Ultimate Drive

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1Freeway of Love
assistierende(r) Techniker(in):
Dana Jon Chappelle, Maureen Droney und Ray Pyle
Techniker(in):
Dr. Dave Frazer
leitende(r) Produzent(in):
Clive Davis (record producer, A&R executive and music industry chief executive)
Produzent(in):
Narada Michael Walden
Mix:
Michael Brauer (engineer)
Solo-Saxophon:
Clarence Clemons
arranger:
Narada Michael Walden
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1985) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1985)
recording of:
Freeway of Love
Verfasser(in):
Jeffrey Cohen (70s/80s US funk/soul producer/songwriter) und Narada Michael Walden
publisher:
Carlin Music Corporation, Gratitude Sky Music, Inc., Polo Grounds Music und When Words Collide Music
Aretha Franklin4:11
2(I’ve Had) The Time of My Life
assistierende(r) Techniker(in):
Jeff DeMorris (Aufgabe: 2nd assistant engineer) und Dan Nebenzal (Aufgabe: 1st assistant engineer)
Techniker(in):
Carmine Rubino
Produzent(in):
Michael Lloyd (US guitarist/singer producer)
vocals:
Bill Medley und Jennifer Warnes
remixer:
Jimmy Ienner (producer), Michael Lloyd (US guitarist/singer producer), Dan Nebenzal und Carmine Rubino
arranger:
Gene Page (conductor, composer, arranger and record producer)
zusätzlich arranger:
John D’Andrea und Michael Lloyd (US guitarist/singer producer)
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead), BMG Music (in 1987) und Vestron Music Inc. (Connecticut (CT) registered music publishing company, now dissolved.) (in 1987)
produced for:
Mike Curb Productions
aufgenommen bei:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
(I’ve Had) The Time of My Life
Texter:
Franke Previte
Komponist(in):
John DeNicola und Donald Markowitz
publisher:
Calspen Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., Marcu Music Company, Inc., R U Cyrius Publishing, Sony/ATV Tunes LLC (ASCAP), Donald Jay Music, Ltd. (publisher) (in 1987), Jemava Music Corp. (in 1987), Knockout Music Inc. (in 1987) und R.U. Cyrius Publishing (in 1987)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) (beendet), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und フジパシフィックミュージック (Fujipacific Music, Inc.)
Teil von:
The 60th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1987 winner)
Bill Medley & Jennifer Warnes3.754:49
3Danger Zone
Synthesizer [synth]-Programmierung:
Hans Zimmer (German score composer)
Techniker(in):
Dave Concors, Dave Connors und Tom Whitlock
leitende(r) Produzent(in):
Michael Dilbeck
Produzent(in):
Giorgio Moroder und Tom Whitlock
Mix:
Giorgio Moroder und Brian Reeves
Gitarre:
Dann Huff und Kenny Loggins
Keyboard:
Giorgio Moroder
Saxophon:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
Schlagzeug:
John Robinson (session drummer)
Synthesizer:
Tom Whitlock
Sologesang:
Kenny Loggins
phonographisches Urheberrecht (℗) von:
CBS Inc. (US broadcasting company; file no releases here!) (in 1986), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1986), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1986) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
aufgenommen bei:
Oasis Recording Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
a cappella versions:
Danger Zone von Tufts Beelzebubs (Tufts University all-male a cappella group)
recording of:
Danger Zone (Top Gun)
Texter:
Thomas Whitlock
Komponist(in):
Giorgio Moroder
publisher:
Budde Music Inc. (US publisher), Neue Welt Musikverlag GmbH (2017 – present), Sony/ATV Harmony, Sony/ATV Harmony UK, Sony/ATV Music Publishing (Germany) GmbH (1998–2002), Warner Chappell Overseas Holdings Ltd., Warner/Chappell North America, WB Music Corp. (1929–2019), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1986) und GMPC (in 1986)
Kenny Loggins4.33:35
4Because the Night
Produzent(in):
Jimmy Iovine
Mix:
Jimmy Iovine und Shelly Yakus
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1978, in 1988) und Arista Records, LLC (holding company - file NO releases here!) (in 1978)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 72)
recording of:
Because the Night
publisher:
Bruce Springsteen und Bruce Springsteen (in 1975)
Texter:
Patti Smith (in 1977) und Bruce Springsteen (in 1977)
Komponist(in):
Bruce Springsteen (in 1977)
publisher:
Bruce Springsteen Music, Rondor Music, Rondor Music (Australia) Pty Ltd, Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Patti Smith Group4.63:21
5Fire
Produzent(in):
Richard Perry (producer)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1996)
cover recording of:
Fire
Texter und Komponist(in):
Bruce Springsteen (in 1977-05)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Pointer Sisters4.353:25
6500 Miles
cover recording of:
500 Miles
Texter und Komponist(in):
Hedy West
publisher:
Robert Mellin, Inc., Unichappell Music, Inc. und ミュージカル・ライツ・東京 (Musical Lights Tokyo)
recording of:
500 Miles
Texter und Komponist(in):
Hedy West
publisher:
Robert Mellin, Inc., Unichappell Music, Inc. und ミュージカル・ライツ・東京 (Musical Lights Tokyo)
The Hooters4.54:21
7The Way It Is
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1986)
recording of:
The Way It Is
Texter und Komponist(in):
B.R. Hornsby
publisher:
BMG Music Ltd., Bob‐a‐Lew Songs (ASCAP), Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) und Zappo Music (vom 1986 bis heute)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bruce Hornsby & the Range4.353:58
8Superheroes
recording engineer:
Michael Heffernan und Fergal Toohey (Schlagzeug [drums])
assistierende(r) Techniker(in) und assistierende(r) Produzent(in):
Fergal Toohey
Produzent(in):
Jimbo (producer and songwriter), Danny O’Donoghue und Mark Sheehan
zusätzliche(r) Produzent(in):
Andrew Frampton
assistierende(r) Mix:
Geoff Swan
Mix:
Spike Stent (producer, engineer)
Perkussion und Schlagzeug [drums]:
Glen Power
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2014)
aufgenommen bei:
Sofa Sound Studio in London (Greater London), England, Vereinigtes Königreich und Sun Studios in Dublin, County Dublin, Leinster, Irland
recording of:
Superheroes
Verfasser(in):
James Barry (producer and songwriter), Danny O’Donoghue und Mark Sheehan
publisher:
Global Talent Publishing Ltd. (PRS-affiliated) und MadMusic Publishing
The Script34:04
9Rude
Produzent(in):
The Messengers (production duo)
Samples:
Three Little Birds von Bob Marley & The Wailers
Teil von:
Billboard Year-End Hot 100 singles of 2014 (Nummer: 7)
recording of:
Rude
Verfasser(in):
Alexander Tanasijczuk, Adam Messinger, Nasri Atweh, Mark Pellizzer und Ben Spivak
MAGIC!4.353:45
10Up, Up and Away
Techniker(in):
“Bones” Howe
Produzent(in):
Johnny Rivers (Singer, songwriter, and guitarist) und Marc Gordon (soul songwriter, producer, and manager)
Bass:
Joe Osborne (American bass guitar player, session musician and songwriter)
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist)
conductor:
Jim Webb (US songwriter, composer, producer, pianist & singer)
Blechblasinstrumente [horns] arranger und Saiteninstrumente arranger:
Marty Paich
arranger:
Jim Webb (US songwriter, composer, producer, pianist & singer)
aufgenommen bei:
Sound Recorders, Hollywood (founded by Armin Steiner, 1965-1971) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Up, Up and Away
Texter und Komponist(in):
Jim Webb (US songwriter, composer, producer, pianist & singer)
publisher:
Johnny Rivers Music
The 5th Dimension2.52:37
11Green Light
Teil von:
Billboard Year-End Hot 100 singles of 2009 (Nummer: 92)
recording of:
Green Light
Verfasser(in):
André Benjamin, Fin Greenall, John Legend, Malay (record producer, songwriter and engineer) und Rick Nowels
John Legend & André 30004.654:46
12Can You Feel It
Produzent(in):
The Jacksons (formerly “The Jackson 5”)
Bass:
Nathan Watts
Gitarre:
Tito Jackson und David Williams (session guitarist and songwriter)
Keyboard:
Ronnie Foster, Greg Phillinganes und Bill Wolfer (record producer, songwriter, musician and synthesizer programmer from USA)
Schlagzeug:
Ollie E. Brown (US drummer, session musician & record producer)
Vibraphon [vibes]:
Gary L. Coleman (US percussionist)
Chorgesang:
Lita Aubrey, Paulette Brown, Brigette Bush, Soloman Daniels, Rock Deadrick, Carolyn Dennis (American singer), Venetta Fields, Roy Galloway (soul singer), Gerry Garrett, Rhonda Gentry, Jim Gilstrap, Gerry Gruberth, Bunny Hull, Roger Kenerly II, Josie James, Roger Kenerly-Saint, Yolanda Kenerly, Bob Mack, Arnold McCuller, Paulette McWilliams, Louis Price, Lisa Roberts, Stephanie Spruill (American soul/disco singer, songwriter, and percussionist), Phyllis St. James, Brian Stilwell, Audra Tillman, Carmen Twillie, Ronald Vann, Peter Wade und Gregory Wright
Sologesang:
Michael Jackson (“King of Pop”) und Randy Jackson (brother of Michael and Janet)
Saiteninstrumente arranger:
Tom Tom 84
arranger:
Jackie Jackson (member of the Jackson 5) und Michael Jackson (“King of Pop”)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1980)
recording of:
Can You Feel It
Verfasser(in):
Jackie Jackson (member of the Jackson 5) und Michael Jackson (“King of Pop”)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
MJ: The Musical
The Jackson 54.353:48
13Love Train
recording engineer:
Joe Tarsia (engineer)
Produzent(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
aufgenommen bei:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten (in 1972)
recording of:
Love Train (in 1972)
Texter und Komponist(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Mijac Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The O’Jays4.152:59
14Midnight Train to Georgia
Bearbeitung von:
Midnight Train to Georgia von Gladys Knight & the Pips
recording of:
Midnight Train to Georgia
Texter und Komponist(in):
James D. Weatherly (American singer/songwriter)
Gladys Knight & the Pips4.53:53
15Back Up Train
recording of:
Back Up Train
Texter und Komponist(in):
Palmer James und Curtis Rodgers
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
EMI Music Publishing France
Al Green42:20
16Lovely Day
Produzent(in):
Clarence McDonald und Bill Withers
Bassgitarre:
Jerry Knight (in 1977)
Gitarre:
Ray Parker (in 1977)
Keyboard:
Clarence McDonald (in 1977)
Perkussion:
Ralph MacDonald (in 1977)
Schlagzeug und shakers:
Russell Kunkel (session drummer) (in 1977)
Sologesang:
Bill Withers (in 1977)
arranger:
Clarence McDonald
concertmaster:
Charles Veal (violinist, conductor and arranger) (in 1977)
phonographisches Urheberrecht (℗) von:
CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1977), CBS, Inc. (US broadcasting company; file no releases here!) (in 1977) und Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1977)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 402)
recording of:
Lovely Day (in 1977)
Verfasser(in):
Skip Scarborough und Bill Withers
publisher:
Chappell Music Ltd., Chelsea Music Publishing Co., Ltd., Golden Withers Music, Plaid Flowers Music, Sweet Cookie Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bill Withers4.54:12
17I See You Baby (Fatboy Slim radio edit)
Techniker(in):
Simon Thornton (Big beat mixing engineer)
Gast vocals:
Gram’ma Funk
remixer:
Fatboy Slim
arranger:
Fatboy Slim
recording of:
I See You Baby
Texter und Komponist(in):
Andy Cato, Tom Findlay (UK electronic DJ/producer, Groove Armada) und Toi Wooten
Groove Armada & Gram’ma Funk3.454:05
18Ain’t Got No / I Got Life
recording engineer:
Ed Begley (sound engineer in RCA Victor) (am 1968-05-13)
Produzent(in):
Joe René
E-Bass:
Gene Taylor (US jazz bassist) (am 1968-05-13)
E-Gitarre:
Rudy Stevenson (am 1968-05-13)
Klavier und Sologesang:
Nina Simone (am 1968-05-13)
Orgel:
Sam Waymon (am 1968-05-13)
Schlagzeug:
Buck Clarke (am 1968-05-13)
phonographisches Urheberrecht (℗) von:
BMG Ariola (company mostly named as distributor in Europe) (in 1968) und BMG Music (in 1968)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1968-05-13)
Bearbeitung von:
Ain’t Got No / I Got Life (’Nuff Said’ version without overdubs and with studio banter at the end (“It’s groovy”)) von Nina Simone
cover recording of:
Ain’t Got No, I Got Life (am 1968-05-13)
Texter:
James Rado (US actor, playwright, director, writer & composer) und Gerome Ragni
Komponist(in):
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI U Catalog (publisher; do NOT use as release label) und EMI United Partnership Ltd.
Medley von:
I Got Life (from “Hair”)
Medley von:
Ain’t Got No (from “Hair”)
Nina Simone3.62:11
19Don’t Stop Believin’
assistierende(r) Techniker(in):
Wally Buck
Techniker(in):
Kevin Elson
Produzent(in):
Kevin Elson und Mike Stone (producer and engineer, 1960s–80s)
Bassgitarre:
Ross Valory (von 1981-04 bis 1981-06)
Gitarre:
Neal Schon (von 1981-04 bis 1981-06)
Keyboard und Klavier:
Jonathan Cain (von 1981-04 bis 1981-06)
Schlagzeug und Perkussion:
Steve Smith (US drummer most associated with Journey) (von 1981-04 bis 1981-06)
Hintergrundgesang:
Jonathan Cain (von 1981-04 bis 1981-06), Neal Schon (von 1981-04 bis 1981-06) und Ross Valory (von 1981-04 bis 1981-06)
Sologesang:
Steve Perry (former lead singer of Journey) (von 1981-04 bis 1981-06)
phonographisches Urheberrecht (℗) von:
CBS Inc. (US broadcasting company; file no releases here!) (in 1981), CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1981), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
aufgenommen bei:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten (von 1981-04 bis 1981-06)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten
Teil von:
SWR1 Hitparade 2022 (Baden-Württemberg) (Nummer: 10), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 11), Offizielle deutsche Charts – Single-Jahrescharts 2025 (Nummer: 34), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 51) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 133)
recording of:
Don’t Stop Believin’ (Journey song) (von 1981-04 bis 1981-06)
Verfasser(in):
Jonathan Cain, Steve Perry (former lead singer of Journey) und Neal Schon
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Lacey Boulevard Music, Sharandall Music, Sony Music (global brand, excluding JP, owned by Sony Music Entertainment), Universal/MCA Music Ltd. (not for release label use!) und Weedhigh‐Nightmare Music
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), 日音 Synch事業部 (NICHION, INC. Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Journey4.34:09
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