| Nr. | Titel | Künstler | Bewertung | Länge |
|---|
| 1 | Sweet Home Alabama- sonstige Unterstützung:
- Ronnie Van Zant
- Techniker(in) und Produzent(in):
- Al Kooper
- E-Bass:
- Leon Wilkeson (in 1973-07)
- E-Gitarre:
- Allen Collins (in 1973-07), Ed King (in 1973-07) und Gary Rossington (in 1973-07)
- Keyboard:
- Billy Powell (in 1973-07)
- Schlagzeug:
- Bob Burns (in 1973-07)
- Hintergrundgesang:
- Merry Clayton (in 1973-07) und Clydie King (in 1973-07)
- Sologesang:
- Ronnie Van Zant (in 1973-07)
- phonographisches Urheberrecht (℗) von:
- Geffen Records (in 1974), MCA Records (in 1974), MCA Records Ltd. (in 1974), MCA Records, Inc. (in 1974), UMG Recordings, Inc. (in 1974), Universal Music (in 1974), Union Square Music Ltd. (in 2018) und Universal Music Operations Ltd. (in 2018)
- produced for:
- Sounds of the South Productions
- aufgenommen bei:
- Studio One in Doraville, Georgia, Vereinigte Staaten (in 1973-07)
- Teil von:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (Nummer: 398)
- recording of:
- Sweet Home Alabama (in 1973-07)
- sonstige Unterstützung:
- Ronnie Van Zant
- Verfasser(in):
- Ed King , Gary Rossington und Ronnie Van Zant
- publisher:
- Hustler Inc., Leeds Music Corp., MCA Music Ltd., Songs of Universal, Inc. , Universal Music Corp. , Universal Music Publishing Ltd. , Universal/MCA Music Ltd. , Universal/MCA Music Publishing GmbH und Universal/MCA Music Publishing Pty Ltd
| Lynyrd Skynyrd | 4.1 | 4:43 |
| 2 | You Ain’t Seen Nothin Yet | Bachman–Turner Overdrive | 4.65 | 3:56 |
| 3 | Bad Case of Loving You (Doctor, Doctor) | Robert Palmer | 4.65 | 3:12 |
| 4 | Operator (That’s Not the Way It Feels) | Jim Croce | 4.75 | 3:46 |
| 5 | Hold On | Wilson Phillips | | 4:25 |
| 6 | More Than Words | Extreme | 3.75 | 5:37 |
| 7 | Your Love Is Driving Me Crazy | Sammy Hagar | 3 | 3:30 |
| 8 | Fooled Around and Fell in Love | Elvin Bishop | 3.65 | 4:36 |
| 9 | Heard It in a Love Song | The Marshall Tucker Band | | 3:29 |
| 10 | Baby Come Back- Techniker(in):
- Matt Hyde , Jay Lewis und Joe Sidore
- Produzent(in):
- Dennis Lambert und Brian Potter
- Bassgitarre:
- Ronn Moss
- Clavinet, Hybrid-Piano und Synthesizer:
- Wayne Cook
- Conga, Maracas / Rumba-Rasseln und Schlagzeug:
- John Friesen
- Gitarre:
- Peter Beckett
- Hintergrundgesang und Sologesang:
- J.C. Crowley
- vocals:
- Peter Beckett und Ronn Moss
- phonographisches Urheberrecht (℗) von:
- PolyGram International Music B.V. (in 1977) und Universal International Music B.V. (in 1977)
- Teil von:
- Billboard Year-End Hot 100 singles of 1978 (Nummer: 7) und Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 24)
- recording of:
- Baby Come Back
- Verfasser(in):
- Peter Beckett und John Charles Crowley II
- publisher:
- BMG Music, Careers–BMG Music Publishing, Inc., Chappell, Crowbeck Music, Mighty Nice Music , R.S.O. Publishing, Touch of Gold Music, Inc., Unichappell Music, Inc., Universal Music Careers, Warner Chappell Music Ltd. , シンコーミュージック・エンタテイメント , ヤマハミュージックエンタテインメントホールディングス , ユニバーサル・ミュージック・パブリッシング Synch事業部 , ワーナー・チャペル音楽出版 Synch事業部 und 大洋音楽
| Player | 4.35 | 4:11 |
| 11 | More Love | Kim Carnes | | 3:39 |
| 12 | I’d Do Anything for Love (But I Won’t Do That) | Meat Loaf | 5 | 5:15 |
| 13 | Radar Love | Golden Earring | 4.25 | 2:57 |
| 14 | Release Me | Wilson Phillips | | 3:54 |
| 15 | Time in a Bottle- Produzent(in):
- Terry Cashman und Tommy West
- vocals:
- Jim Croce (am 1971-10-11)
- phonographisches Urheberrecht (℗) von:
- R2M Music (in 1972), BMG Rights Management (US) LLC (in 1973), Lastrada Entertainment Co., Ltd. (in 1973) und LeFrak-Moelis Records (in 1973)
- aufgenommen bei:
- The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten (am 1971-10-11)
- recording of:
- Time in a Bottle (am 1971-10-11)
- Texter und Komponist(in):
- Jim Croce
- publisher:
- American Broadcasting Music, Inc., Blendingwell Music, Inc., DenJac Music Company und MCA Music
| Jim Croce | 4.5 | 2:28 |
| 16 | Sexy Eyes | Dr. Hook | 4 | 3:00 |
| 17 | Show Me the Way | Peter Frampton | 3.7 | 4:36 |