The Voice of Romance

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1West Side Story: “Tonight”
Tenor-Gesang:
José Carreras (Spanish tenor)
Orchester:
Robert Farnon & His Orchestra
conductor:
Robert Farnon (composer, conductor, trumpet player)
arranger:
Robert Farnon (composer, conductor, trumpet player)
recording of:
West Side Story: Tonight (Maria, Tony)
Texter:
Stephen Sondheim (in 1956)
Komponist(in):
Leonard Bernstein (American conductor, composer, pianist) (in 1956)
publisher:
Campbell Connelly & Co. Ltd., Chappell & Co., Inc. (USA) und The Leonard Bernstein Music Publishing Co., LLC
Teil von:
West Side Story
Leonard Bernstein2:35
2Mamma
recording engineer:
James Lock (James Locke, engineer)
Produzent(in):
Ray Minshull (record producer)
Tenor-Gesang:
Luciano Pavarotti (tenor) (in 1984-01)
Orchester:
The Henry Mancini Orchestra (in 1984-01)
conductor:
Henry Mancini (US composer, conductor & arranger) (in 1984-01)
arranger:
Henry Mancini (US composer, conductor & arranger)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1984)
aufgenommen bei:
Grand Casino Noga Hilton in Genève (Genf), Genève (Kanton Genf), Schweiz (in 1984-01)
recording of:
Mamma (arr. Mancini) (in 1984-01)
Texter:
Bixio Cherubini
Komponist(in):
Cesare Andrea Bixio
arranger:
Henry Mancini (US composer, conductor & arranger)
Arrangement von:
Mamma
Franco Bixio3:33
3La bohème: “Che gelida manina”
Tenor-Gesang:
José Carreras (Spanish tenor) (in 1979-02)
Orchester:
Orchestra of the Royal Opera House, Covent Garden (in 1979-02)
conductor:
Sir Colin Davis (English conductor) (in 1979-02)
phonographisches Urheberrecht (℗) von:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1979)
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo) (in 1979-02)
Komponist(in):
Giacomo Puccini (Italian composer) (in 1896)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini24:50
4La bohème: “O soave fanciulla”
Soprangesang:
Mirella Freni (soprano)
Tenor-Gesang:
Luciano Pavarotti (tenor)
conductor:
Herbert von Karajan (conductor)
recording of:
La bohème: Atto I, no. 9. “O soave fanciulla” (Rodolfo, Marcello, Mimì)
Komponist(in):
Giacomo Puccini (Italian composer) (in 1896)
Librettist:
Luigi Illica und Giuseppe Giacosa (in 1896)
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:14
5Il trovatore: “Il balen del suo sorriso”
Baritongesang:
Dmitri Hvorostovsky (Russian operatic baritone)
conductor:
Valery Gergiev (Waleri Gergijew, conductor)
recording of:
Il trovatore: Atto II, Scena 2. “Il balen del suo sorriso” (Conte Luna)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Salvadore Cammarano (Italian librettist)
Teil von:
Il trovatore: Atto II. La gitana
Giuseppe Verdi3:32
6Martha: “M'appari tutt'amor”
Tenor-Gesang:
Luciano Pavarotti (tenor)
conductor:
Richard Bonynge (conductor and pianist)
recording of:
Martha: Atto III. “M’apparì tutt’amor” (Lionel)
Komponist(in):
Friedrich von Flotow (composer) (in 1849)
Librettist:
Friedrich Wilhelm Riese
übersetzte Version von:
Martha: Akt III. „Ach! so fromm, ach! so traut“ (Lyonel)
Friedrich von Flotow3:32
7Rigoletto: “Gualtier Maldé … Caro nome”
Soprangesang:
Ileana Cotrubaș (Romanian soprano)
conductor:
Carlo Maria Giulini (conductor)
recording of:
Rigoletto: Atto I, scena 2. N°6 Aria & scena “Gualtier Maldè! … Caro nome” (Gilda, Borsa, Ceprano, Marullo)
Texter und Librettist:
Francesco Maria Piave
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Teil von:
Rigoletto: Atto I
Giuseppe Verdi6:24
8Don Giovanni: “Deh, vieni alla finestra”
Baritongesang:
Sherrill Milnes (baritone)
conductor:
Karl Böhm (Austrian conductor)
recording of:
Don Giovanni: Atto II. No. 16 Canzonetta “Deh vieni alla finestra” (Don Giovanni)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte (in 1787)
Teil von:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:12
9Don Giovanni: “Vedrai, carino”
Soprangesang:
Lucia Popp (soprano)
conductor:
Sir Georg Solti (conductor)
recording of:
Don Giovanni: Atto II. No. 18 Aria “Vedrai, carino” (Zerlina)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte (in 1787)
Teil von:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:50
10Le nozze di Figaro: “Voi che sapete”
Mezzosoprangesang:
Cecilia Bartoli (mezzo‐soprano)
conductor:
Claudio Abbado (conductor)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1786)
Librettist:
Lorenzo Da Ponte
Teil von:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart2:28
11Chants d'Auvergne : « Malurous qu'o uno fenno »
Soprangesang:
Kiri Te Kanawa (soprano)
conductor:
Jeffrey Tate (conductor)
recording of:
Chants d'Auvergne: Troisième Série: No. 5. Malurous qu'o uno fenno
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Joseph Canteloube
Teil von:
Chants d'Auvergne: Troisième Série
Joseph Canteloube1:35
12Les Contes d'Hoffmann : « Belle nuit, ô nuit d'amour »
Mezzosoprangesang:
Susanne Marsee (mezzo-soprano)
Soprangesang:
Beverly Sills (soprano)
conductor:
Julius Rudel (conductor)
recording of:
Les Contes d’Hoffmann : Acte IV. No. 17 Barcarolle « Belle nuit, ô nuit d’amour » (Nicklausse, Giulietta, les invités)
Komponist(in):
Jacques Offenbach (German-French composer, cellist and impresario)
Teil von:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
Jacques Offenbach4:17
13Carmen : « La Fleur que tu m'avais jetée »
Tenor-Gesang:
Luciano Pavarotti (tenor) (in 1973-12)
Orchester:
Wiener Volksopernorchester (in 1973-12)
conductor:
Leone Magiera (conductor, pianist) (in 1973-12)
aufgenommen bei:
Wiener Staatsoper (The Vienna State Opera) in Innere Stadt, Wien, Österreich (in 1973-12)
recording of:
Carmen : Acte II. No. 17 Duo : « La Fleur que tu m’avais jetée » (Carmen, Don José) (Flower Song) (in 1973-12)
Komponist(in):
Georges Bizet (French composer) (in 1875)
Librettist:
Ludovic Halévy (French librettist) (in 1875) und Henri Meilhac (in 1875)
Teil von:
Carmen : Acte II
Georges Bizet4:29
14Chitarra romana
Tenor-Gesang:
Luciano Pavarotti (tenor)
conductor:
Henry Mancini (US composer, conductor & arranger)
recording of:
Chitarra romana
Texter:
Bruno Cherubini (brother of Bixio Cherubini) und Eldo di Lazzaro (singer, composer)
Komponist(in):
Eldo di Lazzaro (singer, composer)
Di Lazzaro3:19
15Aida: “Celeste Aida”
Tenor-Gesang:
Carlo Bergonzi (tenor)
conductor:
Herbert von Karajan (conductor)
recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (in 1871)
Librettist:
Antonio Ghislanzoni (in 1870)
Teil von:
Aida: Atto I
Giuseppe Verdi5:09
16Turandot: “Nessun dorma”
Tenor-Gesang:
Luciano Pavarotti (tenor)
conductor:
Zubin Mehta (conductor)
aufgenommen bei:
Parco Novi Sad in Modena, Modena, Emilia-Romagna, Italien (am 1995-09-12)
live recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf)
Komponist(in):
Giacomo Puccini (Italian composer) (von 1921-03 bis 1924-03)
Librettist:
Giuseppe Adami und Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. und Ed. G. Ricordi & Cia. SpA (Italian publisher)
Teil von:
Turandot: Atto III (Turandot: Act III)
Giacomo Puccini2:57

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ASIN:US: B00007MB66 [Info]