The Best 80’s Album in the World… Ever! Volume 2 (South Africa)

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD
#TitoloArtistaValutazioneDurata
1Hungry Like the Wolf
tecnico e produttore:
Colin Thurston
esecutore:
Duran Duran (English rock band) (nel 1982)
diritti fonografici (℗) detenuti da:
Tritec Music Ltd. (publisher and copyrights holder) (nel 1982) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1998)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 398)
registrazione di:
Hungry Like the Wolf
autore:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) e Roger Taylor (Duran Duran drummer)
editore:
EMI Songs, EMI Songs Australia Pty. Ltd. e Tritec Music Ltd. (publisher and copyrights holder)
adattamenti:
Hungry Like a Pig
Duran Duran3.353:25
2Karma Chameleon
tecnico:
Simon Frith, Simon Humphrey, Gordon Milne (engineer) e Mike Ross‐Trevor (engineer)
produttore:
Steve Levine (producer)
tecnico di missaggio:
Steve Levine (producer) e Jon Moss
armonica (a bocca) ospite :
Judd Lander (nel 1983)
batteria e percussione :
Jon Moss (nel 1983)
chitarra , pianoforte , sitar , sitar elettrico e tastiera :
Roy Hay (Member of Culture Club and composer for film and television) (nel 1983)
chitarra basso :
Mikey Craig (Culture Club bassist) (nel 1983)
tastiera ospite :
Phil Pickett (songwriter, producer, keyboard player) (nel 1983)
voce di accompagnamento:
Helen Terry (UK singer) (nel 1983)
voce principale:
Boy George (nel 1983)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1983, nel 2002, nel 2003)
registrata presso:
CBS Studios (London, 1972–1989) in London (Greater London), England, Regno Unito (nel 1983) e Red Bus Studios in London (Greater London), England, Regno Unito (nel 1983)
video musicali:
Karma Chameleon di Culture Club (English pop group)
registrazione di:
Karma Chameleon (nel 1983)
autore:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss e Phil Pickett (songwriter, producer, keyboard player)
editore:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd., Pendulum Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Virgin Music (Publishers) Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e BMG VM Music Ltd. (dal 2013-05 a oggi)
Culture Club44:10
3You Spin Me Round
produttore:
Pete Waterman
esecutore:
Dead or Alive (UK new wave band) (nel 1984)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1985)
video musicali:
You Spin Me Round (Like a Record) (On 'Blue Peter') (TX 10/01/2003) di Dead or Alive (UK new wave band)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 52)
registrazione di:
You Spin Me Round (Like a Record)
autore:
Pete Burns, Steve Coy, Tim Lever e Mike Percy
editore:
Burning Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Métisse Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996) e Westbury Music Ltd.
parte di:
American Psycho
Dead or Alive4.153:19
4Oh L’amour
assistente tecnico di missaggio:
Phil Legg
tecnico di missaggio:
Flood (British producer Mark Ellis) e Daniel Miller (British music producer and founder of Mute Records)
registrazione di:
Oh l’amour
autore:
Andy Bell (singer / songwriter for Erasure) e Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
editore:
Sony Music Publishing (worldwide except Japan, ended 1995)
Erasure3.653:07
5Love Is a Stranger
tecnico:
A. Williams, D. A. Stewart (UK guitarist/singer for Eurythmics) e R. Crash
produttore:
Dave Stewart (UK guitarist/singer for Eurythmics) e Adam Williams
diritti fonografici (℗) detenuti da:
RCA Ltd. (UK arm of RCA) (nel 1982) e BMG Records (UK) Limited (1987–1996) (nel 1991)
registrazione di:
Love Is a Stranger
paroliere e compositore:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) e Dave Stewart (UK guitarist/singer for Eurythmics)
editore:
Arnakata Music Ltd, Logo Songs Ltd. e Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Eurythmics33:39
6The Locomotion
tecnico:
Karen Hewitt, Mark McGuire (UK producer/engineer) e Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
produttore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
tecnico di missaggio:
Mixmaster Pete Hammond (UK producer aka “Mixmaster”)
diritti fonografici (℗) detenuti da:
Mushroom Records (dal 1988 a oggi), PWL International Ltd. (nel 1988) e KDB Pty Limited (nel 1997)
registrazione cover di:
The Loco‐Motion (aka Locomotion)
paroliere:
Gerry Goffin
compositore:
Carole King
editore:
EMI Music Publishing (do not use as a release label!), Screen Gems/EMI Music, EMI Music Publishing Japan, Fujipacific Division (fino al 2021-06-30), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (dal 1962 a oggi) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Kylie Minogue3.53:11
7Perfect
produttore:
Fairground Attraction e Kevin Moloney
assistente tecnico di missaggio:
Alistair Johnson (engineering)
tecnico di missaggio:
Kevin Moloney
voce principale:
Eddi Reader
diritti fonografici (℗) detenuti da:
BMG Records (UK) Limited (1987–1996) (nel 1988), BMG UK & Ireland Limited (holding company, do not add releases here) (nel 1988) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1988)
registrata presso:
Chipping Norton Studios in Chipping Norton, Oxfordshire, England, Regno Unito
video musicali:
Perfect di Fairground Attraction
registrazione di:
Perfect
paroliere e compositore:
Mark Nevin
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd., Universal Music Limited (UK sound recording / publishing company) e Universal/MCA Music Ltd. (not for release label use!)
Fairground Attraction4.353:35
8We Built This City
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1985)
registrazione di:
We Built This City
autore:
Dennis Lambert, Martin Page, Bernie Taupin e Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
editore:
BMG Music, BMG Songs, Inc., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Concord Copyrights London Limited, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Little Mole Music, Petwolf Music, Tuneworks Music Co., Universal Music Careers, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Music–MGB Songs, Warner/Chappell Music Ltd. (1996–2019), Zomba Enterprises (ASCAP-affiliated) e Zomba Enterprises, Inc.
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Starship24:30
9Everlasting Love
produttore:
Michael Cretu (Romanian-born German musician, composer and record producer)
arrangiatore:
Curt Cress e Michael Cretu (Romanian-born German musician, composer and record producer)
diritti fonografici (℗) detenuti da:
Virgin Schallplatten GmbH (not for release label use! for copyrights use only, former German division of Virgin Records Ltd.) (nel 1987)
registrazione cover di:
Everlasting Love
autore:
James “Buzz” Cason e Mac Gayden
editore:
Alberts, J. Albert & Son Pty. Ltd., Peter Maurice Music Co. Ltd. e Rising Sons Music Inc. (nel 1967)
registrazione di:
Everlasting Love
autore:
James “Buzz” Cason e Mac Gayden
editore:
Alberts, J. Albert & Son Pty. Ltd., Peter Maurice Music Co. Ltd. e Rising Sons Music Inc. (nel 1967)
Sandra33:38
10They Say It’s Gonna Rain
registrazione di:
They Say It's Gonna Rain
autore:
Kerry Delius e George Sanders
Hazell Dean7:06
11Don’t You Want Me
assistente alla programmazione:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) (nel 1981)
programmazione:
Martin Rushent (nel 1981)
assistente tecnico:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth)
produttore:
The Human League e Martin Rushent
sintetizzatore :
Ian Burden (nel 1981), Jo Callis (nel 1981) e Philip Oakey (nel 1981)
voce di accompagnamento:
Joanne Catherall (nel 1981) e Susan Ann Sulley (nel 1981)
voce principale:
Philip Oakey (nel 1981) e Susan Ann Sulley (nel 1981)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only)
registrata presso:
Genetic Studios in West Berkshire, England, Regno Unito (nel 1981)
video musicali:
Don’t You Want Me di The Human League
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 1), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 79) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 82)
registrazione di:
Don’t You Want Me (Human League song) (nel 1981)
paroliere:
Philip Oakey
compositore:
Jo Callis, Philip Oakey e Philip Adrian Wright (Human League)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Human League3.853:57
12Dreaming
tecnico:
Pete Coleman e Tom Lord‐Alge
produttore:
Orchestral Manoeuvres in the Dark
tecnico di missaggio:
Tom Lord‐Alge
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1988)
registrazione di:
Dreaming
paroliere e compositore:
Paul Humphreys (Orchestral Manoeuvres in the Dark) e Andy McCluskey
editore:
Virgin Music, Inc. (US arm of Virgin’s publishing company) e Virgin Music (Publishers) Ltd. (nel 1988)
Orchestral Manoeuvres in the Dark33:56
13It Must Be Love
registrazione cover di:
It Must Be Love
paroliere e compositore:
Labi Siffre
editore:
Chrysalis Music (music publisher, ASCAP-affiliated)
Madness43:17
14We Belong
assistente tecnico:
Dave Hernandez (Dave “Zulu” Hernandez, engineer)
produttore:
Pete Coleman e Neil Giraldo (multi-instrumentalist, songwriter, producer)
assistente tecnico di missaggio:
Murray Dvorkin e Bino Espinoza
armonica (a bocca) e chitarra :
Neil Giraldo (multi-instrumentalist, songwriter, producer)
batteria :
Myron Grombacher
chitarra basso :
Donnie Nossov
chitarra basso ospite aggiunto:
Roger Capps
percussione :
Charles Giordano (American keyboardist and accordionist), Neil Giraldo (multi-instrumentalist, songwriter, producer) e Myron Grombacher
tastiera :
Charles Giordano (American keyboardist and accordionist)
voce principale:
Pat Benatar
diritti fonografici (℗) detenuti da:
Chrysalis (nel 1981) e Chrysalis Records, Inc. (not for release label use!) (nel 1984)
mixata presso:
Soundcastle (Interactive Studios) in Santa Monica, California, Stati Uniti e The Complex Studios in Los Angeles, California, Stati Uniti
registrazione di:
We Belong
autore:
Eric Lowen e Dan Navarro (singer/songwriter/voice actor)
editore:
Screen Gems–EMI Music Ltd. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Pat Benatar4.43:39
15Sealed With a Kiss
produttore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
diritti fonografici (℗) detenuti da:
PWL Records Ltd. (not release use)
registrazione cover di:
Sealed With a Kiss
autore:
Gary Geld e Peter Udell
eseguita per la prima volta da:
The Four Voices (nel 1960-05)
editore:
Chappell & Co., Inc. (USA), Suqence Music, Inc., United Artists (publisher) e Pogo Music Corp. (nel 1962)
sub-editore:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019)
Jason Donovan22:31
16Rise to the Occasion
tecnico:
John Gallen (UK music producer, recording & mix engineer.) e David Jacob
produttore:
Climie Fisher e Stephen Hague
percussione aggiunto:
Frank Ricotti (percussionist)
voce di accompagnamento:
View From the Hill
registrazione di:
Rise to the Occasion
autore:
Simon Climie, Rob Fisher (UK keyboardist, in Naked Eyes) e Dennis Morgan (US songwriter)
Climie Fisher24:44
17I Think We’re Alone Now
tecnico di registrazione aggiunto:
John Kerns (US engineer)
programmazione degli strumenti:
John Duarte
tecnico:
Bill Smith (US recording engineer)
produttore:
George E. Tobin
chitarra :
Chuck Yamek
sintetizzatore :
John Duarte
voce di accompagnamento e voce principale:
Tiffany (US 1980s pop star, "I Think We’re Alone Now")
remixer:
George E. Tobin e Bill Smith (US recording engineer)
arrangiatore:
John Duarte
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1987)
parte di:
RuPaul’s Drag Race Lip Sync Performances (season 7) (numero: 7)
registrazione cover di:
I Think We’re Alone Now
paroliere e compositore:
Ritchie Cordell
editore:
EMI Longitude Music
registrazione di:
I Think We’re Alone Now
paroliere e compositore:
Ritchie Cordell
editore:
EMI Longitude Music
Tiffany3.83:41
18Broken Wings
tecnico:
Paul DeVilliers
produttore:
Paul DeVilliers e Mr. Mister (American pop rock band)
batteria :
Pat Mastelotto
chitarra :
Steve Farris (US session guitarist, member of Mr. Mister)
chitarra basso e voce principale:
Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
tastiera :
Steve George (US keyboardist for Mr. Mister & Pages)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1985), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1985) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1985)
registrazione di:
Broken Wings
autore:
Steve George (US keyboardist for Mr. Mister & Pages), John Lang (US songwriter for Mr. Mister & Pages) e Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
editore:
Ali‐Aja Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Entente Music (publisher; do NOT use as release label), Indolent Sloth Music, Panola Park Music, Poppy‐Due Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Mr. Mister3.854:37
19You’re the Voice
tecnico di registrazione e tecnico di missaggio:
Doug Brady (engineer)
programmazione degli strumenti:
Dave (Australian score composer), Jack e Ross
assistente tecnico:
Michael Wickow (engineer)
produttore:
Ross Fraser
basso senza tasti :
Roger McLachlan
chitarra :
Brett Garsed
sintetizzatore [Fairlight] e tastiera :
David Hirschfelder (Australian score composer)
voce di accompagnamento:
Rozzi Bazzani, Helen Cornish, Penny Dyer, David Hirschfelder (Australian score composer), Colin Setches, Mal Stainton e Sandy Weekes
voce principale:
Whispering Jack
arrangiatore:
John Farnham, Ross Fraser e David Hirschfelder (Australian score composer)
diritti fonografici (℗) detenuti da:
BMG Arista/Ariola Limited (not for release label use! manufacturers/distributors operating in Australasia) (nel 1986), BMG Australia Limited (not for release label use!) (nel 1986), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (nel 1986), Wheatley Records Pty. Ltd. (nel 1986) e RCA/Ariola (nel 1987)
registrata presso e mixata presso:
AAV Studios (fka Armstrong Studios until 1974) in Melbourne, Victoria, Australia
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 15)
registrazione di:
You’re the Voice
autore:
Andy Qunta, Keith Reid, Maggie Ryder e Chris Thompson (vocalist with Manfred Mann’s Earth Band)
editore:
A&G Songs Ltd., Almo Music Corp. (USA, affiliated with ASCAP), Bluebeard Music Ltd., BMG Music, Bucks Music Group Ltd. (Bucks Music Group), Concord Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), CT Music (publisher), CT Music Ltd., David Platz Music Scandinavia AB, Fable Music Pty. Ltd., Imagem Songs Ltd., Polygram Music, PolyGram Music Publishing Ltd., Rondor, Rondor Music, Rondor Music (Australia) P/L, Rondor Music (Australia) Pty Ltd, Rondor Music (London) Ltd., Rondor Music Ltd. (publisher), Universal Music (plain logo: “Universal Music”), Universal Music Publishing (use ONLY if no country‐specific information is available) e Universal Music Publishing AB (Sweden)
John Farnham4.15:01
2▶CD

Accreditamenti

Pubblicazione

distribuito da, copyright (©) detenuto da e commercializzata da:EMI Music South Africa (Pty) Ltd.
Discogs:https://www.discogs.com/release/6846889 [info]