
registrazione di:
Cuts Like a Knife (dal 1982-08-13 al 1982-08-23)
scritta a:
Vancouver, British Columbia (Columbia Britannica), Canada (nel 1982-04)
autore:
Bryan Adams (Canadian singer/songwriter) (nel 1982-04) e Jim Vallance (nel 1982-04)
editore:
Almo Music of Canada, Irving Music of Canada, Some Guy Songs, Adams Communications Inc. (nel 1983), Almo Music Corp. (USA, affiliated with ASCAP) (nel 1983), Calypso Toonz (nel 1983), Irving Music, Inc. (nel 1983) e Testatyme Music (nel 1983)
Bryan Adams3.55:13
3Sweet Dreams
tecnico:
A. Williams, D. A. Stewart (UK guitarist/singer for Eurythmics) e R. Crash
produttore:
David A. Stewart (UK guitarist/singer for Eurythmics)
esecutore:
Eurythmics
diritti fonografici (℗) detenuti da:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (nel 1983) e RCA Ltd. (UK arm of RCA) (nel 1983)
video musicali:
Sweet Dreams di Eurythmics
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 50), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 141), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 353) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 357)
registrazione di:
Sweet Dreams (Are Made of This)
paroliere:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) e Dave Stewart (UK guitarist/singer for Eurythmics)
compositore:
Eurythmics, Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) e Dave Stewart (UK guitarist/singer for Eurythmics)
arrangiatore:
Miriama Young
editore:
BMG Music, BMG Music Publishing Ltd., D’n’A Ltd., Sunbury Music Ltd. e Universal Music–MGB Songs
Eurythmics4.153:33
4Take On Me
programmazione degli strumenti:
Magne Furuholmen
produttore:
Alan Tarney
tecnico di missaggio:
a‐ha (Norwegian synth‐pop band) e John Ratcliff
chitarra e drum machine :
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
tastiera :
Magne Furuholmen
voce di accompagnamento:
Magne Furuholmen e Paul Waaktaar-Savoy (guitarist, songwriter and singer)
voce principale:
Morten Harket
diritti fonografici (℗) detenuti da:
Rhino Entertainment Company (not for release label use!) (nel 1985), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1985) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1985, nel 2004)
video musicali:
Take On Me (official music video, 2019 4K remaster of 1985 version with diegetic audio) di a‐ha (Norwegian synth‐pop band) e Take On Me (official music video, 1985 Steve Barron version) di a‐ha (Norwegian synth‐pop band)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 26), The Downloader’s Music Source Book (numero: 284) e BILLIONS CLUB
registrazione di:
Take On Me
autore:
Magne Furuholmen, Morten Harket e Paul Waaktaar-Savoy (guitarist, songwriter and singer)
editore:
ATV Music Ltd. e EMI Music Publishing (do not use as a release label!)
versione di:
Miss Eerie
a‐ha4.43:46
5Relax
tecnico:
Stephen Lipson
produttore:
Trevor Horn
produttore aggiunto:
Stephen Lipson
batteria :
Peter Gill (UK drummer for Frankie Goes to Hollywood) (nel 1983)
chitarra :
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) (nel 1983)
chitarra basso :
Mark O’Toole (former bassist of Frankie Goes to Hollywood) (nel 1983)
percussione ospite :
Luís Jardim (nel 1983)
tastiera ospite :
Andrew Richards (Strawbs keyboard player/record producer) (nel 1983) e Anne Dudley (English score composer) (nel 1983)
voce principale:
Holly Johnson (nel 1983), Mark O’Toole (former bassist of Frankie Goes to Hollywood) (nel 1983) e Paul Rutherford (member of Frankie Goes to Hollywood) (nel 1983)
diritti fonografici (℗) detenuti da:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1983) e Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1984)
registrata presso:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito (nel 1983)
versione karaoke di:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) di DJ Schmolli
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 10) e Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 44)
registrazione di:
Relax (nel 1983)
paroliere:
Holly Johnson
compositore:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson e Mark O’Toole (former bassist of Frankie Goes to Hollywood)
editore:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) e SPZ Music, Inc. (BMI affiliated)
Frankie Goes to Hollywood4.053:57
6One Thing Leads to Another
produttore:
Rupert Hine
registrazione di:
One Thing Leads to Another (The Fixx song)
autore e compositore:
Alfie Agius, Cy Curnin, Rupert Greenall, Jamie West‐Oram e Adam Woods (drummer)
The Fixx3:24
7In a Big Country
produttore:
Steve Lillywhite
editore:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (nel 1983)
diritti fonografici (℗) detenuti da:
Mercury Records Limited (not for release label use!) (nel 1983)
edit di:
In a Big Country di Big Country
video musicali:
In a Big Country di Big Country
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 14)
registrazione di:
In a Big Country
paroliere:
Stuart Adamson
compositore:
Stuart Adamson, Mark Brzezicki, Tony Butler (English rock bassist with Big Country) e Bruce Watson (member of Big Country)
editore:
10 Music Ltd., Big Country Music Ltd., BMG Gold Songs, EMI 10 Music e Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (nel 1983)
Big Country3.953:54
8Come On Eileen
produttore:
Clive Langer, Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners) e Alan Winstanley (English record producer)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1982)
registrazione di:
Come On Eileen
autore:
Kevin Adams, James Mitchell Paterson e Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) e Kevin Adams Music Ltd.
Dexys Midnight Runners4.754:14
9Our House
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 13) e VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 29)
registrazione di:
Our House
paroliere:
Mike Barson, Mark Bedford, Graham McPherson, Carl Smyth, Lee “Kix” Thompson (Madness) e Daniel Woodgate
compositore:
Mike Barson, Mark Bedford, Chris Foreman (UK musician, aka “Chrissy Boy”), Graham McPherson, Lee “Kix” Thompson (Madness) e Daniel Woodgate
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness3.93:20
10Weird Science
tecnico di registrazione e tecnico di missaggio:
David Leonard (US producer and engineer)
produttore:
Steve Bartek e Danny Elfman (American singer and score composer)
batteria e percussione :
Johnny "Vatos" Hernandez
chitarra :
Steve Bartek e Danny Elfman (American singer and score composer)
chitarra basso :
John Avila
sassofono contralto e sassofono baritono :
Leon Schneiderman
sassofono tenore :
Sam "Sluggo" Phipps
tastiera :
Mike Bacich
trombone e tromba :
Dale Turner (Oingo Boingo trumpeter)
voce:
John Avila e Danny Elfman (American singer and score composer)
registrata presso:
Sunset Sound Factory (1982–2017) in Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Weird Science (Oingo Boingo song)
paroliere e compositore:
Danny Elfman (American singer and score composer)
Oingo Boingo3.656:13
11Suddenly Last Summer
tecnico di registrazione e produttore:
Val Garay
tecnico di missaggio:
Doug Sax
voce principale:
Martha Davis (of The Motels)
registrata presso:
Record One in Sherman Oaks, Los Angeles, California, Stati Uniti (dal 1983-01-30 al 1983-08-05)
registrazione di:
Suddenly Last Summer
paroliere e compositore:
Martha Davis (of The Motels)
The Motels43:39
12Sister Christian
tecnico:
John Van Nest
produttore:
Pat Glasser
batteria :
Kelly Keagy
chitarra :
Brad Gillis e Jeff Watson
chitarra basso :
Jack Blades (of Night Ranger)
tastiera e voce di accompagnamento:
Alan Fitzgerald
voce:
Alan Fitzgerald e Brad Gillis
voce principale:
Jack Blades (of Night Ranger) e Kelly Keagy
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1983)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 32)
registrazione di:
Sister Christian
paroliere e compositore:
Kelly Keagy
editore:
Figs. D Music, Kid Bird Music, Inc. e Rough Play Music
Night Ranger3.655:02
13Hold Me Now
tecnico di registrazione, tecnico e tecnico di missaggio:
Phil Thornalley
programmazione degli strumenti:
Tom Bailey (Thompson Twins)
produttore:
Tom Bailey (Thompson Twins) e Alex Sadkin
armonica (a bocca) , chitarra , contrabbasso [contrabass] , pianoforte e sintetizzatore :
Tom Bailey (Thompson Twins)
batteria , marimba , percussione e xilofono :
Alannah Currie
congas e sintetizzatore [Prophet V] :
Joe Leeway
voce:
Tom Bailey (Thompson Twins)
voce di accompagnamento:
Alannah Currie e Joe Leeway
diritti fonografici (℗) detenuti da:
Arista Records Ltd. (not for release label use!) (nel 1983), BMG Arista Records Ltd. (nel 1983), BMG Eurodisc Ltd. (nel 1983), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1983), Arista Records Ltd. (not for release label use!) (nel 1984) e Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1984)
video musicali:
Hold Me Now di Thompson Twins
registrazione di:
Hold Me Now (Thompson Twins song)
autore:
Alannah Joy Currie, Joseph Martin Leeway e Thomas Alexander Bailey (Thompson Twins)
arrangiatore voci:
Tom Bailey (Thompson Twins), Alannah Currie e Joe Leeway
editore:
BMG Music Publishing Ltd., BMG Songs, Inc., Point Music (publisher) e Point Music Ltd.
Thompson Twins4.54:45
14Missing You
assistente tecnico:
Ken Stiger (engineer)
tecnico:
Gary Hellman
produttore:
Gary Gersh, David Thoener e John Waite
tecnico di missaggio e editor:
John Luongo
diritti fonografici (℗) detenuti da:
Capitol Records (imprint of Capitol Records, Inc.) (nel 1984), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1984), EMI America Records (holding – file NO releases here!) (nel 1984) e EMI–Manhattan Records (company credits only; do NOT use as release label) (nel 1984)
registrazione di:
Missing You
paroliere:
John Waite
compositore:
Mark Leonard, Chas Sandford e John Waite
editore:
Alley Music Corp., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Everpop Songs, Markmeem Music (publisher), Paperwaite Music (publisher) (, nel 1984), Quartet Music Inc., Sony Music Publishing (worldwide except Japan, ended 1995), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (fino al 2019-05-28), Fallwater Music (nel 1984), Markeem Music (publisher) (nel 1984), The Hudson Bay Music Co. (publisher) (nel 1984) e WC Music Corp. (dal 2019-05-28 a oggi)
John Waite54:01
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Accreditamenti

Pubblicazione

distribuito da:Universal Music & Video Distribution, Corp. (not for release label use! distributor/manufacturer fka Universal Music & Video Distribution, Inc., renamed as Universal Music Group Distribution in 2006)
copyright (©) detenuto da e diritti fonografici (℗) detenuti da:Universal Music Enterprises (not for release label use; catalog/reissue division of UMG Recordings, Inc.) (nel 2001)
ASIN:US: B00005LZVD [info]