Mastermix Jock in a Box, Volume 2

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

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#TitoloArtistaValutazioneDurata
1Rose Garden
registrazione cover di:
Rose Garden (nel 1970)
paroliere e compositore:
Joe South
editore:
BMG Music Publishing Ltd. e Sony/ATV Songs LLC
Lynn Anderson4.152:54
2Let Your Love Flow
produttore:
Phil Gernhard (songwriter and producer) (nel 1975-10) e Tony Scotti (nel 1975-10)
batteria :
Dennis St. John (nel 1975-10)
chitarra :
David Bellamy (Bellamy Brothers) (nel 1975-10), Howard Bellamy (Bellamy Brothers) (nel 1975-10), Richard Bennett (American guitarist) (nel 1975-10) e Doug Rhone (American guitarist, songwriter, touring and studio musician) (nel 1975-10)
chitarra basso :
Emory Gordy (nel 1975-10)
percussione :
King Errison (conguero) (nel 1975-10)
sintetizzatore :
Alan Lindgren (American keyboardist, arranger, producer, studio & session musician) (nel 1975-10)
voce principale:
David Bellamy (Bellamy Brothers) (nel 1975-10) e Howard Bellamy (Bellamy Brothers) (nel 1975-10)
diritti fonografici (℗) detenuti da:
Curb Records (nel 1975) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1976)
lavorazione tecnica effettuata presso:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, Stati Uniti (nel 1975-10)
registrazione di:
Let Your Love Flow (nel 1975-10)
paroliere e compositore:
Lawrence Eugene Williams (songwriter, "Let Your Love Flow") (nel 1975)
The Bellamy Brothers3.653:17
3Hero
voce principale:
Enrique Iglesias (Spanish pop singer)
diritti fonografici (℗) detenuti da:
Interscope Records (part of UMG Recordings, Inc.) (nel 2001)
video musicali:
Hero di Enrique Iglesias (Spanish pop singer)
parte di:
Billboard Year-End Hot 100 singles of 2002 (numero: 23)
registrazione di:
Hero
autore:
Paul Barry (songwriter/musician), Enrique Iglesias (Spanish pop singer) e Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Metrophonic Music Ltd
Enrique Iglesias4.354:26
4I Don’t Want to Miss a Thing
assistente tecnico:
Alex Dejonge (engineer) e Rob Murphy (Engineer)
tecnico e tecnico di missaggio:
Dave Thoener
produttore:
Matt Serletic
arrangiatore archi :
Suzie Katayama
arrangiatore:
Matt Serletic
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1998)
registrata presso e mixata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti
parte di:
BILLIONS CLUB e The Downloader’s Music Source Book (numero: 228)
registrazione di:
I Don’t Want to Miss a Thing
paroliere e compositore:
Diane Warren (US songwriter)
editore:
Realsongs (conclusa), Manatt, Phelps & Phillips, LLP, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
parte di:
The 71st Academy Award for Best Original Song (numero: 2)
Aerosmith4.054:58
5You’re Still the One
assistente alla programmazione:
Jay Alvarez e James Somberg
programmazione e editor:
Olle Romo (Swedish music producer, songwriter, and drummer)
programmazione aggiuntiva:
Bjorn Thornsrud
produttore:
Robert John “Mutt” Lange (Robert John Lange)
tecnico di missaggio:
Mike Shipley (audio engineer, mixer, producer)
diritti fonografici (℗) detenuti da:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) e Mercury Records (the holding company; for use as ℗&© credits only!) (nel 2022)
registrazione di:
You’re Still the One
autore:
Eilleen Shania Lange e Robert John Lange
editore:
Loon Echo, Inc., Out-of-Pocket Productions Ltd. e PolyGram International, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
Shania Twain3.653:34
6We Will Rock You
tecnico:
Mike Stone (producer and engineer, 1960s–80s)
assistente produttore e co-produttore:
Mike Stone (producer and engineer, 1960s–80s)
produttore:
Queen (UK rock group)
battimani e calpestio di piedi [footstomps] :
John Deacon (dal 1977-08 al 1977-09), Brian May (Queen guitarist) (dal 1977-08 al 1977-09), Freddie Mercury (dal 1977-08 al 1977-09) e Roger Taylor (Queen drummer) (dal 1977-08 al 1977-09)
chitarra e chitarra elettrica :
Brian May (Queen guitarist) (dal 1977-08 al 1977-09)
voce di accompagnamento:
Brian May (Queen guitarist) (dal 1977-08 al 1977-09), Freddie Mercury (dal 1977-08 al 1977-09) e Roger Taylor (Queen drummer) (dal 1977-08 al 1977-09)
voce principale:
Freddie Mercury (dal 1977-08 al 1977-09)
diritti fonografici (℗) detenuti da:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1977), Hollywood Records, Inc. (holding company, not a release label; Disney subsidiary) (nel 1977) e Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (nel 1977, nel 2001, nel 2011)
registrata presso:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Regno Unito (dal 1977-08 al 1977-09)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 338)
registrazione di:
We Will Rock You (dal 1977-08 al 1977-09)
paroliere e compositore:
Brian May (Queen guitarist)
editore:
Beechwood Music Corporation, EMI Music Publishing Ltd. (PRS‐affiliated), Queen Music Ltd. e Sony/ATV
compresa in:
We Will Rock You (Queen musical)
compresa in:
We Will Rock You (German version of the Queen musical)
Queen3.82:05
7Sweet Child o’ Mine
tecnico e produttore:
Mike Clink
tecnico di missaggio:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson) e Steve Thompson (producer)
basso elettrico :
Duff McKagan
batteria :
Steven Adler
chitarra elettrica :
Slash (Guns N’ Roses guitarist) e Izzy Stradlin (US guitarist, singer & songwriter)
voce di accompagnamento:
Duff McKagan e Izzy Stradlin (US guitarist, singer & songwriter)
voce principale:
Axl Rose
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1987) e The David Geffen Company (legal rights relating to Geffen Records) (nel 1987)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 7), Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (numero: 25), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 88), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 196) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 212)
registrazione di:
Sweet Child o’ Mine
autore:
Steven Adler, Izzy Stradlin (US guitarist, singer & songwriter), Duff McKagan, Axl Rose e Slash (Guns N’ Roses guitarist)
editore:
Black Frog Music e Guns N’ Roses Music
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (dal 2021-07-01 a oggi)
Guns N’ Roses4.455:57
8Common People
programmazione:
Olle Romo (Swedish music producer, songwriter, and drummer) (dal 1995-01-18 al 1995-01-24)
assistente tecnico:
Pete Lewis (engineer)
tecnico:
David Nicholas (Australian recording engineer and producer)
produttore:
Chris Thomas (UK record producer / remixer)
diritti fonografici (℗) detenuti da:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (nel 1995)
registrata presso:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito (dal 1995-01-18 al 1995-01-24)
mixata presso:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito
video musicali:
Common People di Pulp
parte di:
NME: Greatest “Indie” Anthems Ever: 2007 (numero: 3), Indie 88: Top 500 Indie Rock Songs (numero: 63) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 75)
registrazione di:
Common People (dal 1995-01-18 al 1995-01-24)
paroliere:
Jarvis Cocker
compositore:
Nick Banks, Jarvis Cocker, Candida Doyle, Steve Mackey (producer; Pulp bassist) e Russell Senior
eseguita per la prima volta presso:
Reading Festival (1994-08-27) (1994)
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), フジパシフィック音楽出版 BMG事業部 (fino al 2018-03-31) e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi)
Pulp4.75:53
9Have a Nice Day
produttore:
Marshall Bird e Steve Bush (engineer/mixer)
registrazione di:
Have a Nice Day
paroliere e compositore:
Kelly Jones (Welsh guitarist vocalist for the Stereophonics)
Stereophonics3.853:27
10Can’t Take My Eyes Off You
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1967)
registrazione cover di:
Can’t Take My Eyes Off You (1967 song)
autore:
Bob Crewe e Bob Gaudio
editore:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing (WP) Ltd., Saturday Music, Inc., Windswept Pacific Music Ltd. e Seasons Four Music Corp. (nel 1967)
sub-editore:
EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Andy Williams43:13
11Mack the Knife
tecnico di registrazione e tecnico di missaggio:
Al Schmitt
assistente tecnico:
Steve Genewick e Christina Paakkari
tecnico:
Richard Flack (producer/engineer)
produttore:
Guy Chambers (English songwriter and record producer)
assistente tecnico di missaggio:
Rupert Coulson (sound engineer) e Ricky Graham (engineer)
basso :
Chuck Berghofer (Jazz bassist)
batteria [drums] :
Harold Jones (jazz drummer)
chitarra :
George Doering
percussione :
Brian Kilgore
pianoforte :
Jim Cox (US keyboard player, composer)
sassofono baritono :
Greg Huckins
sassofono contralto [alto saxophones] :
Gary Foster (woodwind instrumentalist) e Dan Higgins (saxophonist and woodwind recording artist)
sassofono tenore [tenor saxophones] :
Pete Christlieb e Sal Lozano (saxophonist)
tromba [trumpets] :
Wayne Bergeron, Jeff Bunnell, Chuck Findley (trumpet, trombone, horn player) e Gary Grant (brass)
trombone basso :
Craig Ware (trombonist)
trombone tenore [tenor trombones] :
Alex Iles, Andy Martin (jazz trombonist) e Bruce Otto
voce:
Robbie Williams
direttore d'orchestra:
Steve Sidwell (English composer & wind instrumentalist)
arrangiatore:
Steve Sidwell (English composer & wind instrumentalist)
registrazione cover di:
Mack the Knife (1954 Blitzstein translation)
paroliere:
Bertolt Brecht
compositore:
Kurt Weill (composer)
traduttore:
Marc Blitzstein (American composer) (nel 1954)
editore:
Universal Edition (publisher; do NOT use as release label)
versione tradotta di:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Robbie Williams3.93:20
12Relight My Fire
tecnico:
Dixoid
produttore:
Andrew Livingstone e Joey Negro (English DJ/producer)
produttore aggiunto:
Mark Beswick (incarico: vocal)
basso :
John Noyce (Bass guitarist)
voce:
Howard Donald, Jason Orange, Mark Owen (singer–songwriter) e Robbie Williams
voce ospite:
Lulu (Scottish singer and actress, best known for “To Sir With Love”)
voce principale:
Gary Barlow
diritti fonografici (℗) detenuti da:
BMG Records (UK) Limited (1987–1996) (nel 1993)
è stato produttore per:
Z Productions
registrazione cover di:
Relight My Fire
paroliere e compositore:
Dan Hartman
editore:
EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Take That feat. Lulu2.54:12
13When the Going Gets Tough
diritti fonografici (℗) detenuti da:
Polygram Ireland Ltd. (nel 1999) e Universal Music Ireland Ltd. (not for release label use) (nel 1999)
video musicali:
When the Going Gets Tough di Boyzone
registrazione cover di:
When the Going Gets Tough, the Tough Get Going (nel 1999)
autore:
Wayne Brathwaite, Barry Eastmond, Robert John “Mutt” Lange (Robert John Lange) e Billy Ocean
editore:
Aqua Music (Billy Ocean's recording & publishing label), Aqua Music Ltd., BMG Music Publishing Ltd., Imagem London Ltd., Universal Music Publishers MGB Australia Pty Ltd, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Zomba Enterprises, Inc. e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Boyzone2.53:41
14Sweat (A La La La La Long)
produttore:
Bernard “Touter” Harvey (Jamaican keyboard player and engineer), Ian Lewis (Inner Circle) e Roger Lewis (founder and member of Inner Circle)
produttore aggiunto:
Per Adebratt e Tommy Ekman
remixer:
Per Adebratt e Tommy Ekman
arrangiatore:
Bernard “Touter” Harvey (Jamaican keyboard player and engineer), Ian Lewis (Inner Circle) e Roger Lewis (founder and member of Inner Circle)
registrazione di:
Sweat (A La La La La Long)
paroliere e compositore:
Ian Lewis (Inner Circle) e Roger Lewis (founder and member of Inner Circle)
Inner Circle3.353:50
15Boom Shack‐A‐Lak
registrazione di:
Boom Shack-A-Lak
autore:
Steven Kapur e Ervin Barrington Woolley
Apache Indian3:52
16Hot Hot Hot
registrazione di:
Hot, Hot, Hot
paroliere e compositore:
Arrow (Montserrat calypso/soca singer Alphonsus Celestine Edmund Cassell)
editore:
AIR Music (London) Ltd., Chrysalis Music Ltd. (music publisher, affiliated with PRS), Rare Blue Music Inc e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Arrow3:39
17Miami
tecnico di registrazione:
Ken "DURO" Ifill (engineer and producer Ken Ifill)
programmazione degli strumenti:
L.E.S. (QB hip hop producer)
produttore:
L.E.S. (QB hip hop producer) e Poke and Tone
assistente tecnico di missaggio:
Robert Burnette
tecnico di missaggio:
Rich Travali (Engineer)
tastiera [keyboards] :
Keith Winfield
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1997)
registrata presso e mixata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti
campionamenti:
And the Beat Goes On di The Whispers (US R&B/dance vocal group)
registrazione di:
Miami
paroliere:
Will Smith (US actor aka The Fresh Prince)
compositore:
Leon Sylvers III, Samuel J. Barnes (US rapper & hip‐hop producer, aka Tone), William Shelby, Stephen Shockley e Ryan Toby
editore:
DP JJ Publishing Co., Jelly’s Jams LLC, Pladid Music, Portrait (publisher), Slamuwell Productions, Solar Songs Inc. e Treyball Music
Will Smith4.453:20
18Out on the Floor
Dobie Gray2:01
19Be Young, Be Foolish, Be Happy
registrazione cover di:
Be Young, Be Foolish, Be Happy
autore:
J. R. Cobb e Ray Whitley (60s/70s songwriter)
editore:
Low Twi Music Inc (publisher) e Low‐Sal Music, Inc.
The Tams2:07
20Freedom
assistente tecnico:
Paul Gomersau
tecnico:
Chris Porter (engineer and producer)
produttore:
George Michael
sassofono :
David Baptiste (U.K. Saxophonist, flutist, percussionist, vocalist, & backing vocalist)
tastiera :
Tommy Eyre
arrangiatore:
George Michael
diritti fonografici (℗) detenuti da:
CBS Records (manufacturer/distributor, not for release label use!) (nel 1984) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1984)
registrazione di:
Freedom (Wham!)
paroliere e compositore:
George Michael
editore:
Chappell Music (UK) e Morrison Leahy Music Ltd. (nel 1984)
Wham!3.755:06
21Walk of Life
assistente tecnico di registrazione:
Steve Jackson (recording engineer)
tecnico:
Neil Dorfsman
produttore:
Neil Dorfsman e Mark Knopfler
assistente tecnico di missaggio:
David Greenberg (Rockin’ Reel Studios engineer) e Bruce Lampcov
batteria :
Omar Hakim
chitarra :
Mark Knopfler
chitarra basso :
John Illsley
tastiera :
Alan Clark (keyboardist) e Guy Fletcher (keyboardist)
voce:
Mark Knopfler
voce di accompagnamento:
Guy Fletcher (keyboardist) e John Illsley
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1985), Phonogram Ltd. (London) (company name, NOT a label!) (nel 1985, nel 1988), Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (nel 1988, nel 2022) e Mercury Records Ltd. (London) (for copyrights use only) (nel 1996)
registrata presso:
AIR Studios Montserrat in Saint Peter, Montserrat (dal 1984-10 al 1985-02)
mixata presso:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti
video musicali:
Walk of Life di Dire Straits
registrazione di:
Walk of Life
paroliere e compositore:
Mark Knopfler
editore:
Chariscourt Ltd. e Rondor Music (London) Ltd.
Dire Straits4.054:10
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