Now That’s What I Call Music! 1984

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1I Want to Break Free
recording of:
I Want to Break Free
Texter und Komponist(in):
John Deacon
publisher:
EMI Music Ltd., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) und Queen Music Ltd.
enthalten in:
We Will Rock You (Queen musical)
enthalten in:
We Will Rock You (German version of the Queen musical)
Queen3.354:15
2Careless Whisper
Produzent(in):
George Michael
Bass:
Deon Estus (in 1984)
Gitarre:
Hugh Burns (in 1984)
Keyboard:
Chris Parren (in 1984)
Perkussion:
Danny Cummings (British drummer and percussionist) (in 1984)
Schlagzeug:
Trevor Murrell (in 1984)
vocals:
George Michael (in 1984)
arranger:
George Michael
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1984), CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1984) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1984)
recording of:
Careless Whisper (in 1984)
Verfasser(in):
George Michael und Andrew Ridgeley
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Morrison Leahy Music Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Limited (2019–present) und Wham! Music Ltd.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
George Michael4.354:54
3What’s Love Got to Do With It
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1984)
recording of:
What’s Love Got to Do With It
Verfasser(in):
Graham Lyle und Terence Ernest Britten
publisher:
Hornall Brothers Music Ltd. (limited company), Kobalt Music Publishing America, Inc., Mushroom Music Pty. Ltd., Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Ltd. (1996–2019), Goodsingle Limited (publisher) (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984), WB Music Corp. (1929–2019) (von 1984 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Tina Turner3:18
4No More Lonely Nights
assistierende(r) Techniker(in):
Jon Jacobs (UK producer/engineer) und Jon Kelly (engineer at Air London Studios)
Techniker(in):
Geoff Emerick (British recording engineer)
Produzent(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
Bass:
Herbie Flowers (von 1982-11-05 bis 1984-07-26)
Bassgitarre:
Herbie Flowers
E-Gitarre:
David Gilmour (Pink Floyd) (von 1982-11-05 bis 1984-07-26)
Klavier und Sologesang:
Paul McCartney (The Beatles) (von 1982-11-05 bis 1984-07-26)
Schlagzeug:
Stuart Elliott (session drummer, member of Cockney Rebel) (von 1982-11-05 bis 1984-07-26)
Synthesizer:
Ann Dudley (English score composer) (von 1982-11-05 bis 1984-07-26)
Hintergrundgesang:
Linda McCartney (von 1982-11-05 bis 1984-07-26), Paul McCartney (The Beatles) (von 1982-11-05 bis 1984-07-26) und Eric Stewart (von 1982-11-05 bis 1984-07-26)
vocals:
Paul McCartney (The Beatles)
arranger:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) und Paul McCartney (The Beatles)
Herausgeber:
Northern Songs Ltd.
aufgenommen bei:
Elstree Studios in Borehamwood, Hertfordshire, England, Vereinigtes Königreich (von 1984-06 bis 1984-07)
recording of:
No More Lonely Nights (von 1982-11-05 bis 1984-07-26)
Texter und Komponist(in):
Paul McCartney (The Beatles)
publisher:
MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
Paul McCartney2.254:34
5Missing You
Produzent(in):
Gary Gersh, David Thoener und John Waite
phonographisches Urheberrecht (℗) von:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1984) und EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1984)
Bearbeitung von:
Missing You von John Waite
recording of:
Missing You
Texter:
John Waite
Komponist(in):
Mark Leonard, Chas Sandford und John Waite
publisher:
Alley Music Corp., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Everpop Songs, Markmeem Music (publisher), Paperwaite Music (publisher) (, in 1984), Quartet Music Inc., Sony Music Publishing (worldwide except Japan, ended 1995), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28), Fallwater Music (in 1984), Markeem Music (publisher) (in 1984), The Hudson Bay Music Co. (publisher) (in 1984) und WC Music Corp. (vom 2019-05-28 bis heute)
John Waite3.653:30
6Shout
recording of:
Shout
Verfasser(in):
Roland Orzabal (UK musician, songwriter and producer) und Ian Stanley
publisher:
10 Music Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Roland Orzabal Ltd. und Virgin Music (Publishers) Ltd.
Tears for Fears35:50
7I Should Have Known Better
Akustikgitarre:
Graham Lyle
E-Bass:
John McKenzie (English blues bassist)
membranophone:
Simon Kirk
Perkussion:
Martin Ditcham
aufgenommen bei:
Livingston Studios in Wood Green, Haringey, London (Greater London), England, Vereinigtes Königreich
recording of:
I Should Have Known Better (1984 song)
Verfasser(in):
Jim Diamond (Scottish singer/songwriter/guitarist) und Graham Lyle
publisher:
Diamond Brothers Music, Goodsingle Ltd. (publisher), Hornall Music Ltd. (limited company) und Rondor Music (London) Ltd.
Jim Diamond54:09
8Against All Odds (Take a Look at Me Now)
Techniker(in):
Jeremy Smith (producer/engineer) und Lewis Hahn
Produzent(in):
Arif Mardin
Keyboard:
Rob Mounsey
Schlagzeug und Sologesang:
Phil Collins (of Genesis)
conductor:
Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1999)
recording of:
Against All Odds (Take a Look at Me Now)
Texter und Komponist(in):
Phil Collins (of Genesis)
publisher:
Concord Music GmbH, Concord Sounds, EMI April Music Inc., EMI Entertainment World Inc US, EMI Golden Torch Music Corp., EMI Music Publishing (do not use as a release label!), EMI Worldtrax Music Inc., Filmtrax Copyright Holdings Inc, Imagem CV, Imagem Sounds Collins, Philip Collins Ltd., Effectsound Ltd. (publisher) (in 1984), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1984), Golden Torch Music Corp. (in 1984) und Hit & Run Music (Publishing) Ltd (in 1984)
sub-publisher:
EMI Music Publishing Germany GmbH (2008–today), Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
Teil von:
The 57th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1984 nominee)
Phil Collins3.83:24
9Time After Time
recording of:
Time After Time
Verfasser(in):
Rob Hyman und Cyndi Lauper
publisher:
Sony Songs Inc. (beendet, ), CBS Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dub Notes Music (publisher) (, in 1984), Gray Matter Music, Human Boy Music, Reilla Music Company, Rella Music Co. (publisher) (, in 1984), Rellla Music Corp., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America, WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Cyndi Lauper3:46
10Your Love Is King
Produzent(in):
Robin Millar
Bassgitarre:
Paul S. Denman (von 1983-10 bis 1983-11)
Gitarre und Saxophon:
Stuart Matthewman (von 1983-10 bis 1983-11)
Keyboard:
Andrew Hale (keyboardist/composer) (von 1983-10 bis 1983-11)
vocals:
Sade Adu (von 1983-10 bis 1983-11)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1994)
aufgenommen bei:
Power Plant in London (Greater London), England, Vereinigtes Königreich (von 1983-10 bis 1983-11)
recording of:
Your Love Is King (von 1983-10 bis 1983-11)
Texter:
Sade Adu
Komponist(in):
Sade Adu und Stuart Matthewman
publisher:
Angel Music Ltd., SM Publishing (UK) Limited (Sony Music, 2009–2020), Sony/ATV Songs LLC und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Sade4.353:42
11Pride (In the Name of Love)
recording of:
Pride (In the Name of Love)
Texter:
Bono (singer of U2)
Komponist(in):
Bono (singer of U2), Adam Clayton, The Edge (U2 guitarist David Evans) und Larry Mullen, Jr.
publisher:
Blue Mountain Music Ltd, Mother Music, PolyGram International Music Publishing B.V., Taiyo Music Inc., Universal Music Publishing B.V. (Benelux subsidiary of Universal Music Publishing Group) und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
U23:44
12Gimme All Your Lovin’
Techniker(in):
Terry Manning (US recording engineer)
Produzent(in):
Bill Ham (manager of ZZ Top)
E-Bass:
Dusty Hill
E-Gitarre und Sologesang:
Billy Gibbons
Perkussion und Schlagzeug:
Frank Beard (ZZ Top drummer)
vocals:
Dusty Hill
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1983) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983, in 1984)
aufgenommen bei:
Ardent Studios in Memphis, Tennessee, Vereinigte Staaten
recording of:
Gimme All Your Lovin’
Verfasser(in):
Frank Beard (ZZ Top drummer), Billy Gibbons und Dusty Hill
publisher:
BMG Rights Management Scandinavia AB (not for release label use! use it’s imprint “BMG (2008–present)”), Hamstein Music Company (publisher), Music of Stage Three und Songs of Mosaic
ZZ Top4.053:58
13Young at Heart
Produzent(in):
Bob Andrews (keyboardist and producer) und Colin Fairley
cover recording of:
Young at Heart (Bananarama song)
Verfasser(in):
Sara Dallin, Siobhan Fahey, Robert Hodgens und Keren Woodward
The Bluebells2.53:21
14Michael Caine
Hintergrundgesang:
Afrodiziak
recording of:
Michael Caine
Verfasser(in):
Carl Smyth und Daniel Woodgate
Madness3.153:34
15Nelson Mandela
recording of:
Free Nelson Mandela
Texter und Komponist(in):
Jerry Dammers
publisher:
Plangent Visions Music Ltd. (in 1984)
The Special A.K.A.23:57
16Master and Servant
Produzent(in):
Depeche Mode, Gareth Jones (UK producer/engineer) und Daniel Miller (British music producer and founder of Mute Records)
aufgenommen bei:
Music Works Studio in London (Greater London), England, Vereinigtes Königreich (in 1984-05)
mixed at:
Hansa Mischraum in Berlin, Deutschland (in 1984-05)
recording of:
Master and Servant
Texter und Komponist(in):
Martin L. Gore
Depeche Mode4.153:43
17The Killing Moon
recording of:
The Killing Moon
Verfasser(in):
Pete de Freitas, Ian McCulloch (Echo & the Bunnymen), Les Pattinson und Will Sergeant
Echo & the Bunnymen3:34
18You’re the Best Thing
recording of:
You’re the Best Thing
Texter und Komponist(in):
Paul Weller (English singer‐songwriter and musician)
publisher:
BMG Music Publishing Ltd., EMI Music Publishing (do not use as a release label!) und Universal Music Publishing MGB Australia
The Style Council3:56
19Heaven Knows I’m Miserable Now
recording of:
Heaven Knows I’m Miserable Now
Texter:
Morrissey (English singer‐songwriter)
Komponist(in):
Johnny Marr
The Smiths3:34
20Do They Know It’s Christmas?
Programmierung:
Midge Ure (am 1984-11-25)
Produzent(in):
Trevor Horn und Midge Ure
E-Bass:
John Taylor (UK bassist for Duran Duran) (am 1984-11-25)
Gitarre:
Andy Taylor (of Duran Duran) (am 1984-11-25)
Keyboard:
Midge Ure (am 1984-11-25)
Schlagzeug:
Phil Collins (of Genesis) (am 1984-11-25)
Sologesang:
Bono (singer of U2) (am 1984-11-25), Boy George (am 1984-11-25), George Michael (am 1984-11-25), Simon Lebon (singer for Duran Duran) (am 1984-11-25) und Paul Young (English pop singer and musician) (am 1984-11-25)
sonstiger Gesang [chorus]:
Paul Weller (English singer‐songwriter and musician) (am 1984-11-24), Robert “Kool” Bell (am 1984-11-25), Pete Briquette (am 1984-11-25), Adam Clayton (am 1984-11-25), Phil Collins (of Genesis) (am 1984-11-25), Chris Cross (UK bassist for Ultravox) (am 1984-11-25), Simon Crowe (am 1984-11-25), Sara Dallin (am 1984-11-25), Siobhan Fahey (am 1984-11-25), Johnnie Fingers (am 1984-11-25), Bob Geldof (am 1984-11-25), Tony Hadley (am 1984-11-25), John Keeble (am 1984-11-25), Gary Kemp (am 1984-11-25), Martin Kemp (UK actor, musician, bassist for Spandau Ballet) (am 1984-11-25), Jon Moss (am 1984-11-25), Steve Norman (UK saxophonist/percussionist for Spandau Ballet) (am 1984-11-25), Rick Parfitt (UK guitarist for Status Quo) (am 1984-11-25), Nick Rhodes (am 1984-11-25), Francis Rossi (am 1984-11-25), Andy Taylor (of Duran Duran) (am 1984-11-25), James “J.T.” Taylor (US R&B vocalist for Kool & the Gang) (am 1984-11-25), John Taylor (UK bassist for Duran Duran) (am 1984-11-25), Roger Taylor (Duran Duran drummer) (am 1984-11-25), Dennis “D.T.” Thomas (Kool & The Gang) (am 1984-11-25), Midge Ure (am 1984-11-25), Martyn Ware (am 1984-11-25), Jody Watley (am 1984-11-25) und Keren Woodward (am 1984-11-25)
vocals:
Glenn Gregory (am 1984-11-25), Marilyn (British pop singer) (am 1984-11-25) und Sting (singer, songwriter & member of The Police) (am 1984-11-25)
phonographisches Urheberrecht (℗) von:
Phonogram Ltd. (London) (company name, NOT a label!) (in 1984) und The Band Aid Trust (in 2004)
aufgenommen bei:
Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich (am 1984-11-25)
Musikvideos:
Do They Know It's Christmas? (music video) von Band Aid (UK charity supergroup)
recording of:
Do They Know It’s Christmas? (von 1984-11-24 bis 1984-11-25)
Verfasser(in):
Bob Geldof und Midge Ure
publisher:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Band Aid3.63:44
2▶CD

Nennungen

Veröffentlichungsgruppe

Teil von:Now That’s What I Call Music! 10th Anniversary Series (UK) (Nummer: 1985) (Reihenfolge: 2)