Bach 333 - J.S. Bach The New Complete Edition

~ Uitgave van Johann Sebastian Bach (Bekijk alle versies van deze uitgave, 11 beschikbaar)

Aantekening

The limited edition set from Deutsche Grammophon and Decca noting 333 years since Bach's birth. Contains 222 audio CDs, a DVD documentary, two hardback books, and the BWV3 catalogue.

Aantekening het laatst bewerkt op 2020-03-13 23:27 UTC.

Nummerlijst

1▶cd: Cantatas 150, 4, 71, 196 (1706-1708)
2▶cd: Cantatas 131, 106, 143, 18 (1708-1713)
3▶cd: Cantatas 182, 12, 54, 172 (1714)
4▶cd: Cantatas 21, 199 (1714)
5▶cd: Cantatas 61, 63, 152, 158, 31 (1714-1715)
6▶cd: Cantatas 165, 185, 163, 132, 155 (1715-1716)
7▶cd: Cantatas 161, 162, 22, 23, 59 (1716 & 1723)
8▶cd: Cantatas 75, 76, 24 (1723)
9▶cd: Cantatas 167, 147, 186, 136 (1723)
10▶cd: Cantatas 105, 46, 179, 50, 69a (1723)
11▶cd: Cantatas 77, 25, 119, 138 (1723)
12▶cd: Cantatas 95, 148, 48, 109 (1723)
13▶cd: Cantatas 89, 60, 90, 70, 40 (1723)
14▶cd: Cantatas 64, 190, 153, 65, 154 (1723-1724)
15▶cd: Cantatas 73, 81, 83, 144, 181 (1724)
16▶cd: Cantatas 18, 66, 134, 67 (1724)
17▶cd: Cantatas 104, 166, 86, 37, 44 (1724)
18▶cd: Cantatas 173, 184, 194 (1724)
19▶cd: Cantatas 20, 2, 7, 135 (1724)
20▶cd: Cantatas 10, 93, 107, 178 (1724)
21▶cd: Cantatas 94, 101, 113 (1724)
22▶cd: Cantatas 33, 78, 99, 8 (1724)
23▶cd: Cantatas 130, 114, 96, 5 (1724)
24▶cd: Cantatas 180, 38, 115, 139 (1724)
25▶cd: Cantatas 26, 116, 62, 91, 121 (1724)
26▶cd: Cantatas 133, 122, 41, 123 (1724-1725)
27▶cd: Cantatas 124, 3, 111, 92 (1725)
28▶cd: Cantatas 125, 126, 127 (1725)
29▶cd: Cantatas 1, 6, 42 (1725)
30▶cd: Cantatas 85, 103, 108, 87, 128 (1725)
31▶cd: Cantatas 183, 74, 68, 175, 176 (1725)
32▶cd: Cantatas 168, 137, 164, 79, 110 (1725)
33▶cd: Cantatas 57, 151, 28, 16 (1725-1726)
34▶cd: Cantatas 32, 13, 72, 43 (1726)
35▶cd: Cantatas 146, 129, 39 (1726)
36▶cd: Cantatas 88, 170, 187, 45 (1726)
37▶cd: Cantatas 102, 35, 17, 19 (1726)
38▶cd: Cantatas 27, 47, 169, 56 (1726)
39▶cd: Cantatas 49, 98, 55, 52, 58 (1726-1727)
40▶cd: Cantatas 82, 157, 84 (1727)
41▶cd: Cantatas 34, 193, 117, 188 (1727-1728)
42▶cd: Cantatas 171, 156, 159, 120a (1729)
43▶cd: Cantatas 174, 149, 51, 192, 112 (1729-1731)
44▶cd: Cantatas 29, 140, 36 (1731)
45▶cd: Cantatas 177, 9, 97, 14 (1732-1735)
46▶cd: Cantatas 100, 195, 197, 197a (c. 1728-1736)
47▶cd: Cantatas 30, 80b, 80, 120 (c. 1737-c. 1742)
48▶cd: Cantatas 191, 69 (1745-1748) / 4 Spurious Cantatas
49▶cd: 4-Part Chorales, BWV 250-318 AC-GO
50▶cd: 4-Part Chorales, BWV 319-381 GO-ME
51▶cd: 4-Part Chorales, BWV 382-438 MI-WO
52▶cd: Magnificat BWV 243, 243a
53▶cd: Motets
54▶cd: Mass in B minor (1 Mortensen)
55▶cd: Mass in B minor (2 Mortensen)
56▶cd: Mass in B minor (1 Brüggen)
57▶cd: Mass in B minor (2 Brüggen) / Missa BWV 233
58▶cd: Missas BWV 234-236
59▶cd: St. John Passion (1724) (1 Gardiner)
60▶cd: St. John Passion (1724) (2 Gardiner)
61▶cd: St. John Passion (1749) (1 Suzuki)
62▶cd: St. John Passion (1749) (2 Suzuki)
63▶cd: St. Matthew Passion (1 Gardiner)
64▶cd: St. Matthew Passion (2 Gardiner)
65▶cd: St. Matthew Passion (1 McCreesh)
66▶cd: St. Matthew Passion (2 McCreesh)
67▶cd: Easter Oratorio (McCreesh) / Ascension Oratorio (Gardiner)
68▶cd: Easter Oratorio / Ascension Oratorio (Leonhardt)
69▶cd: Christmas Oratorio (1 Gardiner)
70▶cd: Christmas Oratorio (2 Gardiner)
71▶cd: Christmas Oratorio (1 Chailly)
72▶cd: Christmas Oratorio (2 Chailly)
73▶cd: Cantatas 208, 202 / Quodlibet BWV 524 (c. 1708-c. 1717)
74▶cd: Cantatas 134a, 203, 173a (1719-c. 1723)
75▶cd: Cantatas 36c, 205, 34a (1725-1726)
76▶cd: Cantatas 207, 204, 216a (1726-1728)
77▶cd: Cantatas 198, 201 (1727-1729)
78▶cd: Cantatas 213, 214 (1733)
79▶cd: Cantatas 211, 215 (1734)
80▶cd: Cantatas 206, 30a (1736-1737)
81▶cd: Cantatas 209, 210, 212 (1730s-1740s)
82▶cd: Cantatas 67, 106, 19 / St. Matthew Passion (excerpts)
83▶cd: Cantatas 56, 82, 4
84▶cd: Cantatas 31, 104, 57
85▶cd: Cantatas 199, 173, 74, 151
86▶cd: Easter Oratorio / Cantata 140
87▶cd: Cantatas 170, 159, 102
88▶cd: Cantatas 80, 52, 84, 209
89▶cd: Cantatas 82, 158, 56
90▶cd: Cantatas 61, 63, 121, 28 (Advent & Christmas)
91▶cd: Cantatas 64, 65, 111, 81 (Advent & Christmas)
92▶cd: Cantatas 92, 126, 182 (Easter)
93▶cd: Cantatas 1, 4, 67, 104 (Easter)
94▶cd: Cantatas 34, 68, 39 (Whitsun)
95▶cd: Cantatas 30, 147 (Whitsun)
96▶cd: Cantatas 76, 21 (Trinity)
97▶cd: Cantatas 135, 10, 45, 105 (Trinity)
98▶cd: Cantatas 51, 78, 8, 130 (Trinity)
99▶cd: Cantatas 27, 5, 60, 26 (Trinity)
100▶cd: St. Matthew Passion (1 Richter)
101▶cd: St. Matthew Passion (2 Richter)
102▶cd: St. Matthew Passion (3 Richter)
103▶cd: Great Singers (1952-1965)
104▶cd: Great Singers (1967-2011)
105▶cd: Great Singers (Period Instruments)
106▶cd: Organ Works (Introduction 1)
107▶cd: Organ Works (Introduction 2)
108▶cd: Toccata & Fugue, BWV 565 / Other early works (c. 1700-1707)
109▶cd: Passacaglia & Fugue, BWV 582 / Other Weimar works
110▶cd: Fantasia & Fugue, BWV 542 / BWV 538-541 / Other Weimar works
111▶cd: Prelude & Fugue, BWV 548 / BWV 544-547 / Other Leipzig works
112▶cd: 6 Trio Sonatas, BWV 525-530 (Koopman)
113▶cd: 6 Trio Sonatas, BWV 525-530 (Chorzempa / Hurford / Preston / Walcha)
114▶cd: 31 Neumeister Chorales, BWV 1090-1120 (1700-1707)
115▶cd: Early Chorale Preludes / Chorale Partitas
116▶cd: Chorale Preludes (Mühlhausen & Weimar)
117▶cd: Breitkopf Collection, BWV 690-713
118▶cd: Orgelbüchlein (Preston)
119▶cd: 17 Chorale Preludes, BWV 651a-667a (Weimar) (Schmitt)
120▶cd: 18 Chorale Preludes, BWV 651-668 (Leipzig) (Rübsam)
121▶cd: 21 Chorale Preludes, BWV 669-689 (Walcha)
122▶cd: Clavier-Übung III (1) (Preston)
123▶cd: Clavier-Übung III (2) / Kleine Orgelmesse / 6 Schübler Chorales (Preston / Koopman)
124▶cd: Free Works of Unproven Authenticity
125▶cd: Chorale-Based Works of Unproven Authenticity (Fragments)
126▶cd: Keyboard Works (Introduction 1: Harpsichord)
127▶cd: Keyboard Works (Introduction 2: Piano)
128▶cd: Early Fugues & Capriccios
129▶cd: Early Suites & Sonatas
130▶cd: Toccatas, BWV 910-916
131▶cd: Virtuoso Fantasias & Fugues
132▶cd: Suites, BWV 996-997 / Aria variata, BWV 989 (Doubtful Works)
133▶cd: 2- & 3-Part Inventions / Preludes, BWV 924-943
134▶cd: English Suites 1-3 (Dreyfus)
135▶cd: English Suites 4-6 (Dreyfus)
136▶cd: French Suites 1-4 (Hogwood)
137▶cd: French Suites 5-6 / Suites, BWV 818a-819 (Hogwood)
138▶cd: Partitas 1, 2, 6 (Rousset)
139▶cd: Partitas 3-5 (Rousset)
140▶cd: Italian Concerto / French Overture / 4 Duets (Rousset)
141▶cd: The Well-Tempered Clavier, Book I (1 Gilbert)
142▶cd: The Well-Tempered Clavier, Book I (2 Gilbert)
143▶cd: The Well-Tempered Clavier, Book II (1 Gilbert)
144▶cd: The Well-Tempered Clavier, Book II (2 Gilbert)
145▶cd: Goldberg Variations (Rousset)
146▶cd: Goldberg Variations (Esfahani)
147▶cd: English Suites 1-3 (Pogorelich / Schiff / Argerich)
148▶cd: English Suites 4-6 (Schiff / Bahrami / Hewitt)
149▶cd: French Suites 1-3 (Perahia)
150▶cd: French Suites 4-6 (Perahia)
151▶cd: Partitas 1-4 (Pires / Argerich / Blechacz / Grosvenor)
152▶cd: Partitas 5-6 / French Overture (Ashkenazy / Schiff)
153▶cd: 2- & 3-Part Inventions / Italian Concerto / 4 Duets (Schiff / Brendel / Hewitt)
154▶cd: The Well-Tempered Clavier, Book I (1 Pollini)
155▶cd: The Well-Tempered Clavier, Book I (2 Pollini)
156▶cd: The Well-Tempered Clavier, Book II (1 Schiff)
157▶cd: The Well-Tempered Clavier, Book II (2 Schiff)
158▶cd: Goldberg Variations (Schiff)
159▶cd: Piano Legends (1933-1956) (Fischer / Gulda / Lipatti / Gieseking / Tureck / Hess)
160▶cd: Piano Legends (1959-1993) (Demus / Richter / Gilels / Gould / Horowitz / Gavrilov)
161▶cd: Keyboard Legends (Landowska / Kirkpatrick / Malcolm / Růžičková / Ahlgrimm / Leonhardt)
162▶cd: Organ Legends (Schweitzer / Walcha / Richter / Dupré / Guillou / Alain)
163▶cd: Orgelbüchlein (Walcha)
164▶cd: Brandenburg Concertos 1-6 (Goebel)
165▶cd: Brandenburg Concertos 1-4 / Concerto BWV 1057 (Pinnock)
166▶cd: Brandenburg Concertos 5-6 / Concertos BWV 1046a, 1050a (Pinnock / Hogwood)
167▶cd: Orchestral Suites 1-3 (Goebel)
168▶cd: Orchestral Suites 2-4 (Goebel / Hogwood)
169▶cd: Orchestral Suites 1-4 (Pinnock)
170▶cd: Violin Concertos BWV 1041, 1042 / Versions for Keyboard BWV 1058, 1054
171▶cd: Concerto for 2 Violins BWV 1043 / Version for 2 Keyboards BWV 1062 / Concerto BWV 1052/1052R
172▶cd: Keyboard Concertos BWV 1053, 1055 / Oboe d'amore Concertos BWV 1053R, 1055R
173▶cd: Concertos BWV 1056, 1059, 1060 / Concertos BWV 1056R, 1059R, 1060R (Keyboard / Violin & Oboe)
174▶cd: Concertos for 2 & 3 Keyboards BWV 1061, 1063, 1064
175▶cd: Brandenburg Concertos (Landmark Performances 1935-1964)
176▶cd: Brandenburg Concertos (Landmark Performances 1967-2013)
177▶cd: Concerto for 2 Violins (Grumiaux / Oistrakh / Hahn / Radulović / Mutter)
178▶cd: Violin Concertos (Mutter / Hahn / Fischer / Jansen / Mullova / Lozakovich)
179▶cd: Keyboard Concertos BWV 1052-1056 (Schiff / Bahrami)
180▶cd: Concertos (Alternative Instrumentations)
181▶cd: Violin Sonatas & Partitas BWV 1001-1003 (Carmignola)
182▶cd: Violin Sonatas & Partitas BWV 1004-1006 (Carmignola)
183▶cd: Suites for "Lute"
184▶cd: Cello Suites 1, 3, 5 (Watkin)
185▶cd: Cello Suites 2, 4, 6 (Watkin)
186▶cd: Violin Sonatas BWV 1014-1018
187▶cd: Violin Sonatas, Viola da gamba Sonatas BWV 1019, 1021, 1023, 1027-1029
188▶cd: 5 Flute Sonatas / Partita for Solo Flute
189▶cd: Flute Sonata BWV 1031 / Doubtful & Spurious Sonatas
190▶cd: Musical Offering / Canons (Goebel)
191▶cd: The Art of Fugue (Accademia Bizantina, Dantone)
192▶cd: The Art of Fugue (Aimard)
193▶cd: The Art of Fugue (1742) (Gilbert)
194▶cd: Legendary Performances (Casals / Starker / Segovia / Bream / Szeryng / Wenzinger)
195▶cd: Violin Sonatas & Partitas BWV 1001-1004 (Milstein)
196▶cd: Violin Sonatas & Partitas BWV 1004-1006 (Grumiaux)
197▶cd: Violin Sonatas & Partitas BWV 1001, 1003, 1004, 1006 (Kremer / Mullova / Batiashvili / Jansen)
198▶cd: Cello Suites 1-3 (Fournier)
199▶cd: Cello Suites 4-6 (Fournier)
200▶cd: Solo & Chamber Works (Alternative Instrumentations)
201▶cd: Clavier-Büchlein W. F. Bach (1)
202▶cd: Clavier-Büchlein W. F. Bach (2) / A. M. Bach (1722)
203▶cd: Notenbüchlein A. M. Bach (1725) (1)
204▶cd: Notenbüchlein A. M. Bach (1725) (2)
205▶cd: Schemelli Gesangbuch BWV 439-474
206▶cd: Schemelli Gesangbuch BWV 475-507
207▶cd: Bach: Early Influences
208▶cd: Concertos at Weimar (Telemann / Prince Johann Ernst)
209▶cd: Concertos at Weimar (Vivaldi)
210▶cd: Concertos at Weimar (Vivaldi / A. & B. Marcello)
211▶cd: The Bach Family
212▶cd: Bach & Other Composers (c. 1715-1730)
213▶cd: Bach & Other Composers (c. 1730-1742)
214▼cd: Bach & Other Composers (1742-1750)
#TitelWaarderingDuur
1Aria: Bekennen will ich seinen Namen, BWV 200 (from Passion Oratorio "Die leidende und am Kreuz sterbende Liebe") (after Gottfried Heinrich Stölzel (1690–1749))
opnametechnicus:
Jürgen Bulgrin (sound engineer)
leidinggevend producent:
Marita Prohmann
producent:
Christopher Alder (editor/engineer/producer)
mezzo-sopraanvocalen:
Magdalena Kožená (Czech mezzo-soprano) (in 2003-02)
orkest:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 2003-02)
was dirigent:
Reinhard Goebel (violinist and conductor) (in 2003-02)
balanstechnicus:
Hans‐Ulrich Bastin
opgenomen bij:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Duitsland (in 2003-02)
is een opname van:
Kantate (Aria), BWV 200 "Bekennen will ich seinen Namen" (in 2003-02)
had de première in:
Leipzig, Sachsen (Saxony), Duitsland
componist:
Gottfried Heinrich Stölzel (composer)
librettist:
[anonymous] ([anoniem], special purpose artist)
verzorgde het arrangement:
Johann Sebastian Bach (German Baroque period composer & musician) (van 1742 tot 1743)
deel van:
Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (nummer: BWV 200), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (nummer: BWV 200), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (nummer: BWV 200) en Bach Compendium (nummer: BC A 192)
3:27
2Magnificat in C major App. D (ex Anh. 30) (after Pietro Torri (1650–1737)): 1. Chorus: Magnificat anima
producent:
Stephan Schmidt (classical producer and editor)
koor:
Alsfelder Vokalensemble (German vocal ensemble) (van 2009-03 tot 2009-05)
orkest:
Hannoversche Hofkapelle (van 2009-03 tot 2009-05)
was dirigent:
Wolfgang Helbich (van 2009-03 tot 2009-05)
balanstechnicus:
Olaf Mielke (van 2009-03 tot 2009-05)
fonografisch auteursrecht (℗):
Deutschlandradio (in 2012)
opgenomen bij:
Festhalle der Johannischen Kirche in Blankensee, Mecklenburg-Vorpommern, Duitsland (van 2009-03 tot 2009-05)
is een gedeeltelijke opname van:
Magnificat in C major, BWV Anh. 30 (van 2009-03 tot 2009-05)
componist:
Pietro Torri (baroque composer)
verzorgde het arrangement:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (nummer: BWV Anh. II 30), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (nummer: BWV Anh. II 30), Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (nummer: BWV Suppl 2, S. 658) en Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (nummer: BWV Anh. 30)
3:52
3Magnificat in C major App. D (ex Anh. 30) (after Pietro Torri (1650–1737)): 2. Duet: Quia respexit
producent:
Stephan Schmidt (classical producer and editor)
altvocalen [alto I]:
Marnix De Cat (Belgian counter-tenor, conductor, organist, percussionist) (van 2009-03 tot 2009-05)
tenorvocalen [tenor I]:
Harry Van Berne (tenor) (van 2009-03 tot 2009-05)
vocalen:
Members of Gesualdo Consort Amsterdam (van 2009-03 tot 2009-05)
orkest:
Hannoversche Hofkapelle (van 2009-03 tot 2009-05)
was dirigent:
Wolfgang Helbich (van 2009-03 tot 2009-05)
balanstechnicus:
Olaf Mielke
fonografisch auteursrecht (℗):
Deutschlandradio (in 2012)
opgenomen bij:
Festhalle der Johannischen Kirche in Blankensee, Mecklenburg-Vorpommern, Duitsland (van 2009-03 tot 2009-05)
is een gedeeltelijke opname van:
Magnificat in C major, BWV Anh. 30 (van 2009-03 tot 2009-05)
componist:
Pietro Torri (baroque composer)
verzorgde het arrangement:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (nummer: BWV Anh. II 30), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (nummer: BWV Anh. II 30), Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (nummer: BWV Suppl 2, S. 658) en Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (nummer: BWV Anh. 30)
1:46
4Magnificat in C major App. D (ex Anh. 30) (after Pietro Torri (1650–1737)): 3. Duet: Quia fecit mihi magna
producent:
Stephan Schmidt (classical producer and editor)
basvocalen [bass I]:
Harry van der Kamp (operatic bass) (van 2009-03 tot 2009-05)
sopraanvocalen [soprano I]:
Nele Gramss (soprano) (van 2009-03 tot 2009-05)
vocalen:
Members of Gesualdo Consort Amsterdam (van 2009-03 tot 2009-05)
orkest:
Hannoversche Hofkapelle (van 2009-03 tot 2009-05)
was dirigent:
Wolfgang Helbich (van 2009-03 tot 2009-05)
balanstechnicus:
Olaf Mielke
fonografisch auteursrecht (℗):
Deutschlandradio (in 2012)
opgenomen bij:
Festhalle der Johannischen Kirche in Blankensee, Mecklenburg-Vorpommern, Duitsland (van 2009-03 tot 2009-05)
is een gedeeltelijke opname van:
Magnificat in C major, BWV Anh. 30 (van 2009-03 tot 2009-05)
componist:
Pietro Torri (baroque composer)
verzorgde het arrangement:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (nummer: BWV Anh. II 30), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (nummer: BWV Anh. II 30), Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (nummer: BWV Suppl 2, S. 658) en Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (nummer: BWV Anh. 30)
2:09
5Magnificat in C major App. D (ex Anh. 30) (after Pietro Torri (1650–1737)): 4. Chorus: Et misericordia ejus
producent:
Stephan Schmidt (classical producer and editor)
koor:
Alsfelder Vokalensemble (German vocal ensemble) (van 2009-03 tot 2009-05)
orkest:
Hannoversche Hofkapelle (van 2009-03 tot 2009-05)
was dirigent:
Wolfgang Helbich (van 2009-03 tot 2009-05)
balanstechnicus:
Olaf Mielke (van 2009-03 tot 2009-05)
fonografisch auteursrecht (℗):
Deutschlandradio (in 2012)
opgenomen bij:
Festhalle der Johannischen Kirche in Blankensee, Mecklenburg-Vorpommern, Duitsland (van 2009-03 tot 2009-05)
is een gedeeltelijke opname van:
Magnificat in C major, BWV Anh. 30 (van 2009-03 tot 2009-05)
componist:
Pietro Torri (baroque composer)
verzorgde het arrangement:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (nummer: BWV Anh. II 30), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (nummer: BWV Anh. II 30), Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (nummer: BWV Suppl 2, S. 658) en Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (nummer: BWV Anh. 30)
2:43
6Magnificat in C major App. D (ex Anh. 30) (after Pietro Torri (1650–1737)): 5. Duet: Fecit, fecit, fecit potentiam
producent:
Stephan Schmidt (classical producer and editor)
altvocalen [alto II]:
Jan Moritz von Cube (van 2009-03 tot 2009-05)
tenorvocalen [tenor II]:
Jan Hübner (tenor) (van 2009-03 tot 2009-05)
vocalen:
Members of Solistenquartett der Hochschule Bremen (van 2009-03 tot 2009-05)
orkest:
Hannoversche Hofkapelle (van 2009-03 tot 2009-05)
was dirigent:
Wolfgang Helbich (van 2009-03 tot 2009-05)
balanstechnicus:
Olaf Mielke
fonografisch auteursrecht (℗):
Deutschlandradio (in 2012)
opgenomen bij:
Festhalle der Johannischen Kirche in Blankensee, Mecklenburg-Vorpommern, Duitsland (van 2009-03 tot 2009-05)
is een gedeeltelijke opname van:
Magnificat in C major, BWV Anh. 30 (van 2009-03 tot 2009-05)
componist:
Pietro Torri (baroque composer)
verzorgde het arrangement:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (nummer: BWV Anh. II 30), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (nummer: BWV Anh. II 30), Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (nummer: BWV Suppl 2, S. 658) en Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (nummer: BWV Anh. 30)
1:27
7Magnificat in C major App. D (ex Anh. 30) (after Pietro Torri (1650–1737)): 6. Chorus: Deposuit, deposuit potentes de sede
producent:
Stephan Schmidt (classical producer and editor)
koor:
Alsfelder Vokalensemble (German vocal ensemble) (van 2009-03 tot 2009-05)
orkest:
Hannoversche Hofkapelle (van 2009-03 tot 2009-05)
was dirigent:
Wolfgang Helbich (van 2009-03 tot 2009-05)
balanstechnicus:
Olaf Mielke
fonografisch auteursrecht (℗):
Deutschlandradio (in 2012)
opgenomen bij:
Festhalle der Johannischen Kirche in Blankensee, Mecklenburg-Vorpommern, Duitsland (van 2009-03 tot 2009-05)
is een gedeeltelijke opname van:
Magnificat in C major, BWV Anh. 30 (van 2009-03 tot 2009-05)
componist:
Pietro Torri (baroque composer)
verzorgde het arrangement:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (nummer: BWV Anh. II 30), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (nummer: BWV Anh. II 30), Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (nummer: BWV Suppl 2, S. 658) en Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (nummer: BWV Anh. 30)
1:05
8Magnificat in C major App. D (ex Anh. 30) (after Pietro Torri (1650–1737)): 7. Duet: Suscepit Israel puerum suum
producent:
Stephan Schmidt (classical producer and editor)
basvocalen [bass II]:
Carsten Krüger (van 2009-03 tot 2009-05)
sopraanvocalen [soprano II]:
Manja Stephan (van 2009-03 tot 2009-05)
vocalen:
Members of Solistenquartett der Hochschule Bremen (van 2009-03 tot 2009-05)
orkest:
Hannoversche Hofkapelle (van 2009-03 tot 2009-05)
was dirigent:
Wolfgang Helbich (van 2009-03 tot 2009-05)
balanstechnicus:
Olaf Mielke (van 2009-03 tot 2009-05)
fonografisch auteursrecht (℗):
Deutschlandradio (in 2012)
opgenomen bij:
Festhalle der Johannischen Kirche in Blankensee, Mecklenburg-Vorpommern, Duitsland (van 2009-03 tot 2009-05)
is een gedeeltelijke opname van:
Magnificat in C major, BWV Anh. 30 (van 2009-03 tot 2009-05)
componist:
Pietro Torri (baroque composer)
verzorgde het arrangement:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (nummer: BWV Anh. II 30), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (nummer: BWV Anh. II 30), Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (nummer: BWV Suppl 2, S. 658) en Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (nummer: BWV Anh. 30)
1:45
9Magnificat in C major App. D (ex Anh. 30) (after Pietro Torri (1650–1737)): 8. Chorus: Sicut locutus est ad patres nostros
producent:
Stephan Schmidt (classical producer and editor)
koor:
Alsfelder Vokalensemble (German vocal ensemble) (van 2009-03 tot 2009-05)
vocalen:
Gesualdo Consort Amsterdam (van 2009-03 tot 2009-05) en Solistenquartett der Hochschule Bremen (van 2009-03 tot 2009-05)
orkest:
Hannoversche Hofkapelle (van 2009-03 tot 2009-05)
was dirigent:
Wolfgang Helbich (van 2009-03 tot 2009-05)
balanstechnicus:
Olaf Mielke (van 2009-03 tot 2009-05)
fonografisch auteursrecht (℗):
Deutschlandradio (in 2012)
opgenomen bij:
Festhalle der Johannischen Kirche in Blankensee, Mecklenburg-Vorpommern, Duitsland (van 2009-03 tot 2009-05)
is een gedeeltelijke opname van:
Magnificat in C major, BWV Anh. 30 (van 2009-03 tot 2009-05)
componist:
Pietro Torri (baroque composer)
verzorgde het arrangement:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (nummer: BWV Anh. II 30), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (nummer: BWV Anh. II 30), Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (nummer: BWV Suppl 2, S. 658) en Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (nummer: BWV Anh. 30)
4:20
10Missa Sine Nomine (J. S. Bach’s colla parte arrangement App. C) (after Giovanni Pierluigi da Palestrina (1525–1594)): 1. Kyrie
opgenomen in:
Duitsland
orkest:
Concerto Palatino (early music wind instruments ensemble)
was dirigent:
Bruce Dickey (cornett player)
is een opname van:
Missa Sine Nomine
componist:
Giovanni Pierluigi da Palestrina (Italian composer, 1525–1594)
verzorgde het arrangement:
Johann Sebastian Bach (German Baroque period composer & musician)
3:16
11Missa Sine Nomine (J. S. Bach’s colla parte arrangement App. C) (after Giovanni Pierluigi da Palestrina (1525–1594)): 2. Gloria
opgenomen in:
Duitsland
orkest:
Concerto Palatino (early music wind instruments ensemble)
was dirigent:
Bruce Dickey (cornett player)
is een opname van:
Missa Sine Nomine
componist:
Giovanni Pierluigi da Palestrina (Italian composer, 1525–1594)
verzorgde het arrangement:
Johann Sebastian Bach (German Baroque period composer & musician)
2:26
12Missa Sine Nomine (J. S. Bach’s colla parte arrangement App. C) (after Giovanni Pierluigi da Palestrina (1525–1594)): 2. Qui Tollis
opgenomen in:
Duitsland
orkest:
Concerto Palatino (early music wind instruments ensemble)
was dirigent:
Bruce Dickey (cornett player)
is een opname van:
Missa Sine Nomine
componist:
Giovanni Pierluigi da Palestrina (Italian composer, 1525–1594)
verzorgde het arrangement:
Johann Sebastian Bach (German Baroque period composer & musician)
3:00
13"Tilge, Höchster, meine Sünden", BWV 1083 (Psalm Cantata arrangement of Pergolesi’s Stabat Mater) (after Giovanni Battista Pergolesi (1710–1736)): 1. Versus 1: Tilge, Höchster, meine Sünden
producent:
Jens Braun (classical engineer)
contratenorvocalen:
Robin Blaze (countertenor) (in 2005-09)
sopraanvocalen:
Carolyn Sampson (soprano) (in 2005-09)
orkest:
Bach Collegium Japan (in 2005-09)
was dirigent:
Masaaki Suzuki (keyboardist, conductor) (in 2005-09)
balanstechnicus:
Uli Schneider (producer/engineer)
fonografisch auteursrecht (℗):
BIS Records AB (not for release label use!) (in 2014)
opgenomen bij:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2005-09)
is een opname van:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 1 (Sopran, Alt) "Tilge, Höchster meine Sünden" (in 2005-09)
had de première in:
Leipzig, Sachsen (Saxony), Duitsland
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland
aanvullend componist:
Johann Sebastian Bach (German Baroque period composer & musician) (van 1745 tot 1747)
componist:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement van:
Stabat mater for soprano, alto, strings and basso continuo: I. Duo: Stabat mater dolorosa
deel van:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
4:25
14"Tilge, Höchster, meine Sünden", BWV 1083 (Psalm Cantata arrangement of Pergolesi’s Stabat Mater) (after Giovanni Battista Pergolesi (1710–1736)): 2. Versus 2: Ist mein Herz in Missetaten
producent:
Jens Braun (classical engineer)
contratenorvocalen:
Robin Blaze (countertenor) (in 2005-09)
sopraanvocalen:
Carolyn Sampson (soprano) (in 2005-09)
orkest:
Bach Collegium Japan (in 2005-09)
was dirigent:
Masaaki Suzuki (keyboardist, conductor) (in 2005-09)
balanstechnicus:
Uli Schneider (producer/engineer)
fonografisch auteursrecht (℗):
BIS Records AB (not for release label use!) (in 2014)
opgenomen bij:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2005-09)
is een opname van:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 2 (Sopran) "Ist mein Herz in Missetaten" (in 2005-09)
had de première in:
Leipzig, Sachsen (Saxony), Duitsland
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland
aanvullend componist:
Johann Sebastian Bach (German Baroque period composer & musician) (van 1745 tot 1747)
componist:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement van:
Stabat mater for soprano, alto, strings and basso continuo: II. Aria (soprano): Cujus animam gementem
deel van:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
2:09
15"Tilge, Höchster, meine Sünden", BWV 1083 (Psalm Cantata arrangement of Pergolesi’s Stabat Mater) (after Giovanni Battista Pergolesi (1710–1736)): 3. Versus 3: Missetaten, die mich drücken
producent:
Jens Braun (classical engineer)
contratenorvocalen:
Robin Blaze (countertenor) (in 2005-09)
sopraanvocalen:
Carolyn Sampson (soprano) (in 2005-09)
orkest:
Bach Collegium Japan (in 2005-09)
was dirigent:
Masaaki Suzuki (keyboardist, conductor) (in 2005-09)
balanstechnicus:
Uli Schneider (producer/engineer)
fonografisch auteursrecht (℗):
BIS Records AB (not for release label use!) (in 2014)
opgenomen bij:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2005-09)
is een opname van:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 3 (Sopran, Alt) "Missetaten, die mich drücken" (in 2005-09)
had de première in:
Leipzig, Sachsen (Saxony), Duitsland
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland
aanvullend componist:
Johann Sebastian Bach (German Baroque period composer & musician) (van 1745 tot 1747)
componist:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement van:
Stabat mater for soprano, alto, strings and basso continuo: III. Duo: O quam tristis et afflicta
deel van:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
2:31
16"Tilge, Höchster, meine Sünden", BWV 1083 (Psalm Cantata arrangement of Pergolesi’s Stabat Mater) (after Giovanni Battista Pergolesi (1710–1736)): 4. Versus 4: Dich erzürnt mein Tun und Lassen
producent:
Jens Braun (classical engineer)
contratenorvocalen:
Robin Blaze (countertenor) (in 2005-09)
sopraanvocalen:
Carolyn Sampson (soprano) (in 2005-09)
orkest:
Bach Collegium Japan (in 2005-09)
was dirigent:
Masaaki Suzuki (keyboardist, conductor) (in 2005-09)
balanstechnicus:
Uli Schneider (producer/engineer)
fonografisch auteursrecht (℗):
BIS Records AB (not for release label use!) (in 2014)
opgenomen bij:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2005-09)
is een opname van:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 4 (Alt) "Dich erzürnt mein Tun und Lassen" (in 2005-09)
had de première in:
Leipzig, Sachsen (Saxony), Duitsland
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland
aanvullend componist:
Johann Sebastian Bach (German Baroque period composer & musician) (van 1745 tot 1747)
componist:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement van:
Stabat mater for soprano, alto, strings and basso continuo: IV. Aria (alto): Quae moerebat et dolebat
deel van:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
2:03
17"Tilge, Höchster, meine Sünden", BWV 1083 (Psalm Cantata arrangement of Pergolesi’s Stabat Mater) (after Giovanni Battista Pergolesi (1710–1736)): 5. Versus 5–6: Wer wird seine Schuld verneinen
producent:
Jens Braun (classical engineer)
contratenorvocalen:
Robin Blaze (countertenor) (in 2005-09)
sopraanvocalen:
Carolyn Sampson (soprano) (in 2005-09)
orkest:
Bach Collegium Japan (in 2005-09)
was dirigent:
Masaaki Suzuki (keyboardist, conductor) (in 2005-09)
balanstechnicus:
Uli Schneider (producer/engineer)
fonografisch auteursrecht (℗):
BIS Records AB (not for release label use!) (in 2014)
opgenomen bij:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2005-09)
is een opname van:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 5 & 6 (Sopran, Alt) "Wer wird seine Schuld verneinen" (in 2005-09)
had de première in:
Leipzig, Sachsen (Saxony), Duitsland
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland
aanvullend componist:
Johann Sebastian Bach (German Baroque period composer & musician) (van 1745 tot 1747)
componist:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement van:
Stabat mater for soprano, alto, strings and basso continuo: V. (1) Duo: Quis est homo, qui non fleret (Use this variant if 'Pro peccatis suae gentis' appears on a separate track)
deel van:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
2:10
18"Tilge, Höchster, meine Sünden", BWV 1083 (Psalm Cantata arrangement of Pergolesi’s Stabat Mater) (after Giovanni Battista Pergolesi (1710–1736)): 6. Versus 7: Sieh! ich bin in Sünd empfangen
producent:
Jens Braun (classical engineer)
contratenorvocalen:
Robin Blaze (countertenor) (in 2005-09)
sopraanvocalen:
Carolyn Sampson (soprano) (in 2005-09)
orkest:
Bach Collegium Japan (in 2005-09)
was dirigent:
Masaaki Suzuki (keyboardist, conductor) (in 2005-09)
balanstechnicus:
Uli Schneider (producer/engineer)
fonografisch auteursrecht (℗):
BIS Records AB (not for release label use!) (in 2014)
opgenomen bij:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2005-09)
is een opname van:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 7 (Sopran, Alt) "Sieh! ich bin in Sünd empfangen" (in 2005-09)
had de première in:
Leipzig, Sachsen (Saxony), Duitsland
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland
aanvullend componist:
Johann Sebastian Bach (German Baroque period composer & musician) (van 1745 tot 1747)
componist:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement van:
Stabat mater for soprano, alto, strings and basso continuo: V. (2) Duo: Pro peccatis suae gentis (Use this variant if 'Pro peccatis suae gentis' appears on a separate track)
deel van:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
0:46
19"Tilge, Höchster, meine Sünden", BWV 1083 (Psalm Cantata arrangement of Pergolesi’s Stabat Mater) (after Giovanni Battista Pergolesi (1710–1736)): 7. Versus 8: Sieh, du willst die Wahrheit haben
producent:
Jens Braun (classical engineer)
contratenorvocalen:
Robin Blaze (countertenor) (in 2005-09)
sopraanvocalen:
Carolyn Sampson (soprano) (in 2005-09)
orkest:
Bach Collegium Japan (in 2005-09)
was dirigent:
Masaaki Suzuki (keyboardist, conductor) (in 2005-09)
balanstechnicus:
Uli Schneider (producer/engineer)
fonografisch auteursrecht (℗):
BIS Records AB (not for release label use!) (in 2014)
opgenomen bij:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2005-09)
is een opname van:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 8 (Sopran) "Sieh, du willst die Wahrheit haben" (in 2005-09)
had de première in:
Leipzig, Sachsen (Saxony), Duitsland
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland
aanvullend componist:
Johann Sebastian Bach (German Baroque period composer & musician) (van 1745 tot 1747)
componist:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement van:
Stabat mater for soprano, alto, strings and basso continuo: VI. Aria (soprano): Vidit suum dulcem natum
deel van:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
2:49
20"Tilge, Höchster, meine Sünden", BWV 1083 (Psalm Cantata arrangement of Pergolesi’s Stabat Mater) (after Giovanni Battista Pergolesi (1710–1736)): 8. Versus 9: Wasche mich doch rein, rein von Sünden
producent:
Jens Braun (classical engineer)
contratenorvocalen:
Robin Blaze (countertenor) (in 2005-09)
sopraanvocalen:
Carolyn Sampson (soprano) (in 2005-09)
orkest:
Bach Collegium Japan (in 2005-09)
was dirigent:
Masaaki Suzuki (keyboardist, conductor) (in 2005-09)
balanstechnicus:
Uli Schneider (producer/engineer)
fonografisch auteursrecht (℗):
BIS Records AB (not for release label use!) (in 2014)
opgenomen bij:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2005-09)
is een opname van:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 9 (Alt) "Wasche mich doch rein von Sünden" (in 2005-09)
had de première in:
Leipzig, Sachsen (Saxony), Duitsland
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland
aanvullend componist:
Johann Sebastian Bach (German Baroque period composer & musician) (van 1745 tot 1747)
componist:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement van:
Stabat mater for soprano, alto, strings and basso continuo: VII. Aria (alto): Eja, mater, fons amoris
deel van:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
2:00
21"Tilge, Höchster, meine Sünden", BWV 1083 (Psalm Cantata arrangement of Pergolesi’s Stabat Mater) (after Giovanni Battista Pergolesi (1710–1736)): 9. Versus 10: Lass mich Freud und Wonne spüren
producent:
Jens Braun (classical engineer)
contratenorvocalen:
Robin Blaze (countertenor) (in 2005-09)
sopraanvocalen:
Carolyn Sampson (soprano) (in 2005-09)
orkest:
Bach Collegium Japan (in 2005-09)
was dirigent:
Masaaki Suzuki (keyboardist, conductor) (in 2005-09)
balanstechnicus:
Uli Schneider (producer/engineer)
fonografisch auteursrecht (℗):
BIS Records AB (not for release label use!) (in 2014)
opgenomen bij:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2005-09)
is een opname van:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 10 (Sopran, Alt) "Laß mich Freud und Wonne spüren" (in 2005-09)
had de première in:
Leipzig, Sachsen (Saxony), Duitsland
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland
aanvullend componist:
Johann Sebastian Bach (German Baroque period composer & musician) (van 1745 tot 1747)
componist:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement van:
Stabat mater for soprano, alto, strings and basso continuo: VIII. Duo: Fac, ut ardeat cor meum
deel van:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
2:21
22"Tilge, Höchster, meine Sünden", BWV 1083 (Psalm Cantata arrangement of Pergolesi’s Stabat Mater) (after Giovanni Battista Pergolesi (1710–1736)): 10. Versus 11–15: Schaue nicht auf meine Sünden
producent:
Jens Braun (classical engineer)
contratenorvocalen:
Robin Blaze (countertenor) (in 2005-09)
sopraanvocalen:
Carolyn Sampson (soprano) (in 2005-09)
orkest:
Bach Collegium Japan (in 2005-09)
was dirigent:
Masaaki Suzuki (keyboardist, conductor) (in 2005-09)
balanstechnicus:
Uli Schneider (producer/engineer)
fonografisch auteursrecht (℗):
BIS Records AB (not for release label use!) (in 2014)
opgenomen bij:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2005-09)
is een opname van:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 11-15 (Sopran, Alt) "Schaue nicht auf meine Sünden" (in 2005-09)
had de première in:
Leipzig, Sachsen (Saxony), Duitsland
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland
aanvullend componist:
Johann Sebastian Bach (German Baroque period composer & musician) (van 1745 tot 1747)
componist:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement van:
Stabat mater for soprano, alto, strings and basso continuo: IX. Duo: Sancta mater, istud agas
deel van:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
5:56
23"Tilge, Höchster, meine Sünden", BWV 1083 (Psalm Cantata arrangement of Pergolesi’s Stabat Mater) (after Giovanni Battista Pergolesi (1710–1736)): 11. Versus 16: Öffne Lippen, Mund und Seele
producent:
Jens Braun (classical engineer)
contratenorvocalen:
Robin Blaze (countertenor) (in 2005-09)
sopraanvocalen:
Carolyn Sampson (soprano) (in 2005-09)
orkest:
Bach Collegium Japan (in 2005-09)
was dirigent:
Masaaki Suzuki (keyboardist, conductor) (in 2005-09)
balanstechnicus:
Uli Schneider (producer/engineer)
fonografisch auteursrecht (℗):
BIS Records AB (not for release label use!) (in 2014)
opgenomen bij:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2005-09)
is een opname van:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 16 (Alt) "Öffne Lippen, Mund und Seele" (in 2005-09)
had de première in:
Leipzig, Sachsen (Saxony), Duitsland
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland
aanvullend componist:
Johann Sebastian Bach (German Baroque period composer & musician) (van 1745 tot 1747)
componist:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement van:
Stabat mater for soprano, alto, strings and basso continuo: X. Aria (alto): Fac, ut portem Christi mortem
deel van:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
3:32
24"Tilge, Höchster, meine Sünden", BWV 1083 (Psalm Cantata arrangement of Pergolesi’s Stabat Mater) (after Giovanni Battista Pergolesi (1710–1736)): 12. Versus 17–18: Denn du willst kein Opfer haben
producent:
Jens Braun (classical engineer)
contratenorvocalen:
Robin Blaze (countertenor) (in 2005-09)
sopraanvocalen:
Carolyn Sampson (soprano) (in 2005-09)
orkest:
Bach Collegium Japan (in 2005-09)
was dirigent:
Masaaki Suzuki (keyboardist, conductor) (in 2005-09)
balanstechnicus:
Uli Schneider (producer/engineer)
fonografisch auteursrecht (℗):
BIS Records AB (not for release label use!) (in 2014)
opgenomen bij:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2005-09)
is een opname van:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 17 & 18 (Sopran, Alt) "Denn du willst kein Opfer haben" (in 2005-09)
had de première in:
Leipzig, Sachsen (Saxony), Duitsland
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland
aanvullend componist:
Johann Sebastian Bach (German Baroque period composer & musician) (van 1745 tot 1747)
componist:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement van:
Stabat mater for soprano, alto, strings and basso continuo: XII. Duo: Quando corpus morietur (without Amen)
deel van:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
3:11
25"Tilge, Höchster, meine Sünden", BWV 1083 (Psalm Cantata arrangement of Pergolesi’s Stabat Mater) (after Giovanni Battista Pergolesi (1710–1736)): 13. Versus 19–20: Lass dein Zion blühend dauern
producent:
Jens Braun (classical engineer)
contratenorvocalen:
Robin Blaze (countertenor) (in 2005-09)
sopraanvocalen:
Carolyn Sampson (soprano) (in 2005-09)
orkest:
Bach Collegium Japan (in 2005-09)
was dirigent:
Masaaki Suzuki (keyboardist, conductor) (in 2005-09)
balanstechnicus:
Uli Schneider (producer/engineer)
fonografisch auteursrecht (℗):
BIS Records AB (not for release label use!) (in 2014)
opgenomen bij:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2005-09)
is een opname van:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 19 & 20 (Sopran, Alt) "Laß dein Zion blühend dauern" (in 2005-09)
had de première in:
Leipzig, Sachsen (Saxony), Duitsland
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland
aanvullend componist:
Johann Sebastian Bach (German Baroque period composer & musician) (van 1745 tot 1747)
componist:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement van:
Stabat mater for soprano, alto, strings and basso continuo: XI. Duo: Inflammatus et accensus
deel van:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
1:51
26"Tilge, Höchster, meine Sünden", BWV 1083 (Psalm Cantata arrangement of Pergolesi’s Stabat Mater) (after Giovanni Battista Pergolesi (1710–1736)): 14. Amen
producent:
Jens Braun (classical engineer)
contratenorvocalen:
Robin Blaze (countertenor) (in 2005-09)
sopraanvocalen:
Carolyn Sampson (soprano) (in 2005-09)
orkest:
Bach Collegium Japan (in 2005-09)
was dirigent:
Masaaki Suzuki (keyboardist, conductor) (in 2005-09)
balanstechnicus:
Uli Schneider (producer/engineer)
fonografisch auteursrecht (℗):
BIS Records AB (not for release label use!) (in 2014)
opgenomen bij:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2005-09)
is een opname van:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": XIV. (Sopran, Alt) "Amen" (in 2005-09)
had de première in:
Leipzig, Sachsen (Saxony), Duitsland
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland
aanvullend componist:
Johann Sebastian Bach (German Baroque period composer & musician)
componist:
Giovanni Battista Pergolesi (composer)
arrangement van:
Stabat mater for soprano, alto, strings and basso continuo: XIII. Amen (separate Amen variant)
deel van:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
2:04
27Sanctus in D major, BWV 241 (Version in E major) from "Missa superba" (after Johann Kaspar Kerll (1627–1693))
producent:
Hans Kipfer
orkest:
Bach Collegium Japan (van 2014-09 tot 2015-10)
was dirigent:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (van 2014-09 tot 2015-10)
balanstechnicus:
Jens Braun (classical engineer)
opgenomen bij:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (van 2014-09 tot 2015-10)
is een opname van:
Sanctus D-Dur, BWV 241 (van 2014-09 tot 2015-10)
had de première in:
Leipzig, Sachsen (Saxony), Duitsland
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Bach-Werke-Verzeichnis (nummer: BWV 241) en Bach Compendium (nummer: BC E 17)
2:10
28Credo Intonation, BWV 1081 by J. S. Bach for (after Johann Kaspar Kerll (1627–1693))
producent en balanstechnicus:
Adrian Hunter (producer and engineer)
koor:
St Salvator’s Chapel Choir (in 2015-06)
orkest:
Ars Eloquentiae (in 2015-06) en Fitzwilliam String Quartet (in 2015-06)
was dirigent:
Tom Wilkinson (American musician) (in 2015-06)
is een opname van:
Credo in unum Deum, BWV 1081 (in 2015-06)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (nummer: BWV 1081), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (nummer: BWV 1081 / 236‑>) en Bach Compendium (nummer: BC E 9)
0:45
29Credo in unum Deum (from Missa No. 5 in F major "Acroama Missale")
producent en balanstechnicus:
Adrian Hunter (producer and engineer)
koor:
St Salvator’s Chapel Choir (in 2015-06)
orkest:
Ars Eloquentiae (in 2015-06) en Fitzwilliam String Quartet (in 2015-06)
was dirigent:
Tom Wilkinson (American musician) (in 2015-06)
is een opname van:
Missa No. 5 in F major “Acroama Missale”: Credo in unum Deum
componist:
Giovanni Battista Bassani
deel van:
Missa No. 5 in F major “Acroama Missale”
5:43
30Der Gerechte kömmt um, BWV 1149 (after motet "Tristis est anima mea", probably by Kuhnau) (after Johann Kuhnau (1660–1722))
producent:
Isabella de Sabata
koor:
Monteverdi Choir (English vocal Baroque ensemble) (in 2000-07)
orkest:
English Baroque Soloists (The English Baroque Soloists) (in 2000-07)
was dirigent:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 2000-07)
balanstechnicus:
Jean‐Marie Geijsen
opgenomen bij:
St Gumbertus in Ansbach, Bayern (Beieren), Duitsland (in 2000-07)
is een live-opname van:
Der Gerechte kömmt um, BWV 1149 (in 2000-07)
componist:
Johann Kuhnau (composer)
verzorgde het arrangement:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (nummer: BWV 1149) en Bach Compendium (nummer: BC D 10/3 (= C 8))
7:41
215▶cd: Bach Renewed (From Bach's Sons to Mahler)
216▶cd: Bach Reimagined (Chaconne & Passacaglia)
217▶cd: Bach Orchestrated (Reger to Stokowski)
218▶cd: Inspired by Bach (Gounod to Pärt)
219▶cd: Bach & The Virtuoso Piano (Liszt and Busoni)
220▶cd: Bach & The Virtuoso Piano (The 20th Century)
221▶cd: Bach à la Jazz
222▶cd: New Colours of Bach
223▶dvd-video: Bach: A Passionate Life

Relaties

Uitgave

ASIN:US: B07D2Y539K [info]
discografisch lemma:https://www.bach333.com/en/ [info]

Uitgavegroep

deel van:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (volgorde: 1)
eigen website:US: B07D2Y539K [info]
https://www.bach333.com/en/ [info]
https://www.deutschegrammophon.com/en/cat/4798000 [info]
Wikidata:Q113958674 [info]