The Complete Anita O'Day Verve/Clef Sessions

~ Veröffentlichung von Anita O’Day (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelBewertungLänge
1Just One of Those Things
Produzent(in):
Norman Granz
vocals:
Anita O’Day (am 1959-04-02)
Orchester:
Billy May & His Orchestra (am 1959-04-02)
recording of:
Just One of Those Things (am 1959-04-02)
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Teil von:
Jubilee
Teil von:
Panama Hattie (1942 film)
2:10
2Love for Sale
Produzent(in):
Norman Granz
vocals:
Anita O’Day (am 1959-04-02)
Orchester:
Billy May & His Orchestra (am 1959-04-02)
recording of:
Love for Sale (am 1959-04-02)
Texter und Komponist(in):
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. und Warner Bros., Inc. (not for release label use!)
2:44
3All of You
Produzent(in):
Norman Granz
vocals:
Anita O’Day (am 1959-04-02)
Orchester:
Billy May & His Orchestra (am 1959-04-02)
recording of:
All of You (Silk Stockings musical) (am 1959-04-02)
Texter und Komponist(in):
Cole Porter (composer) (in 1954)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) und Chappell Music (UK)
Teil von:
Silk Stockings (1957 musical film)
1:44
4Easy to Love
Produzent(in):
Norman Granz
vocals:
Anita O’Day (am 1959-04-02)
Orchester:
Billy May & His Orchestra (am 1959-04-02)
recording of:
Easy to Love (am 1959-04-02)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell (library/production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Anything Goes
Teil von:
Born to Dance
2:04
5You'd Be So Nice to Come Home To
Produzent(in):
Norman Granz
vocals:
Anita O’Day (am 1959-04-02)
Orchester:
Billy May & His Orchestra (am 1959-04-02)
recording of:
You’d Be So Nice to Come Home To (am 1959-04-02)
Texter und Komponist(in):
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
1:51
6I Get a Kick Out of You
Produzent(in):
Norman Granz
vocals:
Anita O’Day (am 1959-04-09)
Orchester:
Billy May & His Orchestra (am 1959-04-09)
recording of:
I Get a Kick Out of You (am 1959-04-09)
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell und Chappell (in 1974)
Teil von:
Anything Goes
2:24
7I Love You
Produzent(in):
Norman Granz
vocals:
Anita O’Day (am 1959-04-09)
Orchester:
Billy May & His Orchestra (am 1959-04-09)
recording of:
I Love You (Mexican Hayride musical) (am 1959-04-09)
Texter und Komponist(in):
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
1:59
8I've Got You Under My Skin
Produzent(in):
Norman Granz
vocals:
Anita O’Day (am 1959-04-09)
Orchester:
Billy May & His Orchestra (am 1959-04-09)
recording of:
I’ve Got You Under My Skin (am 1959-04-09)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
1:49
9Get Out of Town
Produzent(in):
Norman Granz
vocals:
Anita O’Day (am 1959-04-09)
Orchester:
Billy May & His Orchestra (am 1959-04-09)
recording of:
Get Out of Town (am 1959-04-09)
Texter und Komponist(in):
Cole Porter (composer) (in 1938)
Teil von:
Leave It to Me!
2:32
10What Is This Thing Called Love?
Produzent(in):
Norman Granz
vocals:
Anita O’Day (am 1959-04-09)
Orchester:
Billy May & His Orchestra (am 1959-04-09)
recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (am 1959-04-09)
Texter und Komponist(in):
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) und Warner/Chappell (Warner/Chappell Music, Inc.)
Teil von:
Wake Up and Dream (1929 revue)
2:33
11Night and Day
Produzent(in):
Norman Granz
vocals:
Anita O’Day (am 1959-04-09)
Orchester:
Billy May & His Orchestra (am 1959-04-09)
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (am 1959-04-09)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
2:03
12It's De-Lovely
Produzent(in):
Norman Granz
vocals:
Anita O’Day (am 1959-04-09)
Orchester:
Billy May & His Orchestra (am 1959-04-09)
recording of:
It’s De‐Lovely (am 1959-04-09)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
Teil von:
Anything Goes
Teil von:
Red, Hot and Blue (1936 Cole Porter musical)
2:06
13Falling in Love With Love
recording of:
Falling in Love With Love
Texter:
Lorenz Hart (in 1938)
Komponist(in):
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. und Chappell & Co., Inc. (USA)
Teil von:
The Boys From Syracuse
Teil von:
The Real Book (compilation of jazz standards, volume I)
1:28
14Johnny One Note
Gitarre:
Al Hendrickson (am 1960-06-06)
Klavier:
Joe Castro (am 1960-06-06)
Kontrabass:
Ralph Peña (am 1960-06-06)
Posaune:
Ed Kusby (am 1960-06-06), Murray McEachern (am 1960-06-06), Bill Schaefer (am 1960-06-06) und Tommy Shepard (trombonist) (am 1960-06-06)
Saxophon:
Chuck Gentry (am 1960-06-06), Justin Gordon (am 1960-06-06), Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1960-06-06) und Wilbur Schwartz (am 1960-06-06)
Schlagzeug:
Irv Cottler (am 1960-06-06)
Trompete:
Pete Candoli (am 1960-06-06), Conrad Gozzo (am 1960-06-06) und Uan Rasey (am 1960-06-06)
vocals:
Anita O’Day (am 1960-06-06)
recording of:
Johnny One Note (am 1960-06-06)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co.
Teil von:
Babes in Arms (full musical)
1:53
15Lover
recording of:
Lover
Texter:
Lorenz Hart (in 1932)
Komponist(in):
Richard Rodgers (composer) (in 1932)
publisher:
Famous Chappell und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
2:02
16Have You Met Miss Jones?
recording of:
Have You Met Miss Jones? (I’d Rather Be Right)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) und Williamson Music Company
Teil von:
I’d Rather Be Right
1:53
17Little Girl Blue
recording of:
Little Girl Blue
Texter:
Lorenz Hart (in 1935)
Komponist(in):
Richard Rodgers (composer) (in 1935)
arranger:
Sarah Latto
publisher:
Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Jumbo
3:01
18Spring Is Here
vocals:
Anita O’Day (am 1960-06-07)
Orchester:
Billy May & His Orchestra (am 1960-06-07)
conductor:
Billy May (am 1960-06-07)
arranger:
Billy May
cover recording of:
Spring Is Here (am 1960-06-07)
Texter:
Lorenz Hart (in 1938)
Komponist(in):
Richard Rodgers (composer) (in 1938)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. und United Partnership Ltd.
2:45
19It Never Entered My Mind
recording of:
It Never Entered My Mind
Texter:
Lorenz Hart (in 1940)
Komponist(in):
Richard Rodgers (composer) (in 1940)
publisher:
Chappell & Co., Inc. (USA) und Lorenz Hart Publishing Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:24
20Bewitched, Bothered and Bewildered
recording of:
Bewitched, Bothered and Bewildered (Pal Joey)
Texter:
Lorenz Hart (in 1940)
Komponist(in):
Richard Rodgers (composer) (in 1940)
publisher:
WB Music Group (beendet), Chappell & Co., Inc. (USA), Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und Williamson Music Company
Teil von:
Pal Joey
4:20
21I've Got Five Dollars
recording of:
I’ve Got Five Dollars
Texter:
Lorenz Hart (in 1931)
Komponist(in):
Richard Rodgers (composer) (in 1931)
1:47
22To Keep My Love Alive
recording of:
To Keep My Love Alive
Orchestrator(in):
Don Walker (orchestrator)
Texter:
Lorenz Hart (in 1943)
Komponist(in):
Richard Rodgers (composer) (in 1943)
Teil von:
A Connecticut Yankee
3:13
23Ten Cents a Dance
Gitarre:
Al Hendrickson (am 1960-06-08)
Klavier:
Joe Castro (am 1960-06-08)
Kontrabass:
Ralph Peña (am 1960-06-08)
Posaune:
Ed Kusby (am 1960-06-08), Murray McEachern (am 1960-06-08), Pullman “Tommy” Pederson (am 1960-06-08) und Bill Schaefer (am 1960-06-08)
Saxophon:
Chuck Gentry (am 1960-06-08), Justin Gordon (am 1960-06-08), Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1960-06-08) und Wilbur Schwartz (am 1960-06-08)
Schlagzeug:
Irv Cottler (am 1960-06-08)
Trompete:
Pete Candoli (am 1960-06-08), Conrad Gozzo (am 1960-06-08) und Uan Rasey (am 1960-06-08)
vocals:
Anita O’Day (am 1960-06-08)
recording of:
Ten Cents a Dance (am 1960-06-08)
Texter:
Lorenz Hart (in 1930)
Komponist(in):
Richard Rodgers (composer) (in 1930)
Teil von:
Simple Simon
2:17
24I Could Write a Book
recording of:
I Could Write a Book
Texter:
Lorenz Hart
Komponist(in):
Richard Rodgers (composer)
publisher:
Chappell & Co. und Chappell & Co., Inc. (USA)
Teil von:
Pal Joey
2:08
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Nennungen

Veröffentlichung

ASIN:US: B00106BU8Y [Info]

Veröffentlichungsgruppe

Wikidata:Q124253058 [Info]