Rock: 120 Original Hits

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1Love Shack
assistierende(r) Techniker(in):
Martin Kunitz
Techniker(in):
Dave Cook (US engineer and producer)
Produzent(in):
Don Was
Mix:
Tom Durack
Gast-Bassgitarre:
Sara Lee (UK bassist, singer & songwriter)
Gast-Horn:
Uptown Horns (US horn section, formed in 1980)
Gast-Schlagzeug:
Charley Drayton
Gitarre:
Keith Strickland
Keyboard:
Kate Pierson
vocals:
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s) und Cindy Wilson
phonographisches Urheberrecht (℗) von:
Reprise Records (in 1989)
aufgenommen bei:
Dreamland Studios in Hurley, New York, Vereinigte Staaten
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
additionally produced at:
Bearsville Studios in Bearsville, New York, Vereinigte Staaten
Musikvideos:
Love Shack von The B‐52’s
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 40), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 41) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 243)
recording of:
Love Shack
Verfasser(in):
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s), Keith Strickland und Cindy Wilson
publisher:
Man-Woman Together, Now!
The B‐52s4.25:22
2Alive and Kicking
Bearbeitung von:
Alive and Kicking von Simple Minds (Scottish rock band)
recording of:
Alive and Kicking
Verfasser(in):
Charlie Burchill, Jim Kerr (of Simple Minds) und Michael MacNeil
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. und Simple Minds Ltd
Simple Minds44:35
3Wild Wild Life
recording of:
Wild Wild Life
Texter und Komponist(in):
David Byrne (Talking Heads)
publisher:
Index Music, Inc.
Talking Heads3:41
4Get It On
Techniker(in):
Jason Corsaro (U.S. music engineer, and record producer)
Produzent(in):
Bernard Edwards (American bassist and record producer)
Mix:
Jason Corsaro (U.S. music engineer, and record producer) und Bernard Edwards (American bassist and record producer)
Bassgitarre:
John Taylor (UK bassist for Duran Duran)
Gitarre:
Andy Taylor (of Duran Duran)
Schlagzeug:
Tony Thompson (drummer, best known for his work in CHIC)
Sologesang:
Robert Palmer (English singer‐songwriter)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985)
cover recording of:
Get It On (Bang a Gong)
Texter und Komponist(in):
Marc Bolan
publisher:
Essex Music International, Essex Music International, Inc., Essex Musikförlaget, Essex Musikvertrieb GmbH, The Richmond Organization, TRO Essex Music International, Inc. und Westminster Music Ltd.
The Power Station3.253:46
5Letter From America
Produzent(in):
Hugh Murphy (UK producer, engineer) und Gerry Rafferty
recording of:
Letter From America
Verfasser(in):
Charlie Reid und Craig Reid
The Proclaimers34:03
6The Whole of the Moon
recording of:
The Whole of the Moon
Texter und Komponist(in):
Mike Scott (The Waterboys)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Dizzy Heights Music Publishing Ltd. (publisher; do NOT use as release label) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Waterboys5:01
7Kayleigh
recording engineer:
Thomas Stiehler (von 1985-03 bis 1985-05)
Produzent(in):
Chris Kimsey
Mix:
Mark Freegard und Chris Kimsey
Bassgitarre:
Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic) (von 1985-03 bis 1985-05)
Gitarre:
Steve Rothery (von 1985-03 bis 1985-05)
Keyboard:
Mark Kelly (Marillion keyboardist) (von 1985-03 bis 1985-05)
Perkussion und Schlagzeug:
Ian Mosley (von 1985-03 bis 1985-05)
Sologesang:
Fish (Derek William Dick, ex‐Marillion frontman) (von 1985-03 bis 1985-05)
phonographisches Urheberrecht (℗) von:
EMI Records (UK) Ltd. (company credits only; do NOT use as release label) (in 1985), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985) und Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1985)
Remix von:
Kayleigh (alternative mix) von Marillion (British progressive rock band)
Bearbeitung von:
Kayleigh von Marillion (British progressive rock band)
recording of:
Kayleigh (von 1985-03 bis 1985-05)
Texter:
Derek William Dick
Komponist(in):
Derek William Dick, Mark Kelly (Marillion keyboardist), Ian Mosley, Steve Rothery und Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic)
publisher:
Chappell, Charisma Music Publishing Co Ltd., Charisma Music Publishing Ltd. und Marillion Music
Marillion4.353:35
8Life of Riley
recording of:
The Life of Riley
Texter und Komponist(in):
Ian Broudie
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
The Lightning Seeds4:04
9Mony Mony
Techniker(in):
Brian Reeves
Produzent(in):
Keith Forsey (drummer, producer and songwriter)
Sologesang:
Billy Idol (English rock singer‐songwriter) (in 1981-07)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1981), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981) und Chrysalis Records, Inc. (not for release label use!) (in 1981)
Musikvideos:
Mony, Mony (live) von Billy Idol (English rock singer‐songwriter)
cover recording of:
Mony Mony (in 1981-07)
Verfasser(in):
Bobby Bloom (US singer-songwriter), Ritchie Cordell, Bo Gentry und Tommy James (American musician, singer, songwriter and record producer)
publisher:
Big Seven Music Corp., EMI Blackwood Music (Canada) Ltd., EMI Music Publishing (WP) Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Scandinavia AB und Planetary Nom (London) Ltd.
Billy Idol3.25:02
10Bitch
Techniker(in) und Produzent(in):
Geza X
Mix:
Jim Ebert
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1997) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1997)
recording of:
Bitch
Verfasser(in):
Meredith Brooks (US singer/songwriter and guitarist) und Shelly Peiken
publisher:
Bug Music (music publishing), Hidden Pun Music, Kissing Booth Music, Songs of Kobalt Music Publishing, Sushi Too Music und Warner–Tamerlane Music Corp.
Meredith Brooks44:02
11Bad Actress
Terrorvision4:12
1210538 Overture
Techniker(in):
Peter Olliff und Roger Wake (engineer)
Produzent(in):
Bob Irwin, Jeff Lynne und Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
Bass:
Jeff Lynne (von 1970-07-12 bis 1971-06) und Rick Price (the Move and Electric Light Orchestra bassist) (von 1970-07-12 bis 1971-06)
Cello:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard) (von 1970-07-12 bis 1971-06)
Geige / Violine:
Steve Woolam (von 1970-07-12 bis 1971-06)
Gitarre:
Jeff Lynne (von 1970-07-12 bis 1971-06) und Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard) (von 1970-07-12 bis 1971-06)
Schlagzeug:
Bev Bevan (English rock drummer) (von 1970-07-12 bis 1971-06)
Waldhorn:
Bill Hunt (UK keyboards, horn player) (von 1970-07-12 bis 1971-06)
Sologesang:
Jeff Lynne (von 1970-07-12 bis 1971-06)
vocals:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard) (von 1970-07-12 bis 1971-06)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971, in 2001), Harvest (UK based sub‐label of EMI, re‐activated in 2013 under Capitol Music Group in Hollywood, CA) (in 1971) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (von 1971 bis 1972)
aufgenommen bei:
Philips Studios in London (Greater London), England, Vereinigtes Königreich (von 1970-07-12 bis 1971-06)
recording of:
10538 Overture (von 1970-07-12 bis 1971-06)
Texter und Komponist(in):
Jeff Lynne
publisher:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Ltd., EMI U Catalog Inc. (publisher; do NOT use as release label), Jet Music Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Electric Light Orchestra3.55:29
13Angel Eyes
Techniker(in):
Phill Brown (UK engineer), Rhett Davies, Jimmy Douglass (engineer) und Randy Mason
Produzent(in):
Roxy Music
Interpret(in):
Paul Carrack, Bryan Ferry, Andy Mackay (of Roxy Music), Phil Manzanera, Alan Spenner, Paul Thompson (Roxy Music drummer) und Gary Tibbs
phonographisches Urheberrecht (℗) von:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1979)
aufgenommen bei:
Basing Street Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich und Ridge Farm Studios in Dorking, Surrey, England, Vereinigtes Königreich
mixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten
recording of:
Angel Eyes
Verfasser(in):
Bryan Ferry und Andy Mackay (of Roxy Music)
publisher:
BMG Songs Ltd., E.G. Music Inc. und E.G. Music Ltd. (publisher) (in 1979)
Roxy Music33:33
14Motor Biking
Chris Spedding2:36
15The Wild One
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recording of:
The Wild One
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
publisher:
BMG Music, Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Universal Music–MGB Songs und シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.)
Suzi Quatro4.52:52
16I Hear You Knocking
cover recording of:
I Hear You Knocking
Texter und Komponist(in):
Dave Bartholomew und Pearl King
publisher:
Commodore Music Corp., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Francis, Day & Hunter Ltd., Succemelodier und World Music (publisher)
Teil von:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dave Edmunds2:48
17Hold on to Love
Young Blood4:11
18Make Me Smile (Come Up and See Me)
Produzent(in):
Steve Harley und Alan Parsons (of The Alan Parsons Project)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 18)
recording of:
Make Me Smile (Come Up and See Me)
Texter und Komponist(in):
Steve Harley
publisher:
EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. und Trigram Music Management Ltd.
Steve Harley & Cockney Rebel43:55
19Rag Mama Rag
recording of:
Rag Mama Rag
Texter und Komponist(in):
Robbie Robertson
publisher:
Canaan Music Inc und Warner Chappell North America Ltd.
The Band3:03
20Let’s Stick Together
assistierende(r) Techniker(in):
Nigel Walker (UK producer/engineer/guitarist) und Jon Walls
Techniker(in):
Steve Nye (producer, engineer and pianist) und John Punter
Produzent(in):
Bryan Ferry und Chris Thomas (UK record producer / remixer)
Bass:
John Wetton (von 1973 bis 1976)
Geige / Violine und Synthesizer:
Eddie Jobson (von 1973 bis 1976)
Gitarre:
Chris Spedding (von 1973 bis 1976)
Keyboard und Mundharmonika:
Bryan Ferry (von 1973 bis 1976)
Perkussion:
Morris Pert (von 1973 bis 1976)
Schlagzeug:
Paul Thompson (Roxy Music drummer) (von 1973 bis 1976)
Sopransaxophon:
Mel Collins (von 1973 bis 1976)
Tenorsaxophon:
Chris Mercer (British saxophonist) (von 1973 bis 1976)
Trompete:
Martin Drover (von 1973 bis 1976)
Chorgesang:
Vicki Brown (English pop, rock & contemporary classical singer) (von 1973 bis 1976), Doreen Chanter (von 1973 bis 1976), Helen Chappelle (von 1973 bis 1976), Jackie Sullivan (vocals & songwriter) (von 1973 bis 1976), Martha Walker (Vocalist) (von 1973 bis 1976) und Paddie McHugh (UK vocalist, in Kokomo, The Voice Squad, Arrival) (von 1973 bis 1976)
vocals:
Bryan Ferry (von 1973 bis 1976)
phonographisches Urheberrecht (℗) von:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1976), Virgin EG Records Ltd. (in 1976) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 1976, in 1999)
aufgenommen bei:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich und Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich (von 1973 bis 1976)
cover recording of:
Let’s Stick Together (von 1973 bis 1976)
Texter und Komponist(in):
Wilbert Harrison (singer, pianist, guitarist and harmonica player)
publisher:
ABZ Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Catalogue Partnership, EMI Music Publishing Scandinavia AB, EMI United Partnership Ltd., SBK United Partnership Ltd., United Artists Music Ltd., United Partnership Ltd., Windswept Pacific Entertainment Co. und SBK/U Catalog (in 1969)
Bryan Ferry3.352:58
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