40/40

~ Veröffentlichung von Carpenters (alle Versionen dieser Veröffentlichung ansehen, 4 vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Yesterday Once More
Produzent(in):
Karen Carpenter und Richard Carpenter (The Carpenters)
recording of:
Yesterday Once More (am 1973-03-14)
Texter:
John Bettis
Komponist(in):
Richard Carpenter (The Carpenters)
publisher:
Rondor Music (London) Ltd., Almo Music (USA, affiliated with ASCAP) (in 1973), Hammer & Nails Music (in 1973) und Sweet Harmony Music (US publisher) (in 1973)
4.63:58
2Superstar
assistierende(r) Techniker(in):
Norm Kinney
Techniker(in):
Ray Gerhardt (Recording and mixing engineer)
Produzent(in):
Jack Daugherty (American Multi-instrumentalist and music producer)
Bassgitarre:
Joe Osborn (American bass guitar player, session musician and songwriter)
Keyboard [keyboards] und Hintergrundgesang:
Richard Carpenter (The Carpenters)
Oboe:
Earle Dumler (multi-instrumentalist)
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist)
Hintergrundgesang und Sologesang:
Karen Carpenter
arranger und Orchestrator(in):
Richard Carpenter (The Carpenters)
phonographisches Urheberrecht (℗) von:
A&M Records, Ltd. (in 1971)
aufgenommen bei:
A&M Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1971)
cover recording of:
Superstar (in 1971-03)
Verfasser(in):
Bonnie Bramlett und Leon Russell
publisher:
Black Bull Music, Delbon Publishing Co., Embassy Music Corporation, Jobete Music (UK) Ltd., Reservoir One America, Rondor Music (London) Ltd., Skyhill Pub. Co., Inc., Solo Copyright Bureau, Stuck On Music und Teddy Jack Music
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
4.353:49
3Rainy Days and Mondays
assistierende(r) Techniker(in):
Norm Kinney
Techniker(in):
Ray Gerhardt (Recording and mixing engineer)
Produzent(in):
Jack Daugherty (American Multi-instrumentalist and music producer)
Bassgitarre:
Joe Osborn (American bass guitar player, session musician and songwriter)
Keyboard [keyboards] und Hintergrundgesang:
Richard Carpenter (The Carpenters)
Mundharmonika:
Tommy Morgan (Harmonica player)
Saxophon:
Bob Messenger (Woodwind and bass player)
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist)
Hintergrundgesang und Sologesang:
Karen Carpenter
arranger und Orchestrator(in):
Richard Carpenter (The Carpenters)
phonographisches Urheberrecht (℗) von:
A&M Records, Ltd. (in 1971)
aufgenommen bei:
A&M Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1971-01)
recording of:
Rainy Days and Mondays (am 1971-01-25)
Texter:
Paul Williams (US songwriter/soft rock vocalist)
Komponist(in):
Roger Nichols (musician/songwriter)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) und Rondor Music (London) Ltd.
4.353:35
4Top of the World
Produzent(in):
Karen Carpenter, Richard Carpenter (The Carpenters) und Jack Daugherty (American Multi-instrumentalist and music producer)
Sologesang:
Karen Carpenter
arranger und Orchestrator(in):
Richard Carpenter (The Carpenters)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1972)
spätere Veröffentlichungen:
Top of the World (original recording used in the album "A Song for You") von Carpenters
recording of:
Top of the World (am 1973-08-15)
Texter:
John Bettis
Komponist(in):
Richard Carpenter (The Carpenters)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Hammer and Nails Music, Inc. und Rondor Music (London) Ltd.
3.52:59
5Ticket to Ride
Techniker(in):
Ray Gerhardt (Recording and mixing engineer)
Produzent(in):
Jack Daugherty (American Multi-instrumentalist and music producer)
Bass:
Bob Messenger (Woodwind and bass player) und Joe Osborn (American bass guitar player, session musician and songwriter)
Gitarre:
Gary Sims (vocalist, guitarist, songwriter)
Schlagzeug und Sologesang:
Karen Carpenter
Orchestrator(in):
Jack Daugherty (American Multi-instrumentalist and music producer)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1969)
cover recording of:
Ticket to Ride
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, SBK Blackwood Music Inc. (1987-12-30–1989-07-14), Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Tunes LLC (ASCAP)
übersetzte Version von:
Boleto para pasear
recording of:
Ticket to Ride
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, SBK Blackwood Music Inc. (1987-12-30–1989-07-14), Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Tunes LLC (ASCAP)
übersetzte Version von:
Boleto para pasear
3.54:10
6Love Is Surrender
recording of:
Love Is Surrender
Verfasser(in):
Ralph Carmichael
publisher:
Capitol CMG Genesis und Lexicon Music
1:59
7Maybe It's You
recording of:
Maybe It's You
Texter:
John Bettis
Komponist(in):
Richard Carpenter (The Carpenters) (in 1968)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) und Irving Music, Inc.
3:03
8Reason to Believe
Techniker(in):
Dick Bogert (Recording and mixing engineer) und Ray Gerhardt (Recording and mixing engineer)
Produzent(in):
Jack Daugherty (American Multi-instrumentalist and music producer)
Bass:
Joe Osborn (American bass guitar player, session musician and songwriter) und Danny Woodhams (Bassist, drummer, vocalist and songwriter)
Holzblasinstrumente [woodwinds]:
Doug Strawn (American woodwinds and saxophonist), Jim Horn (saxophonist, hornist, flutist and oboist) und Bob Messenger (Woodwind and bass player)
Schlagzeug [Ludwig drums]:
Hal Blaine (U.S. studio drummer and percussionist) und Karen Carpenter
Wurlitzer Electric Piano [Wurlizer pianos]:
Richard Carpenter (The Carpenters)
Sologesang [all vocals]:
Karen Carpenter und Richard Carpenter (The Carpenters)
arranger und Orchestrator(in):
Richard Carpenter (The Carpenters)
cover recording of:
Reason to Believe
Texter und Komponist(in):
Tim Hardin
publisher:
Allen Stanton Productions, Alley Music Corp., EMI Music (do not use as release label! this is a music publisher), Faithful Virtue Music Co. Inc., Hudson Bay Music Inc., Robbins Music Co. Ltd., Robbins Music Corp. und Trio Music Co., Inc.
recording of:
Reason to Believe
Texter und Komponist(in):
Tim Hardin
publisher:
Allen Stanton Productions, Alley Music Corp., EMI Music (do not use as release label! this is a music publisher), Faithful Virtue Music Co. Inc., Hudson Bay Music Inc., Robbins Music Co. Ltd., Robbins Music Corp. und Trio Music Co., Inc.
43:05
9Where Do I Go From Here?
cover recording of:
Where Do I Go From Here
Texter und Komponist(in):
Parker McGee
publisher:
Dawnbreaker Music, EMI Blackwood Music Inc., Faizilu Publishing und Sutjujo Music
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
4:25
10This Masquerade
Produzent(in):
Karen Carpenter und Richard Carpenter (The Carpenters)
Sologesang:
Karen Carpenter
arranger und Orchestrator(in):
Richard Carpenter (The Carpenters)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1973)
cover recording of:
This Masquerade
Texter und Komponist(in):
Leon Russell
publisher:
Chrysalis One Music Publishing Group Ireland, Embassy Music Corporation, Pathe Publications (Far East) Limited, Reservoir 416, Reservoir One America, Rondor Music (London) Ltd., Skyhill Pub. Co., Inc., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
34:53
11It's Going to Take Some Time
Produzent(in):
Jack Daugherty (American Multi-instrumentalist and music producer)
cover recording of:
It’s Going to Take Some Time
Texter und Komponist(in):
Carole King und Toni Stern
publisher:
Screen Gems–Columbia Music, Inc.
4.52:59
12One More Time
recording of:
One More Time
Texter und Komponist(in):
Lewis Anderson
publisher:
Big Heart Music, Inc., Harmony & Grits Music und Satsuma Music (publishing company associated with Lewis Anderson)
3:31
13Those Good Old Dreams
assistierende(r) Techniker(in):
Dave Iveland (Music Engineer)
Techniker(in):
Roger Young (engineer)
Produzent(in):
Richard Carpenter (The Carpenters)
Akustikgitarre und E-Gitarre:
Tim May (session/jazz guitarist)
Bassgitarre [bass]:
Joe Osborn (American bass guitar player, session musician and songwriter)
Harfe:
Gayle Levant (American studio musician, harpist)
Keyboard [keyboards]:
Richard Carpenter (The Carpenters)
Pedal-Steel-Gitarre:
Jay Dee Maness (American pedal steel guitarist)
Perkussion:
Karen Carpenter und Paulinho DaCosta (Brazilian percussionist)
Schlagzeug [drums]:
Ron Tutt (drummer)
Hintergrundgesang:
Karen Carpenter und Richard Carpenter (The Carpenters)
Sologesang:
Karen Carpenter
arranger und Orchestrator(in):
Richard Carpenter (The Carpenters)
concertmaster:
Jimmy Getzoff (American concertmaster and violinist)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1981)
recording of:
Those Good Old Dreams
Texter:
John Bettis
Komponist(in):
Richard Carpenter (The Carpenters)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Hammer and Nails Music, Inc., Rondor Music Publishing Ltd., Sweet Harmony Music, Inc. (US publisher) und WC Music Corp.
54:13
14For All We Know
assistierende(r) Techniker(in):
Norm Kinney
Techniker(in):
Dick Bogert (Recording and mixing engineer) und Ray Gerhardt (Recording and mixing engineer)
Produzent(in):
Jack Daugherty (American Multi-instrumentalist and music producer)
Bassgitarre:
Joe Osborn (American bass guitar player, session musician and songwriter)
Keyboard [keyboards]:
Richard Carpenter (The Carpenters)
Oboe:
Earle Dumler (multi-instrumentalist)
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist)
Hintergrundgesang:
Karen Carpenter und Richard Carpenter (The Carpenters)
Hintergrundgesang und Sologesang und Sologesang:
Karen Carpenter
arranger und Orchestrator(in):
Richard Carpenter (The Carpenters)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1971) und A&M Records, Ltd. (in 1971)
aufgenommen bei:
A&M Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1970 bis 1971)
cover recording of:
For All We Know (Lovers and Other Strangers, 1970) (von 1970 bis 1971)
Texter:
Arthur James (soft rock singer/songwriter/guitarist) und Robb Wilson
Komponist(in):
Fred Karlin
publisher:
MCA Music Ltd. (beendet), Pamco Music Inc. (beendet), EMI Al Gallico Music Corp., Songs of Universal, Inc. (BMI) und Universal Music Corp. (USA, affiliated with ASCAP)
Teil von:
The 43rd Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1970 winner)
recording of:
For All We Know (Lovers and Other Strangers, 1970)
Texter:
Arthur James (soft rock singer/songwriter/guitarist) und Robb Wilson
Komponist(in):
Fred Karlin
publisher:
MCA Music Ltd. (beendet), Pamco Music Inc. (beendet), EMI Al Gallico Music Corp., Songs of Universal, Inc. (BMI) und Universal Music Corp. (USA, affiliated with ASCAP)
Teil von:
The 43rd Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1970 winner)
42:32
15Crystal Lullaby
recording of:
Crystal Lullaby
Texter:
John Bettis
Komponist(in):
Richard Carpenter (The Carpenters)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Hammer and Nails Music, Inc. und Rondor Music
43:56
16I Believe You
assistierende(r) Techniker(in):
Dave Iveland (Music Engineer)
Techniker(in):
Ray Gerhardt (Recording and mixing engineer)
Akustikgitarre und E-Gitarre:
Tim May (session/jazz guitarist)
Bassgitarre [bass]:
Joe Osborn (American bass guitar player, session musician and songwriter)
Conga:
Jerry Steinholtz (American percussionist)
Keyboard [keyboards]:
Richard Carpenter (The Carpenters)
Schlagzeug [drums]:
Larrie Londin
Hintergrundgesang:
Karen Carpenter und Richard Carpenter (The Carpenters)
arranger:
Paul Riser
vocals arranger und Orchestrator(in):
Richard Carpenter (The Carpenters)
concertmaster:
Jimmy Getzoff (American concertmaster and violinist)
cover recording of:
I Believe You
Verfasser(in):
Dick Addrisi und Don Addrisi
publisher:
Flying Addrisi Music, MusicWays, Inc. (BMI-affiliated) und The Music Force
33:55
17(They Long to Be) Close to You
Produzent(in):
Jack Daugherty (American Multi-instrumentalist and music producer)
Sologesang:
Karen Carpenter
arranger und Orchestrator(in):
Richard Carpenter (The Carpenters)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1970)
Bearbeitung von:
(They Long to Be) Close to You (album version) von Carpenters
cover recording of:
(They Long to Be) Close to You (am 1970-03-24)
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
Albert Music Publishing, Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation), Carlin Music Corporation, Casa David LP, J. Albert & Son Pty. Ltd., Jac Music, Inc., New Hidden Valley Music Co., U.S. Songs, Inc., Universal/MCA Music Ltd. (not for release label use!), Windswept Music (London) Ltd. und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
3:42
18Bless the Beasts and Children
recording of:
Bless the Beasts and Children
Verfasser(in) und Komponist(in):
Perry Botkin Jr. (composer, producer, arranger, and musician) und Barry De Vorzon
arranger:
Perry Botkin Jr. (composer, producer, arranger, and musician)
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Teil von:
The 44th Academy Award for Best Original Song (Nummer: 2)
3:15
19All You Get From Love Is a Love Song
Techniker(in):
Ray Gerhardt (Recording and mixing engineer), Dave Iveland (Music Engineer) und Roger Young (engineer)
Partner-Produzent(in):
Karen Carpenter
Produzent(in):
Richard Carpenter (The Carpenters)
Bass:
Joe Osborn (American bass guitar player, session musician and songwriter)
Conga [conga]:
Tommy Vig (Hungarian jazz drummer, vibraphonist, bandleader and composer)
E-Gitarre:
Tony Peluso (American writer, producer and multi-instrumentalist) und Ray Parker
Hybrid-Piano und Klavier [acoustic piano]:
Richard Carpenter (The Carpenters)
Perkussion:
Jerry Steinholtz (American percussionist)
Schlagzeug [drums]:
Ed Green (US violinist/percussionist)
Tenorsaxophon [tenor sax]:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
Hintergrundgesang [background singer]:
Karen Carpenter, Richard Carpenter (The Carpenters), Julia Tillman, Maxine Willard und Carlena Williams
Sologesang:
Karen Carpenter
vocals:
Richard Carpenter (The Carpenters)
arranger und Orchestrator(in):
Richard Carpenter (The Carpenters)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1977)
cover recording of:
All You Get From Love Is a Love Song
Texter und Komponist(in):
Steve Eaton
publisher:
Hampstead Heath Music Publishing Ltd. und Universal Music–MGB Songs
33:46
20Calling Occupants of Interplanetary Craft
cover recording of:
Calling Occupants of Interplanetary Craft
Verfasser(in):
Terry Draper und John Woloschuk
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Magentalane Music Ltd.
7:09
2▶CD

Nennungen

Veröffentlichungsgruppe

Wikipedia:en: 40/40 (The Carpenters album) [Info]
Discogs:https://www.discogs.com/master/600991 [Info]
Wikidata:Q4637273 [Info]