Pachelbel: Canon - Albinoni: Adagio - Bach: Air on G String - Mozart: Eine kleine Nachtmusik - Fauré: Pavane - Handel: Hallelujah from the Messiah & Other Classical Hits

~ Veröffentlichung von Sir Neville Marriner (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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℗ & © «A Warner Classics release»

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Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Canon and Gigue in D major: Canon
Orchester:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (Canon und Gigue D-Dur, P37: I. Canon)
Komponist(in):
Johann Pachelbel (composer)
Teil von:
Canon and Gigue in D major, P. 37, T. 337 (Canon und Gigue D-Dur, P37)
Johann Pachelbel5:01
2Solomon, HWV 67: Act 3: Sinfonia “The Arrival of the Queen of Sheba”
Produzent(in):
John Fraser (UK producer)
Cembalo:
Ian Watson (conductor and keyboardist) (von 1983-06-27 bis 1983-06-28)
Orchester:
Academy of St Martin in the Fields (von 1983-06-27 bis 1983-06-28)
conductor:
Sir Neville Marriner (conductor) (von 1983-06-27 bis 1983-06-28)
Tonmeister(in):
Stuart Eltham (engineer)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1983-06-27 bis 1983-06-28)
recording of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba” (von 1983-06-27 bis 1983-06-28)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1748)
publisher:
Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft und Public Domain (refers to works that are in the public domain)
Teil von:
Solomon, HWV 67: Act III
George Frideric Handel42:48
3Orchestral Suite no. 3 in D major, BWV 1068: II. Air
Produzent(in):
John Fraser (UK producer)
Cello [cello continuo]:
Denis Vigay (cellist) (am 1984-11-03, von 1984-11-05 bis 1984-11-06, am 1984-11-08)
Cembalo [harpsichord continuo] und Orgel [organ continuo]:
Alastair Ross (organist and harpsichordist) (am 1984-11-03, von 1984-11-05 bis 1984-11-06, am 1984-11-08)
Geige / Violine:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (am 1984-11-03, von 1984-11-05 bis 1984-11-06, am 1984-11-08)
Oboe:
Barry Davis (classical oboist) (am 1984-11-03, von 1984-11-05 bis 1984-11-06, am 1984-11-08) und Celia Nicklin (oboist) (am 1984-11-03, von 1984-11-05 bis 1984-11-06, am 1984-11-08)
Trompete:
Simon Ferguson (am 1984-11-03, von 1984-11-05 bis 1984-11-06, am 1984-11-08), William Houghton (classical trumpet player) (am 1984-11-03, von 1984-11-05 bis 1984-11-06, am 1984-11-08) und Michael Laird (classical trumpeter) (am 1984-11-03, von 1984-11-05 bis 1984-11-06, am 1984-11-08)
Orchester:
Academy of St Martin in the Fields (am 1984-11-03, von 1984-11-05 bis 1984-11-06, am 1984-11-08)
conductor:
Sir Neville Marriner (conductor) (am 1984-11-03, von 1984-11-05 bis 1984-11-06, am 1984-11-08)
Tonmeister(in):
Stuart Eltham (engineer)
phonographisches Urheberrecht (℗) von:
Warner Classics UK (not for release label use! for copyrights use only) (in 1985)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1984-11-03, von 1984-11-05 bis 1984-11-06, am 1984-11-08)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (am 1984-11-03)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
Teil von:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (von 1984-11-05 bis 1984-11-06)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
Teil von:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (am 1984-11-08)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
Teil von:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach4:57
4Symphony no. 25 in G minor, K. 183: I. Allegro con brio
Orchester:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Symphony no. 25 in G minor, K. 173dB/183 "Little G Minor": I. Allegro con brio
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1773 bis 1773-10-05)
Teil von:
Symphony no. 25 in G minor, K. 173dB/183 "Little G Minor"
Wolfgang Amadeus Mozart7:47
5Adagio in G minor
Orchester:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
teilweise recording of:
Adagio for Strings and Organ in G minor
Komponist(in):
Remo Giazotto
vorher zugeschrieben zu:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tomaso Albinoni5:53
6Brandenburg Concerto no. 3 in G major, BWV 1048: I.
Produzent(in):
John Fraser (UK producer)
Cembalo [harpsichord continuo]:
John Constable (pianist) und George Malcolm (English harpsichordist, conductor) (von 1985-11-01 bis 1985-11-04, am 1985-11-13)
Geige / Violine:
Iona Brown (violinist and director of the Academy of St Martin in the Fields)
recorder:
Catherine Latham (Classical oboe and recorder player) und Philip Pickett (musician)
Orchester:
Academy of St Martin in the Fields (von 1985-11-01 bis 1985-11-04, am 1985-11-13)
conductor:
Sir Neville Marriner (conductor) (von 1985-11-01 bis 1985-11-04, am 1985-11-13)
Tonmeister(in):
Stuart Eltham (engineer)
phonographisches Urheberrecht (℗) von:
Warner Classics UK (not for release label use! for copyrights use only)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1985-11-01 bis 1985-11-04, am 1985-11-13)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro (von 1985-11-01 bis 1985-11-04)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
Teil von:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro (am 1985-11-13)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
Teil von:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
- Johann Sebastian Bach6:26
7Gloria in D major, RV 589: I. Gloria in excelsis Deo
Produzent(in):
David Groves (classical music producer at EMI)
Chorgesang:
Academy of St Martin in the Fields Chorus (von 1990-10-05 bis 1990-10-07)
Orchester:
Academy of St Martin in the Fields (von 1990-10-05 bis 1990-10-07)
conductor:
Sir Neville Marriner (conductor) (von 1990-10-05 bis 1990-10-07)
chorus master:
László Heltay (British/Hungarian conductor and composer) (von 1990-10-05 bis 1990-10-07)
Tonmeister(in):
Mark Vigars (engineer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1990-10-05 bis 1990-10-07)
recording of:
Gloria in D major, RV 589: I. Gloria in excelsis Deo (von 1990-10-05 bis 1990-10-07)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Gloria in D major, RV 589
recording of:
Gloria, RV 589: I. Gloria in excelsis Deo (edited by Malipiero)
Texter:
Anonymous ([anonymous], special purpose artist)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
zusätzliche(r) Komponist(in):
Gian Francesco Malipiero (Italian composer)
basiert auf:
Gloria in D major, RV 589: I. Gloria in excelsis Deo
Teil von:
Gloria, RV 589 (edited by Malipiero)
Antonio Vivaldi2:24
8Symphony no. 40 in G minor, K. 550: I. Molto allegro
Produzent(in):
John Fraser (UK producer)
Orchester:
Academy of St Martin in the Fields (von 1986-10-29 bis 1986-11-01)
conductor:
Sir Neville Marriner (conductor) (von 1986-10-29 bis 1986-11-01)
Tonmeister(in):
Stuart Eltham (engineer)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1986-10-29 bis 1986-11-01)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version) (von 1986-10-29 bis 1986-11-01)
Orchestrator(in):
Neal Desby und Edward Trybek
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1788 bis 1788-07-25)
Teil von:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart7:26
9Water Music, Suite no. 2 in D major, HWV 349: II. Alla Hornpipe
Produzent(in):
John Fraser (UK producer) und Simon Woods (producer)
Orchester:
Academy of St Martin in the Fields (von 1988-06 bis 1988-07, von 1988-06-27 bis 1988-07-01)
conductor:
Sir Neville Marriner (conductor) (von 1988-06 bis 1988-07, von 1988-06-27 bis 1988-07-01)
Tonmeister(in):
Mark Vigars (engineer)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1988-06 bis 1988-07, von 1988-06-27 bis 1988-07-01)
recording of:
Water Music, Suite no. 2 in D major, HWV 349: 12. Alla hornpipe (Wassermusik Suite Nr. 2 D-Dur, HWV 349: II. Alla Hornpipe) (von 1988-06-27 bis 1988-07-01)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1717)
Teil von:
Water Music Suite no. 2 in D major, HWV 349 (Wassermusik Suite Nr. 2 D-Dur, HWV 349)
recording of:
Water Music, Suite no. 2 in D major, HWV 349: 12. Alla hornpipe (Wassermusik Suite Nr. 2 D-Dur, HWV 349: II. Alla Hornpipe) (von 1988-06 bis 1988-07)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1717)
Teil von:
Water Music Suite no. 2 in D major, HWV 349 (Wassermusik Suite Nr. 2 D-Dur, HWV 349)
George Frideric Handel4:10
10String Quintet in E major, op. 11 no. 5, G. 275: III. Minuetto - Trio (version for string orchestra)
Techniker(in):
Stuart Eltham (engineer)
Produzent(in):
John Fraser (UK producer)
Orchester:
Academy of St Martin in the Fields (in 1986)
conductor:
Sir Neville Marriner (conductor) (in 1986)
recording of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (orch. Woodhouse) (in 1986)
Orchestrator(in):
Charles Woodhouse (violinist, arranger, composer)
Komponist(in):
Luigi Boccherini (Italian composer) (in 1771)
Orchestrierung von:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto) (Streichquintett Nr. 11 E-Dur, op. 11. Nr. 5, G. 275: III. Minuetto - Trio)
recording of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto) (catch-all for arrangements)
Komponist(in):
Luigi Boccherini (Italian composer)
Arrangement von:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto) (Streichquintett Nr. 11 E-Dur, op. 11. Nr. 5, G. 275: III. Minuetto - Trio)
Luigi Boccherini3:58
11Was mir behagt, ist nur die muntre Jagd, BWV 208 “Jagdkantate”: IX. Aria. “Schafe können sicher weiden”
Produzent(in):
John Fraser (UK producer)
Orgel:
Ian Watson (conductor and keyboardist) (von 1983-06-27 bis 1983-06-28)
Orchester:
Academy of St Martin in the Fields (von 1983-06-27 bis 1983-06-28)
conductor:
Sir Neville Marriner (conductor) (von 1983-06-27 bis 1983-06-28)
arranger und Orchestrator(in):
Sir Neville Marriner (conductor)
Tonmeister(in):
Stuart Eltham (engineer)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1983-06-27 bis 1983-06-28)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden” (orchestrated by Marriner) (von 1983-06-27 bis 1983-06-28)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Orchestrierung von:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden”
Johann Sebastian Bach4:39
12Te Deum, H. 146: Prélude
Produzent(in):
John Fraser (UK producer)
Orchester:
Academy of St Martin in the Fields (in 1990-11)
conductor:
Sir Neville Marriner (conductor) (in 1990-11)
Tonmeister(in):
Mark Vigars (engineer)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1990-11)
recording of:
Te Deum, H. 146: Prélude (in 1990-11)
Komponist(in):
Marc‐Antoine Charpentier (composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Teil von:
Te Deum, H. 146
Marc-Antoine Charpentier1:53
13Concerto for Two Trumpets in C major, RV 537: II. Largo
Produzent(in):
John Fraser (UK producer)
Trompete:
Maurice André (French trumpeter) (von 1982-12-17 bis 1982-12-20) und Bernard Soustrot (trumpeter) (von 1982-12-17 bis 1982-12-20)
Orchester:
Academy of St Martin in the Fields (von 1982-12-17 bis 1982-12-20)
conductor:
Sir Neville Marriner (conductor) (von 1982-12-17 bis 1982-12-20)
Tonmeister(in):
Stuart Eltham (engineer)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1982-12-17 bis 1982-12-20)
recording of:
Concerto for Two Trumpets in C major, RV 537: II. Largo (von 1982-12-17 bis 1982-12-20)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Concerto for Two Trumpets in C major, RV 537
Antonio Vivaldi1:03
14Peer Gynt, op. 23: Act 4: No. 13, Prelude. Morning Mood
Produzent(in):
John Fraser (UK producer)
Orchester:
Academy of St Martin in the Fields (von 1982-07-28 bis 1982-07-30)
conductor:
Sir Neville Marriner (conductor) (von 1982-07-28 bis 1982-07-30)
Tonmeister(in):
Stuart Eltham (engineer)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1982-07-28 bis 1982-07-30)
recording of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning (von 1982-07-28 bis 1982-07-30)
Komponist(in):
Edvard Grieg (composer) (in 1875)
Librettist:
Henrik Ibsen (in 1867)
Teil von:
Peer Gynt, op. 23
Edvard Grieg4:17
15Pavane, op. 50 (instrumental version)
Orchester:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Pavane, op. 50 (catch-all for arrangements and unknown versions)
Komponist(in):
Gabriel Fauré (French composer)
Arrangement von:
Pavane, op. 50 (for piano and chorus)
Gabriel Fauré6:19
16String Quartet no. 1 in D major, op. 11: II. Andante cantabile (version for string orchestra)
Orchester:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
arranger:
Sir Neville Marriner (conductor)
recording of:
String Quartet no. 1 in D major, op. 11: II. Andante cantabile (catch-all for arrangements)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (in 1871)
Arrangement von:
String Quartet no. 1 in D major, op. 11: II. Andante cantabile
Pyotr Ilyich Tchaikovsky6:16
17The Tale of Tsar Saltan: Act 3: The Flight of the Bumblebee
Produzent(in):
John Fraser (UK producer)
Orchester:
Academy of St Martin in the Fields (von 1986-10 bis 1986-11)
conductor:
Sir Neville Marriner (conductor) (von 1986-10 bis 1986-11)
Tonmeister(in):
Stuart Eltham (engineer)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1986-10 bis 1986-11)
recording of:
Полёт шмеля (Flight of the Bumblebee, Flight of the Bumblebee; orchestral interlude between Tableaus 1 & 2 in Act III of The Tale of Tsar Saltan) (von 1986-10 bis 1986-11)
Komponist(in):
Николай Андреевич Римский‐Корсаков (Nikolai Rimski-Korsakow, Russian composer) (von 1899 bis 1900)
Teil von:
The Tale of Tsar Saltan: Act III
recording of:
Flight of the Bumblebee (Rimski‐Korsakov work, catch‐all for arrangements)
Komponist(in):
Николай Андреевич Римский‐Корсаков (Nikolai Rimski-Korsakow, Russian composer)
publisher:
Domaine public (refers to works that are in the public domain)
Arrangement von:
Полёт шмеля (Flight of the Bumblebee, Flight of the Bumblebee; orchestral interlude between Tableaus 1 & 2 in Act III of The Tale of Tsar Saltan)
Nikolai Rimsky-Korsakov21:27
18Le nozze di Figaro, K. 492: Overture
Produzent(in):
John Fraser (UK producer)
Orchester:
Academy of St Martin in the Fields (von 1981-06-15 bis 1981-06-16)
conductor:
Sir Neville Marriner (conductor) (von 1981-06-15 bis 1981-06-16)
Tonmeister(in):
Stuart Eltham (engineer)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1981-06-15 bis 1981-06-16)
recording of:
Le nozze di Figaro, K. 492: Sinfonia (von 1981-06-15 bis 1981-06-16)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1786)
Teil von:
Die Hochzeit des Figaro (German translation)
Teil von:
Le nozze di Figaro, K. 492 (Die Hochzeit des Figaro, K 492)
Wolfgang Amadeus Mozart4:14
19Die Entführung aus dem Serail, K. 384: Ouvertüre
Orchester:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Die Entführung aus dem Serail, K. 384: Ouvertüre (Die Entführung aus dem Serail, K. 384: Overture)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1782)
Teil von:
Die Entführung aus dem Serail, K. 384
Wolfgang Amadeus Mozart5:43
20Serenade no. 13 in G major, K. 525 “Eine kleine Nachtmusik”: I. Allegro
Produzent(in):
Christopher Bishop (conductor/producer)
Orchester:
Academy of St Martin in the Fields (am 1976-01-29, am 1976-10-26)
conductor:
Sir Neville Marriner (conductor) (am 1976-01-29, am 1976-10-26)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1976-01-29, am 1976-10-26)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade Nr. 13 für Streicher G-Dur, KV 525 "Eine kleine Nachtmusik": I. Allegro) (am 1976-01-29)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1787)
Teil von:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade Nr. 13 für Streicher G-Dur, KV 525 "Eine kleine Nachtmusik": I. Allegro) (am 1976-10-26)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1787)
Teil von:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart5:54
21Serenade no. 13 in G major, K. 525 “Eine kleine Nachtmusik”: II. Romance. Andante
Produzent(in):
Christopher Bishop (conductor/producer)
Orchester:
Academy of St Martin in the Fields (am 1976-01-29, am 1976-10-26)
conductor:
Sir Neville Marriner (conductor) (am 1976-01-29, am 1976-10-26)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1976-01-29, am 1976-10-26)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante (am 1976-01-29)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1787)
Teil von:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante (am 1976-10-26)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1787)
Teil von:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart5:45
22Serenade no. 13 in G major, K. 525 “Eine kleine Nachtmusik”: IV. Rondo. Allegro
Produzent(in):
Christopher Bishop (conductor/producer)
Orchester:
Academy of St Martin in the Fields (am 1976-01-29, am 1976-10-26)
conductor:
Sir Neville Marriner (conductor) (am 1976-01-29, am 1976-10-26)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1976-01-29, am 1976-10-26)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: IV. Rondo. Allegro (am 1976-01-29)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1787)
Teil von:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: IV. Rondo. Allegro (am 1976-10-26)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1787)
Teil von:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart3:05
23Symphony no. 41 in C major, K. 551 “Jupiter”: I. Allegro vivace
Produzent(in):
John Fraser (UK producer)
Orchester:
Academy of St Martin in the Fields (von 1984-11-17 bis 1984-11-18)
conductor:
Sir Neville Marriner (conductor) (von 1984-11-17 bis 1984-11-18)
Tonmeister(in):
Stuart Eltham (engineer)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1984-11-17 bis 1984-11-18)
recording of:
Symphony no. 41 in C major, K. 551 “Jupiter”: I. Allegro vivace (Sinfonie Nr. 41 C-Dur, K. 551 "Jupiter": I. Allegro vivace) (von 1984-11-17 bis 1984-11-18)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1788 bis 1788-08-10)
Teil von:
Symphony no. 41 in C major, K. 551 “Jupiter”
Wolfgang Amadeus Mozart11:27
24Sinfonia concertante for Violin and Viola in E‐flat major, K. 364: I. Allegro maestoso
Produzent(in):
David Groves (classical music producer at EMI) (in 1991)
Editing:
David Bell (engineer) (in 1991)
Bratsche / Viola:
Bruno Giuranna (violist) (in 1991-06)
Geige / Violine:
Anne‐Sophie Mutter (violinist) (in 1991-06)
Orchester:
Academy of St Martin in the Fields (in 1991-06)
conductor:
Sir Neville Marriner (conductor) (in 1991-06)
Tonmeister(in):
Michael Sheady (engineer) (in 1991-06)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1991-06)
recording of:
Sinfonia concertante for Violin, Viola and Orchestra in E-flat major, K. 364/320d: I. Allegro maestoso (in 1991-06)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1779)
Teil von:
Sinfonia concertante for Violin, Viola and Orchestra in E-flat major, K. 364/320d
Wolfgang Amadeus Mozart13:06
25Violin Concerto no. 1 in B‐flat major, K. 207: II. Adagio
Produzent(in):
David Groves (classical music producer at EMI) (in 1991)
Editing:
David Bell (engineer) (in 1991)
Geige / Violine:
Anne‐Sophie Mutter (violinist) (in 1991-06)
Orchester:
Academy of St Martin in the Fields (in 1991-06)
conductor:
Sir Neville Marriner (conductor) (in 1991-06)
Tonmeister(in):
Michael Sheady (engineer) (in 1991-06)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1991-06)
recording of:
Concerto for Violin and Orchestra no. 1 in B-flat major, K. 207: II. Adagio (in 1991-06)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1773)
Teil von:
Concerto for Violin and Orchestra no. 1 in B-flat major, K. 207
Wolfgang Amadeus Mozart8:14
26Horn Concerto no. 2 in E‐flat major, K. 417: II. Andante
Techniker(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
Produzent(in):
Christopher Bishop (conductor/producer)
Horn:
Barry Tuckwell (hornist / conductor) (in 1971-05)
Orchester:
Academy of St Martin in the Fields (in 1971-05)
conductor:
Sir Neville Marriner (conductor) (in 1971-05)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1971-05-17 bis 1971-05-21)
recording of:
Concerto for Horn no. 2 in E-flat major, K. 417: II. Andante (in 1971-05)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1783)
Teil von:
Concerto for Horn no. 2 in E-flat major, K. 417
Wolfgang Amadeus Mozart3:30
27Horn Concerto no. 2 in E‐flat major, K. 417: III. Rondo
Techniker(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
Produzent(in):
Christopher Bishop (conductor/producer)
Horn:
Barry Tuckwell (hornist / conductor) (in 1971-05)
Orchester:
Academy of St Martin in the Fields (in 1971-05)
conductor:
Sir Neville Marriner (conductor) (in 1971-05)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1971-05-17 bis 1971-05-21)
recording of:
Concerto for Horn no. 2 in E-flat major, K. 417: III. Rondo. Allegro - Più allegro (in 1971-05)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1783)
Teil von:
Concerto for Horn no. 2 in E-flat major, K. 417
Wolfgang Amadeus Mozart3:16
28Horn Concerto no. 4 in E‐flat major, K. 495: III. Rondo. Allegro vivace
Techniker(in) und Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
leitende(r) Produzent(in):
Christopher Bishop (conductor/producer)
Produzent(in):
Christopher Bishop (conductor/producer)
Horn:
Barry Tuckwell (hornist / conductor) (von 1971-05-17 bis 1971-05-21)
Orchester:
Academy of St Martin in the Fields (von 1971-05-17 bis 1971-05-21)
conductor:
Neville Marriner (conductor) (von 1971-05-17 bis 1971-05-21)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1971-05-17 bis 1971-05-21)
recording of:
Concerto for Horn no. 4 in E-flat major, K. 495: III. Rondo. Allegro vivace (von 1971-05-17 bis 1971-05-21)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1786)
Teil von:
Concerto for Horn no. 4 in E-flat major, K. 495
Wolfgang Amadeus Mozart3:36
29Herz und Mund und Tat und Leben, BWV 147: No. 10, Choral. “Jesus bleibet meine Freude” (instrumental version)
Produzent(in):
Christopher Bishop (conductor/producer)
Orchester:
Academy of St Martin in the Fields (am 1976-01-29, am 1976-10-26)
conductor:
Sir Neville Marriner (conductor) (am 1976-01-29, am 1976-10-26)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1976-01-29, am 1976-10-26)
instrumental recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (am 1976-01-29)
Premiere in:
Leipzig, Sachsen, Deutschland (am 1723-07-02)
Texter:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
Teil von:
Classic 100: Piano (2025) (Nummer: 15)
Teil von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
instrumental recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (am 1976-10-26)
Premiere in:
Leipzig, Sachsen, Deutschland (am 1723-07-02)
Texter:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
Teil von:
Classic 100: Piano (2025) (Nummer: 15)
Teil von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach2:47
30Holberg Suite, op. 40: I. Praeludium
Orchester:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Fra Holbergs tid, op. 40: I. Præludium (Allegro vivace) (for string orchestra)
Komponist(in):
Edvard Grieg (composer) (in 1884)
Arrangement von:
Fra Holbergs tid, op. 40: I. Præludium (Allegro vivace) (for piano)
Teil von:
Fra Holbergs tid, op. 40 (Holberg Suite, op. 40, for string orchestra)
Edvard Grieg2:47
313 German Dances, K. 605: No. 3 in C major “Die Schlittenfahrt”
Techniker(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
Produzent(in):
Christopher Bishop (conductor/producer)
Geige / Violine:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (von 1973-10-01 bis 1973-10-04)
Orchester:
Academy of St Martin in the Fields (von 1973-10-01 bis 1973-10-04)
conductor:
Sir Neville Marriner (conductor) (von 1973-10-01 bis 1973-10-04)
Tonmeister(in):
Stuart Eltham (engineer)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1973-10-01 bis 1973-10-04) und Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1973-10-01 bis 1973-10-04)
recording of:
3 German Dances for Orchestra, K. 605: No. 3 in C major. German Dance & Trio "Die Schlittenfahrt" & Coda (Deutscher Tanz C-dur, KV 605 no. 3 „Schlittenfahrt“) (von 1973-10-01 bis 1973-10-04)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1789)
Teil von:
3 German Dances for Orchestra, K. 605
Wolfgang Amadeus Mozart3:06
32Piano Concerto no. 5 in F minor, BWV 1056: II. Largo
Produzent(in):
John Fraser (UK producer)
Klavier:
Andrei Gavrilov (Andrei Gawrilow, pianist) (in 1986-04)
Orchester:
Academy of St Martin in the Fields (in 1986-04)
conductor:
Sir Neville Marriner (conductor) (in 1986-04)
Tonmeister(in):
Mark Vigars (engineer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1986-04)
recording of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo (in 1986-04)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
Johann Sebastian Bach3:28
33Der Messias, HWV 56: Pt. 2: Chor. “Hallelujah”
Techniker(in):
Christfried Bickenbach (Aufgabe: recording supervision)
Produzent(in):
Gerd Berg (producer) und Dr. Otto Tomek (producer)
Chorgesang:
Südfunkchor (von 1984-05-24 bis 1984-05-30, am 1984-07-19)
Orchester:
Radio‐Sinfonieorchester Stuttgart (Radio-Sinfonieorchester Stuttgart des SWR) (von 1984-05-24 bis 1984-05-30, am 1984-07-19)
conductor:
Sir Neville Marriner (conductor) (von 1984-05-24 bis 1984-05-30, am 1984-07-19)
chorus master:
Klaus Martin Ziegler (conductor) (von 1984-05-24 bis 1984-05-30, am 1984-07-19)
Tonmeister(in):
Hartwig Paulsen
aufgenommen bei:
Studio Berg in Stuttgart, Baden-Württemberg, Deutschland (von 1984-05-24 bis 1984-05-30, am 1984-07-19)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (von 1984-05-24 bis 1984-05-30)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Librettist:
Charles Jennens
Teil von:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (am 1984-07-19)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Librettist:
Charles Jennens
Teil von:
Messiah, HWV 56: Part II
George Frideric Handel4:04
34Don Giovanni, K. 527: Overture
Orchester:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Don Giovanni: Ouvertura
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1787)
Teil von:
Il dissoluto punito, ossia il Don Giovanni, K. 527 (Don Giovanni)
Wolfgang Amadeus Mozart6:30
35Piano Concerto in A minor, op. 16: II. Adagio
Produzent(in):
John Fraser (UK producer)
Klavier:
Cécile Ousset (French pianist) (in 1984-07)
Orchester:
London Symphony Orchestra (in 1984-07)
conductor:
Sir Neville Marriner (conductor) (in 1984-07)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1984-07)
recording of:
Concerto in A minor for Piano and Orchestra, op. 16: II. Adagio (in 1984-07)
Komponist(in):
Edvard Grieg (composer) (in 1868)
Teil von:
Concerto in A minor for Piano and Orchestra, op. 16
Edvard Grieg6:28