The Very Best Of - Red Line Selection

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1▼CD
#TitoloArtistaValutazioneDurata
1Soul Man
registrazione di:
Soul Man
autore:
Isaac Hayes (nel 1967) e David Porter (US soul musician, producer & songwriter) (nel 1967)
editore:
EMI Music Publishing (do not use as a release label!), Rondor Music (London) Ltd., Rondor Music Ltd. (publisher), Walden Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Almo Music Corp. (USA, affiliated with ASCAP) (nel 1986) e Walden Music Corp. (publisher) (nel 1986)
Sam & Dave?:??
2Love Grows
diritti fonografici (℗) detenuti da:
HHO Javelin Promotions Ltd. e HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing)
registrazione di:
Love Grows (Where My Rosemary Goes)
autore:
Tony Macaulay e Barry Mason (English songwriter)
editore:
Barry Mason Music Ltd., BMG Music Publishing Ltd., Intersong Music Ltd. e Universal Music Publishing MGB Australia
Edison Lighthouse3?:??
3Hitchin’ a Ride
registrazione di:
Hitchin’ a Ride
paroliere:
Peter Callander
compositore:
Mitch Murray
editore:
Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
Vanity Fayre?:??
4The Night Chicago Died
registrazione di:
The Night Chicago Died
paroliere:
Peter Callander
compositore:
Mitch Murray
Paper Lace?:??
5Ain’t That a Shame
diritti fonografici (℗) detenuti da:
Everest Records (classical)
registrazione dal vivo di:
Ain’t That a Shame
autore:
Antoine Domino (Fats Domino) e Dave Bartholomew
editore:
Commodore Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Unart Catalog Inc., F. Day & Hunter Ltd., Travis Music, Inc., Unart Music Corp. (nel 1955, nel 1983) e United Artists Music Ltd. (dal 1977 a oggi)
Fats Domino?:??
6Soul Rebel
tecnico di registrazione:
Errol Thompson (Jamaican reggae/dub producer & engineer) (nel 1970-11)
produttore:
Clement “Coxsone” Dodd, Bob Marley (Jamaican reggae artist) e Lee “Scratch” Perry (aka The Upsetter)
basso :
Lloyd Parks (Jamaican bassist) (nel 1970-11)
batteria :
Carlton “Carly” Barrett (nel 1970-11)
chitarra :
Alva “Reggie” Lewis (nel 1970-11) e Rannie “Bop” Williams (nel 1970-11)
percussione :
Uziah “Sticky” Thompson (nel 1970-11)
tastiera :
Glen Adams (nel 1970-11)
voce di tenore [harmony vocals]:
Peter Tosh (nel 1970-11) e Bunny Wailer (nel 1970-11)
voce principale:
Bob Marley (Jamaican reggae artist) (nel 1970-11)
diritti fonografici (℗) detenuti da:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (nel 1970)
registrata presso:
Studio 17 in Denham Town, Kingston (Kingston Parish), Giamaica (nel 1970-11)
registrazione di:
Soul Rebel (nel 1970-11)
paroliere e compositore:
Bob Marley (Jamaican reggae artist)
editore:
Because Éditions, Blue Mountain Music, Cayman Music Inc, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fifty Six Hope Road Music Limited, Jamrec Music, Odnil Music e Rondor Music (London) Ltd.
Bob Marley2?:??
7Sandy
produttore:
John Farrar
tecnico di missaggio:
David J. Holman
arrangiatore:
John Farrar, Michael Gibson (trombone) e Louis St. Louis (American songwriter, music arranger and singer)
diritti fonografici (℗) detenuti da:
Polydor International GmbH (not for release label use!) (nel 1978), Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (nel 1978) e RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (nel 1978)
registrazione di:
Sandy (Grease, 1978 film)
paroliere:
Scott Simon
compositore:
Louis St. Louis (American songwriter, music arranger and singer)
editore:
Ensign Music Corp. (nel 1978) e Unichappell Music (nel 1978)
parte di:
Grease (1978 film)
John Travolta3.75?:??
8Rock Around the Clock
batteria :
Billy Gussak (il 1954-04-12)
chitarra :
Bill Haley (il 1954-04-12)
chitarra elettrica :
Danny Cedrone (il 1954-04-12)
chitarra steel :
William F. ‘Billy’ Williamson (il 1954-04-12)
contrabbasso :
Marshall Lytle (il 1954-04-12)
pianoforte :
Johnny Grande (il 1954-04-12)
sassofono tenore :
Joey D'Ambrosio (il 1954-04-12)
voce:
Bill Haley (il 1954-04-12)
registrazione di:
Rock Around the Clock (Bill Haley’s version) (il 1954-04-12)
paroliere e compositore:
Jimmy De Knight (nel 1952) e Max C. Freedman (American songwriter and lyricist) (nel 1952)
arrangiatore:
Harry Filler
editore:
Edward Kassner Music Co. Ltd. e Myers Music, Inc.
versione di:
We’re Gonna Rock Around the Clock (Original Freedman / De Knight version)
Bill Haley & His Comets4?:??
9Red River Rock
registrazione cover di:
Red River Rock
compositore:
Tom King (50s & 60s songwriter), Ira Mack e Fred Mendelsohn
editore:
Burlington Music Co., Ltd. e Mole Hole Music
si basa su:
Red River Valley
Johnny and the Hurricanes3?:??
10Boom Boom
produttore:
Roy Rogers (US blues guitarist & producer)
registrazione di:
Boom Boom
paroliere e compositore:
John Lee Hooker (US blues singer, songwriter & guitarist)
editore:
Conrad Publishing Co. Inc. e Tristan Music Ltd.
John Lee Hooker2.65?:??
11Ruby Don’t Take Your Love to TownKenny Rogers3.65?:??
12When a Man Loves a Woman
produttore:
Marlin Greene (’60s teen artist, writer & engineer) e Quin Ivy
batteria :
Roger Hawkins (drummer and producer) (il 1966-02-17)
chitarra :
Marlin Greene (’60s teen artist, writer & engineer) (il 1966-02-17)
contrabbasso :
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (il 1966-02-17)
farfisa [farfisa organ] :
Spooner Oldham (il 1966-02-17)
voce:
Percy Sledge (il 1966-02-17)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (, nel 1966) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1966)
registrata presso:
Norala Studio in Sheffield, Alabama, Stati Uniti (il 1966-02-17)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 54) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
When a Man Loves a Woman (il 1966-02-17)
autore:
Calvin Lewis, Percy Sledge e Andrew Wright (US keyboardist)
editore:
Mijac Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (dal 1966 a oggi), Quinvy Music Publishing Company, Inc. (dal 1966 a oggi), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (dal 1966 a oggi), Pronto (BMI‐affiliated publishing company) (nel 1972) e Quinvy (record company and publisher) (nel 1972)
Percy Sledge4.35?:??
13Tell Laura I Love HerRay Peterson4.5?:??
14Sugar Baby Love
tecnico:
John Mackswith (English sound engineer)
produttore:
Wayne Bickerton
registrazione di:
Sugar Baby Love (The Rubettes)
paroliere:
Wayne Bickerton
compositore:
Tony Waddington
eseguita per la prima volta da:
The Rubettes (nel 1974-01)
editore:
Arlovol Music, Budde Music Inc. (US publisher) e WB Music Corp. (1929–2019)
The Rubettes?:??
15Sugar Sugar
video musicali:
Sugar, Sugar di The Archies
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 6), Rolling Stone: The 50 Best Tunes by Made-Up Musicians (numero: 18), Billboard: Greatest of All Time Hot 100 Songs (numero: 90) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 155)
registrazione di:
Sugar, Sugar (nel 1969)
autore:
Jeff Barry e Andy Kim (pop singer & songwriter)
editore:
Don Kirshner Music Inc., Kirshner CBS Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e Warner/Chappell Music Ltd. (1996–2019)
The Archies3.5?:??
16Under the Boardwalk
registrata a:
New York, New York, Stati Uniti (il 1964-05-21)
produttore:
Bert Berns e Mike Leander
archi [nine strings] :
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (il 1964-05-21)
batteria [drums] :
Gary Chester (studio drummer and educator) (il 1964-05-21)
chitarra :
Everett Barksdale (il 1964-05-21), Bill Suyker (il 1964-05-21), Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (il 1964-05-21) e Bob Bushnell (il 1964-05-21)
contrabbasso [bass] :
Milt Hinton (il 1964-05-21)
pianoforte :
Ernie Hayes (American pianist, organist and arranger) (il 1964-05-21)
vibrafono [vibes] :
George Devens (il 1964-05-21)
voce di baritono:
Gene Pearson (il 1964-05-21)
voce di basso:
Winifred Terry (il 1964-05-21)
voce di tenore:
Charlie Thomas (The Drifters) (il 1964-05-21)
voce principale:
Johnny Moore (soul/rnb vocalist for The Drifters) (il 1964-05-21)
direttore d'orchestra:
Gary Sherman (mid-20th century composer, arranger & conductor) (il 1964-05-21)
arrangiatore:
Gary Sherman (mid-20th century composer, arranger & conductor) e Teacho Wiltshire
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1988) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1998)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 304) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 487)
registrazione di:
Under the Boardwalk (il 1964-05-21)
autore:
Arthur Resnick (songwriter, producer) e Kenny Young
editore:
Alley Music Corp., Intersong (publisher), The Hudson Bay Music Co. (publisher), TM Music Ltd. e Trio Music Company
The Drifters4.35?:??
17Surfin’
registrazione di:
Surfin’
compositore:
Mike Love (Beach Boys) e Brian Wilson (Beach Boys co‐founder)
The Beach Boys?:??
18Yellow River
registrazione di:
Yellow River
paroliere e compositore:
Jeff Christie
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Christie5?:??
19Judy in Disguise
diritti fonografici (℗) detenuti da:
Pye International (nel 1968)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 96)
registrazione di:
Judy in Disguise (With Glasses) (nel 1967)
autore:
Andrew Bernard e John Fred (John Fred Gourrier)
editore:
Bug Music Ltd., Fanfare Music Corp., Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) e MCS Music Ltd.
John Fred & His Playboy Band3.85?:??
20Sex Machine
produttore:
James Brown (The Godfather of Soul)
batteria :
John Starks
chitarra :
Catfish Collins
chitarra basso :
Bootsy Collins (US funk musician & songwriter)
organo :
Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group)
pianoforte :
James Brown (The Godfather of Soul)
sassofono tenore :
Robert McCollough
tromba :
Clayton Gunnells e Darryl Hassan Jamison
voce:
Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group)
voce principale:
James Brown (The Godfather of Soul) (il 1970-04-25)
esecutore:
The J.B.’s
diritti fonografici (℗) detenuti da:
Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (nel 1970)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 196) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 326)
registrazione di:
Get Up (I Feel Like Being Like a) Sex Machine (il 1970-04-25)
autore:
James Brown (The Godfather of Soul), Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group) e Ron Lenhoff
editore:
Dynatone Publishing Co. e Intersong Music Ltd.
James Brown4?:??

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