The Most Relaxing Classical Music in the World ...Ever!

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1Zion hort die Wachter singen
Chorgesang:
South German Madrigal Choir (von 1967-07-15 bis 1967-07-20)
Orchester:
Consortium Musicum (von 1967-07-15 bis 1967-07-20)
conductor:
Wolfgang Gönnenwein (conductor) (von 1967-07-15 bis 1967-07-20)
Bearbeitung von:
Cantata No. 140, "Wachet auf, ruft uns die Stimme", BWV 140 (BC A166): "Zion hört die Wächter" von South German Madrigal Choir, Theo Altmeyer (German tenor), Consortium Musicum, Wolfgang Gönnenwein (conductor)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen” (von 1967-07-15 bis 1967-07-20)
Premiere in:
Leipzig, Sachsen, Deutschland (am 1731-11-25)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
basiert auf:
Wachet auf, ruft uns die Stimme
Teil von:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach3:30
2Adagio in G minor
Orchester:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
teilweise recording of:
Adagio for Strings and Organ in G minor
Komponist(in):
Remo Giazotto
vorher zugeschrieben zu:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tomaso Giovanni Albinoni5:52
3Keyboard Concerto No.5 in F minor
Produzent(in):
John Fraser (UK producer)
Klavier:
Andrei Gavrilov (Andrei Gawrilow, pianist) (in 1986-04)
Orchester:
Academy of St Martin in the Fields (in 1986-04)
conductor:
Sir Neville Marriner (conductor) (in 1986-04)
Tonmeister(in):
Mark Vigars (engineer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1986-04)
recording of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo (in 1986-04)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
Johann Sebastian Bach3:29
4Confutatis
Karl Jenkins2:57
5Dance of the Blessed Spirits
Orchester:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Riccardo Muti (conductor)
recording of:
Orfeo ed Euridice, Wq. 30: Ballet in D minor “Dance of the Blessed Spirits” (Italian version)
Komponist(in):
Christoph Willibald Gluck (composer)
Teil von:
Orfeo ed Euridice, Wq. 30: Atto II (Italian version)
Teil von:
Orpheus und Eurydike: Akt II (German version)
Christoph Willibald Gluck2:17
6Water Music, Air from Suite No.1 in F
Georg Friedrich Händel4:46
7Fantasia on Greensleeves
Produzent(in):
Victor Olof
Orchester:
Sinfonia of London (original Gordon Walker formed orchestra) und Sinfonia of London (John Wilson’s session orchestra) (von 1962-05-10 bis 1962-05-11)
conductor:
Sir John Barbirolli (conductor and cellist) (von 1962-05-10 bis 1962-05-11)
arranger:
Ralph Greaves (in 1934)
Tonmeister(in):
Harold Davidson (classical sound engineer, active from late 1950's)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1962-05-10 bis 1962-05-11)
recording of:
Fantasia on “Greensleeves” (von 1962-05-10 bis 1962-05-11)
Komponist(in):
Ralph Vaughan Williams (English composer) (von 1924 bis 1928)
arranger:
Ralph Greaves (in 1934)
publisher:
Oxford University Press (in 1936)
basiert auf:
Greensleeves (generic entry for traditional and unknown arrangements)
basiert auf:
Lovely Joan (traditional English folk song)
basiert auf:
Sir John in Love
Ralph Vaughan Williams4:42
8Gnossienne No.1
Klavier:
Anne Queffélec (pianist) (in 1988)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988) und Virgin Classics (absorbed into Erato since 2013-07-19) (in 1988)
recording of:
Gnossienne no. 1
Komponist(in):
Erik Satie (French composer) (in 1890)
Teil von:
Trois Gnossiennes
Erik Satie3:26
9The Swan
Harfe:
Aline Brewer (harpist)
Solo-Cello:
Han‐na Chang (South Korean conductor and cellist)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Leonard Slatkin (conductor)
arranger:
Chris Hazell
recording of:
Le Carnaval des animaux: XIII. Le Cygne (catch-all for arrangements)
Komponist(in):
Camille Saint‐Saëns (composer)
Arrangement von:
Le Carnaval des animaux : XIII. Le Cygne (Der Karneval der Tiere: XIII. Der Schwan, two pianos and cello)
Teil von:
Le Carnaval des animaux (catch-all for arrangements)
Camille Saint‐Saëns3:19
10The Ashokan Farewell
Orchester:
Nashville Chamber Orchestra
conductor:
Paul Gambill (conductor)
recording of:
Ashokan Farewell (instrumental version)
Komponist(in):
Jay Ungar (in 1982)
publisher:
Swinging Door Music
Jay Ungar & Molly Mason5:11
11Cantique de Jean Racine
Chorgesang:
The Monks and Choirboys of Downside Abbey
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1997)
recording of:
Cantique de Jean Racine, op. 11 (for choir and piano or organ)
Texter:
Jean Racine (French dramatist)
Komponist(in):
Gabriel Fauré (French composer) (in 1865)
gewidmet:
César Franck (Belgian‐born French composer)
Teil von:
Works of Gabriel Fauré by opus number (Nummer: op. 11)
Gabriel Fauré5:14
12Nocturne in C-sharp minor
Frédéric Chopin4:26
13Ombra Mai Fu
Instrumente:
Il Seminario Musicale (French baroque music ensemble)
Countertenorgesang und Hochgesang:
Gérard Lesne (countertenor)
recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (von 1737-12-26 bis 1738-01-09)
Librettist:
[anonymous] (special purpose artist)
Teil von:
Serse, HWV 40: Atto I
recording of:
Serse, HWV 40: Atto I. Arioso “Ombra mai fù” (“largo”; catch‐all for arrangements)
Komponist(in):
George Frideric Handel (German‐British baroque composer)
Arrangement von:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
Georg Friedrich Händel2:42
14Concierto de Aranjuez
Gitarre und klassiche Gitarre:
Julian Bream
Orchester:
City of Birmingham Symphony Orchestra
conductor:
Simon Rattle (conductor)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
teilweise recording of:
Concierto de Aranjuez: II. Adagio
Komponist(in):
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
Teil von:
Concierto de Aranjuez
Joaquín Rodrigo54:48
15Pie Jesu
Soprangesang:
Jane Gilchrist
recording of:
Requiem: Pie Jesu
Texter und Komponist(in):
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
MCA Music Ltd., The Really Useful Company Limited und The Really Useful Music Co. Ltd. (not for release label use!)
Teil von:
Requiem
Andrew Lloyd Webber2:52
16Meditation
Produzent(in):
Gerd Berg (producer) und Dietmar Wolf (Classical Music Producer)
Geige / Violine:
Hans Kalafusz (violinist)
Solo-Geige / Violine:
Hans Kalafusz (violinist) (von 1987-03-09 bis 1987-03-12)
Orchester:
Radio‐Sinfonieorchester Stuttgart (Radio-Sinfonieorchester Stuttgart des SWR) (von 1987-03-09 bis 1987-03-12)
conductor:
Sir Neville Marriner (conductor) (von 1987-03-09 bis 1987-03-12)
Tonmeister(in):
Franck Richter (engineer)
aufgenommen bei:
Studio Villa Berg in Stuttgart, Baden-Württemberg, Deutschland (von 1987-03-09 bis 1987-03-12)
recording of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra) (von 1987-03-09 bis 1987-03-12)
Komponist(in):
Jules Massenet (French Romantic composer) (in 1894)
Teil von:
Classic 100: Music of France (2012) (Nummer: 14)
Teil von:
Thaïs: Acte II
Jules Massenet5:07
17Piano Concerto No.2 in F
Klavier:
Dmitri Alexeev (pianist) (in 1983-05)
Orchester:
English Chamber Orchestra (in 1983-05)
conductor:
Jerzy Maksymiuk (conductor) (in 1983-05)
aufgenommen bei:
St John’s, Smith Square in London (Greater London), England, Vereinigtes Königreich (in 1983-05)
recording of:
Piano Concerto no. 2 in F major, op. 102: II. Andante (in 1983-05)
Komponist(in):
Дмитрий Дмитриевич Шостакович (Dmitri Dmitrijewitsch Schostakowitsch, composer) (in 1957)
Teil von:
Piano Concerto no. 2 in F major, op. 102
Дмитрий Дмитриевич Шостакович6:11
18Symphony No. 5 in C-sharp minor
Orchester:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir John Barbirolli (conductor and cellist)
teilweise recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam
Komponist(in):
Gustav Mahler (composer) (von 1901 bis 1902)
Teil von:
Symphony no. 5 (5. Sinfonie)
Gustav Mahler3:09
19My Heart Will Go On
Geige / Violine:
David Abel (violinist/violist)
Orchester:
Shearman Orchestra
conductor:
David Abel (conductor)
arranger:
James Shearman (conductor, orchestrator, composer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1998)
instrumental recording of:
My Heart Will Go On
Texter:
Will Jennings
Komponist(in):
James Horner (American score composer)
publisher:
Blue Sky Rider Songs, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Fox Film Music Corporation (BMI-affiliated), Irving Music, Inc., Rondor Music (London) Ltd., Rondor Music Publishing, Sony/ATV Harmony, Sony/ATV Melody, TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), フジパシフィック音楽出版 第2事業部 (Fujipacific Music Publishing Division 2) (bis 2014-12-31) und フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2) (vom 2015-01-01 bis heute)
Teil von:
The 70th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1997 winner)
Teil von:
Titanic
James Horner4:20

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