Sixteen of Her Greatest Interpretations (aka "Lady Day (1939-1944) The Sixteen Original Commodore Interpretations")

~ Veröffentlichung von Billie Holiday (alle Versionen dieser Veröffentlichung ansehen, 6 vorhanden)

Titelliste

1▼12"-Vinyl
Nr.TitelBewertungLänge
A1Strange Fruit
Produzent(in):
Milt Gabler
alto saxophone und Saxophon:
Tab Smith (am 1939-04-20)
Gitarre:
Jimmy McLin (am 1939-04-20)
Klavier:
Sonny White (am 1939-04-20)
Kontrabass:
John Williams (jazz bassist) (am 1939-04-20)
Schlagzeug:
Eddie Dougherty (jazz drummer) (am 1939-04-20)
Tenorsaxophon:
Kenneth Hollon (am 1939-04-20) und Stan Payne (am 1939-04-20)
Trompete:
Frankie Newton (am 1939-04-20)
vocals:
Billie Holiday (am 1939-04-20)
aufgenommen bei:
Brunswick World Broadcasting Studio in New York, New York, Vereinigte Staaten (am 1939-04-20)
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 1), CBC Music: 10 Songs That Have Changed the World, National Recording Registry (a list of sound recordings that are “culturally, historically, or aesthetically significant, and/or inform or reflect life in the United States”) (Nummer: 1939, inducted: 2002) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 21)
recording of:
Strange Fruit (am 1939-04-20)
Texter und Komponist(in):
Lewis Allan
publisher:
Basart Editions, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) und Music Sales Corporation (American copyright holder in both popular and classical music)
Version von:
Bitter Fruit
33:11
A2Yesterdays
Produzent(in):
Milt Gabler
Gitarre:
Jimmy McLin (am 1939-04-20)
Klavier:
Sonny White (am 1939-04-20)
Kontrabass:
John Williams (jazz bassist) (am 1939-04-20)
Schlagzeug:
Eddie Dougherty (jazz drummer) (am 1939-04-20)
Tenorsaxophon:
Kenneth Hollon (am 1939-04-20)
vocals:
Billie Holiday (am 1939-04-20)
aufgenommen bei:
Brunswick World Broadcasting Studio in New York, New York, Vereinigte Staaten (am 1939-04-20)
recording of:
Yesterdays (am 1939-04-20)
Texter:
Otto Harbach
Komponist(in):
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Roberta
3:25
A3Fine and Mellow
Produzent(in):
Milt Gabler
alto saxophone:
Tab Smith (am 1939-04-20)
Gitarre:
Jimmy McLin (am 1939-04-20)
Klavier:
Sonny White (am 1939-04-20)
Kontrabass:
John Williams (jazz bassist) (am 1939-04-20)
Schlagzeug:
Eddie Dougherty (jazz drummer) (am 1939-04-20)
Tenorsaxophon:
Kenneth Hollon (am 1939-04-20) und Stan Payne (am 1939-04-20)
Trompete:
Frankie Newton (am 1939-04-20)
vocals:
Billie Holiday (am 1939-04-20)
Orchester:
The Frankie Newton Orchestra (am 1939-04-20)
aufgenommen bei:
Brunswick World Broadcasting Studio in New York, New York, Vereinigte Staaten (am 1939-04-20)
recording of:
Fine and Mellow (am 1939-04-20)
Texter und Komponist(in):
Billie Holiday
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
3:17
A4I Gotta Right to Sing the Blues
recorded in:
New York, New York, Vereinigte Staaten (am 1939-04-20)
Produzent(in):
Milt Gabler
alto saxophone und Saxophon:
Tab Smith (am 1939-04-20)
Gitarre:
Jimmy McLin (am 1939-04-20)
Klavier:
Sonny White (am 1939-04-20)
Kontrabass:
John Williams (jazz bassist) (am 1939-04-20)
Schlagzeug:
Eddie Dougherty (jazz drummer) (am 1939-04-20)
Tenorsaxophon:
Kenneth Hollon (am 1939-04-20) und Stan Payne (am 1939-04-20)
Trompete:
Frankie Newton (am 1939-04-20)
vocals:
Billie Holiday (am 1939-04-20)
aufgenommen bei:
Brunswick World Broadcasting Studio in New York, New York, Vereinigte Staaten (am 1939-04-20)
recording of:
I Gotta Right to Sing the Blues (am 1939-04-20)
Texter:
Ted Koehler (in 1932)
Komponist(in):
Harold Arlen (in 1932)
publisher:
Warner Bros., Inc. (not for release label use!)
2:53
A5How Am I to Know
Produzent(in):
Milt Gabler
alto saxophone:
Lem Davis (saxophonist) (am 1944-03-25)
Gitarre:
Teddy Walters (am 1944-03-25)
Klavier:
Eddie Heywood (pianist, composer and bandleader, aka Eddie Heywood Jr.) (am 1944-03-25)
Kontrabass:
John Simmons (bassist) (am 1944-03-25)
Posaune:
Vic Dickenson (am 1944-03-25)
Schlagzeug:
Sid Catlett (am 1944-03-25)
Trompete:
Doc Cheatham (am 1944-03-25)
vocals:
Billie Holiday (am 1944-03-25)
arranger:
Eddie Heywood (pianist, composer and bandleader, aka Eddie Heywood Jr.)
aufgenommen bei:
WOR Studios in New York, New York, Vereinigte Staaten (am 1944-03-25)
recording of:
How Am I to Know? (am 1944-03-25)
Texter:
Dorothy Parker
Komponist(in):
Jackie King
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
2:43
A6My Old Flame
Produzent(in):
Milt Gabler
alto saxophone:
Lem Davis (saxophonist) (am 1944-03-25)
Gitarre:
Teddy Walters (am 1944-03-25)
Klavier:
Eddie Heywood (pianist, composer and bandleader, aka Eddie Heywood Jr.) (am 1944-03-25)
Kontrabass:
John Simmons (bassist) (am 1944-03-25)
Posaune:
Vic Dickenson (am 1944-03-25)
Schlagzeug:
Sid Catlett (am 1944-03-25)
Trompete:
Doc Cheatham (am 1944-03-25)
vocals:
Billie Holiday (am 1944-03-25)
arranger:
Eddie Heywood (pianist, composer and bandleader, aka Eddie Heywood Jr.)
aufgenommen bei:
WOR Studios in New York, New York, Vereinigte Staaten (am 1944-03-25)
recording of:
My Old Flame (am 1944-03-25)
Texter:
Sam Coslow
Komponist(in):
Arthur Johnston (American composer and songwriter)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
3:02
A7I'll Get By
Produzent(in):
Milt Gabler
alto saxophone:
Lem Davis (saxophonist) (am 1944-03-25)
Gitarre:
Teddy Walters (am 1944-03-25)
Klavier:
Eddie Heywood (pianist, composer and bandleader, aka Eddie Heywood Jr.) (am 1944-03-25)
Kontrabass:
John Simmons (bassist) (am 1944-03-25)
Posaune:
Vic Dickenson (am 1944-03-25)
Schlagzeug:
Sid Catlett (am 1944-03-25)
Trompete:
Doc Cheatham (am 1944-03-25)
vocals:
Billie Holiday (am 1944-03-25)
arranger:
Eddie Heywood (pianist, composer and bandleader, aka Eddie Heywood Jr.)
aufgenommen bei:
WOR Studios in New York, New York, Vereinigte Staaten (am 1944-03-25)
recording of:
I’ll Get by (as Long as I Have You) (am 1944-03-25)
Texter:
Roy Turk
Komponist(in):
Fred Ahlert
2:59
A8I Cover the Waterfront
Produzent(in):
Milt Gabler
alto saxophone:
Lem Davis (saxophonist) (am 1944-03-25)
Gitarre:
Teddy Walters (am 1944-03-25)
Klavier:
Eddie Heywood (pianist, composer and bandleader, aka Eddie Heywood Jr.) (am 1944-03-25)
Kontrabass:
John Simmons (bassist) (am 1944-03-25)
Posaune:
Vic Dickenson (am 1944-03-25)
Schlagzeug:
Sid Catlett (am 1944-03-25)
Trompete:
Doc Cheatham (am 1944-03-25)
vocals:
Billie Holiday (am 1944-03-25)
arranger:
Eddie Heywood (pianist, composer and bandleader, aka Eddie Heywood Jr.)
aufgenommen bei:
WOR Studios in New York, New York, Vereinigte Staaten (am 1944-03-25)
recording of:
I Cover the Waterfront (am 1944-03-25)
Texter:
Edward Heyman
Komponist(in):
Johnny Green (composer and conductor, often credited as John Green) und Edward Heyman
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) und Warner/Chappell Music, Inc.
43:29
B1I'll Be Seeing You
Produzent(in):
Milt Gabler
alto saxophone:
Lem Davis (saxophonist) (am 1944-04-01)
Klavier:
Eddie Heywood (pianist, composer and bandleader, aka Eddie Heywood Jr.) (am 1944-04-01)
Kontrabass:
John Simmons (bassist) (am 1944-04-01)
Posaune:
Vic Dickenson (am 1944-04-01)
Schlagzeug:
Sid Catlett (am 1944-04-01)
Trompete:
Doc Cheatham (am 1944-04-01)
vocals:
Billie Holiday (am 1944-04-01)
arranger:
Eddie Heywood (pianist, composer and bandleader, aka Eddie Heywood Jr.)
aufgenommen bei:
WOR Studios in New York, New York, Vereinigte Staaten (am 1944-04-01)
recording of:
I’ll Be Seeing You (am 1944-04-01)
Texter:
Irving Kahal (in 1938)
Komponist(in):
Sammy Fain (in 1938)
publisher:
Fain Music (ASCAP), New Irving Kahal Music und Williamson Music Company
sub-publisher:
フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
3:33
B2I'm Yours
Produzent(in):
Milt Gabler
alto saxophone:
Lem Davis (saxophonist) (am 1944-04-01)
Klavier:
Eddie Heywood (pianist, composer and bandleader, aka Eddie Heywood Jr.) (am 1944-04-01)
Kontrabass:
John Simmons (bassist) (am 1944-04-01)
Posaune:
Vic Dickenson (am 1944-04-01)
Schlagzeug:
Sid Catlett (am 1944-04-01)
Trompete:
Doc Cheatham (am 1944-04-01)
vocals:
Billie Holiday (am 1944-04-01)
arranger:
Eddie Heywood (pianist, composer and bandleader, aka Eddie Heywood Jr.)
aufgenommen bei:
WOR Studios in New York, New York, Vereinigte Staaten (am 1944-04-01)
recording of:
I’m Yours (am 1944-04-01)
Texter:
Yip Harburg
Komponist(in):
Johnny Green (composer and conductor, often credited as John Green)
3:16
B3Embraceable You
Produzent(in):
Milt Gabler
alto saxophone:
Lem Davis (saxophonist) (am 1944-04-01)
Klavier:
Eddie Heywood (pianist, composer and bandleader, aka Eddie Heywood Jr.) (am 1944-04-01)
Kontrabass:
John Simmons (bassist) (am 1944-04-01)
Posaune:
Vic Dickenson (am 1944-04-01)
Schlagzeug:
Sid Catlett (am 1944-04-01)
Trompete:
Doc Cheatham (am 1944-04-01)
vocals:
Billie Holiday (am 1944-04-01)
arranger:
Eddie Heywood (pianist, composer and bandleader, aka Eddie Heywood Jr.)
aufgenommen bei:
WOR Studios in New York, New York, Vereinigte Staaten (am 1944-04-01)
recording of:
Embraceable You (am 1944-04-01)
Texter:
Ira Gershwin (in 1928)
Komponist(in):
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (von 2019-05-28 bis 2024-01-01)
Teil von:
Crazy for You (1992 musical)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
When the Boys Meet the Girls (1965 film)
3:17
B4As Time Goes By
Produzent(in):
Milt Gabler
alto saxophone:
Lem Davis (saxophonist) (am 1944-04-01)
Klavier:
Eddie Heywood (pianist, composer and bandleader, aka Eddie Heywood Jr.) (am 1944-04-01)
Kontrabass:
John Simmons (bassist) (am 1944-04-01)
Posaune:
Vic Dickenson (am 1944-04-01)
Schlagzeug:
Sid Catlett (am 1944-04-01)
Trompete:
Doc Cheatham (am 1944-04-01)
vocals:
Billie Holiday (am 1944-04-01)
arranger:
Eddie Heywood (pianist, composer and bandleader, aka Eddie Heywood Jr.)
aufgenommen bei:
WOR Studios in New York, New York, Vereinigte Staaten (am 1944-04-01)
cover recording of:
As Time Goes By (the song from “Casablanca”) (am 1944-04-01)
Texter und Komponist(in):
Herman Hupfeld
publisher:
WB Music Corp. (1929–2019) (beendet), Chappell (library/production music), Redwood Music, Redwood Music Ltd. (Carlin), Warner Bros., Inc. (Warner Bros. Music Division) und Warner Bros., Inc. (not for release label use!) (in 1931)
sub-publisher:
香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
Teil von:
Casablanca (original soundtrack of the 1942 American film)
recording of:
As Time Goes By (the song from “Casablanca”)
Texter und Komponist(in):
Herman Hupfeld
publisher:
WB Music Corp. (1929–2019) (beendet), Chappell (library/production music), Redwood Music, Redwood Music Ltd. (Carlin), Warner Bros., Inc. (Warner Bros. Music Division) und Warner Bros., Inc. (not for release label use!) (in 1931)
sub-publisher:
香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
Teil von:
Casablanca (original soundtrack of the 1942 American film)
3:12
B5She's Funny That Way
Produzent(in):
Milt Gabler
Klavier:
Eddie Heywood (pianist, composer and bandleader, aka Eddie Heywood Jr.) (am 1944-04-08)
Kontrabass:
John Simmons (bassist) (am 1944-04-08)
Schlagzeug:
Sid Catlett (am 1944-04-08)
vocals:
Billie Holiday (am 1944-04-08)
arranger:
Eddie Heywood (pianist, composer and bandleader, aka Eddie Heywood Jr.)
aufgenommen bei:
WOR Studios in New York, New York, Vereinigte Staaten (am 1944-04-08)
recording of:
She’s Funny That Way (am 1944-04-08)
Texter:
Richard A. Whiting (composer) (in 1928)
Verfasser(in):
Neil Moret und Richard A. Whiting (composer)
Komponist(in):
Neil Moret (in 1928)
publisher:
Chappell & Co., EMI April Music Inc., Francis, Day & Hunter Ltd., Robbins Music Corp. und Ross Jungnickel, Inc.
3:16
B6Lover Come Back to Me
Produzent(in):
Milt Gabler
Klavier:
Eddie Heywood (pianist, composer and bandleader, aka Eddie Heywood Jr.) (am 1944-04-08)
Kontrabass:
John Simmons (bassist) (am 1944-04-08)
Schlagzeug:
Sid Catlett (am 1944-04-08)
vocals:
Billie Holiday (am 1944-04-08)
arranger:
Eddie Heywood (pianist, composer and bandleader, aka Eddie Heywood Jr.)
aufgenommen bei:
WOR Studios in New York, New York, Vereinigte Staaten (am 1944-04-08)
recording of:
Lover, Come Back to Me (from "The New Moon") (am 1944-04-08)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
Verfasser(in):
Sigmund Romberg
Komponist(in):
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
The New Moon: Act II
3:21
B7Billie's Blues (I Love My Man)
Produzent(in):
Milt Gabler
Klavier:
Eddie Heywood (pianist, composer and bandleader, aka Eddie Heywood Jr.) (am 1944-04-08)
Kontrabass:
John Simmons (bassist) (am 1944-04-08)
Schlagzeug:
Sid Catlett (am 1944-04-08)
vocals:
Billie Holiday (am 1944-04-08)
arranger:
Eddie Heywood (pianist, composer and bandleader, aka Eddie Heywood Jr.)
aufgenommen bei:
WOR Studios in New York, New York, Vereinigte Staaten (am 1944-04-08)
recording of:
Billie’s Blues (am 1944-04-08)
Texter:
Billie Holiday
Komponist(in):
Billie Holiday (bis 1936-08-01)
publisher:
Basart Editions
3:09
B8On the Sunny Side of the Street
Produzent(in):
Milt Gabler
Klavier:
Eddie Heywood (pianist, composer and bandleader, aka Eddie Heywood Jr.) (am 1944-04-08)
Kontrabass:
John Simmons (bassist) (am 1944-04-08)
Schlagzeug:
"Big Sid" Catlett (am 1944-04-08)
vocals:
Billie Holiday (am 1944-04-08)
Interpret(in):
Eddie Heywood Trio (am 1944-04-08)
arranger:
Eddie Heywood (pianist, composer and bandleader, aka Eddie Heywood Jr.)
aufgenommen bei:
WOR Studios in New York, New York, Vereinigte Staaten (am 1944-04-08)
recording of:
On the Sunny Side of the Street (am 1944-04-08)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Ancar Enterprises Inc., Cotton Club Publishing, Shapiro, Bernstein & Co., Inc. und Vydia Music Publishing
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. und シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
Teil von:
American Splendor
3:03

Nennungen

Veröffentlichungsgruppe

enthält:Billie Holiday
Teil von:Prix du jazz vocal de l’Académie du Jazz (Nummer: 1976) (Reihenfolge: 4)
Discogs:https://www.discogs.com/master/566897 [Info]