Alle 40 goed: De tijd van toen

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Non, je ne regrette rien
voce:
Édith Piaf (il 1960-11-10)
direttore d'orchestra:
Robert Chauvigny (French composer, orchestra leader and conductor) (il 1960-11-10)
registrazione di:
Non, je ne regrette rien (il 1960-11-10)
paroliere:
Michel Vaucaire
compositore:
Charles Dumont (French singer and composer)
editore:
Éditions Semi (SEMI Société)
Édith Piaf52:22
2Et maintenant
voce:
Gilbert Bécaud (nel 1961)
direttore d'orchestra:
Raymond Bernard (nel 1961)
registrazione di:
Et maintenant (nel 1961)
paroliere:
Pierre Delanoë
compositore:
Gilbert Bécaud
Gilbert Bécaud3:39
3The Song From “Moulin Rouge” (Where Is Your Heart)
registrazione di:
The Song From Moulin Rouge (aka “Where Is Your Heart”)
paroliere:
William Engvick
compositore:
Georges Auric (composer)
editore:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
parte di:
Moulin Rouge (1952 film)
Percy Faith & Percy Faith Orchestra3:19
4Stranger in Paradise
registrata a:
New York, Stati Uniti (il 1953-10-13)
voce:
Tony Bennett (US jazz/standards vocalist), Tony Bennett (US jazz/standards vocalist) e The Ray Charles Singers
registrata presso:
CBS 30th Street Studio in Manhattan, New York, New York, Stati Uniti
registrazione cover di:
Stranger in Paradise (popular song from the 1953 musical “Kismet”) (il 1953-10-13)
paroliere:
George Forrest (American composer and lyricist) e Robert Wright (US stage & screen composer & lyricist)
compositore:
Alexander Borodin (Russian composer), George Forrest (American composer and lyricist) e Robert Wright (US stage & screen composer & lyricist)
editore:
Scheffel Music Corp, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) e Frank Music Co. Ltd. (dal 1953 a oggi)
si basa su:
Polovtsian Dances no. 17, “Polovtsian Dance with Chorus”: II. Gliding Dance of the Maidens: Andantino, 4/4, A major
parte di:
Kismet (full musical)
Tony Bennett3:05
5In the Mood
registrazione di:
In the Mood
paroliere:
Andy Razaf
compositore:
Wingy Manone
editore:
Shapiro Bernstein and Co. Limited e Shapiro, Bernstein & Co., Inc.
sub-editore:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
si basa su:
Tar Paper Stomp
parte di:
The Real Book (compilation of jazz standards, volume I)
Glenn Miller & His Orchestra3:36
6Take the “A” Train (The Count Departs)
registrazione di:
Take the “A” Train (version with lyrics by Sherrill)
paroliere:
Joya Sherrill (nel 1944)
compositore:
Billy Strayhorn (nel 1939)
editore:
Music Sales Corporation (American copyright holder in both popular and classical music)
versione di:
Take the “A” Train (original instrumental version)
Duke Ellington2:56
7Everybody Loves a Lover
voce:
Doris Day (il 1958-05-12)
orchestra:
Frank DeVol’s Orchestra (il 1958-05-12)
direttore d'orchestra:
Frank De Vol (il 1958-05-12)
registrazione di:
Everybody Loves a Lover (il 1958-05-12)
paroliere:
Richard Adler (musical composer/lyricist)
compositore:
Robert Allen (US songwriter/arranger/pianist)
Doris Day2:44
8Diana
registrazione di:
Diana
paroliere e compositore:
Paul Anka (Canadian singer, songwriter and actor)
editore:
Pamco Music Inc. (conclusa), Epa Publishing, Robert Mellin Music Publishing Corp. e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
sub-editore:
ミュージカル・ライツ・東京 株式会社 (Musical Lights Tokyo)
Paul Anka2:25
9Living Doll
produttore:
Norrie Paramor
voce:
Cliff Richard
esecutore:
The Drifters (London group, pre-Shadows)
registrazione di:
Living Doll
paroliere e compositore:
Lionel Bart
editore:
J. Albert & Son Pty. Ltd.
Cliff Richard & The Drifters2:37
10Where Do You Go To (My Lovely)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1969) e United Artists (nel 1969)
registrazione di:
Where Do You Go To (My Lovely)?
paroliere e compositore:
Peter Sarstedt
editore:
EMI Catalogue Partnership
Peter Sarstedt54:40
11San Francisco (Be Sure to Wear Flowers in Your Hair)
produttore:
Lou Adler e John Phillips (The Mamas & The Papas)
voce:
Scott McKenzie (nel 1967-05)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1967) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1967)
registrazione di:
San Francisco (Be Sure to Wear Flowers in Your Hair) (nel 1967-05)
editore:
John Phillips (The Mamas & The Papas)
paroliere e compositore:
John Phillips (The Mamas & The Papas)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Honest John Music, MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US) e Wingate Music Corp.
Scott McKenzie3.752:58
12Honey
diritti fonografici (℗) detenuti da:
Capitol Records Nashville (nel 1968)
registrazione cover di:
Honey (il 1968-01-30)
paroliere e compositore:
Bobby Russell
editore:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Bobby Goldsboro43:56
13The House of the Rising Sun
produttore:
Mickie Most (English record producer)
batteria :
John Steel (English musician)
chitarra basso :
Chas Chandler
chitarra elettrica :
Hilton Valentine
organo :
Alan Price
voce principale:
Eric Burdon
diritti fonografici (℗) detenuti da:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (nel 1964), Columbia Pictures Industries, Inc. (nel 1964) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1964, nel 2002)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 11), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 122), BILLIONS CLUB e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 471)
registrazione di:
The House of the Rising Sun (Alan Price (The Animals) arrangement)
paroliere e compositore:
[traditional] (special purpose artist)
arrangiatore:
Alan Price
editore:
Al Gallico Music, EMI Music Publishing (do not use as a release label!), Keith Prowse, Keith Prowse Music Publishing Co. Ltd. e Universal/MCA Music Ltd. (not for release label use!)
arrangiamento di:
House of the Rising Sun
The Animals4.24:29
14When a Man Loves a Woman
registrazione di:
When a Man Loves a Woman
autore:
Calvin Lewis, Percy Sledge e Andrew Wright (US keyboardist)
editore:
Mijac Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (dal 1966 a oggi), Quinvy Music Publishing Company, Inc. (dal 1966 a oggi), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (dal 1966 a oggi), Pronto (BMI‐affiliated publishing company) (nel 1972) e Quinvy (record company and publisher) (nel 1972)
Percy Sledge2:50
15(Sittin’ on) The Dock of the Bay
registrazione di:
(Sittin’ on) the Dock of the Bay
autore:
Steve Cropper e Otis Redding
editore:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Otis Redding2:41
16The Beat Goes On
registrazione di:
The Beat Goes On
paroliere e compositore:
Sonny Bono
editore:
Chris Marc Music, Cotillion, Cotillion Music, Inc. (BMI), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Warner/Chappell Music Australia Pty. Ltd.
Sonny & Cher3:25
17The Locomotion
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1962)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1962 (numero: 1) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 351)
registrazione di:
The Loco‐Motion (aka Locomotion) (nel 1962)
paroliere:
Gerry Goffin
compositore:
Carole King
editore:
EMI Music Publishing (do not use as a release label!), Screen Gems/EMI Music, EMI Music Publishing Japan, Fujipacific Division (fino al 2021-06-30), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (dal 1962 a oggi) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Little Eva22:24
18Good Vibrations
tecnico di registrazione:
Bruce Botnick (dal 1966-02 al 1966-06), Chuck Britz (dal 1966-02 al 1966-06) e Larry Levine (dal 1966-02 al 1966-06)
tecnico:
Chuck Britz e Jim Lockert (Enginear)
produttore:
The Beach Boys (American rock band) e Brian Wilson (Beach Boys co‐founder)
tecnico di missaggio:
Derry FitzGerald
voce:
Mike Love (Beach Boys) (dal 1966-02 al 1966-06)
voce principale:
Mike Love (Beach Boys) (dal 1966-02 al 1966-06) e Carl Wilson (Beach Boys) (dal 1966-02 al 1966-06)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1966)
registrata presso:
Gold Star Studios in Hollywood, Los Angeles, California, Stati Uniti (dal 1966-02 al 1966-06), Sunset Sound in Hollywood, Los Angeles, California, Stati Uniti (dal 1966-02 al 1966-06) e Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (dal 1966-02 al 1966-06)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 53)
registrazione di:
Good Vibrations (Love/Wilson lyrics, common version) (dal 1966-02 al 1966-06)
paroliere:
Mike Love (Beach Boys) e Brian Wilson (Beach Boys co‐founder)
compositore:
Brian Wilson (Beach Boys co‐founder)
editore:
Irving Music, Inc., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) e Universal Music Publishing (use ONLY if no country‐specific information is available)
sub-editore:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
versione di:
Good Vibrations (Tony Asher lyrics)
The Beach Boys4.33:37
19Great Balls of Fire
registrazione di:
Great Balls of Fire
autore:
Otis Blackwell (American pianist, singer and songwriter) e Jack Hammer (Earl Burroughs, co-wrote Great Balls of Fire)
editore:
B.R.S. Music Corp., Carlin Music Corporation, Hill & Range Songs, Inc. (publisher) e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Jerry Lee Lewis1:52
20C’mon Everybody
basso elettrico :
Connie “Guybo” Smith (bass player) (il 1958-10-10)
batteria :
Earl Palmer (il 1958-10-10)
chitarra :
Eddie Cochran (US rock and roll musician active in 1950s) (il 1958-10-10)
pianoforte :
Ray Johnson (Rhythm 'n' blues - jazz pianist - songwriter - band leader) (il 1958-10-10)
tamburello :
Jerry Capehart (il 1958-10-10)
voce:
Eddie Cochran (US rock and roll musician active in 1950s) (il 1958-10-10)
registrata presso:
Goldstar Studio in Hollywood, Los Angeles, California, Stati Uniti (il 1958-10-10)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (numero: 22) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 403)
registrazione di:
C’mon Everybody (il 1958-10-09)
autore:
Jerry Capehart e Eddie Cochran (US rock and roll musician active in 1950s)
editore:
EMI Music Publishing (do not use as a release label!), EMI Unart Catalog Inc., Metric Music Co (publisher) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Eddie Cochran41:56

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parte di:Alle 40 goed (ordine: 7)