Adventures in Early Music

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

label: Deutsche Harmonia Mundi(68859)

Anmerkung zuletzt geändert am 2006-11-12 10:37 UTC.

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Symphonia armonie celestium revelationem: O vis aeternitatis (Sequentia)
recording engineer:
Martin Andrae (von 1993-06-16 bis 1993-06-21)
Produzent(in):
Klaus L. Neumann
Editing:
Barbara Göbel
Drehleier [organistrum]:
Benjamin Bagby (von 1993-06-16 bis 1993-06-21)
Fiddle:
Elizabeth Gaver (von 1993-06-16 bis 1993-06-21) und Elisabetta de Mircovich (von 1993-06-16 bis 1993-06-21)
Instrumente:
Sequentia (early music ensemble)
Chorgesang:
Sequentia (early music ensemble)
vocals:
Laurie Monahan (classical mezzo-soprano vocalist) (von 1993-06-16 bis 1993-06-21)
Interpret(in):
Sequentia (early music ensemble) (von 1993-06-16 bis 1993-06-21)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1994)
aufgenommen bei:
St. Pantaleon (Köln) in Köln, Nordrhein-Westfalen, Deutschland (von 1993-06-16 bis 1993-06-21)
recording of:
Symphonia armonie celestium revelationem: O vis eternitatis (von 1993-06-16 bis 1993-06-21)
Komponist(in):
Hildegard von Bingen (German medieval saint)
Teil von:
Symphonia armonie celestium revelationum
Hildegard von Bingen8:00
2Luz y norte musical: Gallardas (The Harp Consort feat. conductor: Andrew Lawrence-King)
Instrumente:
The Harp Consort (Guernsey-based international early music ensemble)
conductor:
Andrew Lawrence‐King (Early music harpist and conductor)
recording of:
Gallardas
Komponist(in):
Lucas Ruiz de Ribayaz
Lucas Ruiz de Ribayaz1:25
3Mass in B minor, BWV 232: II. Gloria in excelsis Deo (Freiburgerbarockorchester feat. conductor: Thomas Hngelbrock)
Chorgesang:
Balthasar‐Neumann‐Chor (in 1996-10)
Orchester:
Freiburger Barockorchester (in 1996-10)
conductor:
Thomas Hengelbrock (German violinist and conductor) (in 1996-10)
aufgenommen bei:
Evangelische Peter-und-Paul-Kirche, Gönningen in Reutlingen, Baden-Württemberg, Deutschland (in 1996-10)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (Mass in B minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo") (in 1996-10)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach1:41
4Essercizii Musici: Trio No. 3 for violin, oboe & continuo in G minor, TWV 42:g5: II. Allegro (Camerata Köln)
Orchester:
Camerata Köln (Cologne Camerata)
recording of:
Essercizii Musici: Trio No. 3 for violin, oboe & continuo in G minor, TWV 42:g5: II. Allegro
Komponist(in):
Georg Philipp Telemann (composer)
Teil von:
Essercizii Musici: Trio No. 3 for violin, oboe & continuo in G minor, TWV 42:g5
Georg Philipp Telemann3:12
5Adagio for Strings, Op. 11 (The Smithsonian Chamber Players)
Instrumente und Orchester:
Smithsonian Chamber Players
conductor:
Kenneth Slowik (cellist)
recording of:
Adagio for Strings (catch‐all for arrangements)
Komponist(in):
Samuel Barber (American composer) (in 1936)
Arrangement von:
Adagio for Strings
Samuel Barber7:39
6Italian Concerto in F major, BWV 971: III. Presto (harpsichord: Andreas Staier)
Techniker(in):
Stephan Schmidt (classical producer and editor)
Produzent(in):
Klaus L. Neumann
Editing:
Götz Bürki (engineer) und Ruth Witt
Cembalo:
Andreas Staier (von 1993-04-14 bis 1993-04-29)
Tonmeister(in):
Christian Meurer
aufgenommen bei:
Kammermusiksaal Beethoven-Haus in Bonn, Nordrhein-Westfalen, Deutschland (von 1993-04-14 bis 1993-04-29)
recording of:
Italienisches Konzert F-Dur, BWV 971: III. Presto (Italian Concerto in F major, BWV 971: III. Presto) (von 1993-04-14 bis 1993-04-29)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
Teil von:
Italienisches Konzert F-Dur, BWV 971 (Italian Concerto in F major, BWV 971)
Johann Sebastian Bach3:38
7Stabat mater: Stabat mater (Koor en Barokorkest van de Nederlandse Bachvereniging & Netherlands Bach Society feat. conductor: Gustav Leonhardt)
Chorgesang:
Koor van de Nederlandse Bachvereniging
Orchester:
Barokorkest van de Nederlandse Bachvereniging (The Netherlands Bach Society)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Stabat Mater: I. "Stabat Mater dolorosa"
Komponist(in):
Agostino Steffani
Teil von:
Stabat Mater
Agostino Steffani2:19
8Schwanengesang, D. 957 No. 10: Das Fischermädchen (tenor: Christoph Prégardien, piano: Andreas Staier)
Klavier:
Andreas Staier
Tenor-Gesang:
Christoph Prégardien (tenor)
recording of:
Schwanengesang, D. 957: X. Das Fischermädchen
Texter:
Heinrich Heine (German poet)
Komponist(in):
Franz Schubert (composer) (in 1828)
Teil von:
Schwanengesang, D. 957
Franz Schubert1:46
9Mrs. Fetherston "Carolan's Devotion" (The Harp Consort feat. conductor: Andrew Lawrence-King)
recorded in:
Valkkoog, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands (von 1996-05-20 bis 1996-05-26)
Techniker(in) und Produzent(in):
John Hadden
Instrumente und Interpret(in):
The Harp Consort (Guernsey-based international early music ensemble) (von 1996-05-20 bis 1996-05-26)
conductor:
Andrew Lawrence‐King (Early music harpist and conductor) (von 1996-05-20 bis 1996-05-26)
Toirdhealbhach Ó Cearbhalláin2:32
10The Musical Offering, BWV 1079: Canon a 2, per Motum contrarium (Kuijken Ensemble)
Cembalo:
Robert Kohnen (Belgian organist & harpsichordist)
Geige / Violine:
Sigiswald Kuijken
Querflöten (alle Arten):
Barthold Kuijken (Belgian flautist and recorder player)
recording of:
Musikalisches Opfer, BWV 1079: IIIc. 5 Canones diversi super thema regium, Canon a 2 Per motum contrarium
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach1:07
11Canción a dos tiples (Al Ayre Español)
Interpret(in):
Al Ayre Español
[anonymous]2:53
12Symphony No. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (The Smithsonian Chamber Players)
Orchester:
Smithsonian Chamber Players
recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (catch-all for arrangements)
Komponist(in):
Gustav Mahler (composer) (von 1901 bis 1902)
Arrangement von:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam
Gustav Mahler7:26
13Symphony No. 101 in D major "Clock", Hob I:101: III. Menuetto e Trio: Allegretto (La Petite Bande feat. conductors: Sigiswald Kuijken & Ryo Terakado)
Orchester:
La Petite Bande (Belgian chamber orchestra)
conductor:
Sigiswald Kuijken und 寺神戸亮 (Ryo Terakado, violinist)
recording of:
Symphony no. 101 in D major, Hob. I:101 “Clock”: III. Menuet. Allegretto - Trio - Menuet
Komponist(in):
Joseph Haydn (composer) (in 1794)
Teil von:
Symphony no. 101 in D major, Hob. I:101 “Clock”
Joseph Haydn7:02
14Madrigali a uno, due e tre soprani: T'amo mia vita (Consort of Musicke feat. conductor: Paolo Dery)
Orchester:
The Consort of Musicke (British early-music group)
conductor:
Paolo Dery
Luzzasco Luzzaschi2:50
15Planxty Connor (The Harp Consort feat. conductor: Andrew Lawrence-King)
recorded in:
Valkkoog, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands (von 1996-05-20 bis 1996-05-26)
Techniker(in) und Produzent(in):
John Hadden
Instrumente und Interpret(in):
The Harp Consort (Guernsey-based international early music ensemble) (von 1996-05-20 bis 1996-05-26)
conductor:
Andrew Lawrence‐King (Early music harpist and conductor) (von 1996-05-20 bis 1996-05-26)
Toirdhealbhach Ó Cearbhalláin2:29
16Vespro della beata vergine, SV 206: Intonatio: Deus in adjutorium meum intende / Domine ad adjuvandum me festina (Cantus Cölln feat. conductor: Konrad Junghänel)
Chorgesang:
Cantus Cölln (German vocal music ensemble)
vocals und Interpret(in):
Cantus Cölln (German vocal music ensemble)
Orchester:
Concerto Palatino (early music wind instruments ensemble)
conductor:
Konrad Junghänel (lutenist and conductor) und Konrad Junghänel (lutenist and conductor) (Laute)
recording of:
Vespro della Beata Vergine, SV 206: I. "Deus in adiutorium" / II. Toccata "Domine ad adiuvandum"
Komponist(in):
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
Teil von:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
Claudio Monteverdi2:12
17Ora pro nobis beate Nicolae (Sequentia)
[anonymous]2:16
18Sonata for cello & continuo No. 7 in A minor, RV 44: II. Allegro poco (cello: Anner Bylsma, harpsichord: Jacques Ogg, violin: Hidemi Suzuki)
Produzent(in):
C. Jared Sacks (classical producer/engineer)
Cello:
Anner Bylsma (cellist) (in 1990) und Hideimi Suzuki (Hidemi Suzuki, cellist) (in 1990)
Cembalo:
Jacques Ogg (in 1990)
aufgenommen bei:
Channel Classics Studio in Amsterdam, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands (in 1990)
recording of:
Cello Sonata in A minor, RV 44: II. Allegro poco (in 1990)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Cello Sonata in A minor, RV 44
Antonio Vivaldi2:54
19Double Concerto in F major, Wq. 46: III. Allegro assai (Collegium Aureum feat. conductor: Franz Josef Maier)
Cembalo:
Alan Curtis (harpsichordist, musicologist, and conductor) (von 1982-06-21 bis 1982-06-24) und Gustav Leonhardt (conductor, harpsichordist) (von 1982-06-21 bis 1982-06-24)
Orchester:
Collegium Aureum (von 1982-06-21 bis 1982-06-24)
conductor:
Franz Josef Maier (German violinist and conductor) (von 1982-06-21 bis 1982-06-24)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1995)
aufgenommen bei:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Deutschland (von 1982-06-21 bis 1982-06-24)
recording of:
Concerto in F major, Wq 46, H 408: III. Allegro assai (von 1982-06-21 bis 1982-06-24)
Komponist(in):
Carl Philipp Emanuel Bach (German classical composer)
Teil von:
Concerto in F major, Wq 46, H 408
Carl Philipp Emanuel Bach5:23

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Veröffentlichung

ASIN:US: B000001TVY [Info]