Anthology

~ Veröffentlichung von Bill Monroe (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1New Mule Skinner Blues
Banjo:
Rudy Lyle (am 1950-02-03)
Fiddle:
Vassar Clements (am 1950-02-03)
Gitarre:
Jimmy Martin (US bluegrass musician) (am 1950-02-03)
Kontrabass:
Joel Price (am 1950-02-03)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1950-02-03)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1950-02-03)
recording of:
New Mule Skinner Blues (revised lyrics, first recorded by Bill Monroe ca. 1950) (am 1950-02-03)
Texter:
George Vaughn
Komponist(in):
Jimmie Rodgers (country music pioneer, died in 1933)
publisher:
APRS (American Performing Rights Society, Inc.(BMI))
Version von:
Blue Yodel No. 8 (Mule Skinner Blues)
2:31
2My Little Georgia Rose
Banjo:
Rudy Lyle (am 1950-02-03)
Fiddle:
Vassar Clements (am 1950-02-03)
Gitarre:
Jimmy Martin (US bluegrass musician) (am 1950-02-03)
Kontrabass:
Joel Price (am 1950-02-03)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1950-02-03)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1950-02-03)
recording of:
My Little Georgia Rose (am 1950-02-03)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
3:07
3Uncle Pen
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Rudy Lyle (am 1950-10-15)
Fiddle:
Merle "Red" Taylor (country/bluegrass fiddler, songwriter, and singer) (am 1950-10-15)
Gitarre und Sologesang:
Jimmy Martin (US bluegrass musician) (am 1950-10-15)
Kontrabass und Baritongesang:
Joel Price (am 1950-10-15)
Mandoline und Sologesang und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1950-10-15)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1950-10-15)
recording of:
Uncle Pen (am 1950-10-15)
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
publisher:
Carlin Music Corporation, Unichappell Music, Unichappell Music, Inc. und Hill and Range Songs, Inc. (publisher) (in 1975)
2:45
4Raw Hide
Banjo:
Rudy Lyle (am 1951-01-20)
Fiddle:
Merle "Red" Taylor (country/bluegrass fiddler, songwriter, and singer) (am 1951-01-20)
Gitarre:
Jimmy Martin (US bluegrass musician) (am 1951-01-20)
Kontrabass:
Joel Price (am 1951-01-20)
Mandoline:
Bill Monroe (“The Father of Bluegrass”) (am 1951-01-20)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1951-01-20)
recording of:
Rawhide (mandolin instrumental) (am 1951-01-20)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
2:37
5Kentucky Waltz
Produzent(in):
Paul Cohen (Nashville country producer)
E-Gitarre:
Grady Martin (country/rockabilly guitarist) (am 1951-03-17)
Fiddle:
Tommy Jackson (bluegrass fiddler) (am 1951-03-17)
Gitarre:
Jimmy Selph (am 1951-03-17)
Kontrabass:
Ernie Newton (contrabassist) (am 1951-03-17)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1951-03-17)
Orgel:
Owen Bradley (am 1951-03-17)
Schlagzeug:
Ferris Coursey (am 1951-03-17)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1951-03-17)
recording of:
Kentucky Waltz (am 1951-03-17)
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”) (in 1945)
3:17
6When the Cactus Is in Bloom
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Rudy Lyle (am 1951-03-29)
Fiddle:
Hal Smith (bluegrass fiddler) (am 1951-03-29)
Gitarre:
Jimmy Martin (US bluegrass musician) (am 1951-03-29)
Kontrabass:
Joel Price (am 1951-03-29)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1951-03-29)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1951-03-29)
recording of:
When the Cactus Is in Bloom (am 1951-03-29)
Verfasser(in):
Jimmie Rodgers (country music pioneer, died in 1933)
publisher:
Peer International Corporation (BMI)
2:05
7Get Down on Your Knees and Pray
Produzent(in):
Paul Cohen (Nashville country producer)
Gitarre und Sologesang:
Carter Stanley (am 1951-07-06)
Kontrabass:
Howard Watts (bluegrass bassist, aka Cedric Rainwater) (am 1951-07-06)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1951-07-06)
Baritongesang:
Rudy Lyle (am 1951-07-06)
Bass-Gesang:
Gordon Terry (Bluegrass/Country artist, guitarist and fiddle player.) (am 1951-07-06)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1951-07-06)
recording of:
Get Down on Your Knees and Pray (am 1951-07-06)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
3:02
8In the Pines
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Sonny Osborne (am 1952-07-18)
Fiddle:
Charlie Cline (am 1952-07-18)
Gitarre und Sologesang:
Jimmy Martin (US bluegrass musician) (am 1952-07-18)
Kontrabass:
Ernie Newton (contrabassist) (am 1952-07-18)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1952-07-18)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1952-07-18)
recording of:
In the Pines (Black Girl) (am 1952-07-18)
Texter und Komponist(in):
[traditional] (special purpose artist)
Teil von:
Roud Folk Song Index (Nummer: 3421)
3:12
9Footprints in the Snow
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Sonny Osborne (am 1952-07-18)
Fiddle:
Charlie Cline (am 1952-07-18)
Gitarre:
Jimmy Martin (US bluegrass musician) (am 1952-07-18)
Kontrabass:
Ernie Newton (contrabassist) (am 1952-07-18)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1952-07-18)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1952-07-18)
recording of:
Footprints in the Snow (am 1952-07-18)
Komponist(in):
Rupert Jones (“The Father of Bluegrass”)
basiert auf:
I Traced Her Little Footmarks in the Snow
2:41
10Walking in Jerusalem Just Like John
Produzent(in):
Paul Cohen (Nashville country producer)
Gitarre:
Jimmy Martin (US bluegrass musician) (am 1952-07-18)
Kontrabass:
Ernie Newton (contrabassist) (am 1952-07-18)
Baritongesang:
Charlie Cline (am 1952-07-18)
Bass-Gesang:
Boudleaux Bryant (am 1952-07-18)
Sologesang:
Jimmy Martin (US bluegrass musician) (am 1952-07-18) und Bill Monroe (“The Father of Bluegrass”) (am 1952-07-18)
Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1952-07-18)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1952-07-18)
recording of:
Walking in Jerusalem Just Like John (am 1952-07-18)
Texter und Komponist(in):
[traditional] (special purpose artist)
vorher zugeschrieben zu:
Bill Monroe (“The Father of Bluegrass”)
2:00
11Get Up John
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Rudy Lyle (am 1953-11-28)
Fiddle:
Charlie Cline (am 1953-11-28)
Gitarre:
Jimmy Martin (US bluegrass musician) (am 1953-11-28)
Kontrabass:
Ernie Newton (contrabassist) (am 1953-11-28)
Mandoline:
Bill Monroe (“The Father of Bluegrass”) (am 1953-11-28)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1953-11-28)
recording of:
Get Up John (am 1953-11-28)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
publisher:
Unichappell Music, Inc.
2:12
12On and On
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Rudy Lyle (am 1954-01-07)
Fiddle und Baritongesang:
Charlie Cline (am 1954-01-07)
Gitarre und Sologesang:
Jimmy Martin (US bluegrass musician) (am 1954-01-07)
Kontrabass:
Ernie Newton (contrabassist) (am 1954-01-07)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1954-01-07)
recording of:
On and On (am 1954-01-07)
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
2:48
13I'm Working on a Building
Produzent(in):
Paul Cohen (Nashville country producer)
Gitarre und Sologesang:
Jimmy Martin (US bluegrass musician) (am 1954-01-14)
Kontrabass:
Ernie Newton (contrabassist) (am 1954-01-14, am 1954-01-25)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1954-01-14, am 1954-01-25)
Baritongesang:
Charlie Cline (am 1954-01-14, am 1954-01-25)
Bass-Gesang:
Milton Estes (am 1954-01-14, am 1954-01-25)
recording of:
I’m Working on the Building (Carter version, verses begin "If I was...") (am 1954-01-14)
Texter und Komponist(in):
A.P. Carter
publisher:
APRS (American Performing Rights Society, Inc.(BMI))
Version von:
Working on the Building
2:44
14Blue Moon of Kentucky
Fiddle:
Charlie Cline (am 1954-09-04), Merle "Red" Taylor (country/bluegrass fiddler, songwriter, and singer) (am 1954-09-04) und Gordon Terry (Bluegrass/Country artist, guitarist and fiddle player.) (am 1954-09-04)
Gitarre:
Edd Mayfield (am 1954-09-04)
Kontrabass:
Ernie Newton (contrabassist) (am 1954-09-04)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1954-09-04)
aufgenommen bei:
Bradley Studios (Hillsboro Village location, circa 1952-1954) in Nashville, Tennessee, Vereinigte Staaten (am 1954-09-04)
recording of:
Blue Moon of Kentucky (am 1954-09-04)
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”) (in 1946)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)), Peer International Corporation (BMI), Southern Music Publishing ((ASCAP) tradename Peermusic), Southern Music Publishing Company Limited und ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
2:08
15Roanoke
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Hubert Davis (US bluegrass banjoist) (am 1954-12-31)
Fiddle:
Charlie Cline (am 1954-12-31) und Bobby Hicks (American bluegrass fiddler) (am 1954-12-31)
Gitarre:
Jackie Phelps (am 1954-12-31)
Kontrabass:
Ernie Newton (contrabassist) (am 1954-12-31)
Mandoline:
Bill Monroe (“The Father of Bluegrass”) (am 1954-12-31)
recording of:
Roanoke (am 1954-12-31)
Verfasser(in):
Bill Monroe (“The Father of Bluegrass”)
2:39
16Goodbye Old Pal
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Don Stover (am 1957-05-15)
Fiddle:
Dale Potter (am 1957-05-15), Joe Stuart (US bluegrass musician) (am 1957-05-15) und Gordon Terry (Bluegrass/Country artist, guitarist and fiddle player.) (am 1957-05-15)
Gitarre:
Leslie Sandy (am 1957-05-15)
Kontrabass:
Bessie Lee Mauldin (am 1957-05-15)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1957-05-15)
aufgenommen bei:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, Vereinigte Staaten (am 1957-05-15)
recording of:
Goodbye Old Pal (am 1957-05-15)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)) und Bill Monroe Music
2:05
17Molly and Tenbrooks
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Don Stover (am 1957-05-15)
Fiddle:
Dale Potter (am 1957-05-15), Joe Stuart (US bluegrass musician) (am 1957-05-15) und Gordon Terry (Bluegrass/Country artist, guitarist and fiddle player.) (am 1957-05-15)
Gitarre:
Leslie Sandy (am 1957-05-15)
Kontrabass:
Bessie Lee Mauldin (am 1957-05-15)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1957-05-15)
aufgenommen bei:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, Vereinigte Staaten (am 1957-05-15)
recording of:
Molly and Tenbrooks (am 1957-05-15)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
publisher:
Bill Monroe Music
basiert auf:
Molly and Tenbrooks
2:22
18I'm Sittin' on Top of the World
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Don Stover (am 1957-05-14)
Fiddle:
Tommy Jackson (bluegrass fiddler) (am 1957-05-14), Dale Potter (am 1957-05-14) und Gordon Terry (Bluegrass/Country artist, guitarist and fiddle player.) (am 1957-05-14)
Gitarre:
Joe Stuart (US bluegrass musician) (am 1957-05-14)
Kontrabass:
Bessie Lee Mauldin (am 1957-05-14)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1957-05-14)
aufgenommen bei:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, Vereinigte Staaten (am 1957-05-14)
cover recording of:
Sitting on Top of the World (“Now she’s gone, I don’t worry…”)
Verfasser(in):
Lonnie Carter und Walter Vinson (performance name for Walter Vinson)
publisher:
Chappell Music Ltd., E. H. Morris & Co., Inc. (a division of MPL Communications Inc.) und Mayfair Music Corp.
2:19
19I Saw the Light
Produzent(in):
Owen Bradley
Gitarre und Sologesang:
Edd Mayfield (am 1958-02-25)
Kontrabass:
Bessie Lee Mauldin (am 1958-02-25)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1958-02-25)
Baritongesang:
Kenny Baker (US fiddler) (am 1958-02-25)
Bass-Gesang:
Gordon Terry (Bluegrass/Country artist, guitarist and fiddle player.) (am 1958-02-25)
aufgenommen bei:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, Vereinigte Staaten (am 1958-02-25)
recording of:
I Saw the Light (am 1958-02-25)
Texter und Komponist(in):
Lewis E. Jones (hymnist) und Hank Williams (country music legend)
publisher:
Acuff-Rose Music Ltd. (UK) (vom 1948 bis heute), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) (vom 1948 bis heute) und Acuff-Rose Publications, Inc. (BMI) (am 1948-11-16)
2:31
20Scotland
Produzent(in):
Harold Bradley
Banjo:
Joe Drumright (am 1958-04-08)
Fiddle:
Kenny Baker (US fiddler) (am 1958-04-08) und Bobby Hicks (American bluegrass fiddler) (am 1958-04-08)
Gitarre:
Edd Mayfield (am 1958-04-08)
Kontrabass:
Bessie Lee Mauldin (am 1958-04-08)
Mandoline:
Bill Monroe (“The Father of Bluegrass”) (am 1958-04-08)
aufgenommen bei:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, Vereinigte Staaten (am 1958-04-08)
recording of:
Scotland (am 1958-04-08)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
publisher:
Unichappell, BMI (publisher)
1:55
21Panhandle Country
Produzent(in):
Harold Bradley
Banjo:
Joe Drumright (am 1958-04-08)
Fiddle:
Kenny Baker (US fiddler) (am 1958-04-08) und Bobby Hicks (American bluegrass fiddler) (am 1958-04-08)
Gitarre:
Edd Mayfield (am 1958-04-08)
Kontrabass:
Bessie Lee Mauldin (am 1958-04-08)
Mandoline:
Bill Monroe (“The Father of Bluegrass”) (am 1958-04-08)
aufgenommen bei:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, Vereinigte Staaten (am 1958-04-08)
recording of:
Panhandle Country (am 1958-04-08)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
2:06
22Gotta Travel On
Produzent(in):
Owen Bradley
Banjo:
Robert Lee Pennington (am 1958-12-01)
Fiddle:
Bobby Hicks (American bluegrass fiddler) (am 1958-12-01)
Gitarre:
Jack Cooke (bluegrass musician, bass, guitar & voaclist) (am 1958-12-01)
Kontrabass:
Bessie Lee Mauldin (am 1958-12-01)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1958-12-01)
aufgenommen bei:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, Vereinigte Staaten (am 1958-12-01)
recording of:
Gotta Travel On (am 1958-12-01)
Verfasser(in):
Paul Clayton, Dave Lazer, Larry Ehrlich und Pete Seeger
zusätzliche(r) Verfasser(in):
Ronnie Gilbert (US folk singer), Lee Hays und Fred Hellerman
publisher:
Anthem Music and Media Fund LLC, EMHA, Figs D Music, Inc., Freddy Bienstock Music Co., Reel Muzik Werks LLC, Sanga Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), The Bicycle Music Company (part of Concord Bicycle Music since 2015/04/01, overseeing publishing and rights management) und Wintrup Musikverlag
2:34
23Big Mon
Produzent(in):
Owen Bradley
Banjo:
Robert Lee Pennington (am 1958-12-01)
Fiddle:
Bobby Hicks (American bluegrass fiddler) (am 1958-12-01)
Gitarre:
Jack Cooke (bluegrass musician, bass, guitar & voaclist) (am 1958-12-01)
Kontrabass:
Bessie Lee Mauldin (am 1958-12-01)
Mandoline:
Bill Monroe (“The Father of Bluegrass”) (am 1958-12-01)
aufgenommen bei:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, Vereinigte Staaten (am 1958-12-01)
recording of:
Big Mon (am 1958-12-01)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
2:17
24Linda Lou
Produzent(in):
Owen Bradley
Banjo:
Curtis McPeake (am 1960-11-30)
Fiddle:
Dale Potter (am 1960-11-30)
Gitarre:
Carl Butler (am 1960-11-30)
Kontrabass:
Bessie Lee Mauldin (am 1960-11-30)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1960-11-30)
aufgenommen bei:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, Vereinigte Staaten (am 1960-11-30)
recording of:
Linda Lou (am 1960-11-30)
Texter und Komponist(in):
Carl Butler
2:11
25Lonesome Road Blues
Produzent(in):
Owen Bradley
Banjo:
Curtis McPeake (am 1960-12-01)
Fiddle:
Dale Potter (am 1960-12-01)
Gitarre:
Carl Butler (am 1960-12-01)
Kontrabass:
Bessie Lee Mauldin (am 1960-12-01)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1960-12-01)
aufgenommen bei:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, Vereinigte Staaten (am 1960-12-01)
recording of:
Lonesome Road Blues (am 1960-12-01)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
publisher:
Songs of Universal, Inc. (BMI)
basiert auf:
Chilly Winds (a.k.a. Lonesome Road Blues - catch-all work)
Version von:
Der Mann mit dem Block (The Man Comes Around)
2:28
2▶CD