Touch My Soul: The Best of Black Music, Vol. 1

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1Just an Illusion
phonographisches Urheberrecht (℗) von:
R&B Division Ltd (in 1982)
recording of:
Just an Illusion
Verfasser(in):
Ashley Ingram, Leee John, Steve Jolley und Tony Swain (songwriter, producer)
publisher:
Broadley Music (International) Ltd. (PRS)
Imagination46:31
2SolidAshford & Simpson35:09
3I’m So Excited
Produzent(in):
Richard Perry (producer)
Bassgitarre:
Nathan East
Gitarre:
George Doering und Lee Ritenour
Keyboard [keyboards] und Synthesizer:
Michael Boddicker und Greg Phillinganes
Klavier:
William D. “Smitty” Smith (organist/keyboardist)
Schlagzeug:
John “JR” Robinson (session drummer)
Hintergrundgesang:
June Pointer und Ruth Pointer
Sologesang:
Anita Pointer
phonographisches Urheberrecht (℗) von:
BMG Music (in 1982)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 5) (Nummer: 6) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 258)
recording of:
I’m So Excited
Verfasser(in):
Anita Pointer, June Pointer, Ruth Pointer und Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
publisher:
’Til Dawn Music, Braintree Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Songs, EMI Songs Ltd. und SBK Blackwood Music Inc. (1987-12-30–1989-07-14)
sub-publisher:
Fujipacific Music Inc. SBK Division (bis 2014-12-31), EMI Music Publishing Japan Ltd., Sony Division (bis 2021-06-30), Fuji Pacific Music SBK Department (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
The Pointer Sisters4.83:52
4Let It Whip
Dazz Band4:01
5The Message
recording of:
The Message (in 1982)
Verfasser(in):
Edward Fletcher, Jiggs Chase, Melvin Glover (Melvin Glover aka Melle Mel) und Sylvia Robinson
publisher:
IQ Music Ltd.
Grandmaster Flash & The Furious Five4:44
6Cry for You
recording of:
Cry for You
Texter und Komponist(in):
DeVante Swing
Jodeci4:30
7Suddenly
Produzent(in):
Keith Diamond
Mix:
Keith Diamond und Bryan “Chuck” New (Engineer/ Producer)
phonographisches Urheberrecht (℗) von:
Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1984) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1985)
recording of:
Suddenly
Verfasser(in):
Keith Diamond und Billy Ocean
publisher:
Musicpiece Publ., Zomba Enterprises, Inc. und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Billy Ocean43:55
8Don’t Look Any Further
recording engineer:
Jeremy Smith (producer/engineer)
drum machine-Programmierung und Partner-Koproduzent(in):
Paul M. Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
Produzent(in):
Dennis Lambert
Bass-Synthesizer und E-Gitarre [Valley Arts Stratocaster]:
Paul M. Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
Bassgitarre:
Nathan East
cabasa, shakers, Tama / Dundun / Talking Drum, Tamburin und Timbales:
Paulinho da Costa (Brazilian percussionist)
Synthesizer:
Dennis Lambert
Gast vocals:
Siedah Garrett
Interpret(in):
Siedah Garrett
arranger:
Dennis Lambert und Paul M. Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
aufgenommen bei:
Soundcastle Studios (former LA location) in Silver Lake, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Motown Studios - Hitsville West (recording and mastering studios in West Hollywood, CA) in West Hollywood, California (Kalifornien), Vereinigte Staaten
recording of:
Don’t Look Any Further
Verfasser(in):
Franne Golde, Duane Hitchings und Dennis Lambert
publisher:
BMG Platinum Songs US, Universal Music Careers und VMG Worldwide
Dennis Edwards & Siedah Garrett44:00
9She’s StrangeCameo6:53
10Last Night a DJ Saved My Life
recording of:
Last Night a D.J. Saved My Life
Texter und Komponist(in):
Mike Cleveland (80's dance)
publisher:
Windswept Pacific Music Ltd.
Indeep3.655:41
11Time and Chance
Color Me Badd4:01
12Reunited
Produzent(in):
Freddie Perren
recording of:
Reunited
Verfasser(in):
Dino Fekaris und Freddie Perren
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Peaches & Herb5:44
13What I Do Best
Robin S.4:25
14Blame It on the Boogie
Techniker(in):
Don Murray (producer / engineer)
leitende(r) Produzent(in):
Mike Atkinson und Bobby Colomby
Mix:
John Luongo
Bass:
Gary King (jazz bassist, arranger and songwriter) (in 1978) und Nathan Watts (in 1978)
Conga:
Laudir de Oliveira (in 1978) und Claudio Slon (in 1978)
flute, Saxophon und Trompete:
Seawind Horns
Gitarre:
Roland Bautista (in 1978), Tito Jackson (in 1978) und Mike Sembello (in 1978)
Keyboard:
Greg Phillinganes (in 1978)
Perkussion und Schlagzeug:
Rick Morotta (US drummer/percussionist) (in 1978)
Hintergrundgesang:
Jackie Jackson (member of the Jackson 5), Marlon Jackson und Randy Jackson (brother of Michael and Janet)
Sologesang:
Michael Jackson (“King of Pop”) (in 1978)
Horn arranger:
Jerry Hey
arranger:
Michael Jackson (“King of Pop”)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
aufgenommen bei:
Cherokee Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Dawnbreakers Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten, Filmways/Heider Recording (fka Wally Heider Recording Studio & Wally Heider Studios until 1978) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Total Experience Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Producer’s Workshop in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
Blame It on the Boogie (in 1978)
Verfasser(in):
Dave Jackson (Motown songwriter, aka Dave Jackson-Rich), Mick Jackson (English singer-songwriter, “Blame It On the Boogie” co-writer) und Elmar Krohn
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Carlin Music Ltd. und Peterman & Co. Ltd.
Teil von:
MJ: The Musical
recording of:
Blame It on the Boogie
Verfasser(in):
Dave Jackson (Motown songwriter, aka Dave Jackson-Rich), Mick Jackson (English singer-songwriter, “Blame It On the Boogie” co-writer) und Elmar Krohn
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Carlin Music Ltd. und Peterman & Co. Ltd.
Teil von:
MJ: The Musical
The Jacksons4.153:35
15The Other Woman
recording of:
The Other Woman
Texter und Komponist(in):
Ray Parker Jr.
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Raydiola Music, Sony/ATV Music Publishing Australia Pty Ltd. und 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division)
Ray Parker Jr.4:02
16Lies
recording of:
Lies
Verfasser(in):
Jonathan Butler (South African singer-songwriter and guitarist) und Jolyon Skinner
publisher:
Imagem London Ltd., Jo Skin Music, Universal Music–Z Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Jonathan Butler5:18

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Veröffentlichungsgruppe

Teil von:Touch My Soul (Nummer: 1) (Reihenfolge: 1)