The Complete Stax/Volt Singles: 1959–1968

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 12 vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1Laundromat Blues
Albert King3:10
2Sugar Sugar
The Mad Lads2:31
3Share What You Got (But Keep What You Need)
William Bell2:52
4Marching Off to War
William Bell3:19
5My Lover’s Prayer
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1966-05-03)
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Floyd Newman (am 1966-05-03)
Bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (am 1966-05-03)
Gitarre:
Steve Cropper (am 1966-05-03)
Keyboard [piano, organ]:
Isaac Hayes (am 1966-05-03)
Schlagzeug:
Al Jackson (Booker T & The MGs drummer) (am 1966-05-03)
Tenorsaxophon:
Charles Axton (am 1966-05-03)
Trompete:
Sammy Coleman (am 1966-05-03) und Gene “Bowlegs” Miller (American trumpeter) (am 1966-05-03)
vocals:
Otis Redding (am 1966-05-03)
recording of:
My Lover’s Prayer (am 1966-05-03)
Texter und Komponist(in):
Otis Redding
publisher:
Irving Music, Inc.
Otis Redding33:12
6Your Good Thing (Is About to End)
recording of:
Your Good Thing (Is About to End)
Verfasser(in):
Isaac Hayes und David Porter (US soul musician, producer & songwriter)
publisher:
Cotton Picking Soul Music, Irving Music, Inc., Primary Wave 3 Songs (BMI) und East/Memphis Music (in 1967)
Mable John2:58
7I Got to Love Somebody’s Baby
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records)
vocals:
Johnnie Taylor
Johnnie Taylor2:55
8I Want a Girl
The Mad Lads2:46
9Knock on Wood
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1966-07-13)
Produzent(in):
Steve Cropper
baritone saxophone:
probably Floyd Newman
Bassgitarre [bass]:
Duck Dunn (US bass guitarist, session musician, record producer & songwriter) (am 1966-07-13)
Gitarre:
Steve Cropper (am 1966-07-13)
Klavier:
Isaac Hayes (am 1966-07-13) und Booker T. Jones (am 1966-07-13)
Orgel:
Booker T. Jones (am 1966-07-13)
Schlagzeug [drums]:
Al Jackson (Booker T & The MGs drummer) (am 1966-07-13)
Tenorsaxophon:
probably Andrew Love (am 1966-07-13)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1966-07-13)
vocals:
Eddie Floyd (am 1966-07-13)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
recording of:
Knock on Wood (am 1966-07-13)
Verfasser(in):
Steve Cropper und Eddie Floyd
publisher:
East/Memphis Music, Irving Music, Inc., Rondor Music, Rondor Music (London) Ltd., Rondor Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner Chappell North America
adaptations:
Potkraj na les
Eddie Floyd43:06
10B‐A‐B‐Y
recording of:
B-A-B-Y (in 1966)
Verfasser(in):
Isaac Hayes und David Porter (US soul musician, producer & songwriter)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Warner/Chappell North America
Carla Thomas4.252:57
11My Sweet Potato
recording of:
My Sweet Potato
Komponist(in):
Steve Cropper, Al Jackson, Jr. (Booker T & The MGs drummer) und Booker T. Jones
publisher:
Al Jackson Jr. Music
Booker T. & the MG’s2:44
12Booker‐Loo
recording of:
Booker-Loo
Komponist(in):
Steve Cropper, Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter), Al Jackson, Jr. (Booker T & The MGs drummer) und Booker T. Jones
publisher:
Al Jackson Jr. Music und Irving Music, Inc.
Booker T. & the MG’s2:30
13Oh, Pretty Woman
cover recording of:
Oh, Pretty Woman
Texter und Komponist(in):
A.C. "Moohah" Williams (WDIA DJ)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) und Irving Music, Inc.
recording of:
Oh, Pretty Woman
Texter und Komponist(in):
A.C. "Moohah" Williams (WDIA DJ)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) und Irving Music, Inc.
Albert King2:47
14Said I Wasn’t Gonna Tell Nobody
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1966-11-15)
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records)
vocals:
Dave Prater (soul artist) (am 1966-11-15) und Sam Moore (singer, ex “Sam and Dave”) (am 1966-11-15)
recording of:
Said I Wasn’t Gonna Tell Nobody (am 1966-11-15)
Verfasser(in):
Isaac Hayes und David Porter (US soul musician, producer & songwriter)
Sam & Dave2:37
15Never Like This Before
recording of:
Never Like This Before
Verfasser(in):
Isaac Hayes, Booker T. Jones und David Porter (US soul musician, producer & songwriter)
publisher:
Irving Music, Inc.
William Bell3:02
16Fa‐Fa‐Fa‐Fa‐Fa (Sad Song)
recording of:
Fa‐Fa‐Fa‐Fa‐Fa (Sad Song)
Verfasser(in):
Steve Cropper und Otis Redding
Otis Redding32:43
17Patch My Heart
The Mad Lads2:34
18Sisters’ Got a Boyfriend
Rufus Thomas2:44
19Come to Me My Darling
Ruby Johnson2:55
20When My Love Comes Down
Ruby Johnson2:48
21Try a Little Tenderness
Produzent(in):
Steve Cropper und Jim Stewart (US producer, founder for Stax & Volt Records)
Bassgitarre [bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
E-Bass [electric bass], Klavier, Orgel und Vibraphon [vibes]:
Booker T. Jones
Gitarre:
Steve Cropper
Schlagzeug [drums]:
Al Jackson (Booker T & The MGs drummer)
Tenorsaxophon:
Gilbert Caple und Andrew Love
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
vocals:
Otis Redding
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1966)
cover recording of:
Try a Little Tenderness (in 1966)
Texter:
James Campbell (British songwriter and music publisher) und Reginald Connelly
Komponist(in):
Harry M. Woods (American 1920/30s songwriter)
publisher:
BMG Recordi ex Recordi G.&C., EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Warner Chappell und Campbell Connelly & Co. Ltd. (am 1932-11-04)
Otis Redding33:21
22Crosscut Saw
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1966-11-02)
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records)
Bassgitarre:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (am 1966-11-02)
Gitarre:
Steve Cropper (am 1966-11-02) und Albert King (well‐known US blues guitarist & singer) (am 1966-11-02)
Horn:
Joe Arnold (am 1966-11-02), Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1966-11-02) und Andrew Love (am 1966-11-02)
Klavier:
Isaac Hayes (am 1966-11-02) und Booker T. Jones (am 1966-11-02)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (am 1966-11-02)
Sologesang:
Albert King (well‐known US blues guitarist & singer) (am 1966-11-02)
Interpret(in):
Booker T. & the MG’s (am 1966-11-02) und The Memphis Horns (am 1966-11-02)
Teil von:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 77) und Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 2018)
cover recording of:
Cross Cut Saw Blues (am 1966-11-02)
Verfasser(in):
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
publisher:
Irving Music, Inc.
Albert King2:36
23Little Bluebird
Johnnie Taylor2:57
24Toe Hold
Johnnie Taylor2:40
25Jingle Bells
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records)
Bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (am 1966-10-28)
Orgel:
Booker T. Jones (am 1966-10-28)
Saiteninstrumente [guitar, electric bass]:
Steve Cropper (am 1966-10-28)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (am 1966-10-28)
instrumental recording of:
Jingle Bells
Texter und Komponist(in):
James Lord Pierpont (in 1850)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
komponiert bei und Liedtexte geschrieben bei:
Simpson Tavern in Medford, Massachusetts, Vereinigte Staaten (in 1850)
Booker T. & the MG’s2:38
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