100 Hits: 80s Pop

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1All Around the World
recording of:
All Around the World
Verfasser(in):
Ian Devaney, Andy Morris (former member of Blue Zone (UK), worked with Lisa Stansfield) und Lisa Stansfield
publisher:
Block & Gilbert, Block & Gilbert Music Ltd. (UK based music publishing company, now dissolved) und BMG Music Publishing Ltd.
Lisa Stansfield4:23
2Wishing Well
recording engineer und Mix:
Phil Legg
Produzent(in):
Terence Trent D’Arby (now known as Sananda Maitreya) und Martyn Ware
baritone saxophone, Keyboard und Perkussion und Hintergrundgesang und Sologesang:
Terence Trent D’Arby (now known as Sananda Maitreya)
Bass:
Phil Spalding
Gitarre:
Pete Glenister
Hi-Hat [Wicked Hi-Hat]:
Clive Mngaza
Schlagzeug:
Preston Heyman
arranger:
Terence Trent D’Arby (now known as Sananda Maitreya)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment), CBS Records (2006–2021) (in 1987) und Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1987)
recording of:
Wishing Well
Texter:
Terence Trent D’Arby (now known as Sananda Maitreya)
Komponist(in):
Terence Trent D’Arby (now known as Sananda Maitreya) und Sean Oliver
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), Virgin Music Publishers Ltd. und Young Terence Music (Publisher)
Terence Trent D’Arby3.153:33
3I Get Weak
Produzent(in):
Rick Nowels
recording of:
I Get Weak
Texter und Komponist(in):
Diane Warren (US songwriter)
publisher:
Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing International Ltd., Universal/MCA Music Ltd. (not for release label use!) und Realsongs (in 1987)
Belinda Carlisle4.54:16
4Let’s Hear It for the Boy
Produzent(in):
George Duke
Mix:
Tom Perry (engineer), Tommy Vicari und Erik Zobler
Analoger Synthesizer [Prophet V], elektronisches Schlagzeug / E-Drums [Linn Drums], Minimoog [Mini-Moog] und Moog [Memory Moog]:
George Duke
Gitarre:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Hintergrundgesang:
George Merrill, Shannon Rubicam und Deniece Williams (US soul/funk vocalist/songwriter)
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding), CBS, Inc. (US broadcasting company; file no releases here!) (in 1984), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Let’s Hear It for the Boy
Texter:
Dean Pitchford
Komponist(in):
Thomas Snow (US keyboardist/songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Teil von:
The 57th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1984 nominee)
Deniece Williams3.64:22
5When Will I Be Famous?
recording engineer:
John Brand (engineer), Simon Humphrey und Robin Sellers
assistierende(r) Techniker(in):
Richard Edwards (sound engineer) und Alex Osman
Techniker(in):
Christopher Marc Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
Produzent(in) und Mix:
Nicky Graham
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment)
aufgenommen bei:
Hot Nights Studio in London (Greater London), England, Vereinigtes Königreich
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich
recording of:
When Will I Be Famous?
Verfasser(in):
Nicky Graham und Thomas Watkins
publisher:
Alderzone Ltd., BMG Platinum Songs US, BMG VM Music Ltd., EMI Virgin Music Australia Pty Ltd, Maximum Music Limited und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Bros34:00
6You Got It (The Right Stuff)
Produzent(in):
Maurice Starr
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1988)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 92) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 499)
recording of:
You Got It (The Right Stuff)
Texter und Komponist(in):
Maurice Starr
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs und Maurice Starr Music
New Kids on the Block34:10
7I Feel the Earth Move
Schlagzeug [drum programming]-Programmierung:
Michael Jay (producer/engineer) (von 1988-04 bis 1988-05)
assistierende(r) Techniker(in):
Peter Arata, Ric Butz, John Hegedes, Greg Loskorn (American sound engineer) und Karen Siegel (engineer)
Techniker(in) und Mix:
Michael McDonald (engineer)
Produzent(in):
Michael Jay (producer/engineer)
Gitarre:
Don Kirkpatrick (guitarist/songwriter) (von 1988-04 bis 1988-05)
Keyboard [keyboards]:
Greg Smith (Producer/Keyboards) (von 1988-04 bis 1988-05)
zusätzlich Keyboard [keyboards]:
Claude Gaudette (session musician, songwriter, composer) (von 1988-04 bis 1988-05)
Hintergrundgesang:
Donna DeLory (von 1988-04 bis 1988-05), Rick Jude Palombi (von 1988-04 bis 1988-05) und Mona Lisa Young (US funk / soul singer) (von 1988-04 bis 1988-05)
arranger:
Michael Jay (producer/engineer)
vocals arranger:
Michael Jay (producer/engineer) und Martika (American singer‐songwriter and actress)
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1988)
aufgenommen bei:
Trax Recording Studio in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1988-04 bis 1988-05)
mixed at:
Garden Rake Studio in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
I Feel the Earth Move (von 1988-04 bis 1988-05)
Texter und Komponist(in):
Carole King
publisher:
Colgems-EMI Music Inc., EMI Music Publishing Australia Pty. Limited (not for release label use!), ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) und Screen Gems–EMI Music Ltd. (in 1988)
Martika24:14
8Tell It to My Heart
Produzent(in):
Ric Wake
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1987) und Arista Records, LLC (holding company - file NO releases here!) (in 1987)
recording of:
Tell It to My Heart
Verfasser(in):
Ernie Gold und Seth Swirsky
publisher:
Chappell Music, Inc. (publisher), Goldpoint und Intersong Music
Taylor Dayne3.753:41
9Be Free With Your Love
Produzent(in):
Gary Kemp, Gary Langan und Spandau Ballet
recording of:
Be Free With Your Love
Texter und Komponist(in):
Gary Kemp
publisher:
Reformation Publishing Co. Ltd.
Spandau Ballet4:41
10Just Outside Heaven
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1983)
recording of:
Just Outside of Heaven
Verfasser(in):
Ross Alcock, Ian Donaldson (vocalist of H₂O), Kenny Dorman, Colin Ferguson (bassist of H₂O), Colin Gavigan und Pete Keane (guitarist of H₂O)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
H₂O4:19
11Lover Come Back (to Me)
recording of:
Lover Come Back to Me
Verfasser(in):
Pete Burns, Steve Coy, Tim Lever und Mike Percy
Dead or Alive3:08
12Maneater
recording of:
Maneater
Texter:
Sara Allen, Daryl Hall und John Oates
Komponist(in):
Daryl Hall und John Oates
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fust Buzza Inc., Hot Cha Music Co., Irving Music, Inc., Primary Wave Brian, Rondor Music (Australia) Pty Ltd, Rondor Music Pty. Ltd., Unichappell Music, Inc., Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) und Warner/Chappell Music Ltd. (1996–2019)
Daryl Hall & John Oates3:20
13Alice, I Want You Just for Me!
recording of:
Alice, I Want You Just for Me
Verfasser(in):
Full Force (American R&B group, frequent collab w/ Lisa Lisa & Cult Jam) und Howie Tee
Full Force3:10
14Girl You Know It’s True
Produzent(in):
Frank Farian
phonographisches Urheberrecht (℗) von:
Hansa (in 1988)
produced for:
Far Music Production
cover recording of:
Girl You Know It's True
Verfasser(in):
Ky Adeyemo, Bill Pettaway, Jr. (R&B songwriter, musician, producer), Rodney Holloman (Numarx), Kevin Lyles (executive / songwriter) und Sean Spencer (American DJ and record producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und MCA Music Ltd.
Milli Vanilli24:14
15I Think It’s Love
leitende(r) Produzent(in):
Clive Davis (record producer, A&R executive and music industry chief executive)
Produzent(in):
Michael Omartian
produced for:
Rhema Productions, Inc.
Jermaine Jackson3:55
16Shake You Down
Produzent(in):
Gregory Abbott
Bass:
T.M. Stevens (US bass player Thomas Michael Stevens)
membranophone:
David Beal
Hintergrundgesang:
Gregory Abbott, Robert Deadmon und Aida Foreman
Sologesang:
Gregory Abbott
arranger:
Gregory Abbott
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1986) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
Teil von:
The Downloader’s Music Source Book (Nummer: 69)
recording of:
Shake You Down
Texter und Komponist(in):
Gregory Abbott
publisher:
EMI Songs Ltd. und Grabbitt Music (publisher)
Gregory Abbott3.34:06
17Supernatural Love
recording of:
Supernatural Love
Verfasser(in):
Michael Omartian, Bruce Sudano und Donna Summer (soul/disco diva)
Donna Summer3:35
18Never Knew Love Like This
recording of:
Never Knew Love Like This
Verfasser(in):
James Harris III (James Harris of Jam & Lewis) und Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
publisher:
Avant Garde Music Publishing, Inc., EMI April Music Inc., Flyte Tyme Tunes, Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Alexander O’Neal featuring Cherrelle3:30
19Everything Must Change
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1984)
recording of:
Everything Must Change
Verfasser(in):
Ian Kewley und Paul Young (English pop singer and musician)
publisher:
Bright Music Ltd. (publisher)
Paul Young4:40
20Girls Are More Fun
Ray Parker Jr.4:23
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Nennungen

Veröffentlichung

ASIN:UK: B01N2T8JTD [Info]

Veröffentlichungsgruppe

Teil von:100 Hits (UK Demon Music Group) (Nummer: 180) (Reihenfolge: 130)