The Complete Works

~ Veröffentlichung von Giuseppe Verdi (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

The 2016 75-CD reissue of the 2013 edition. Decca only has the 2013 edition listed on their site.

Anmerkung zuletzt geändert am 2018-04-22 16:58 UTC.

Titelliste

1▶CD: Oberto (Atto I) (Marriner, 1966)
2▶CD: Oberto (Atto II, Appendix) (Marriner, 1966)
3▶CD: Un giorno di regno (Atto I) (Gardelli, 1973)
4▶CD: Un giorno di regno (Atto II) (Gardelli, 1973)
5▶CD: Nabucco (Parte I, Parte II beginning) (Gardelli, 1965)
6▶CD: Nabucco (Parte II conclusion, Parte III, Parte IV) (Gardelli, 1965)
7▶CD: I Lombardi (Atto I, Atto II) (Levine, 1996)
8▶CD: I Lombardi (Atto III, Atto IV) (Levine, 1996)
9▶CD: Ernani (Parte I, Parte II beginning) (Bonynge, 1987)
10▶CD: Ernani (Parte II conclusion, Parte III, Parte IV) (Bonynge, 1987)
11▶CD: I due Foscari (Atto I) (Gardelli, 1976)
12▶CD: I due Foscari (Atto II, Atto III) (Gardelli, 1976)
13▶CD: Giovanna d’Arco (Prologo, Atto I) (Carignani, 2013)
14▶CD: Giovanna d’Arco (Atto II, Atto III) (Carignani, 2013)
15▶CD: Alzira (Prologo, Atto I) (Luisi, 1999)
16▶CD: Alzira (Atto II) (Luisi, 1999)
17▶CD: Attila (Prologo, Atto I beginning) (Gardelli, 1972)
18▼CD: Attila (Atto I conclusion, Atto II, Atto III) (Gardelli, 1972)
Nr.TitelBewertungLänge
1Attila: Atto I. “Uldino! Uldin!” (Uldino)
Bass-Gesang [Attila]:
Ruggero Raimondi (bass-baritone) (in 1972)
Tenor-Gesang [Uldino]:
Ricardo Cassinelli (Argentine operatic tenor) (in 1972)
Orchester:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto I. N°8 Scena ed aria “Uldino! Uldin! … Mio Re” (Attila, Uldino) (in 1972)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave und Temistocle Solera
Teil von:
Attila: Atto I
1:45
2Attila: Atto I. “Mentre gonfiarsi l'anima” (Attila, Uldino)
Bass-Gesang [Attila]:
Ruggero Raimondi (bass-baritone) (in 1972)
Orchester:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto I. N°8 Scena ed aria “Mentre gonfiarsi l'anima” (Attila) (in 1972)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave und Temistocle Solera
Teil von:
Attila: Atto I
3:35
3Attila: Atto I. “Oltre a quel limite t'attendo, o spettro!” (Attila)
Bass-Gesang [Attila]:
Ruggero Raimondi (bass-baritone) (in 1972)
Orchester:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto I. N°8 “Oltre a quel limite t'attendo” (Attila) (in 1972)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave und Temistocle Solera
Teil von:
Attila: Atto I
2:18
4Attila: Atto I. “Parla, imponi … Vieni. Le menti visita” (Druidi, duci e re, Attila, Leone, vergini e fanciulli di Roma)
Bass-Gesang [Attila]:
Ruggero Raimondi (bass-baritone) (in 1972)
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
Orchester:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto I. N°9 Finale I “Parla, imponi ” – “Vieni. Le menti visita” (coro, Attila) (in 1972)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave und Temistocle Solera
Teil von:
Attila: Atto I
3:40
5Attila: Atto I. “(No! … non è sogno ch'or l'alma invade! …)” (Attila, Odabella, Foresto, Uldino, Leone, vergini, druidi, duci e re)
Bass-Gesang [Attila]:
Ruggero Raimondi (bass-baritone) (in 1972)
Bass-Gesang [Leone]:
Jules Bastin (Belgian 20th century operatic bass) (in 1972)
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
Soprangesang [Odabella]:
Cristina Deutekom (soprano) (in 1972)
Tenor-Gesang [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
Tenor-Gesang [Uldino]:
Ricardo Cassinelli (Argentine operatic tenor) (in 1972)
Orchester:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto I. N°9 Finale I. “No! … non é sogno” … “Spirti, fermate (Attila, Odabella, Leone, Foresto, Uldino, coro) (in 1972)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave und Temistocle Solera
Teil von:
Attila: Atto I
5:00
6Attila: Atto II. “Tregua è cogl'Unni …” (Ezio)
Baritongesang [Ezio]:
Sherrill Milnes (baritone) (in 1972)
Orchester:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto II. N°10 “Tregua è cogl'Unni … ” (Ezio) (in 1972)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave und Temistocle Solera
Teil von:
Attila: Atto II
1:55
7Attila: Atto II. “Dagli immortali vertici” (Ezio)
Baritongesang [Ezio]:
Sherrill Milnes (baritone) (in 1972)
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
Tenor-Gesang [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
Orchester:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
teilweise recording of:
Attila: Atto II. N°10 “Dagl'immortali vertici” … “Chi vien?” (Ezio, Foresto, coro) (in 1972)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave und Temistocle Solera
Teil von:
Attila: Atto II
2:23
8Attila: Atto II. “Chi vien? - Salute ad Ezio” (Ezio, schiavi d'Attila, soldati romani, Foresto)
Baritongesang [Ezio]:
Sherrill Milnes (baritone) (in 1972)
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
Tenor-Gesang [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
Orchester:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto II. N°10 “Dagl'immortali vertici” … “Chi vien?” (Ezio, Foresto, coro) (in 1972)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave und Temistocle Solera
Teil von:
Attila: Atto II
teilweise recording of:
Attila: Atto II. N°10 “Dagl'immortali vertici” … “Chi vien?” (Ezio, Foresto, coro)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave und Temistocle Solera
Teil von:
Attila: Atto II
1:38
9Attila: Atto II. “È gettata la mia sorte” (Ezio)
Baritongesang [Ezio]:
Sherrill Milnes (baritone) (in 1972)
Orchester:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto II. N°10 “È gettata la mia sorte” (Ezio) (in 1972)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave und Temistocle Solera
Teil von:
Attila: Atto II
2:32
10Attila: Atto II. “Del ciel l'immensa vôlta” (Unni, ostrogoti, eruli, ecc., Druidi, sacerdotesse, duci e re)
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
Orchester:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto II. N°11 Finale II. “Del ciel l'immensa volta” (Coro) (in 1972)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave und Temistocle Solera
Teil von:
Attila: Atto II
1:31
11Attila: Atto II. “Ezio, ben vieni!” (Attila, Ezio, Druidi)
Baritongesang [Ezio]:
Sherrill Milnes (baritone) (in 1972)
Bass-Gesang [Attila]:
Ruggero Raimondi (bass-baritone) (in 1972)
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
Orchester:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto II. N°11 “Ezio, ben vieni!” (Attila, Ezio, Druidi) (in 1972)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave und Temistocle Solera
Teil von:
Attila: Atto II
2:17
12Attila: Atto II. “Chi dona luce al cor?” (Sacerdotesse)
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
Orchester:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto II. N°11 “Chi dona luce al cor?” (Sacerdotesse) (in 1972)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave und Temistocle Solera
Teil von:
Attila: Atto II
1:48
13Attila: Atto II. “Ah! - Lo spirto de' monti ne rugge alle fronti"”(Ezio, Foresto, Odabella)
Baritongesang [Ezio]:
Sherrill Milnes (baritone) (in 1972)
Bass-Gesang [Attila]:
Ruggero Raimondi (bass-baritone) (in 1972)
Bass-Gesang [Leone]:
Jules Bastin (Belgian 20th century operatic bass) (in 1972)
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
Soprangesang [Odabella]:
Cristina Deutekom (soprano) (in 1972)
Tenor-Gesang [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
Tenor-Gesang [Uldino]:
Ricardo Cassinelli (Argentine operatic tenor) (in 1972)
Orchester:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
teilweise recording of:
Attila: Atto II. N°11 “Lo spirto de'monti … L'orrenda procella” (tutti) (in 1972)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave und Temistocle Solera
Teil von:
Attila: Atto II
2:15
14Attila: Atto II. “L'orrenda procella qual lampo, spari” (Odabella, Foresto, Uldino, Ezio)
Baritongesang [Ezio]:
Sherrill Milnes (baritone) (in 1972)
Bass-Gesang [Attila]:
Ruggero Raimondi (bass-baritone) (in 1972)
Bass-Gesang [Leone]:
Jules Bastin (Belgian 20th century operatic bass) (in 1972)
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
Soprangesang [Odabella]:
Cristina Deutekom (soprano) (in 1972)
Tenor-Gesang [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
Tenor-Gesang [Uldino]:
Ricardo Cassinelli (Argentine operatic tenor) (in 1972)
Orchester:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
teilweise recording of:
Attila: Atto II. N°11 “Lo spirto de'monti … L'orrenda procella” (tutti) (in 1972)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave und Temistocle Solera
Teil von:
Attila: Atto II
1:08
15Attila: Atto II. “Si riaccendan le quercie” (Attila, Foresto, Odabella, sacerdotesse, Unni, Ostrogoti, Eruli, ecc., duci e re)
Baritongesang [Ezio]:
Sherrill Milnes (baritone) (in 1972)
Bass-Gesang [Attila]:
Ruggero Raimondi (bass-baritone) (in 1972)
Bass-Gesang [Leone]:
Jules Bastin (Belgian 20th century operatic bass) (in 1972)
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
Soprangesang [Odabella]:
Cristina Deutekom (soprano) (in 1972)
Tenor-Gesang [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
Tenor-Gesang [Uldino]:
Ricardo Cassinelli (Argentine operatic tenor) (in 1972)
Orchester:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto II. N°11 “Si riaccendan le quercie” (tutti) (in 1972)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave und Temistocle Solera
Teil von:
Attila: Atto II
2:17
16Attila: Atto II. “Oh, miei prodi!” (Attila, Odabella, Foresto, Ezio, Uldino, sacerdotesse, Unni, Ostrogoti, Eruli, ecc., duci e re)
Baritongesang [Ezio]:
Sherrill Milnes (baritone) (in 1972)
Bass-Gesang [Attila]:
Ruggero Raimondi (bass-baritone) (in 1972)
Bass-Gesang [Leone]:
Jules Bastin (Belgian 20th century operatic bass) (in 1972)
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
Soprangesang [Odabella]:
Cristina Deutekom (soprano) (in 1972)
Tenor-Gesang [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
Tenor-Gesang [Uldino]:
Ricardo Cassinelli (Argentine operatic tenor) (in 1972)
Orchester:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto II. N°11 “Oh, miei prodi!” (tutti) (in 1972)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave und Temistocle Solera
Teil von:
Attila: Atto II
3:07
17Attila: Atto III. “Qui del convegno è il loco” (Foresto, Uldino)
Tenor-Gesang [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
Tenor-Gesang [Uldino]:
Ricardo Cassinelli (Argentine operatic tenor) (in 1972)
Orchester:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto III. N°12 Scena e romanza “Qui del convengo è il loco” (Foresto, Uldino) (in 1972)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave und Temistocle Solera
Teil von:
Attila: Atto III
2:47
18Attila: Atto III. “Che non avrebbe il misero” (Foresto)
Tenor-Gesang [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
Orchester:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto III. N°12 “Che non avrebbe il misero” (Foresto) (in 1972)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave und Temistocle Solera
Teil von:
Attila: Atto III
2:37
19Attila: Atto III. “Che più s'indugia” (Ezio, Foresto, Unni, Ostrogoti, Eruli, ecc.)
Baritongesang [Ezio]:
Sherrill Milnes (baritone) (in 1972)
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
Soprangesang [Odabella]:
Cristina Deutekom (soprano) (in 1972)
Tenor-Gesang [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
Orchester:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto III. N°13 Terzetto “Che più s'indugia” (Ezio, Foresto, Odabella, coro) (in 1972)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave und Temistocle Solera
Teil von:
Attila: Atto III
1:46
20Attila: Atto III. “Cessa, deh, cessa” (Odabella, Foresto, Ezio)
Baritongesang [Ezio]:
Sherrill Milnes (baritone) (in 1972)
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
Soprangesang [Odabella]:
Cristina Deutekom (soprano) (in 1972)
Tenor-Gesang [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
Orchester:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto III. N°13 “Tutti d'Averno i demoni” … “Cessa, deh, cessa” (Ezio, Foresto, Odabella, coro) (in 1972)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave und Temistocle Solera
Teil von:
Attila: Atto III
0:59
21Attila: Atto III. “Te sol, te sol quest'anima ama” (Odabella, Foresto, Ezio)
Baritongesang [Ezio]:
Sherrill Milnes (baritone) (in 1972)
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
Soprangesang [Odabella]:
Cristina Deutekom (soprano) (in 1972)
Tenor-Gesang [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
Orchester:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto III. N°13 “Te sol, te sol quest'anima” (Ezio, Foresto, Odabella, coro) (in 1972)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave und Temistocle Solera
Teil von:
Attila: Atto III
3:02
22Attila: Atto III. “Non involarti, seguimi” (Attila)
Baritongesang [Ezio]:
Sherrill Milnes (baritone) (in 1972)
Bass-Gesang [Attila]:
Ruggero Raimondi (bass-baritone) (in 1972)
Soprangesang [Odabella]:
Cristina Deutekom (soprano) (in 1972)
Tenor-Gesang [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
Orchester:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
teilweise recording of:
Attila: Atto III. N°14 Quartetto finale “Non involarti, seguimi” … “Scellerati … Nella tenda” (Attila, Odabella, Ezio, Foresto) (in 1972)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave und Temistocle Solera
Teil von:
Attila: Atto III
0:44
23Attila: Atto III. “Tu, rea donna” (Attila)
Baritongesang [Ezio]:
Sherrill Milnes (baritone) (in 1972)
Bass-Gesang [Attila]:
Ruggero Raimondi (bass-baritone) (in 1972)
Soprangesang [Odabella]:
Cristina Deutekom (soprano) (in 1972)
Tenor-Gesang [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
Orchester:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
teilweise recording of:
Attila: Atto III. N°14 Quartetto finale “Non involarti, seguimi” … “Scellerati … Nella tenda” (Attila, Odabella, Ezio, Foresto) (in 1972)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave und Temistocle Solera
Teil von:
Attila: Atto III
0:56
24Attila: Atto III. “Nella tenda” (Odabella, Foresto, Ezio, Attila, guerrieri romani)
Baritongesang [Ezio]:
Sherrill Milnes (baritone) (in 1972)
Bass-Gesang [Attila]:
Ruggero Raimondi (bass-baritone) (in 1972)
Soprangesang [Odabella]:
Cristina Deutekom (soprano) (in 1972)
Tenor-Gesang [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
Orchester:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
teilweise recording of:
Attila: Atto III. N°14 Quartetto finale “Non involarti, seguimi” … “Scellerati … Nella tenda” (Attila, Odabella, Ezio, Foresto) (in 1972)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave und Temistocle Solera
Teil von:
Attila: Atto III
3:09
19▶CD: Macbeth (Atto I, Atto II) (Abbado, 1976)
20▶CD: Macbeth (Atto III, Atto IV) (Abbado, 1976)
21▶CD: I masnadieri (Atto I, Atto II) (Bonynge, 1982)
22▶CD: I masnadieri (Atto III, Atto IV) (Bonynge, 1982)
23▶CD: Jérusalem (Acte I) (Luisi, 1998)
24▶CD: Jérusalem (Acte II) (Luisi, 1998)
25▶CD: Jérusalem (Acte III, Acte IV) (Luisi, 1998)
26▶CD: Il corsaro (Atto I, Atto II) (Gardelli, 1975)
27▶CD: Il corsaro (Atto III) (Gardelli, 1975)
28▶CD: La battaglia di Legnano (Atto I, Atto II) (Gardelli, 1977)
29▶CD: La battaglia di Legnano (Atto III, Atto IV) (Gardelli, 1977)
30▶CD: Luisa Miller (Atto I, Atto II beginning) (Maag, 1975)
31▶CD: Luisa Miller (Atto II conclusion, Atto III) (Maag, 1975)
32▶CD: Stiffelio (Atto I) (Gardelli, 1979)
33▶CD: Stiffelio (Atto II, Atto III) (Gardelli, 1979)
34▶CD: Rigoletto (Atto I) (Giulini, 1979)
35▶CD: Rigoletto (Atto II, Atto III) (Giulini, 1979)
36▶CD: Il trovatore (Parte I, Parte II) (Giulini, 1984)
37▶CD: Il trovatore (Parte III, Parte IV) (Giulini, 1984)
38▶CD: La traviata (Atto I, Atto II beginning) (Kleiber, 1976)
39▶CD: La traviata (Atto II conclusion, Atto III) (Kleiber, 1976
40▶CD: I vespri siciliani (Atto I, Atto II) (Muti, 1989 & 1990)
41▶CD: I vespri siciliani (Atto III) (Muti, 1989 & 1990)
42▶CD: I vespri siciliani (Atto IV, Atto V) (Muti, 1989 & 1990)
43▶CD: Simon Boccanegra (Prologo, Atto I) (Abbado, 1977)
44▶CD: Simon Boccanegra (Atto II, Atto III) (Abbado, 1977)
45▶CD: Aroldo (Atto I, Atto II) (Luisi, 1997)
46▶CD: Aroldo (Atto III, Atto IV) (Luisi, 1997)
47▶CD: Un ballo in maschera (Atto I, Atto II beginning) (Solti, 1982 & 1983)
48▶CD: Un ballo in maschera (Atto II conclusion, Atto III) (Solti, 1982 & 1983)
49▶CD: La forza del destino (1862 St. Petersburg version) (Atto I, Atto II) (Gergiev, 1995)
50▶CD: La forza del destino (1862 St. Petersburg version) (Atto III) (Gergiev, 1995)
51▶CD: La forza del destino (1862 St. Petersburg version) (Atto IV) (Gergiev, 1995)
52▶CD: La forza del destino (1869 Milan version) (Atto I, Atto II beginning) (Sinopoli, 1985)
53▶CD: La forza del destino (1869 Milan version) (Atto II conclusion, Atto III beginning) (Sinopoli, 1985)
54▶CD: La forza del destino (1869 Milan version) (Atto III conclusion, Atto IV) (Sinopoli, 1985)
55▶CD: Don Carlos (Acte I, Acte II beginning) (Abbado, 1983 & 1984)
56▶CD: Don Carlos (Acte II conclusion, Acte III) (Abbado, 1983 & 1984)
57▶CD: Don Carlos (Acte IV) (Abbado, 1983 & 1984)
58▶CD: Don Carlos (Acte V, Appendix) (Abbado, 1983 & 1984)
59▶CD: Don Carlo (Atto I, Atto II beginning) (Solti, 1965)
60▶CD: Don Carlo (Atto II conclusion, Atto III) (Solti, 1965)
61▶CD: Don Carlo (Atto IV, Atto V) (Solti, 1965)
62▶CD: Aida (Atto I, Atto II beginning) (Karajan, 1959)
63▶CD: Aida (Atto II conclusion, Atto III, Atto IV) (Karajan, 1959)
64▶CD: Otello (Atto I, Atto II) (Chung, 1993)
65▶CD: Otello (Atto III, Atto IV) (Chung, 1993)
66▶CD: Falstaff (Atto I; Atto II, Parte 1) (Giulini, 1982)
67▶CD: Falstaff (Atto II, Parte 2; Atto III) (Giulini, 1982)
68▶CD: Requiem (Requiem, Dies irae) (Solti, 1967)
69▶CD: Requiem (Offertorium, Sanctus, Agnus Dei, Libera me) (Solti, 1967) / Quattro pezzi sacri (Solti, 1977 & 1978)
70▶CD: Messa Solenne & Other Sacred Works (Riccardo Chailly, 2000)
71▶CD: Discoveries (Riccardo Chailly, 2002)
72▶CD: Songs (Margaret Price, Geoffrey Parsons, 1986)
73▶CD: Songs, Arias & Other Rarities (Renato Scotto, Paolo Washington, Plácido Domingo, Luciano Pavarotti, Valery Gergiev, Claudio Abbado, James Levine)
74▶CD: String Quartet & Ballet Music (Quartetto Italiano, 1950; de Almeida, 1973; Bonynge, 1976)
75▶CD: Ballet Music (Chailly, 1986 & 1988)

Nennungen

Veröffentlichung

ASIN:US: B0197GJMZ6 [Info]

Veröffentlichungsgruppe

enthält:Il trovatore (1983 studio cast) von Giuseppe Verdi (Italian opera composer); Plácido Domingo (tenor), Rosalind Plowright (soprano / mezzo soprano), Brigitte Fassbaender (mezzo-soprano), Giorgio Zancanaro (baritone), Evgeny Nesterenko (Yevgeni Nesterenko, Russian operatic bass singer), Coro (Chorus of the National Academy of Santa Cecilia) e Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia), Carlo Maria Giulini (conductor)
La forza del destino (1985 studio cast) von Giuseppe Verdi (Italian opera composer); Rosalind Plowright (soprano / mezzo soprano), Agnes Baltsa (mezzo-soprano), José Carreras (Spanish tenor), Renato Bruson (baritone), Paata Burchuladze (operatic bass), Juan Pons (baritone), John Tomlinson (English operatic bass), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Giuseppe Sinopoli (conductor)
Luisa Miller (1975 studio cast) von Verdi (Giuseppe Verdi, Italian opera composer); Pavarotti (tenor), Caballé (soprano), Milnes (baritone), Giaiotti (operatic bass), Reynolds (alto), van Allan (operatic bass-baritone), National Philharmonic (fka the London Promenade Orchestra until 1971, mostly film music and opera), Maag (conductor)
Otello (1993 studio cast) von Giuseppe Verdi (Italian opera composer); Plácido Domingo (tenor), Cheryl Studer (soprano), Sergei Leiferkus (baritone), Orchestre (alternate name of Orchestre de l’Opéra national de Paris between 1990–1994) et Chœurs de l’Opéra Bastille (alternate name of Chœurs de l’Opéra national de Paris between 1990–1994), Myung-Whun Chung (pianist and conductor)
Un ballo in maschera (1982–83 studio cast) von Verdi (Giuseppe Verdi, Italian opera composer); Luciano Pavarotti (tenor), Margaret Price (soprano), Renato Bruson (baritone), National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera), Sir Georg Solti (conductor)