The Hot Ones

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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1▼Cartuccia 8 Tracce
#TitoloArtistaValutazioneDurata
1-1If I Can’t Have You
produttore:
Freddie Perren
basso :
Scott Edwards (bassist)
batteria :
James Gadson (American drummer)
chitarra :
Bob Bowles
percussione :
Bob Zimmitti, Paulinho da Costa (Brazilian percussionist) e Freddie Perren
pianoforte :
Sonny Burke (soul/jazz/funk keyboardist)
sintetizzatore e tastiera :
Freddie Perren
voce di accompagnamento [additional background vocals] e voce principale:
Yvonne Elliman
voce di accompagnamento [girl-group background vocals]:
Marti McCall (session vocalist), Julia Waters e Maxine Waters
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1977) e Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1977)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 19) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 343)
registrazione di:
If I Can’t Have You
scritta a:
Francia
autore:
Barry Gibb, Maurice Gibb e Robin Gibb
editore:
BMG Music, Careers Music, Inc., Crompton Songs, Gibb Brothers Music, Universal Music Publishing International MGB Ltd., Stigwood Music, Inc. (nel 1978) e Unichappell Music (nel 1978)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Yvonne Elliman4.25?:??
1-2Sometimes When We Touch
diritti fonografici (℗) detenuti da:
GRT of Canada Ltd. (nel 1977), McCauley Music Ltd. (nel 1977) e McCauley Music Masters (nel 1977)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 33)
registrazione di:
Sometimes When We Touch
paroliere:
Dan Hill (Canadian singer/songwriter)
compositore:
Barry Mann
editore:
Anthem Entertainment A (work publisher), Dyad Music Ltd., Mann and Weil Songs, Inc., McCauley Music Ltd., Ole Media Management LP II, Sony/ATV Music Publishing Australia Pty Ltd., Sony/ATV Songs LLC e Sony/ATV Tunes LLC (ASCAP)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e フジパシフィックミュージック (Fujipacific Music, Inc.)
Dan Hill3?:??
1-3We’ll Never Have to Say Goodbye
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1975)
registrazione di:
We’ll Never Have to Say Goodbye Again
paroliere e compositore:
Jeffrey Comanor
editore:
BMG Sapphire Songs, Chicken Key Music, Faizilu Publishing, Reservoir 416, Sutjujo Music, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), フジパシフィックミュージック (Fujipacific Music, Inc.) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
England Dan & John Ford Coley?:??
1-4Let’s All Chant
tecnico:
Rick Rowe
produttore:
Michael Zager
produttore esecutivo:
Jerry Love
clarinetto solista :
George Marge
tromba solista :
Raymond Crisara
voce:
Billy Baker, Alvin Fields e Dolette McDonald
diritti fonografici (℗) detenuti da:
Private Stock Records, Ltd. (not for release label use, for company relationships only) (nel 1977, nel 1978)
registrazione di:
Let’s All Chant
autore:
Alvin Fields e Michael Zager
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Michael Zager Band4.35?:??
1-5Don’t Worry Baby
B.J. Thomas?:??
2-1Imaginary Lover
diritti fonografici (℗) detenuti da:
Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (nel 1978) e PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1978)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 51)
registrazione di:
Imaginary Lover (1982 from Champagne Jam)
autore:
Buddy Buie, J. R. Cobb e Robert Nix (drummer)
editore:
Low‐Sal, Inc. e Sony/ATV Songs LLC
Atlanta Rhythm Section5?:??
2-2Before My Heart Finds Out
registrazione di:
Before My Heart Finds Out
paroliere e compositore:
Randy Goodrum
editore:
Chappell & Co., Inc. (USA), Sailmaker Music e Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019)
Gene Cotton?:??
2-3We Just Disagree
assistente tecnico:
Michael Beiriger e Rick Smith (engineer)
produttore:
Ron Nevison
batteria :
Rick Jaeger (drummer)
chitarra basso [bass] :
Gerald Johnson
percussione :
Bobbye Hall
tastiera :
Mike Finnigan (keyboardist)
voce:
Mike Finnigan (keyboardist)
arrangiatore archi :
Alan MacMillan
arrangiatore:
Dave Mason (co‐founder of Traffic)
primo violino:
James Getzoff (American concertmaster and violinist)
diritti fonografici (℗) detenuti da:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1977) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1977)
è stato produttore per:
Gadget Productions Inc.
registrata presso e mixata presso:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
We Just Disagree
paroliere e compositore:
Jim Krueger
editore:
Bruiser Music, EMI Blackwood Music Inc. e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Dave Mason3.65?:??
2-4Boogie Shoes
produttore:
Harry Wayne Casey e Richard Finch
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1978) e Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 2004)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 324)
registrazione di:
Boogie Shoes
autore:
Harry Wayne Casey e Richard Finch
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e EMI Music Publishing Australia Pty Ltd (not for release label use!)
K.C. & the Sunshine Band4.25?:??
2-5Disco Inferno
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 54)
registrazione di:
Disco Inferno
autore:
Leroy Green (disco/soul songwriter) e Ron Kersey
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), peermusic (“Peermusic—the global independent”), Reservoir 416, Reservoir Media Management, Inc. e Six Strings Music
Trammps4.35?:??
3-1Flash Light
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1977)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 92), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 199) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 252)
registrazione di:
Flash Light
autore:
George Clinton (US funk musician), Bootsy Collins (US funk musician & songwriter) e Bernie Worrell (keyboardist, composer and record producer)
editore:
Bridgeport Music, Inc., Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG), Rick’s Music, Inc. (publishing company associated with Casablanca) e Rubberband Music, Inc.
Parliament4.4?:??
3-2Living Next Door to Alice
produttore:
Mike Chapman (Australian producer and songwriter) e G. Kasper (German sound engineer & producer, “Mr. Cool”)
produttore associato:
Nicky Chinn
diritti fonografici (℗) detenuti da:
Chinnichap Records Ltd. (nel 1976) e RAK Records Ltd. (nel 1976)
è stato produttore per:
Chinnichap (production company and publisher)
registrazione cover di:
Living Next Door to Alice
paroliere:
Nicky Chinn
compositore:
Mike Chapman (Australian producer and songwriter)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Musik-Edition Discoton GmbH e Universal Music Publishers MGB Australia Pty Ltd
Smokie4.15?:??
3-3This Time I’m in It for Love
Player?:??
3-4Thank You for Being a Friend
assistente tecnico:
George Ybara
tecnico:
Dennis Kirk e Greg Ladanyi
produttore:
Andrew Gold e Brock Walsh (singer, producer, songwriter)
basso :
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (nel 1978)
batteria :
Jeff Porcaro (nel 1978)
chitarra :
Waddy Wachtel (nel 1978)
percussione , pianoforte e sintetizzatore :
Andrew Gold (nel 1978)
voce:
Andrew Gold (nel 1978)
voce di accompagnamento:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (nel 1978), Andrew Gold (nel 1978) e Brock Walsh (singer, producer, songwriter) (nel 1978)
diritti fonografici (℗) detenuti da:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1978)
registrata presso e mixata presso:
Sound Factory (1969–1980) in Los Angeles, California, Stati Uniti (nel 1978)
registrazione di:
Thank You for Being a Friend (nel 1978)
paroliere e compositore:
Andrew Gold
editore:
Luckyu Music
Andrew Gold5?:??
4-1The Name of the Game
tecnico:
Michael B. Tretow
produttore:
Benny Andersson (ABBA) e Björn Ulvaeus
batteria :
Ola Brunkert (il 1977-05-31)
chitarra acustica :
Björn Ulvaeus (il 1977-05-31)
chitarra basso :
Rutger Gunnarsson (il 1977-05-31)
chitarra elettrica [lead guitar] :
Lasse Wellander (il 1977-05-31)
congas e percussione :
Malando Gassama (il 1977-05-31)
flauto e sassofono :
Lars O. Carlsson (il 1977-07-19)
tastiera :
Benny Andersson (ABBA) (il 1977-05-31)
arrangiatore:
Benny Andersson (ABBA) e Björn Ulvaeus
diritti fonografici (℗) detenuti da:
Polar Music International AB (nel 1977)
registrata presso:
Marcus Music Ab in Stockholm, Stockholms län (Stockholm county), Svezia (il 1977-05-31, il 1977-07-19)
mixata presso:
Bohus Sound Recording in Kungälv Municipality (Kungälv municipality), Västra Götaland (Västra Götaland county), Svezia (nel 1977-09)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 97)
registrazione di:
The Name of the Game (nel 1977)
paroliere:
Stig Anderson (Stikkan)
autore:
Benny Andersson (ABBA) e Björn Ulvaeus
editore:
EMI Music Publishing (do not use as a release label!), Union Songs AB (publisher), Union Songs Music, Universal Music Publishing Group, EMI Waterford Music (dal 1977 a oggi), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (dal 1977 a oggi) e Universal/Union Songs Musikförlag AB (dal 1977 a oggi)
parte di:
Mamma Mia! (1999 musical)
Abba3.65?:??
4-2Best of My Love
produttore:
Al McKay
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1977) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 334)
registrazione di:
Best of My Love
autore:
Al McKay e Maurice White (Earth, Wind & Fire)
editore:
EMI Songs Ltd.
Emotions4.15?:??
4-3It’s Ecstasy When You Lay Down Next to Me
tecnico:
Frank Kejmar (engineer)
produttore:
Barry White
arrangiatore:
Gene Page (conductor, composer, arranger and record producer) e Barry White
registrazione di:
It's Ecstasy When You Lay Down Next to Me
autore:
Ekundayo Paris e Nelson Pigford
Barry White3?:??
4-4Thunder Island
diritti fonografici (℗) detenuti da:
Asylum Records (Warner Music subsidiary) (nel 1977)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 50)
registrazione di:
Thunder Island
paroliere e compositore:
Jay Ferguson (Californian rock & roll artist, member of Spirit & Jo Jo Gunne)
editore:
Painless Music
Jay Ferguson?:??

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