Rock Workout 2023

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Everybody Wants to Rule the World
Techniker(in):
David Bascombe
Produzent(in):
Chris Hughes (producer, aka “Merrick”)
Mix:
Steven Wilson (founder of Porcupine Tree)
Bassgitarre:
Curt Smith (in 1984)
Gitarre und Solo-Gitarre:
Neil Taylor (guitarist) (in 1984)
Keyboard:
Ian Stanley (in 1984)
Schlagzeug:
Manny Elias (in 1984)
Hintergrundgesang:
Roland Orzabal (UK musician, songwriter and producer) (in 1984)
Sologesang:
Curt Smith
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1985, in 2014) und Phonogram Ltd. (not for release label use!) (in 1985)
Musikvideos:
Everybody Wants to Rule the World von Tears for Fears
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 28) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 319)
recording of:
Everybody Wants to Rule the World (in 1984)
Verfasser(in):
Christopher Hughes (producer, aka “Merrick”), Roland Orzabal (UK musician, songwriter and producer) und Ian Stanley
publisher:
10 Music Ltd., Amusements Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Virgin Music (Publishers) Ltd.
sub-publisher:
フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31) und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute)
Tears for Fears3.954:13
2Mr. Brightside
recording engineer:
Jeff Saltzman (music attorney and record producer)
Produzent(in):
Jeff Saltzman (music attorney and record producer) und The Killers (American rock band)
Mix:
Mark Needham
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2004) und Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2017)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 4), NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 33), Offizielle deutsche Charts – Single-Jahrescharts 2025 (Nummer: 51), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 90) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 378)
recording of:
Mr. Brightside
Verfasser(in):
Brandon Flowers und Dave Keuning
publisher:
The Killers Publishing und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
The Killers4.153:44
3Gives You Hell
recording engineer:
Trevor Whatever (Barefoot Recording Studios)
Techniker(in), Produzent(in) und Mix:
Eric Valentine (Eric Dodd, producer and instrumentalist)
Bassgitarre und Sologesang:
Tyson Ritter
Gast-Keyboard:
Kevin Saulnier
Gitarre:
Mike Kennerty und Nick Wheeler
Schlagzeug:
Chris Gaylor
sonstiger Gesang:
The All‐American Rejects (US rock band), Brad Cole (US keyboardist/woodwind player), Lonn Friend, Seth Howard (singer‐songwriter from Seattle, WA) und Trevor Whatever (Barefoot Recording Studios)
Musikvideos:
Gives You Hell von The All‐American Rejects (US rock band)
Teil von:
Billboard Year-End Hot 100 singles of 2009 (Nummer: 10)
recording of:
Gives You Hell
Verfasser(in):
Tyson Ritter und Nick Wheeler
The All‐American Rejects4.23:34
4Livin’ on a Prayer
assistierende(r) Techniker(in):
Tim Crich
Techniker(in) und Mix:
Bob Rock
Produzent(in):
Bruce Fairbairn
Akustikgitarre, E-Gitarre, Gitarrensynthesizer [IVL Guitar Synths] und Talkbox:
Richie Sambora
E-Bass [Bass]:
Alec John Such
Keyboard [Keyboards, Noises]:
Dave Bryan (keyboardist for Bon Jovi)
Perkussion und Schlagzeug:
Tico Torres
Hintergrundgesang [Backing Vocals]:
Jon Bon Jovi, Dave Bryan (keyboardist for Bon Jovi), Richie Sambora und Alec John Such
Sologesang:
Jon Bon Jovi
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1986) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 2011)
aufgenommen bei:
Little Mountain Sound in Vancouver, British Columbia, Kanada
Musikvideos:
Livin’ on a Prayer von Bon Jovi (group)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 146), BILLIONS CLUB und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 457)
recording of:
Livin’ on a Prayer
Verfasser(in):
Jon Bon Jovi, Desmond Child und Richie Sambora
publisher:
Aggressive Music, Aggressive Music (A), EMI Music Publishing Ltd. (PRS‐affiliated), PolyGram Music Publishing Ltd., SBK Songs Ltd., Sony/ATV Tunes LLC (ASCAP), Universal Music Group International (manages UMG’s offices in most countries outside of North America), Universal Music Works (GMR affiliated), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), April Music Inc. (in 1986), Bon Jovi Publishing (in 1986), Desmobile Inc. (in 1986) und PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) (in 1986)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bon Jovi4.14:11
5Mr. Jones
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten
recording engineer:
Pat McCarthy
assistierende(r) Techniker(in):
Mark Guilbeault und Brant Scott
zusätzliche(r) Techniker(in):
Robert Hart (engineer), Steve Holroyd und Howard Willing
leitende(r) Produzent(in):
Gary Gersh
Produzent(in):
T‐Bone Burnett (musician, songwriter and producer)
Mix:
Scott Litt (producer and engineer) und Pat McCarthy
accordion, Chamberlin und Hammond-Orgel:
Charlie Gillingham
Bassgitarre:
Matt Malley
Gitarre:
David Bryson und Matt Malley
Klavier:
Adam Duritz und Charlie Gillingham
Mundharmonika und Sologesang:
Adam Duritz
zusätzlich Gitarre:
T‐Bone Burnett (musician, songwriter and producer), Bill Dillon und David Immerglück
zusätzlich guitorgan:
Bill Dillon
zusätzlich Mandocello, zusätzlich Mandoline, zusätzlich Pedal-Steel-Gitarre und zusätzlich vocals:
David Immerglück
zusätzlich Perkussion und zusätzlich Schlagzeug:
Denny Fongheiser
vocals:
Steve Bowman, David Bryson, Charlie Gillingham und Matt Malley
zusätzlich Hintergrundgesang:
Gary Louris, Maria McKee und Mark Olson (US alt. country musician, Jayhawks etc)
zusätzlich aufgenommen bei:
Conway Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Kiva West Recording Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten, Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und The Village Recorders (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Ocean Way Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Mr. Jones von Counting Crows
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 474)
recording of:
Mr. Jones
Texter:
Adam Duritz
Komponist(in):
David Bryson und Adam Duritz
Counting Crows3.94:33
6The Less I Know the Better
recording engineer, Produzent(in) und Mix:
Kevin Parker (Australian singer and producer)
Instrumente und vocals:
Kevin Parker (Australian singer and producer)
phonographisches Urheberrecht (℗) von:
Modular Recordings (Australian label) (in 2015)
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 19), triple j’s Hottest 100 (Australian annual music listener poll) (Nummer: 2020 (Of the Decade)) und Indie 88: Top 500 Indie Rock Songs (Nummer: 338)
recording of:
The Less I Know the Better
Texter und Komponist(in):
Kevin Parker (Australian singer and producer)
publisher:
BMG Chrysalis (may be used as an imprint, trade name of BMG Rights Management in the US/UK/SE), BMG Platinum Songs US, BMG Rights Management (UK) Ltd. (not for release label use! see annotation) und Sony/ATV (Australia)
Tame Impala4.353:36
7Bitter Sweet Symphony (remastered 2016)
recording engineer:
Chris Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
Produzent(in):
Andrew Loog Oldham, The Verve und Youth (producer/bassist Martin Glover)
zusätzliche(r) Produzent(in) und zusätzliche(r) Mix:
Chris Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
Sologesang:
Richard Ashcroft
Orchester:
The Andrew Oldham Orchestra
zusätzlich Saiteninstrumente arranger:
Wil Malone
Samples:
The Last Time von The Andrew Oldham Orchestra
Musikvideos:
Bitter Sweet Symphony von The Verve
Teil von:
Triple J’s Hottest 100: Twenty Years (2013) (Nummer: 5), NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 18), Indie 88: Top 500 Indie Rock Songs (Nummer: 22) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 382)
recording of:
Bitter Sweet Symphony
Texter und Komponist(in):
Richard Ashcroft
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”)
basiert auf:
The Last Time
The Verve4.35:57
8Thunder
Programmierung:
Alex da Kid (UK musician, record producer, songwriter, record executive & fashion designer)
Techniker(in):
Travis Ference
Produzent(in):
Alex da Kid (UK musician, record producer, songwriter, record executive & fashion designer) und Jayson DeZuzio
Mix:
Manny Marroquin
phonographisches Urheberrecht (℗) von:
Interscope Records (part of UMG Recordings, Inc.) (in 2017) und KIDinaKORNER (in 2017)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2018 (Nummer: 22), Grammy Award: Best Pop Duo/Group Performance nominees (Nummer: 2018) und Billboard Year-End Hot 100 singles of 2017 (Nummer: 51)
recording of:
Thunder
publisher:
Alexander Grant (UK musician, record producer, songwriter, record executive & fashion designer)
Verfasser(in):
A. Grant (UK musician, record producer, songwriter, record executive & fashion designer), Jayson Dezuzio, Ben McKee (American bassist, Imagine Dragons), Daniel Platzman, Dan Reynolds (American singer/songwriter, producer) und Wayne Sermon
publisher:
Have a Nice Jay, Imagine Dragons Publishing, KIDinaKORNER, Songs of Universal, Inc. (BMI), Universal (plain logo “Universal” used by Universal Music and Universal Pictures) und Universal, Inc.
Imagine Dragons3.43:07
9Don’t You Want Me
assistierende Programmierung:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) (in 1981)
Programmierung:
Martin Rushent (in 1981)
assistierende(r) Techniker(in):
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth)
Produzent(in):
The Human League und Martin Rushent
Synthesizer:
Ian Burden (in 1981), Jo Callis (in 1981) und Philip Oakey (in 1981)
Hintergrundgesang:
Joanne Catherall (in 1981) und Susan Ann Sulley (in 1981)
Sologesang:
Philip Oakey (in 1981) und Susan Ann Sulley (in 1981)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only)
aufgenommen bei:
Genetic Studios in West Berkshire, England, Vereinigtes Königreich (in 1981)
Musikvideos:
Don’t You Want Me von The Human League
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 1), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 79) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 82)
recording of:
Don’t You Want Me (Human League song) (in 1981)
Texter:
Philip Oakey
Komponist(in):
Jo Callis, Philip Oakey und Philip Adrian Wright (Human League)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Human League3.853:57
10Buddy Holly
assistierende(r) Techniker(in):
Hal Belknap, David Heglmeier und Daniel Smith (engineer)
Techniker(in):
Chris Shaw (US producer & engineer)
Produzent(in):
Ric Ocasek
Bassgitarre [bass]:
Matt Sharp (Weezer/The Rentals)
Gitarre:
Brian Bell (guitarist) und Rivers Cuomo (US singer, guitarist & songwriter of Weezer)
Schlagzeug:
Patrick Wilson (Weezer/The Special Goodness)
vocals:
Brian Bell (guitarist), Rivers Cuomo (US singer, guitarist & songwriter of Weezer) und Matt Sharp (Weezer/The Rentals)
Interpret(in):
Weezer (American rock band)
phonographisches Urheberrecht (℗) von:
Geffen Records, Inc. (company credits only; do NOT use as release label) (in 1994)
aufgenommen bei und mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten (von 1993-08 bis 1993-09)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 15), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 484) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 497)
recording of:
Buddy Holly (von 1993-08 bis 1993-09)
Texter, Verfasser(in) und Komponist(in):
Rivers Cuomo (US singer, guitarist & songwriter of Weezer)
uraufgeführt von:
Weezer (American rock band)
publisher:
E.O. Smith Music
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
Weezer4.22:39
11Kryptonite
recording engineer:
Matt Martone (recording engineer) und Paul Ebersold
Produzent(in):
Paul Ebersold
assistierende(r) Mix:
Mike Butler (engineer)
Mix:
Toby Wright (producer & engineer)
Editing:
Andrew Garver
Bassgitarre:
Todd Harrell
Gitarre:
Chris Henderson (member of 3 Doors Down) und Matt Roberts (guitarist for 3 Doors Down)
Schlagzeug und Sologesang:
Brad Arnold (vocalist for 3 Doors Down)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1999), Universal Motown Records (not for release label use; use “Universal Motown” instead) (in 1999), Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1999) und Universal Republic Records (2006–2012) (in 2012)
aufgenommen bei:
Ardent Studios in Memphis, Tennessee, Vereinigte Staaten
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
The Village Voice – The 50 Worst Songs of the ’00s (Nummer: 42) und BILLIONS CLUB
recording of:
Kryptonite
Texter:
Brad Arnold (vocalist for 3 Doors Down)
Komponist(in):
Brad Arnold (vocalist for 3 Doors Down), Todd Harrell und Matt Roberts (guitarist for 3 Doors Down)
publisher:
Escatawpa Songs, Universal/MCA Music Publishing GmbH und Universal/MCA Music Publishing Pty Ltd
3 Doors Down43:55
12Have You Ever Seen the Rain
recording engineer und Mix:
Russ Gary
Produzent(in):
John Fogerty
Bassgitarre:
Stu Cook
Gitarre:
John Fogerty und Tom Fogerty
Schlagzeug:
Doug Clifford
Sologesang:
John Fogerty
arranger:
John Fogerty
phonographisches Urheberrecht (℗) von:
Fantasy Records (not for release label use! file releases under its "Fantasy" imprint instead) (in 1976)
aufgenommen bei und mixed at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California (Kalifornien), Vereinigte Staaten
recording of:
Have You Ever Seen the Rain? (in 1971-11)
Texter und Komponist(in):
John Fogerty
publisher:
Burlington Music Co., Ltd., Jondora Music und Prestige Music Co. Ltd.
Creedence Clearwater Revival4.42:40
13Rock and Roll All Nite
assistierende(r) Techniker(in):
George Lopez (engineer)
Techniker(in):
Dave Wittman
Produzent(in):
Neil Bogart und KISS (US rock band)
E-Bass und Sologesang:
Gene Simmons (KISS bassist and vocalist)
E-Gitarre:
Ace Frehley (American rock guitarist) und Paul Stanley (KISS frontman)
Schlagzeug:
Peter Criss
Hintergrundgesang:
Mick Campise, Lydia Criss, Mike McGurl, Rick Munroe, Peter “Moose” Oreckinto und JR Smalling
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1975)
aufgenommen bei:
Larrabee Sound Studios (original location of Larrabee Sound Studios from 1969–1991) in West Hollywood, California (Kalifornien), Vereinigte Staaten (von 1975-01-24 bis 1975-01-25) und Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten (von 1975-02-06 bis 1975-02-25)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 16), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 404)
recording of:
Rock and Roll All Nite
Verfasser(in):
Gene Simmons (KISS bassist and vocalist) und Paul Stanley (KISS frontman)
publisher:
KISS Songs Inc. (beendet), Café Americana Inc., Hori Productions America Inc. und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
sub-publisher:
大洋音楽 (Taiyō Music)
geschrieben bei:
Continental Hyatt House in West Hollywood, California (Kalifornien), Vereinigte Staaten
KISS3.82:56
14Sweet Home Alabama
sonstige Unterstützung:
Ronnie Van Zant
Techniker(in) und Produzent(in):
Al Kooper
E-Bass:
Leon Wilkeson (in 1973-07)
E-Gitarre:
Allen Collins (in 1973-07), Ed King (US guitarist, bassist & songwriter) (in 1973-07) und Gary Rossington (in 1973-07)
Keyboard:
Billy Powell (in 1973-07)
Schlagzeug:
Bob Burns (Lynyrd Skynyrd drummer and songwriter) (in 1973-07)
Hintergrundgesang:
Merry Clayton (in 1973-07) und Clydie King (in 1973-07)
Sologesang:
Ronnie Van Zant (in 1973-07)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1974), MCA Records (1967–2003; name as in imprint during 1972–1990) (in 1974), MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1974), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1974), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1974), Universal Music (plain logo: “Universal Music”) (in 1974), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
produced for:
Sounds of the South Productions
aufgenommen bei:
Studio One (Doraville, GA) in Doraville, Georgia, Vereinigte Staaten (in 1973-07)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 398)
recording of:
Sweet Home Alabama (in 1973-07)
sonstige Unterstützung:
Ronnie Van Zant
Verfasser(in):
Ed King (US guitarist, bassist & songwriter), Gary Rossington und Ronnie Van Zant
publisher:
Hustler Inc., Leeds Music Corp., MCA Music Ltd., Songs of Universal, Inc. (BMI), Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH und Universal/MCA Music Publishing Pty Ltd
Lynyrd Skynyrd4.14:45
15Summer of ’69
assistierende(r) Techniker(in):
Mike Fraser (Canadian record producer, engineer and mixer), Bruce Lampcov und Michael Sauvage
Techniker(in):
Bob Clearmountain (von 1984-03-27 bis 1984-09-22)
Partner-Produzent(in):
Jim Vallance
Produzent(in):
Bryan Adams (Canadian singer/songwriter) und Bob Clearmountain
Mix:
Bob Clearmountain (am 1984-09-22)
E-Bass [bass]:
Dave (Bass player (Bryan Adams) and engineer) (von 1984-03-27 bis 1984-09-22)
Gitarre [lead guitar]:
Keith (Canadian guitarist) (von 1984-03-27 bis 1984-09-22)
Gitarre [rhythm guitar] und Hintergrundgesang [harmony vocal]:
BA (Canadian singer/songwriter) (von 1984-03-27 bis 1984-09-22)
Perkussion:
Jim (von 1984-03-27 bis 1984-09-22)
Schlagzeug [drums]:
Pat (von 1984-03-27 bis 1984-09-22)
Sologesang:
Bryan Adams (Canadian singer/songwriter) (von 1984-03-27 bis 1984-09-22)
phonographisches Urheberrecht (℗) von:
A&M Records (in 1984), A&M Records, Inc. (in 1984, in 1999) und Badman Ltd. (Bryan Adams’ own publishing company, for copyrights use) (in 1999)
aufgenommen bei:
Little Mountain Sound in Vancouver, British Columbia, Kanada (von 1984-03-27 bis 1984-09-22)
mixed at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (am 1984-09-22)
Teil von:
SWR1 Hitparade 2004 der Frauen (Baden-Württemberg) (Nummer: 1), SWR1 Hitparade 2005 der Badener (Baden-Württemberg) (Nummer: 3), SWR1 Hitparade 2005 der Württemberger (Baden-Württemberg) (Nummer: 3), SWR1 Hitparade 2007 (Baden-Württemberg) (Nummer: 5), SWR1 Hitparade 2008 (Baden-Württemberg) (Nummer: 8), Huffington Post: 100 Best Canadian Songs Ever (Nummer: 9), SWR1 Hitparade 2009 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2004 der Männer (Baden-Württemberg) (Nummer: 10) und The Downloader’s Music Source Book (Nummer: 179)
recording of:
Summer of ’69 (von 1984-03-27 bis 1984-09-22)
geschrieben in:
Vancouver, British Columbia, Kanada (am 1984-01-25)
Verfasser(in):
Bryan Adams (Canadian singer/songwriter) (am 1984-01-25) und Jim Vallance (am 1984-01-25)
publisher:
Adams Communications Inc. (in 1984), Almo Music Corp. (USA, affiliated with ASCAP) (in 1984), Calypso Toonz (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984) und Testatyme Music (in 1984)
Bryan Adams4.43:37
16All the Small Things
recording engineer:
Sean O’Dwyer (US producer & engineer)
assistierende(r) Techniker(in):
Darrell Harvey (engineer), John Nelson (engineer) und Robert Read (engineer)
Produzent(in):
Jerry Finn
Mix:
Tom Lord‐Alge
Bassgitarre und Hintergrundgesang:
Mark “Fish Guts” Hoppus
Gitarre und Sologesang:
Tom “Hot Pants” DeLonge
Keyboard:
Roger Joseph Manning Jr. (American keyboardist and singer/songwriter)
Schlagzeug:
Travis “Fuck Boy” Barker (American producer and drummer of blink-182)
arranger:
blink‐182
Schlagzeug-Techniker:
Mike Fasano (drummer, drum tech)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1999), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1999), MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2000), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
mixed at:
South Beach Studios in Miami Beach, Florida, Vereinigte Staaten
Musikvideos:
All the Small Things (music video) von blink‐182
Teil von:
BILLIONS CLUB, Indie 88: Top 500 Indie Rock Songs (Nummer: 59) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 365)
recording of:
All the Small Things
Verfasser(in):
Tom DeLonge und Mark Hoppus
publisher:
Fun With Goats (beendet), Beat Poet Music, EMI April Music Inc., HMNIM Music, Jolly Old Saint Dick und Kobalt Songs Music Publishing (USA, ASCAP affiliated)
blink‐1824.22:51
17Centuries
Techniker(in):
Samuel Kalandjian und Jake Sinclair
zusätzliche(r) Techniker(in):
Fall Out Boy (pop punk band)
Koproduzent(in):
Omega (producer)
Produzent(in):
JR Rotem
zusätzliche(r) Produzent(in):
Fall Out Boy (pop punk band) und Jake Sinclair
assistierende(r) Mix:
Geoff Swan
Mix:
Mark “Spike” Stent (producer, engineer)
zusätzlich vocals:
LOLO (Lauren Pritchard)
phonographisches Urheberrecht (℗) von:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2014, in 2015), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
mixed at:
The Mixsuite UK in London (Greater London), England, Vereinigtes Königreich
engineered at:
Beluga Heights Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten und Infrasonic Studios
Samples:
Tom’s Diner von Suzanne Vega (American singer-songwriter)
Teil von:
Billboard Year-End Hot 100 singles of 2015 (Nummer: 43)
recording of:
Centuries
Verfasser(in):
Fall Out Boy (pop punk band), Jonathan Rotem, Raja Kumari, Michael J. Fonseca, Justin Tranter (singer and songwriter) und Suzanne Vega (American singer-songwriter)
publisher:
Chicago X Softcore Songs, Ganges Flow Music, Jonathan Rotem Music, Justin’s School for Girls, Music of Radar, Sony ATV Music Publishing, LLC (1995–2020), Sony/ATV Songs LLC, The Great O Music, These Are Songs of Pulse (ASCAP), Waifersongs Ltd., Warner–Tamerlane Publishing (publisher; do NOT use as release label) und WB Music Corp. (1929–2019)
quotes music from:
Tom’s Diner
Fall Out Boy3.23:49
18The Kill (Bury Me)
recording engineer und Mix:
Ryan Williams (US recording engineer/producer)
zusätzliche(r) Techniker(in):
Brian Virtue
Produzent(in):
Josh Abraham, THIRTYSECONDSTOMARS und Brian Virtue
assistierende(r) Mix:
Brandon Belsky
Klavier:
Matt Serletic
Interpret(in):
Jared Leto, Matt Wachter, Shannon Leto und Tomo Milicevic
phonographisches Urheberrecht (℗) von:
Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 2005) und Virgin Records (holding company for Virgin) (in 2016)
mixed at:
Pulse Recording in Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
The Kill (music video) von Thirty Seconds to Mars
recording of:
The Kill
Texter und Komponist(in):
Jared Leto
publisher:
Apocraphex Music
Thirty Seconds to Mars4.353:52
19Everybody Talks
Produzent(in):
Justin Meldal‐Johnsen
Mix:
Billy Bush (mixing engineer)
mixed at:
Red Razor Sounds in Atwater Village, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2012 (Nummer: 22)
recording of:
Everybody Talks
Verfasser(in):
Tyler Glenn (member of Neon Trees) und Tim Pagnotta
publisher:
CYP One Publishing (in 2012), DLJ Songs (in 2012) und Downtown DMP Songs (in 2012)
Neon Trees4.152:57
20On Top of the World
recording engineer:
Charlie Stavish (American producer and engineer)
zusätzliche(r) Techniker(in):
Josh Mosser
Produzent(in):
Alex da Kid (UK musician, record producer, songwriter, record executive & fashion designer) und Imagine Dragons (American pop rock band)
Mix:
Manny Marroquin
E-Bass:
Ben McKee (American bassist, Imagine Dragons)
Gitarre:
Wayne Sermon
Schlagzeug:
Daniel Platzman
zusätzlich Gitarre:
J. Browz (for Veers Music)
Hintergrundgesang:
Ben McKee (American bassist, Imagine Dragons) und Wayne Sermon
Sologesang:
Dan Reynolds (American singer/songwriter, producer)
aufgenommen bei:
Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California (Kalifornien), Vereinigte Staaten
mixed at:
Larrabee Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
On Top of the World
Verfasser(in):
Alex da Kid (UK musician, record producer, songwriter, record executive & fashion designer), Ben McKee (American bassist, Imagine Dragons), Dan Reynolds (American singer/songwriter, producer) und Wayne Sermon
Imagine Dragons3.93:13
21Don’t You (Forget About Me)
Produzent(in):
Keith Forsey (drummer, producer and songwriter)
Mix:
Jez Coad
Interpret(in):
Simple Minds (Scottish rock band) (am 1984-07-10)
phonographisches Urheberrecht (℗) von:
Simple Minds Ltd, Virgin Records Ltd. (not for release label use! for company relationships only) (in 2001), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 25) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 340)
recording of:
Don’t You (Forget About Me) (am 1984-07-10)
Verfasser(in):
Keith Forsey (drummer, producer and songwriter) und Steve Schiff
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd. und Universal Music (plain logo: “Universal Music”)
Simple Minds4.254:21
22American Pie
Techniker(in):
Tom Flye
Produzent(in):
Ed Freeman (producer, arranger, musician, and photographer)
E-Gitarre:
David Spinozza (von 1971-05 bis 1971-06)
Klavier:
Paul Griffin (American pianist, session musician) (von 1971-05 bis 1971-06)
vocals:
Don McLean (von 1971-05 bis 1971-06)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1971, in 2000)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1971-05 bis 1971-06)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 131)
recording of:
American Pie (von 1971-05 bis 1971-06)
Texter und Komponist(in):
Don McLean
publisher:
Benny Bird Co. Inc. (BMI-affiliated), Illegal Songs Inc., Mayday Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA Publishing Ltd., Songs of Universal, Inc. (BMI), Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Ltd. (Hong Kong), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation), Universal/MCA Music Publishing Pty Ltd und Yahweh Tunes, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Don McLean4.158:33
23The Boys of Summer
Techniker(in) und Mix:
Niko Bolas und Greg Ladanyi
Produzent(in):
Mike Campbell (Tom Petty and the Heartbreakers guitarist), Don Henley, Danny Kortchmar (Danny Kootch) und Greg Ladanyi
E-Bass [bass]:
Larry Klein
Gitarre [guitars], Perkussion und Synthesizer:
Mike Campbell (Tom Petty and the Heartbreakers guitarist)
Gitarrensynthesizer [synthesizer guitar]:
Danny Kortchmar (Danny Kootch)
Synthesizer:
Steve Porcaro
Sologesang:
Don Henley
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 164), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 209) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 416)
recording of:
The Boys of Summer
Texter und Komponist(in):
Mike Campbell (Tom Petty and the Heartbreakers guitarist) und Don Henley
publisher:
Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Wild Gator Music (publishing company for Mike Campbell of Tom Petty and the Heartbreakers) und Woody Creek Music
Don Henley3.94:48
24Somebody Told Me
recording engineer:
Jeff Saltzman (music attorney and record producer)
Produzent(in):
Jeff Saltzman (music attorney and record producer) und The Killers (American rock band)
Mix:
Alan Moulder (producer and engineer)
phonographisches Urheberrecht (℗) von:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2017)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 42)
recording of:
Somebody Told Me
Verfasser(in):
Brandon Flowers, Dave Keuning, Ronnie Vannucci und Mark Stoermer
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
The Killers3.853:21
25Free Fallin’
Techniker(in):
Bill Bottrell, Mike Campbell (Tom Petty and the Heartbreakers guitarist) und Don Smith (producer, engineer and mixer)
Produzent(in):
Mike Campbell (Tom Petty and the Heartbreakers guitarist), Jeff Lynne und Tom Petty
Akustikgitarre, E-Gitarre, Tamburin, zwölfsaitige Gitarre und Sologesang:
Tom Petty (von 1988 bis 1989)
Bass, Gitarre und Keyboard:
Jeff Lynne (von 1988 bis 1989)
Gitarre und Keyboard:
Mike Campbell (Tom Petty and the Heartbreakers guitarist) (von 1988 bis 1989) und Tom Petty (von 1988 bis 1989)
Mandoline und Slide-Gitarre:
Mike Campbell (Tom Petty and the Heartbreakers guitarist) (von 1988 bis 1989)
Perkussion und Schlagzeug:
Phil Jones (Percussionist) (von 1988 bis 1989)
Hintergrundgesang:
Jeff Lynne (von 1988 bis 1989) und Tom Petty (von 1988 bis 1989)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1989)
aufgenommen bei:
M.C. Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1988 bis 1989) und Rumbo Recorders in Canoga Park, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1988 bis 1989)
Teil von:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 27), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 120), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 177) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 219)
recording of:
Free Fallin’ (von 1988 bis 1989)
Verfasser(in):
Jeff Lynne und Tom Petty
publisher:
EMI April Music Inc. und Gone Gator Music (ASCAP affiliated)
Tom Petty3.94:16
26Don’t Speak
recording engineer:
Phil Kaffel
Produzent(in):
Matthew Wilder
Mix:
Holman und Paul Palmer (engineer)
Bassgitarre:
Tony Kanal
Cello:
Melissa Hasin
Gitarre:
Tom Dumont
Keyboard und Klavier:
Eric Stefani
Perkussion und Schlagzeug [drums]:
Adrian Young (drummer for No Doubt)
Sologesang:
Gwen Stefani
phonographisches Urheberrecht (℗) von:
Interscope Records (part of UMG Recordings, Inc.) (in 1995) und Interscope Records, Inc. (not for release label use!) (in 1996)
aufgenommen bei:
York Street Studios in Auckland, Auckland (Region Auckland), North Island, Neuseeland
mixed at:
Cactus Studios in California (Kalifornien), Vereinigte Staaten
recording of:
Don’t Speak
Verfasser(in):
Eric Stefani und Gwen Stefani
publisher:
Knock Yourself Out Music und Universal‐MCA Music Publishing (US)
No Doubt4.154:23
27What’s My Age Again?
recording engineer und Techniker(in):
Sean O’Dwyer (US producer & engineer)
assistierende(r) Techniker(in):
Darrell Harvey (engineer), John Nelson (engineer) und Robert Read (engineer)
Produzent(in):
Jerry Finn
Mix:
Tom Lord‐Alge
Bassgitarre und Sologesang:
Mark “Fish Guts” Hoppus
Gitarre und Hintergrundgesang:
Tom “Hot Pants” DeLonge
Keyboard:
Roger Joseph Manning Jr. (American keyboardist and singer/songwriter)
Schlagzeug:
Travis “Fuck Boy” Barker (American producer and drummer of blink-182)
arranger:
blink‐182
Schlagzeug-Techniker:
Mike Fasano (drummer, drum tech)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1999)
mixed at:
South Beach Studios in Miami Beach, Florida, Vereinigte Staaten
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 84)
recording of:
What’s My Age Again?
Verfasser(in):
Tom DeLonge und Mark Hoppus
publisher:
Fun With Goats (beendet), Beat Poet Music, EMI April Music Inc., HMNIM Music und Jolly Old Saint Dick
blink‐1824.152:28
28Start Me Up (remastered 2009)
Produzent(in):
The Glimmer Twins (production name for Mick Jagger & Keith Richards)
Bass:
Bill Wyman
Schlagzeug:
Charlie Watts (drummer in The Rolling Stones)
Hintergrundgesang:
Keith Richards (Rolling Stones guitarist) und Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
Sologesang:
Mick Jagger (The Rolling Stones)
phonographisches Urheberrecht (℗) von:
Promotone B.V. (not for release label use!) (in 1981, in 1993, in 2012)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 94)
recording of:
Start Me Up
Verfasser(in):
Mick Jagger (The Rolling Stones) und Keith Richards (Rolling Stones guitarist)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
The Rolling Stones4.23:33
29It’s Time
recording engineer:
Mark Everton Gray (engineer)
zusätzliche(r) Techniker(in):
Rob Katz und Josh Mosser
Produzent(in):
Brandon Darner und Imagine Dragons (American pop rock band)
assistierende(r) Mix:
Will Brierre
Mix:
Mark Needham
aufgenommen bei:
Studio at the Palms in Paradise, Nevada, Vereinigte Staaten
mixed at:
The Ballroom (Mark Needham's private studio) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2013 (Nummer: 47), Billboard Year-End Hot 100 singles of 2012 (Nummer: 91) und Indie 88: Top 500 Indie Rock Songs (Nummer: 355)
recording of:
It’s Time
Verfasser(in):
Ben McKee (American bassist, Imagine Dragons), Dan Reynolds (American singer/songwriter, producer) und Wayne Sermon
Imagine Dragons3.94:00
30The Boys Are Back in Town
Assistent recording engineer:
Neil Hornby
Techniker(in):
Will Reid-Dick
Produzent(in):
John Alcock (producer)
Akustikgitarre und Bassgitarre und Sologesang:
Phil Lynott
Gitarre:
Scott Gorham (Thin Lizzy guitarist) und Brian Robertson (Thin Lizzy & Motörhead)
Schlagzeug:
Brian Downey (Thin Lizzy drummer)
vocals:
Brian Robertson (Thin Lizzy & Motörhead)
phonographisches Urheberrecht (℗) von:
Mercury Records Limited (not for release label use!) (in 1976), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 272) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 499)
recording of:
The Boys Are Back in Town
Texter und Komponist(in):
Phil Lynott
publisher:
Pippin the Friendly Ranger Music Co. Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und PolyGram Music Publishing (in 1989)
Thin Lizzy4.14:23

Nennungen

Veröffentlichung

urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2022)
kostenlos streamen:https://open.spotify.com/album/6RgWJLkN3kqv68D2Xq8Tk1 [Info] (beendet)