Le Meilleur de la musique 2

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1▼CD
#TitoloArtistaValutazioneDurata
1The Power of Love
tecnico di registrazione:
Jim Gaines e Robert Missbach
assistente tecnico:
Rob Beaton, Alex Haas (Trance remixer/producer. Member of Cypher 7), Tom Size (US audio engineer) e Jim “Watts” Vereecke
tecnico aggiunto:
Michael Christopher (engineer), Phil Kaffel e Malcolm Pollack
produttore:
Bob Clearmountain, Jellybean (US producer John Benitez) e Huey Lewis and the News (American pop rock band)
tecnico di missaggio:
Robert Missbach
armonica (a bocca) :
Huey Lewis
batteria e percussione :
Bill Gibson (US drummer for Huey Lews & the News)
chitarra :
Johnny Colla (US sax & guitarist for Huey Lewis & the News) e Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
chitarra basso :
Mario Cipollina
sassofono :
Johnny Colla (US sax & guitarist for Huey Lewis & the News)
tastiera :
Sean Hopper (US Keyboardist for Huey Lewis & the News)
voce:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Bill Gibson (US drummer for Huey Lews & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)), Sean Hopper (US Keyboardist for Huey Lewis & the News) e Huey Lewis
diritti fonografici (℗) detenuti da:
Chrysalis Records, Inc. (not for release label use!) (nel 1984, nel 1985, nel 1986) e Chrysalis (nel 1985)
registrata presso:
Fantasy Studios (Berkeley) in Berkeley, California, Stati Uniti, Studio D Recording in Sausalito, California, Stati Uniti e The Plant Studios (1981–2008) in Sausalito, California, Stati Uniti
mixata presso:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti
video musicali:
The Power of Love (full length) di Huey Lewis and the News (American pop rock band)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 108)
registrazione di:
The Power of Love (Back to the Future)
autore:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) e Huey Lewis
editore:
Cause and Effect Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Huey Lewis Music, Hulex Music (publisher), Kinda Blue Music, Mushroom Music (Mushroom label’s publishing company) e WB Music Corp. (1929–2019)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
parte di:
The 58th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1985 nominee)
parte di:
Back to the Future: the Musical
registrazione di:
The Power of Love
autore:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson, Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) e Mark O’Toole (former bassist of Frankie Goes to Hollywood)
editore:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) e Rubet Music Publishing, Inc.
Huey Lewis and the News43:55
2When You Gonna Learn (Digeridoo)
tecnico:
Mike Nielsen (NZ/London/Turkey engineer)
produttore:
Jay Kay (English singer, Jamiroquai)
tecnico di missaggio:
Jay Kay (English singer, Jamiroquai)
batteria :
Nick Van Gelder
chitarra basso :
Andrew Levy e Stuart Zender
didgeridoo :
Wallis Buchanan
flauto e sassofono :
Mike Smith (British saxophonist/keyboardist/composer/arranger/conductor)
tastiera :
Toby Smith
tromba :
Gavin Edmonds
voce di accompagnamento:
Vannessa Simon
voce principale:
Jay Kay (English singer, Jamiroquai)
arrangiatore archi :
Gavin Edmonds
diritti fonografici (℗) detenuti da:
Acid Jazz (nel 1992) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1993)
registrazione di:
When You Gonna Learn
paroliere e compositore:
Jay Kay (English singer, Jamiroquai)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
Jamiroquai3.93:49
3What’s Up
tecnico di registrazione:
David Tickle (nel 1992) e Mark Hensley (nel 1992)
tecnico aggiunto:
Jessie Kanner (1980s–90s assistant engineer/mixer, Lion Share Recording Studios), Kent Mactke, Laurent Tardy e Paul Dieter (American sound engineer and producer.)
produttore e tecnico di missaggio:
David Tickle
basso e voce di accompagnamento:
Christa Hillhouse (nel 1992)
batteria :
Dawn Richardson (nel 1992)
chitarra :
Louis Metoyer (nel 1992) e Roger Rocha (nel 1992)
chitarra acustica e chitarra elettrica :
Linda Perry (rock singer‐songwriter & producer) (nel 1992)
pianoforte :
Laurent Tardy (nel 1992)
voce principale:
Linda Perry (rock singer‐songwriter & producer) (nel 1992)
diritti fonografici (℗) detenuti da:
Interscope Records (part of UMG Recordings, Inc.) (nel 1992)
registrata presso:
Groove Masters in Santa Monica, California, Stati Uniti (nel 1992), The Bunker (nel 1992) e The Plant Studios (1981–2008) in Sausalito, California, Stati Uniti (nel 1992)
mixata presso:
The Bunker
video musicali:
What’s Up? di 4 Non Blondes
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 46), BILLIONS CLUB e Indie 88: Top 500 Indie Rock Songs (numero: 486)
registrazione di:
What’s Up? (nel 1992)
paroliere e compositore:
Linda Perry (rock singer‐songwriter & producer)
editore:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Famous Music Publishing Germany GmbH & Co. KG, Sony Music Publishing (US) LLC (since 2021; fka Sony/ATV Music Publishing LLC), Sony/ATV Harmony, Sony/ATV Harmony UK, Stuck in the Throat e Stuck in the Throat Music
4 Non Blondes3.854:54
4Your Song
produttore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
registrazione cover di:
Your Song
paroliere:
Bernie Taupin
compositore:
Elton John (English singer, songwriter, pianist, and composer)
editore:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) (conclusa), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc., Universal/Dick James Music Ltd. (fka Dick James Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Billy Paul6:31
5Clouds Across the Moon
registrazione di:
Clouds Across the Moon
autore:
Richard Hewson
editore:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
sub-editore:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present))
RAH Band4:11
6Genevieve
diritti fonografici (℗) detenuti da:
Asylum Records (Warner Music subsidiary) (nel 1978)
registrazione di:
Genevieve
autore:
Andrew Gold e Brock Walsh (singer, producer, songwriter)
editore:
Luckyu Music e Universal Music Corp. (USA, affiliated with ASCAP)
Andrew Gold4:39
7Love Shack
produttore:
Don Was
edit di:
Love Shack di The B‐52s
registrazione di:
Love Shack
autore:
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s), Keith Strickland e Cindy Wilson
editore:
Man-Woman Together, Now!
The B‐52s3.654:17
8For Your Babies
tecnico e tecnico di missaggio:
Daren Klein (American sound/mixing engineer)
co-produttore:
Mick Hucknall (lead singer of Simply Red)
produttore:
Stewart Levine (record producer and saxophonist)
video musicali:
For Your Babies di Simply Red (English soul and pop band)
registrazione di:
For Your Babies
paroliere e compositore:
Mick Hucknall (lead singer of Simply Red)
Simply Red24:17
9For What It’s Worth
produttore:
Charles Greene (producer) e Brian Stone (producer)
voce:
Stephen Stills
voce di accompagnamento:
Richie Furay e Dewey Martin
diritti fonografici (℗) detenuti da:
Warner Music International (trademark of Warner Music International the company) (nel 1967) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1969)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 63)
registrazione di:
For What It’s Worth (il 1966-12-05)
paroliere e compositore:
Stephen Stills
editore:
Cotillion, Cotillion Music Inc. (BMI), Richie Furay Music (BMI), Springalo Toones (BMI), Ten East e Ten‐East Music (BMI)
Buffalo Springfield4.252:36
10Crazy
tecnico:
Robin Hancock (UK music engineer/remixer/producer), Tony Phillips (engineer, mix, remix credits) e Ren Swan
produttore:
Trevor Horn
tecnico di missaggio:
Trevor Horn e Tony Phillips (engineer, mix, remix credits)
voce principale:
Seal (English‐born singer and songwriter)
registrata presso e mixata presso:
Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito
video musicali:
Crazy di Seal (English‐born singer and songwriter)
registrazione di:
Crazy (Seal song)
autore:
Seal (English‐born singer and songwriter) e Guy Sigsworth
editore:
Beethoven Street Music Ltd e Perfect Songs Ltd. (UK publisher, affiliated with PRS)
Seal3.754:29
11Via con me
produttore:
Renzo Fantini
voce:
Paolo Conte
è stato produttore per:
Studio Platinum s.r.l. (appears as just PLATINUM as a release label, associated with Paolo Conte)
registrazione di:
Via con me
paroliere e compositore:
Paolo Conte
editore:
Universal Music Publishing Ricordi srl
Paolo Conte2:28
12Friends
registrazione di:
Friends
autore:
Lorenzo Doumani e Mike Francis (Italian singer and composer)
editore:
Reizner Music Corporation
Amii Stewart34:33
13Big in Japan
produttore:
Orlando
diritti fonografici (℗) detenuti da:
WEA MUSIK GMBH (company, not a label) (dal 1984 a oggi) e wea music (“wea” logo with “music” below; mainly used in Europe and Brazil) (nel 1984)
edit di:
Big in Japan (album version) di Alphaville (German synth pop band)
registrazione di:
Big in Japan
paroliere:
Marian Gold
compositore:
Marian Gold, Lloyd Bernhard e Frank Mertens (German synthpop keyboardist Frank Sorgatz)
editore:
Rolf Budde Musikverlag (aka Budde Music)
Alphaville4.63:52
14I Heard It Through the Grapevine
produttore:
Norman Whitfield
basso [1962 Fender Precision Bass] :
James Jamerson (dal 1967-02-03 al 1967-04-10)
batteria :
Uriel Jones (dal 1967-02-03 al 1967-04-10)
chitarra [1964 Gibson Firebird III] :
Eddie Willis (dal 1967-02-03 al 1967-04-10)
chitarra [Fender Telecaster with Jazzmaster Neck] :
Joe Messina (dal 1967-02-03 al 1967-04-10)
congas e tamburello :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (dal 1967-02-03 al 1967-04-10)
corno francese :
Don Ozga (dal 1967-02-03 al 1967-04-10) e Edwin Jones (dal 1967-02-03 al 1967-04-10)
organo Hammond [B-3] :
Earl Van Dyke (dal 1967-02-03 al 1967-04-10)
piano elettrico Wurlitzer :
Johnny Griffith (dal 1967-02-03 al 1967-04-10)
strumenti:
The Funk Brothers (dal 1967-02-03 al 1967-04-10)
tom-tom :
Richard "Pistol" Allen (dal 1967-02-03 al 1967-04-10)
voce di accompagnamento:
The Andantes (dal 1967-02-03 al 1967-04-10), Marlene Barrow (dal 1967-02-03 al 1967-04-10), Louvain Demps (dal 1967-02-03 al 1967-04-10) e Jackie Hicks (dal 1967-02-03 al 1967-04-10)
voce principale:
Marvin Gaye (dal 1967-02-03 al 1967-04-10)
orchestra:
Detroit Symphony Orchestra (dal 1967-02-03 al 1967-04-10)
arrangiatore archi :
Paul Riser (dal 1967-02-03 al 1967-04-10)
orchestratore:
Paul Riser (dal 1967-02-03 al 1967-04-10)
diritti fonografici (℗) detenuti da:
Motown Record Company (company credits only; do NOT use as release label) (nel 1968)
registrata presso e mixata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (dal 1967-02-03 al 1967-04-10)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 80), Billboard: Greatest of All Time Hot 100 Songs (numero: 93), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 119) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 307)
registrazione cover di:
I Heard It Through the Grapevine (dal 1967-02-03 al 1967-04-10)
autore:
Barrett Strong e Norman Whitfield
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye3.73:16
15Heart of Glass
produttore:
Mike Chapman (Australian producer and songwriter)
remixer:
Mike Chapman (Australian producer and songwriter)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1978), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1978), Chrysalis Records, Inc. (not for release label use!) (nel 1978, nel 1981, nel 2002) e Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1981)
remix di:
Heart of Glass di Blondie (US rock band)
registrazione di:
Heart of Glass
autore:
Deborah Harry e Chris Stein
editore:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation e Rare Blue Music Inc (nel 1978)
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.)
versione di:
Once I Had a Love
Blondie44:31
16Sweet Home Alabama
supporto a vario titolo:
Ronnie Van Zant
tecnico e produttore:
Al Kooper
basso elettrico :
Leon Wilkeson (nel 1973-07)
batteria :
Bob Burns (Lynyrd Skynyrd drummer and songwriter) (nel 1973-07)
chitarra elettrica :
Allen Collins (nel 1973-07), Ed King (US guitarist, bassist & songwriter) (nel 1973-07) e Gary Rossington (nel 1973-07)
tastiera :
Billy Powell (nel 1973-07)
voce di accompagnamento:
Merry Clayton (nel 1973-07) e Clydie King (nel 1973-07)
voce principale:
Ronnie Van Zant (nel 1973-07)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1974), MCA Records (1967–2003; name as in imprint during 1972–1990) (nel 1974), MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (nel 1974), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1974), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1974), Universal Music (plain logo: “Universal Music”) (nel 1974), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
è stato produttore per:
Sounds of the South Productions
registrata presso:
Studio One (Doraville, GA) in Doraville, Georgia, Stati Uniti (nel 1973-07)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 398)
registrazione di:
Sweet Home Alabama (nel 1973-07)
supporto a vario titolo:
Ronnie Van Zant
autore:
Ed King (US guitarist, bassist & songwriter), Gary Rossington e Ronnie Van Zant
editore:
Hustler Inc., Leeds Music Corp., MCA Music Ltd., Songs of Universal, Inc. (BMI), Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH e Universal/MCA Music Publishing Pty Ltd
Lynyrd Skynyrd4.14:39
17Shattered Dreams
produttore:
Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) e Mike Nocito
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1987)
registrazione di:
Shattered Dreams
paroliere e compositore:
Clark Datchler
editore:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Sweet Oily Music
Johnny Hates Jazz4.53:28
18Tom’s Diner
produttore aggiunto:
DNA (90s UK dance, key tracks “Tom’s Diner”, “Can You Handle It?”)
voce e esecutore:
Suzanne Vega (American singer-songwriter)
remixer:
DNA (90s UK dance, key tracks “Tom’s Diner”, “Can You Handle It?”)
diritti fonografici (℗) detenuti da:
A&M Records, Ltd. (UK) (nel 1990) e A&M Records (nel 1991)
campionamenti:
Tom’s Diner di Suzanne Vega (American singer-songwriter)
registrazione di:
Tom’s Diner
paroliere:
Suzanne Vega (American singer-songwriter)
compositore:
Suzanne Vega (American singer-songwriter) (nel 1982)
editore:
Waifer Songs Ltd., Warner Chappell North America e WB Music Corp. (1929–2019)
DNA feat. Suzanne Vega3.83:49
19Just the Way It Is
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1990), WEA International (imprint of WEA International Inc., not likely used since ca. 1990) (nel 1990) e Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (nel 1991)
registrazione di:
Just the Way It Is, Baby
autore:
Phil Solem e Danny Wilde (The Rembrandts, Great Buildings & The Quick)
editore:
Poppy‐Due Music (publisher; do NOT use as release label), Tiger God Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e WB Music Corp. (1929–2019)
The Rembrandts3.54:04