The Best 00s Music Videos

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Countries excluded (Spotify + Deezer + iTunes)

(As of 2024-05-15).

  • Northern America: 🇧🇲 Bermuda (bm)
  • Central America: 🇧🇿 Belize (bz)
  • Caribbean: 🇦🇬 Antigua and Barbuda (ag) 🇧🇧 Barbados (bb) 🇧🇸 Bahamas (bs) 🇩🇲 Dominica (dm) 🇬🇩 Grenada (gd) 🇭🇹 Haiti (ht) 🇯🇲 Jamaica (jm) 🇰🇳 Saint Kitts and Nevis (kn) 🇱🇨 Saint Lucia (lc) 🇻🇨 Saint Vincent and Grenadines (vc) 🇦🇮 Anguilla (ai) 🇰🇾 Cayman Islands (ky) 🇲🇸 Montserrat (ms) 🇹🇨 Turks and Caicos Islands (tc) 🇻🇬 British Virgin Islands (vg)
  • South America: 🇬🇾 Guyana (gy) 🇸🇷 Suriname (sr) 🇫🇰 Falkland Islands (fk)
  • Western Europe: 🇱🇮 Liechtenstein (li) 🇲🇨 Monaco (mc)
  • Northern Europe: 🇸🇯 Svalbard and Jan Mayen (sj)
  • Southern Europe: 🇦🇩 Andorra (ad) 🇸🇲 San Marino (sm)
  • Eastern Europe: 🇧🇾 Belarus (by) 🇲🇩 Moldova (md) 🇷🇺 Russia (ru)
  • Eastern Africa: 🇮🇴 British Indian Ocean Territory (io)
  • Western Asia: 🇦🇲 Armenia (am) 🇦🇿 Azerbaijan (az) 🇬🇪 Georgia (ge)
  • Central Asia: 🇰🇬 Kyrgyzstan (kg) 🇰🇿 Kazakhstan (kz) 🇺🇿 Uzbekistan (uz) 🇹🇯 Tajikistan (tj) 🇹🇲 Turkmenistan (tm)
  • Southern Asia: 🇧🇩 Bangladesh (bd) 🇧🇹 Bhutan (bt) 🇲🇻 Maldives (mv) 🇳🇵 Nepal (np) 🇵🇰 Pakistan (pk) 🇦🇫 Afghanistan (af)
  • Eastern Asia: 🇲🇳 Mongolia (mn) 🇲🇴 Macao (mo)
  • South-Eastern Asia: 🇧🇳 Brunei (bn) 🇱🇦 Laos (la) 🇹🇱 Timor-Leste (tl) 🇲🇲 Myanmar (mm)
  • Oceania: 🇨🇨 Cocos (Keeling) Islands (cc) 🇨🇽 Christmas Island (cx) 🇳🇫 Norfolk Island (nf)
  • Polynesia: 🇹🇴 Tonga (to) 🇹🇻 Tuvalu (tv) 🇼🇸 Samoa (ws) 🇨🇰 Cook Islands (ck) 🇳🇺 Niue (nu) 🇵🇳 Pitcairn (pn) 🇹🇰 Tokelau (tk)
  • Melanesia: 🇫🇯 Fiji (fj) 🇵🇬 Papua New Guinea (pg) 🇸🇧 Solomon Islands (sb) 🇻🇺 Vanuatu (vu)
  • Micronesia: 🇫🇲 Federated States of Micronesia (fm) 🇰🇮 Kiribati (ki) 🇲🇭 Marshall Islands (mh) 🇳🇷 Nauru (nr) 🇵🇼 Palau (pw)
Anmerkung zuletzt geändert am 2024-05-15 15:13 UTC.

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Hot ’n’ Cold
sonstige Unterstützung:
Gary "G" Silver (Aufgabe: production coordinated)
Programmierung:
benny blanco (producer Benjamin Levin) und Dr. Luke
Techniker(in):
Nick Banns, Tatiana Gottwald, John Hanes (audio engineer, mixer), Sam Holland (sound engineer), Tina Kennedy und Emily Wright
Produzent(in):
Dr. Luke
zusätzliche(r) Produzent(in):
benny blanco (producer Benjamin Levin)
assistierende(r) Mix:
Tim Roberts (engineer)
Mix:
Serban Ghenea
Bassgitarre [bass]:
Dr. Luke
Gitarre [guitars]:
Dr. Luke und Max Martin (Swedish record producer)
Schlagzeug [drums]:
benny blanco (producer Benjamin Levin) und Dr. Luke
Sologesang:
Katy Perry
phonographisches Urheberrecht (℗) von:
Capitol Music Group (label group, not normally a release label) (in 2008)
produced for:
Kasz Money Productions, Inc.
aufgenommen bei:
Conway Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Dr. Luke's in New York, New York, Vereinigte Staaten und Legacy Recording Studio (not to be confused with Legacy Studios, Canada) in Manhattan, New York, New York, Vereinigte Staaten
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2009 (Nummer: 25), Billboard Year-End Hot 100 singles of 2008 (Nummer: 36), BILLIONS CLUB und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 321)
recording of:
Hot n Cold
Verfasser(in):
Łukasz Gottwald, Max Martin (Swedish record producer) und Katy Perry
publisher:
Kasz Money Publishing (ASCAP affiliated), Maratone, Maratone AB und When I’m Rich You’ll Be My Bitch
Katy Perry4.153:40
2Kryptonite
recording engineer:
Matt Martone (recording engineer) und Paul Ebersold
Produzent(in):
Paul Ebersold
assistierende(r) Mix:
Mike Butler (engineer)
Mix:
Toby Wright (producer & engineer)
Editing:
Andrew Garver
Bassgitarre:
Todd Harrell
Gitarre:
Chris Henderson (member of 3 Doors Down) und Matt Roberts (guitarist for 3 Doors Down)
Schlagzeug und Sologesang:
Brad Arnold (vocalist for 3 Doors Down)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1999), Universal Motown Records (not for release label use; use “Universal Motown” instead) (in 1999), Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1999) und Universal Republic Records (2006–2012) (in 2012)
aufgenommen bei:
Ardent Studios in Memphis, Tennessee, Vereinigte Staaten
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
The Village Voice – The 50 Worst Songs of the ’00s (Nummer: 42) und BILLIONS CLUB
recording of:
Kryptonite
Texter:
Brad Arnold (vocalist for 3 Doors Down)
Komponist(in):
Brad Arnold (vocalist for 3 Doors Down), Todd Harrell und Matt Roberts (guitarist for 3 Doors Down)
publisher:
Escatawpa Songs, Universal/MCA Music Publishing GmbH und Universal/MCA Music Publishing Pty Ltd
3 Doors Down43:55
3Walking on a Dream
recording engineer und Mix:
Peter Mayes
zusätzlich recording engineer:
Chris Vallejo
Koproduzent(in):
Peter Mayes
Produzent(in):
Donnie Sloan
phonographisches Urheberrecht (℗) von:
Nick Littlemore (in 2008)
phonographisches Urheberrecht (℗) von:
The Sleepy Jackson Pty Ltd. (in 2008)
Musikvideos:
Walking on a Dream von Empire of the Sun
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 24), triple j's Hottest 100 of 2008 (16th edition of Australian annual music poll) (Nummer: 4), Pitchfork Presents: The 100 Best Tracks of 2008 (Nummer: 96) und Indie 88: Top 500 Indie Rock Songs (Nummer: 146)
recording of:
Walking on a Dream
Texter:
Nick Littlemore und Jonathan Sloan
Komponist(in):
Jonathan Sloan und Luke Steele
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Music Publishing Australia Pty Ltd. und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Empire of the Sun43:16
4Dilemma
Assistent recording engineer und assistierende(r) Techniker(in):
Nick Howard (engineer)
recording engineer und Techniker(in):
Brian Garten (Engineer)
Produzent(in):
BAM und Ryan Bowser
assistierende(r) Mix:
Dan Milazzo und Jeff Robinette
Mix:
Rich Travali (Engineer)
Partner-Mix:
Jamie Duncan
vocals:
Nelly (US rapper) und Kelly Rowland
phonographisches Urheberrecht (℗) von:
Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 2002) und Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 2002)
produced for:
Suga Shack Entertainment
aufgenommen bei und engineered at:
Right Track Recordings in Manhattan, New York, New York, Vereinigte Staaten
mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten und The Village (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Dilemma
Texter:
Kenneth Gamble (songwriter for Philadelphia International), Nelly (US rapper) und Bunny Sigler
Komponist(in):
BAM und Ryan Bowser
publisher:
BMG (the former Bertelsmann Music Group, defunct since 2004-08-05; for releases dated 2008 and later, see annotation) (beendet), Jackie Frost Music (beendet), Phat Nasty (beendet), Suga Shack (beendet), EMI April Music Inc., Hipgnosis SFH I Limited, Kobalt Songs Music Publishing (USA, ASCAP affiliated), Shack Suga Entertainment, Universal Music–MGB Songs und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
basiert auf:
Love, Need and Want You
Nelly & Kelly Rowland4.24:50
5Family Affair
Techniker(in):
Mauricio “Veto” Iragorri und Chris Ribando
Produzent(in):
Dr. Dre (Andre Young, rap producer)
vocals:
Mary J. Blige
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 2001)
recording of:
Family Affair
Verfasser(in):
Andre Young (Andre Young, rap producer), Mary J. Blige, Mike Elizondo, Camara Kambon und Bruce Miller (younger half-brother of Mary J. Blige/co-writer for her)
zusätzliche(r) Verfasser(in):
Luchana N. Lodge, Melvin Charles Bradford (US west coast hip‐hop producer Melvin Bradford; Aftermath Entertainment) und Paula Miller
Mary J. Blige4.54:28
6Fireflies
Programmierung, Techniker(in) und Produzent(in):
Adam Young (American musician, songwriter; Owl City)
zusätzliche(r) Produzent(in):
Matt Thiessen
Cello:
Phil Peterson (strings)
Gitarre, Keyboard, Klavier, Schlagzeug, Synthesizer und Sologesang:
Adam Young (American musician, songwriter; Owl City)
zusätzlich vocals:
Matt Thiessen
Musikvideos:
Fireflies (official music video) von Owl City
Teil von:
Billboard Year-End Hot 100 singles of 2010 (Nummer: 30) und Billboard Year-End Hot 100 singles of 2009 (Nummer: 60)
recording of:
Fireflies
Texter und Komponist(in):
Adam Young (American musician, songwriter; Owl City)
publisher:
Ocean City Park und Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Owl City4.553:48
7Savior
recording of:
Savior
Rise Against4.154:02
8Murder on the Dancefloor
recording engineer:
Marco Rakascan
assistierende(r) Techniker(in):
Laurence Brazil (production music composer)
Techniker(in):
James Loughrey
Produzent(in):
Gregg Alexander und Matt Rowe
Mix:
Jeremy Wheatley (UK mix engineer, aka Jim Bob)
Bassgitarre:
Guy Pratt
Gitarre:
John Themis
Saiteninstrumente:
Wired Strings
Sologesang:
Sophie Ellis‐Bextor
conductor:
Rosie Wetters
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 2001)
aufgenommen bei:
Mayfair Studios (England) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Townhouse Studios in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Murder on the Dancefloor von Sophie Ellis‐Bextor
Teil von:
Best of 2024: Viral Hits (Nummer: 26)
recording of:
Murder on the Dancefloor
Verfasser(in):
Gregg Alexander und Sophie Ellis‐Bextor
publisher:
Keepin’ It Real, How ’Bout You?, Rondor Music (London) Ltd. und Warner/Chappell Music Ltd. (1996–2019)
Sophie Ellis‐Bextor4.153:51
9Somewhere Only We Know
Programmierung und Techniker(in):
Andy Green (producer, engineer)
Produzent(in):
Andy Green (producer, engineer) und Keane
assistierende(r) Mix:
David Treahern und Rob Haggett
Mix:
Mark “Spike” Stent (producer, engineer)
Bass und Keyboard:
Tim Rice‐Oxley
Schlagzeug:
Richard Hughes (musician and multimedia composer based in Ireland)
phonographisches Urheberrecht (℗) von:
Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (in 2004, in 2024)
aufgenommen bei:
Helioscentric Studios in Rye, East Sussex, England, Vereinigtes Königreich
recording of:
Somewhere Only We Know
Verfasser(in):
Tom Chaplin, Richard Hughes (Keane member) und Tim Rice‐Oxley
publisher:
BMG Music Publishing Ltd.
Keane4.453:56
10Miss IndependentNe‐Yo3.653:54
11You’re Gonna Go Far, Kid
Techniker(in):
Eric Helmkamp und Bob Rock
Produzent(in):
Bob Rock
Mix:
Jens
recording of:
You’re Gonna Go Far, Kid
Texter und Komponist(in):
Dexter Holland
publisher:
Underachiever Music
The Offspring4.22:58
12Where Is the Love?
assistierende(r) Techniker(in):
Christine Sirois
Techniker(in):
Dylan Dresdow und Tal Herzberg
leitende(r) Produzent(in):
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter) und will.i.am (American rapper and producer)
Produzent(in):
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter) und will.i.am (American rapper and producer)
Mix:
Tony Maserati (engineer / mixer)
vocals:
Allen Pineda, Fergie (American singer), Jaime Gomez (member of Black Eyed Peas), Justin Timberlake und will.i.am (American rapper and producer)
conductor:
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter)
arranger:
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter)
phonographisches Urheberrecht (℗) von:
Interscope Geffen (A&M) Records (Interscope Geffen A&M, label group, not normally a release label) (in 2003)
gemixt für:
Two Chord Music Inc.
recording of:
Where Is the Love?
Verfasser(in):
Allan Pineda, Printz Board, J. Curtis, Mike Fratantuno, Jaime Gomez (member of Black Eyed Peas), George Pajon, Jr., Justin Timberlake und William Adams (American rapper and producer)
publisher:
El Cubano Music, Jeepney Music, Nawasha Networks, Printz Polor Publishing, Tenman Tunes, Tuono Music und will.i.am Music
Black Eyed Peas44:34
13Day ’n’ Nite (Nightmare)
recording engineer, Produzent(in) und Mix:
Dot da Genius
Koproduzent(in):
Kid Cudi
zusätzlich vocals:
L.E.X. of Headbanga Muzik Group (performed vocals on Day n Nite by Kid Cudi)
phonographisches Urheberrecht (℗) von:
Universal Motown Records (not for release label use; use “Universal Motown” instead) (in 2009)
co-produced for:
Kiddo Productions
produced for:
HeadBanga Muzik Group (Dot da Genius’ label)
aufgenommen bei und mixed at:
HeadBanga Studios in Brooklyn, New York, New York, Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2009 (Nummer: 28)
recording of:
Day ’n’ Nite
Texter:
Scott Mescudi
Komponist(in):
Oladipo Omishore und Scott Mescudi
publisher:
Elsie's Baby Boy Publishing (ASCAP), Owo Olorun (ASCAP) und Universal Music Corp. (USA, affiliated with ASCAP)
Kid Cudi3.953:41
14Alors on danse (radio edit)
phonographisches Urheberrecht (℗) von:
Mosaert (Stromae’s label) (in 2010)
a cappella versions:
Alors On Danse (L∆VINCi Remix) von L∆VINCi (LAVINCi) feat. Stromae
Teil von:
MIA Award: Song of the Year (Nummer: 2010)
recording of:
Alors on danse
Texter und Komponist(in):
Paul Van Haver
publisher:
Because Éditions, Kilomaître Publishing und Mosaert (Stromae’s label)
Stromae3.453:28
15A Thousand Miles
recording engineer:
Tal Herzberg und Michael C. Ross (US engineer, active 1980s–present)
zusätzlich recording engineer:
Bill Schnee
Techniker(in):
Tal Herzberg
Produzent(in):
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter)
Mix:
Jack Joseph Puig
Klavier und Sologesang:
Vanessa Carlton
conductor:
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter)
arranger:
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter)
concertmaster:
Endre Granat (Hungarian violinist)
Musikvideos:
A Thousand Miles von Vanessa Carlton
Teil von:
Billboard Year-End Hot 100 singles of 2002 (Nummer: 6) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 94)
recording of:
A Thousand Miles
Texter und Komponist(in):
Vanessa Carlton
Vanessa Carlton3.453:57
16Promiscuous
recording engineer und Mix:
Demacio "Demo" Castellon
zusätzlich recording engineer:
Marcella "Ms. Lago" Araica (American songwriter, recording and mixing engineer)
zusätzliche Programmierung:
Demacio "Demo" Castellon
Techniker(in):
Vadim Chislov, Demacio "Demo" Castellon, Ben Jost (engineer), James Roach (engineer) und Kobla Tetey
Produzent(in):
Jim Beanz (Sologesang), Danja (US producer Nate Hills) und Timbaland
Keyboard [keyboards] und Schlagzeug [drums]:
Danja (US producer Nate Hills) und Timbaland
Gast vocals:
Timbaland
Hintergrundgesang:
Nelly Furtado
zusätzlich Hintergrundgesang:
Jim Beanz
phonographisches Urheberrecht (℗) von:
Mosley Music Group LLC (Do not use as a release company, use Mosley Music Group instead) und Geffen Records (in 2006)
gemixt für:
Storm Circle Entertainment
produced for:
Danja Handz Productions, Pettaway Music, Sunset Entertainment und Timbaland Productions
aufgenommen bei:
The Hit Factory Miami in Miami, Florida, Vereinigte Staaten
mixed at:
Thomas Crown Studios Virginia Beach in Virginia Beach, Virginia, Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 456)
recording of:
Promiscuous
Texter:
Attitude (US rapper/producer Tim Clayton), Nelly Furtado und Timbaland
Komponist(in):
Timothy Clayton, Nelly Furtado, Nate Hills (US producer Nate Hills) und Timothy Mosley
Nelly Furtado & Timbaland3.854:02
17Bring Me to Life
Programmierung:
Ben Moody (American guitarist and producer)
zusätzliche Programmierung:
Zac Baird, David Hodges (American record producer & songwriter) und Chris Johnson (programming/production for Ivy Lane Music)
assistierende(r) Techniker(in):
Sergio Chavez, Jason Cupp, Ai Fujisaki, Dean Nelson und Sam Storey
Techniker(in):
Jeremy Parker (engineer)
zusätzliche(r) Techniker(in):
Ben Moody (American guitarist and producer)
Produzent(in):
Dave Fortman
Mix:
Jay Baumgardner
Bassgitarre:
Francesco DiCosmo
Gitarre und Perkussion:
Ben Moody (American guitarist and producer)
Keyboard und Klavier:
David Hodges (American record producer & songwriter)
Schlagzeug:
Josh Freese (American drummer)
Gast vocals:
Paul McCoy
Sologesang:
Amy Lee (singer and keyboardist of Evanescence)
phonographisches Urheberrecht (℗) von:
The Bicycle Music Company (part of Concord Bicycle Music since 2015/04/01, overseeing publishing and rights management) (in 2003)
Musikvideos:
Bring Me to Life von Evanescence
Teil von:
VH1’s Big Song of 2003 (Nummer: 22), Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (Nummer: 43) und VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 83)
recording of:
Bring Me to Life
Verfasser(in):
David Hodges (American record producer & songwriter), Amy Lee (singer and keyboardist of Evanescence) und Ben Moody (American guitarist and producer)
publisher:
Forthefallen Publishing, Reservoir One America, ROBA Music Verlag GmbH und Zombies Ate My Publishing
Evanescence4.453:56
18Maneater
recording engineer und Mix:
Demacio "Demo" Castellon
zusätzlich recording engineer und zusätzliche(r) Mix:
Marcella "Ms. Lago" Araica (American songwriter, recording and mixing engineer)
Techniker(in):
Vadim Chislov, Demacio "Demo" Castellon, Ben Jost (engineer), James Roach (engineer) und Kobla Tetey
Produzent(in):
Jim Beanz (Sologesang), Danja (US producer Nate Hills) und Timbaland
Schlagzeug [drums] und Keyboard [keyboards]:
Danja (US producer Nate Hills)
Hintergrundgesang:
Jim Beanz, Nelly Furtado und Timbaland
phonographisches Urheberrecht (℗) von:
Mosley Music Group LLC (Do not use as a release company, use Mosley Music Group instead) und Geffen Records (in 2006)
gemixt für:
Storm Circle Entertainment
produced for:
Danja Handz Productions, Pettaway Music, Sunset Entertainment und Timbaland Productions
aufgenommen bei:
The Hit Factory Miami in Miami, Florida, Vereinigte Staaten
mixed at:
Thomas Crown Studios Virginia Beach in Virginia Beach, Virginia, Vereinigte Staaten
recording of:
Maneater
Texter:
Nelly Furtado
zusätzlicher Texter:
Jim Beanz
Komponist(in):
Nelly Furtado, Nate Hills (US producer Nate Hills) und Timothy Mosley
publisher:
Danjahandz Muzik, Millennium Kid Music Publishing, Nelstar Publishing und Virginia Beach Music
Nelly Furtado3.854:25
19Put Your Records On
recording engineer, Programmierung und Produzent(in):
Steve Chrisanthou
zusätzliche(r) Produzent(in):
Jimmy Hogarth (producer and songwriter)
Mix:
Jeremy Wheatley (UK mix engineer, aka Jim Bob)
Akustikgitarre und Perkussion und Hintergrundgesang und Sologesang:
Corinne Bailey Rae
alto saxophone:
Jason Rae
Bassgitarre [bass]:
Samuel Dixon
Hammond-Orgel:
Joe Tatton
Keyboard:
John Beck (Writer, producer & musician)
klassiche Gitarre [spanish guitar], E-Gitarre und Perkussion:
Steve Chrisanthou
Tenorsaxophon:
Jim Corry
Trompete:
Malcolm Strachan
zusätzlich Hintergrundgesang:
Cara Robinson
enthält Samples von:
Steve Chrisanthou (Horn)
mixed at:
TwentyOne Studios in London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Put Your Records On von Corinne Bailey Rae
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 236)
recording of:
Put Your Records On
Verfasser(in):
Corinne Bailey Rae, John Beck (Writer, producer & musician) und Steve Chrisanthou
Corinne Bailey Rae3.73:35
20Dog Days Are Over
recording engineer:
Jimmy Robertson (sound engineer)
Produzent(in):
James Ford (UK producer/engineer/drummer for Simian Mobile Disco)
zusätzliche(r) Produzent(in):
Isabella Summers
Mix:
James Ford (UK producer/engineer/drummer for Simian Mobile Disco) und Jimmy Robertson (sound engineer)
Bassgitarre und zusätzlich Klavier:
James Ford (UK producer/engineer/drummer for Simian Mobile Disco)
Bratsche / Viola:
Bruce White (violist)
Cello:
Ian Burdge (cellist)
Geige / Violine:
Sally Herbert (violinist, composer, and conductor) und Everton Nelson (violinist)
Gitarre:
Rob Ackroyd
Harfe:
Tom Moth (harpist)
Klavier:
Isabella Summers
Schlagzeug:
Christopher Lloyd Hayden
Sologesang:
Florence Welch (English singer)
phonographisches Urheberrecht (℗) von:
Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (in 2009)
aufgenommen bei:
The Garden (John Foxx's studio in London) in Shoreditch, Hackney, London (Greater London), England, Vereinigtes Königreich
mixed at:
Metropolis (London) in London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Dog Days Are Over (music video) von Florence + the Machine
instrumental versions:
Dog Days Are Over (instrumental) von Florence + the Machine
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 164)
recording of:
Dog Days Are Over
Verfasser(in):
Isabella Summers und Florence Welch (English singer)
publisher:
Florence + the Machine Limited und Universal Music Publishing (UK) Ltd.
Florence + the Machine3.84:13
21Island in the Sun
Assistent recording engineer:
Alan Sanderson
assistierende(r) Mix:
Femio Hernandez
aufgenommen bei:
Cello Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 2000-12)
mixed at:
South Beach Studios in Miami Beach, Florida, Vereinigte Staaten (in 2001-01)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 196)
recording of:
Island in the Sun (Weezer)
Texter und Komponist(in):
Rivers Cuomo (US singer, guitarist & songwriter of Weezer)
publisher:
E.O. Smith Music
Weezer4.253:20
22Hey There Delilah
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 302)
recording of:
Hey There Delilah
Texter und Komponist(in):
Tom Higgenson (Plain White T's lead singer)
Plain White T’s3.553:53
23Thnks fr th Mmrs
Produzent(in):
Babyface (R&B musician Kenny Edmonds)
Gast-Mandoline:
Babyface (R&B musician Kenny Edmonds)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2007)
Musikvideos:
Thnks fr th Mmrs (video) von Fall Out Boy (pop punk band)
recording of:
Thnks fr th Mmrs
Verfasser(in):
Patrick Stump und Pete Wentz
Fall Out Boy4.453:25
24Dance, Dance
assistierende(r) Mix:
Femio Hernandez
Mix:
Tom Lord‐Alge
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2006), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2006), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2006) und Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 2006)
Musikvideos:
Dance, Dance von Fall Out Boy (pop punk band)
recording of:
Dance, Dance
Texter:
Pete Wentz
Komponist(in):
Andy Hurley (rock drummer from the US), Patrick Stump, Joe Trohman und Pete Wentz
publisher:
Chicago X Softcore Songs
Fall Out Boy4.053:01
25It Wasn’t Me
recording engineer und Mix:
Shaun Pizzonia
Produzent(in):
Shaun Pizzonia und Sting International
Blechblasinstrumente:
Kevin Bachelor und Jerry Johnson (saxophonist with roots reggae band Steel Pulse)
Geige / Violine:
Gwen Laster
Gitarre:
R. Zapata
Keyboard:
Nigel Staff
membranophone und Perkussion [drums]:
Shaun Pizzonia
Hintergrundgesang:
Brian & Tony Gold und Shaun Pizzonia
Sologesang:
Ricardo Ducent und Shaggy (Orville Richard Burrell, dancehall and reggae singer)
vocals und Interpret(in):
Ricardo “Rik Rok” Ducent
phonographisches Urheberrecht (℗) von:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2000, in 2001)
produced for:
Big Yard Music Group
aufgenommen bei und mixed at:
Ranch Recording Studio in New York, Vereinigte Staaten
Musikvideos:
It Wasn't Me von Shaggy (Orville Richard Burrell, dancehall and reggae singer) featuring Ricardo “RikRok” Ducent
Teil von:
My VH1 Music Awards – Your Song Kicked Ass but Was Played Too Damn Much Nominees (2001) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 273)
recording of:
It Wasn’t Me
Verfasser(in):
Brian Thompson, Orville Burrell (Orville Richard Burrell, dancehall and reggae singer), Shaun Pizzonia und Ricardo Ducent
publisher:
Livingsting Music
basiert auf:
Smile Happy
Shaggy & Ricardo Ducent3.553:49
26It’s My Life
Programmierung:
Graham Hawthorne und Andy Snitzer
assistierende(r) Techniker(in):
Mike Rew
Techniker(in):
Obie O’Brien
Koproduzent(in):
Max Martin (Swedish record producer)
Produzent(in):
Jon Bon Jovi, Luke Ebbin und Richie Sambora
Mix:
Bob Clearmountain
Bassgitarre:
Hugh McDonald (bassist)
E-Gitarre:
Richie Sambora
Keyboard:
David Bryan (keyboardist for Bon Jovi)
Perkussion und Schlagzeug:
Tico Torres
Hintergrundgesang:
David Bryan (keyboardist for Bon Jovi), Hugh McDonald (bassist) und Richie Sambora
Sologesang:
Jon Bon Jovi
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label)
aufgenommen bei:
Sanctuary II Studio (Sometimes listed as "Sanctuary Sound II" on releases.) in New Jersey, Vereinigte Staaten
Musikvideos:
It's My Life von Bon Jovi (group)
Teil von:
BILLIONS CLUB
recording of:
It’s My Life (Bon Jovi)
Verfasser(in):
Jon Bon Jovi, Max Martin (Swedish record producer) und Richie Sambora
publisher:
Aggressive Music, Bon Jovi Publishing, GV-MXM, Imagem London Ltd., Sony/ATV Tunes LLC (ASCAP) und Universal Music–Z Tunes LLC
live recording of:
It’s My Life (Bon Jovi)
Verfasser(in):
Jon Bon Jovi, Max Martin (Swedish record producer) und Richie Sambora
publisher:
Aggressive Music, Bon Jovi Publishing, GV-MXM, Imagem London Ltd., Sony/ATV Tunes LLC (ASCAP) und Universal Music–Z Tunes LLC
Bon Jovi43:45
27Bad Moon Rising
Produzent(in):
John Fogerty
Akustikgitarre und Sologesang:
John Fogerty
Bassgitarre:
Stu Cook (in 1969-03)
Gitarre:
John Fogerty (in 1969-03) und Tom Fogerty (in 1969-03)
Schlagzeug:
Doug Clifford (in 1969-03)
vocals:
John Fogerty (in 1969-03)
Interpret(in):
Creedence Clearwater Revival
arranger:
John Fogerty
phonographisches Urheberrecht (℗) von:
Fantasy, Inc. (not for release label use!) (in 1969), Fantasy Records (not for release label use! file releases under its "Fantasy" imprint instead) (in 1976) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 356)
recording of:
Bad Moon Rising (in 1969-03)
Texter und Komponist(in):
John Fogerty
publisher:
Burlington Music Co., Ltd., Jondora Music und Warner/Chappell Music Australia Pty. Ltd.
Creedence Clearwater Revival4.32:22
28Pump It
drum machine-Programmierung:
will.i.am (American rapper and producer)
Techniker(in):
Tal Herzberg, Jason "Ill-Aroma" Villaroman und will.i.am (American rapper and producer)
Produzent(in):
will.i.am (American rapper and producer)
Mix:
Mark “Spike” Stent (producer, engineer)
Bass und Moog:
will.i.am (American rapper and producer)
Gitarre:
George Pajon, Jr.
vocals:
apl.de.ap, Fergie (American singer), Taboo (member of Black Eyed Peas) und will.i.am (American rapper and producer)
Samples:
Misirlou Twist von Dick Dale and His Del‐Tones
Musikvideos:
Pump It (video) von The Black Eyed Peas (US pop/hip hop group)
recording of:
Pump It
Verfasser(in):
apl.de.ap, Fergie (American singer), Thomas van Musser, Nicholas Roubanis (Greek American musician) und will.i.am (American rapper and producer)
basiert auf:
Miserlou
Black Eyed Peas3.953:34
29Pursuit of Happiness (Nightmare)
Assistent recording engineer:
Michael Makowski, Anthony Palazzole und Josh Shultz
recording engineer:
Evan Mast und Ryan West (engineer)
Produzent(in):
Ratatat (US electronic rock duo)
assistierende(r) Mix:
Erik Madrid (engineer) und Christian Plata
Mix:
Manny Marroquin
Saiteninstrumente:
The Larry Gold Orchestra
Solo-Gitarre:
Mike Stroud
zusätzlich vocals:
Ben Goldwasser und Andrew VanWyngarden
conductor:
Larry Gold (Saiteninstrumente)
Saiteninstrumente arranger:
Larry Gold
phonographisches Urheberrecht (℗) von:
Universal Motown Records (not for release label use; use “Universal Motown” instead) (in 2009)
aufgenommen bei:
Chung King Studios in New York, New York, Vereinigte Staaten
mixed at:
Larrabee Sound Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
arrangiert bei:
The Studio 215 in London (Greater London), England, Vereinigtes Königreich (Saiteninstrumente)
recording of:
Pursuit of Happiness
Texter und Komponist(in):
Evan Mast, Scott Ramon Seguro Mescudi und Mike Stroud
Teil von:
Matuschkes Lieblinge 2009
Kid Cudi, MGMT & Ratatat3.84:56
30So Sick
Musikvideos:
So Sick von Ne‐Yo
recording of:
So Sick
Verfasser(in):
Mikkel Storleer Eriksen, Tor Erik Hermansen und Shaffer Chimere Smith
zusätzliche(r) Verfasser(in):
John Bettis und Steve Porcaro
publisher:
EMI April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), John Bettis Music, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Tunes LLC (ASCAP) und Super Sayin’ Publishing
sub-publisher:
Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), イーエムアイ音楽出版 C・F事業部 (EMI Music Publishing Japan C.F. division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Ne‐Yo3.353:27
31Somebody Told Me
recording engineer:
Jeff Saltzman (music attorney and record producer)
Produzent(in):
Jeff Saltzman (music attorney and record producer) und The Killers (American rock band)
Mix:
Alan Moulder (producer and engineer)
phonographisches Urheberrecht (℗) von:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2017)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 42)
recording of:
Somebody Told Me
Verfasser(in):
Brandon Flowers, Dave Keuning, Ronnie Vannucci und Mark Stoermer
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
The Killers3.853:21
32Have You Ever Seen the Rain
recording engineer und Mix:
Russ Gary
Produzent(in):
John Fogerty
Bassgitarre:
Stu Cook
Gitarre:
John Fogerty und Tom Fogerty
Schlagzeug:
Doug Clifford
Sologesang:
John Fogerty
arranger:
John Fogerty
phonographisches Urheberrecht (℗) von:
Fantasy Records (not for release label use! file releases under its "Fantasy" imprint instead) (in 1976)
aufgenommen bei und mixed at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California (Kalifornien), Vereinigte Staaten
recording of:
Have You Ever Seen the Rain? (in 1971-11)
Texter und Komponist(in):
John Fogerty
publisher:
Burlington Music Co., Ltd., Jondora Music und Prestige Music Co. Ltd.
Creedence Clearwater Revival4.42:40
33I Kissed a Girl
recording engineer:
Mike Caffrey (drum machine [drum])
sonstige Unterstützung:
Gary "G" Silver (Aufgabe: production coordinated)
Programmierung:
benny blanco (producer Benjamin Levin) und Dr. Luke
Techniker(in):
Nick Banns, Mike Caffrey, Aniela Gottwald, John Hanes (audio engineer, mixer), Sam Holland (sound engineer), Tina Kennedy und Emily Wright
Produzent(in):
Dr. Luke
zusätzliche(r) Produzent(in):
benny blanco (producer Benjamin Levin) und Mike Caffrey (drum machine [drum])
assistierende(r) Mix:
Tim Roberts (engineer)
Mix:
Serban Ghenea
Bassgitarre [bass] und Gitarre [guitars]:
Dr. Luke
Schlagzeug [drums]:
benny blanco (producer Benjamin Levin) und Dr. Luke
Schlagzeug [live drums]:
Steven Wolf (drummer from USA)
Hintergrundgesang:
Cathy Dennis
Sologesang:
Katy Perry
phonographisches Urheberrecht (℗) von:
Capitol Music Group (label group, not normally a release label) (in 2008)
produced for:
Kasz Money Productions, Inc.
aufgenommen bei:
Conway Recording Studio in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Dr. Luke's in New York, New York, Vereinigte Staaten, Legacy Recording Studios (not to be confused with Legacy Studios, Canada) in Manhattan, New York, New York, Vereinigte Staaten und Monster Island in New York, New York, Vereinigte Staaten (drum machine [drum])
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2008 (Nummer: 14) und BILLIONS CLUB
recording of:
I Kissed a Girl
Verfasser(in):
Cathy Dennis, Lukasz Gottwald, Max Martin (Swedish record producer) und Katy Perry
publisher:
EMI April Music Inc., EMI Music Publishing UK, Kasz Money Publishing (ASCAP affiliated), Maratone, MXM Music AB, Prescription Songs, Toxic Songs Ltd., WB Music Corp. (1929–2019) und When I’m Rich You’ll Be My Bitch
Katy Perry3.953:01
34Dile
Produzent(in):
Eliel (Eliel Lind Osorio, reggaeton producer aka "El Que Habla con las Manos")
DJ-Mixer:
Dj Moody Mike
Samples:
La noche von Richie Ray & Bobby Cruz (aka Richie Ray & Bobby Cruz) featuring Joe Arroyo (Álvaro José Arroyo González)
recording of:
Dile
Texter:
Alvaro Arroyo (Álvaro José Arroyo González) und William Omar Landron (William Omar Landrón Rivera)
Komponist(in):
Eliel (Eliel Lind Osorio, reggaeton producer aka "El Que Habla con las Manos")
publisher:
ARC Music Group und Crown P. Publishing (BMI)
Don Omar4.53:27
35Better Together
Techniker(in) und Mix:
Mario Caldato Jr. und Robert Carranza
Produzent(in):
Mario Caldato Jr.
Bassgitarre:
Merlo Podlewski
Gitarre und Sologesang:
Jack Johnson (singer‐songwriter from Hawaii) (in 2004-10)
Perkussion und Schlagzeug:
Adam Topol
aufgenommen bei:
The Mango Tree in Kailua (Honolulu County), Hawaii, Vereinigte Staaten (in 2004-10)
recording of:
Better Together (in 2004-10)
Texter und Komponist(in):
Jack Johnson (singer‐songwriter from Hawaii)
publisher:
Bubble Toes Publishing (ASCAP-affiliated)
Jack Johnson3.53:28
36X Gon’ Give It to Ya
recording of:
X Gon’ Give It to Ya
Verfasser(in):
Earl Simmons (US rapper), Kasseem Mike Dean (US hip hop producer) und Shatek King
DMX43:38
37Mr. Brightside
recording engineer:
Jeff Saltzman (music attorney and record producer)
Produzent(in):
Jeff Saltzman (music attorney and record producer) und The Killers (American rock band)
Mix:
Mark Needham
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2004) und Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2017)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 4), NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 33), Offizielle deutsche Charts – Single-Jahrescharts 2025 (Nummer: 51), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 90) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 378)
recording of:
Mr. Brightside
Verfasser(in):
Brandon Flowers und Dave Keuning
publisher:
The Killers Publishing und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
The Killers4.153:44
38I Miss You
recording engineer:
Ryan Hewitt
Produzent(in):
Jerry Finn
Mix:
Tom Lord‐Alge
Bassgitarre:
Mark Hoppus
Gitarre:
Tom DeLonge
Keyboard:
Roger Joseph Manning Jr. (American keyboardist and singer/songwriter)
Schlagzeug:
Travis Landon Barker (American producer and drummer of blink-182)
vocals:
Tom DeLonge und Mark Hoppus
phonographisches Urheberrecht (℗) von:
Geffen Records (in 2003)
Musikvideos:
I Miss You von blink‐182
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 235)
recording of:
I Miss You
Verfasser(in):
Travis Barker (American producer and drummer of blink-182), Tom DeLonge und Mark Hoppus
publisher:
Beat Poet Music, EMI April Music Inc., Fun With Goats, Hi My Name Is Mark und Universal Music Corp. (USA, affiliated with ASCAP)
blink‐1824.33:48
39Sugar, We’re Goin Down
assistierende(r) Mix:
Femio Hernandez
Mix:
Tom Lord‐Alge
Sologesang:
Patrick Stump
Musikvideos:
Sugar, We’re Goin Down von Fall Out Boy (pop punk band)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 246) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 443)
recording of:
Sugar, We’re Goin Down
Texter:
Pete Wentz
Komponist(in):
Andy Hurley (rock drummer from the US), Patrick Stump, Joe Trohman und Pete Wentz
publisher:
Chicago X Softcore Songs
Fall Out Boy4.353:51
40Last Resort
Techniker(in):
David Dominguez
Produzent(in) und Mix:
Jay Baumgardner
assistierende(r) Mix:
D Rock
Editing:
James Murray (US engineer)
phonographisches Urheberrecht (℗) von:
SKG Music LLC (for copyrights use only, company associated with Dreamworks Records) (in 2000), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
aufgenommen bei und mixed at:
NRG Recording Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Last Resort von Papa Roach
recording of:
Last Resort
Texter und Komponist(in):
David Buckner, Tobin Esperance, Jerry Horton und Jacoby Shaddix
publisher:
BMG Gold Songs, I Make Dumb Music, Reservoir Media Music und Viva La Cucaracha Music
Papa Roach3.63:20