Hit Collection

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Love Really Hurts Without You
registrazione di:
Love Really Hurts Without You
paroliere e compositore:
Ben Findon (songwriter and producer) e Leslie Sebastian Charles
editore:
Black Sheep Music Ltd. (publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e EMI Music Publishing Ltd. (PRS‐affiliated)
Billy Ocean43:02
2More Than a Feeling
assistente tecnico:
Bruce Hensal, Deni King (engineer) e Doug Rider
tecnico:
Warren Dewey e Tom Scholz
produttore:
John Boylan e Tom Scholz
assistente tecnico di missaggio:
Steve Hodge (engineer and producer)
batteria e percussione :
Sib Hashian (dal 1975 al 1976)
chitarra [lead guitar] , chitarra [rhythm guitar] , chitarra acustica e chitarra basso :
Tom Scholz (dal 1975 al 1976)
voce principale e voce principale [Harmony]:
Brad Delp (dal 1975 al 1976)
arrangiatore:
Brad Delp e Tom Scholz
co-arrangiatore:
Jim Masdea
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1976), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1976), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1976) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1976)
registrata presso:
Foxglove Studios in Watertown, Massachusetts, Stati Uniti (nel 1975), Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (nel 1976) e The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti (nel 1976)
mixata presso:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, Stati Uniti
prima pubblicazione:
More Than a Feeling di Boston (US rock band)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 39), Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (numero: 63), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 194), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 212) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 500)
registrazione di:
More Than a Feeling (dal 1975 al 1976)
paroliere e compositore:
Tom Scholz
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) e Pure Songs (nel 1976)
Boston3.954:43
3Lovely Day
produttore:
Clarence McDonald e Bill Withers
batteria e shaker :
Russell Kunkel (session drummer) (nel 1977)
chitarra :
Ray Parker (nel 1977)
chitarra basso :
Jerry Knight (nel 1977)
percussione :
Ralph MacDonald (nel 1977)
tastiera :
Clarence McDonald (nel 1977)
voce principale:
Bill Withers (nel 1977)
arrangiatore:
Clarence McDonald
primo violino:
Charles Veal (violinist, conductor and arranger) (nel 1977)
diritti fonografici (℗) detenuti da:
CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (nel 1977), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1977) e Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1977)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 402)
registrazione di:
Lovely Day (nel 1977)
autore:
Skip Scarborough e Bill Withers
editore:
Chappell Music Ltd., Chelsea Music Publishing Co., Ltd., Golden Withers Music, Plaid Flowers Music, Sweet Cookie Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bill Withers4.54:08
4September
produttore:
Maurice White (Earth, Wind & Fire)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1975, nel 1978), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1978) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1978)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 16) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 65)
registrazione di:
September
autore:
Al McKay, Maurice White (Earth, Wind & Fire) e Allee Willis
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Irving Music (BMI), Irving Music, Inc., Rondor Music (London) Ltd., Steel Chest Music, The International Music Network, Universal Music Publishing Group, Pty. Ltd, フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Earth, Wind & Fire4.63:36
5If You Don’t Know Me by Now
produttore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
voce di accompagnamento:
The Blue Notes (Harold Melvin’s group, 1954–mid‐1960s) (nel 1972)
voce principale:
Harold Melvin (nel 1972)
arrangiatore:
Bobby Martin (US soul/R&B producer/arranger)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1972) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1972, nel 1991)
registrata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1972)
registrazione di:
If You Don’t Know Me by Now (nel 1972)
autore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Island Music Ltd., Mighty Three Music, Sony/ATV Music Publishing Australia Pty Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America e Warner/Chappell Music Australia Pty. Ltd.
Harold Melvin & The Blue Notes feat. Teddy Pendergrass3.753:26
6The Ballad of Bonnie & Clyde
registrazione di:
The Ballad of Bonnie and Clyde
paroliere:
Peter Callander
compositore:
Mitch Murray
editore:
Intune Ltd. (publisher)
Georgie Fame3:10
7Dust in the Wind
tecnico:
Jeff Glixman (dal 1977-06 al 1977-07)
tecnico aggiunto:
Terry Diane Becker (engineer)
produttore:
Jeff Glixman (nel 1977-06)
batteria , chimes , gong e timpani :
Phil Ehart (dal 1977-06 al 1977-07)
celesta , organo , sintetizzatore , vibrafono e voce principale:
Steve Walsh (original lead singer of Kansas) (dal 1977-06 al 1977-07)
chitarra acustica e chitarra elettrica :
Kerry Livgren (dal 1977-06 al 1977-07) e Rich Williams (guitarist of Kansas) (dal 1977-06 al 1977-07)
chitarra basso :
Dave Hope (dal 1977-06 al 1977-07)
clavinet e sintetizzatore [synthesizers] :
Kerry Livgren (dal 1977-06 al 1977-07)
percussione [additional percussion] :
Phil Ehart (dal 1977-06 al 1977-07), Kerry Livgren (dal 1977-06 al 1977-07) e Steve Walsh (original lead singer of Kansas) (dal 1977-06 al 1977-07)
pianoforte :
Kerry Livgren (dal 1977-06 al 1977-07) e Steve Walsh (original lead singer of Kansas) (dal 1977-06 al 1977-07)
viola , violino [violins] e violoncello :
Robby Steinhardt (dal 1977-06 al 1977-07)
voce di accompagnamento:
Robby Steinhardt (dal 1977-06 al 1977-07) e Steve Walsh (original lead singer of Kansas) (dal 1977-06 al 1977-07)
arrangiatore:
Kansas (US prog rock band)
diritti fonografici (℗) detenuti da:
Sony Music (global brand, excluding JP, owned by Sony Music Entertainment) (nel 1976), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1977), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977) e CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1978)
registrata presso:
Studio in the Country in Bogalusa, Louisiana, Stati Uniti (dal 1977-06 al 1977-07) e Woodland Studios in Nashville, Tennessee, Stati Uniti (dal 1977-06 al 1977-07)
mixata presso:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, Stati Uniti (nel 1977-08)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 39)
registrazione di:
Dust in the Wind (dal 1977-06 al 1977-07)
paroliere e compositore:
Kerry Livgren
editore:
Blackwood Music Publishing, Don Kirshner Music Inc., Kirshner CBS Music Publishing e Kirshner-Warner Bros Music Ltd.
sub-editore:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
adattamenti:
As the Sun Rises
Kansas4.13:28
8Lay Back in the Arms of Someone
produttore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
diritti fonografici (℗) detenuti da:
Chinnichap Records Ltd. (nel 1977)
registrata presso:
Whitney Recording Studios in Glendale, California, Stati Uniti (dal 1977-03 al 1977-04)
registrazione di:
Lay Back in the Arms of Someone (dal 1977-03 al 1977-04)
autore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Musik-Edition Discoton GmbH
Smokie14:06
9You Drive Me Crazy
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 2004)
registrazione di:
You Drive Me Crazy
paroliere e compositore:
Ronnie Harwood (Songwriter, singer and guitarist)
editore:
Campbell Connelly (Australia) P/L
versione tradotta di:
Krejčí (You Drive Me Crazy)
Shakin’ Stevens2:53
10I Like Chopin
diritti fonografici (℗) detenuti da:
BMG Music (nel 1983)
registrazione di:
I Like Chopin
paroliere:
Gazebo (80s Italian synth‐pop artist Paul Mazzolini “I Like Chopin”)
compositore:
Pierluigi Giombini (arranger ,composer and producer)
editore:
Abramo Allione Ed Mus SRL, Shinko Music Entertainment Co., Ltd., Televis Edizioni Musicali S.R.L. (publisher), Universal Music Publishing Group Japan (work publisher – do NOT use as a release label) e 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
Gazebo34:08
11Girls Just Want to Have Fun
assistente tecnico:
John Agnello (engineer & producer)
tecnico:
William Wittman
tecnico aggiunto:
John Jansen (US recording engineer and producer) e Rod O’Brien
produttore:
Rick Chertoff
produttore associato:
William Wittman
basso :
Eric Bazilian
batteria elettronica :
Anton Fig
chitarra elettrica :
Rick DiFonzo
sintetizzatore [synthesizers] e tastiera [keyboards] :
Rob Hyman
voce di accompagnamento:
Krystal Davis, Ellie Greenwich, Cyndi Lauper, Jules Shear, Maretha Stewart e Diane Wilson (vocals)
voce principale:
Cyndi Lauper
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1983), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1983), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1983) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1983, nel 1994)
è stato produttore per:
Red Sox Music Productions, Inc.
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti
video musicali:
Girls Just Want to Have Fun di Cyndi Lauper
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 23), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 63)
registrazione di:
Girls Just Want to Have Fun
paroliere e compositore:
Robert Hazard
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., Novelene Music, Sony Tunes, Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Tunes LLC (ASCAP) e Heroic Music (publisher) (nel 1983)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Cyndi Lauper4.13:47
12Down Under
tecnico:
Jim Barbour e Peter McIan
tecnico aggiunto:
Paul Ray (70s/80s US engineer)
produttore:
Peter McIan
basso :
John Rees
batteria :
Jerry Speiser (drummer for Men at Work)
chitarra :
Ron Strykert
legni e tastiera :
Greg Ham (member of Men at Work)
voce:
Colin Hay
diritti fonografici (℗) detenuti da:
CBS Records Australia Limited (do not use as a release label! for copyrights use only) (nel 1981), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1981), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (nel 1981), Sony Music Entertainment (Australia) Pty. Ltd. (not for release label use! AU subsidiary of SME since 2009) (nel 1981), Sony Music Productions Pty. Ltd. (for copyrights use only) (nel 1981, nel 1982), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1982) e Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (nel 1986)
registrata presso:
Richmond Recorders in Melbourne, Victoria, Australia
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 21) e VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 96)
registrazione di:
Down Under (Men at Work song, “Do you come from a land down under?”)
paroliere:
Colin Hay
compositore:
Colin Hay e Ron Strykert
editore:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Music Australia Pty. Limited (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (fino al 2014-12-31) e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (dal 2015-01-01 a oggi)
Men at Work4.053:43
13Stand and Deliver
tecnico:
Alan Douglas (Scottish born engineer)
produttore:
Chris Hughes (producer, aka “Merrick”)
batteria :
Chris Hughes (producer, aka “Merrick”) e Terry Lee Miall
chitarra :
Marco Pirroni (British musician and producer)
chitarra basso e voce principale:
Adam Ant (English new wave singer and actor)
diritti fonografici (℗) detenuti da:
CBS Records (manufacturer/distributor, not for release label use!) (nel 1981) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1981)
parte di:
The Downloader’s Music Source Book (numero: 145)
registrazione di:
Stand and Deliver
autore:
Adam Ant (English new wave singer and actor) e Marco Pirroni (British musician and producer)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Adam and the Ants43:09
14Ich will Spass
produttore:
Axel Klopprogge
diritti fonografici (℗) detenuti da:
CBS Schallplatten GmbH (nel 1982) e Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (nel 1982)
è stato produttore per:
Ton & Vision (production company)
registrazione di:
Ich will Spaß (nel 1982)
paroliere e compositore:
Axel Klopprogge
editore:
April Musikverlag GmbH (publisher) (, nel 1982), Chartbreaker (publisher), IEM MV e Chart Breaker (publisher) (nel 1982)
Markus3:00
1599 Luftballons
tecnico:
Imre Sereg (nel 1982)
produttore:
Reinhold Heil (nel 1982) e Manfred Praeker (nel 1982)
tecnico di missaggio:
Udo Arndt (nel 1982)
basso elettrico :
Jürgen Dehmel (nel 1982)
batteria :
Rolf Brendel (nel 1982)
chitarra elettrica :
Carlo Karges (nel 1982)
tastiera :
Jörn‐Uwe Fahrenkrog‐Petersen (nel 1982)
voce principale:
Nena Kerner (the person, performing solo since 1987) (nel 1982)
diritti fonografici (℗) detenuti da:
CBS Schallplatten GmbH (nel 1983), Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (nel 1983) e Sony Music Entertainment Germany GmbH (not for use as release label! © & ℗ holders or distributors since 2009/01/14) (nel 1983)
registrata presso:
Spliff in Berlin, Germania (nel 1982)
mixata presso:
Audio-Studio in Berlin, Germania (nel 1982)
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 3), VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 16), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 73) e Cachitos Nochevieja 2022 (numero: 105)
registrazione di:
99 Luftballons (nel 1982)
paroliere:
Carlo Karges (nel 1982)
compositore:
Uwe Fahrenkrog-Petersen (nel 1982)
editore:
Edition Hate Music (publisher), EMI Songs Australia Pty. Ltd. e EMI Songs Musikverlag GmbH
sub-editore:
EMI Songs France (27, rue de Berri)
Nena4.13:48
16Doctor! Doctor!
tecnico di registrazione, tecnico e tecnico di missaggio:
Phil Thornalley
programmazione degli strumenti:
Tom Bailey (Thompson Twins)
produttore:
Tom Bailey (Thompson Twins) e Alex Sadkin
armonica (a bocca) , chitarra , contrabbasso [contrabass] , pianoforte e sintetizzatore :
Tom Bailey (Thompson Twins)
batteria , marimba , percussione e xilofono :
Alannah Currie
congas e sintetizzatore [Prophet V] :
Joe Leeway
voce:
Tom Bailey (Thompson Twins)
voce di accompagnamento:
Alannah Currie e Joe Leeway
diritti fonografici (℗) detenuti da:
Arista Records Ltd. (not for release label use!) (nel 1984) e Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1984)
video musicali:
Doctor! Doctor! di Thompson Twins
registrazione di:
Doctor! Doctor!
autore e arrangiatore voci:
Tom Bailey (Thompson Twins), Alannah Currie e Joe Leeway
editore:
Point Music Ltd.
Thompson Twins2.54:36
17Come Back and Stay
produttore:
Laurie Latham
chitarra :
Paul Young (English pop singer and musician)
chitarra basso :
Pino Palladino
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1983) e Sony Music Entertainment (Germany) GmbH & Co. KG (not for release label use! for copyrights use only, existed from 2001/06/08–2004/09/23) (nel 2002)
registrazione cover di:
Come Back and Stay
paroliere e compositore:
Jack Lee (US songwriter and musician)
editore:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) e Chrysalis Songs
Paul Young4.654:23
18Heaven
produttore:
Peter Wilson (UK Producer)
arrangiatore:
Chic Medley e Kevin Patterson (songwriter)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (nel 1983), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1983) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1983)
registrazione di:
(Feels Like) Heaven
paroliere e compositore:
Eddie Jordan (songwriter) e Kevin Patterson (songwriter)
editore:
Carlin Music Corp.
Fiction Factory43:31
19All Out of Love
produttore:
Robie Porter
produttore esecutivo:
Clive Davis (record producer, A&R executive and music industry chief executive)
assistente tecnico di missaggio:
Linda Corbin
tecnico di missaggio:
Jim Hilton
batteria :
Ralph Cooper (drummer)
chitarra [lead guitar] :
David Moyse
chitarra [rhythm guitar] :
Graham Russell (Air Supply)
chitarra basso :
Criston Barker
tastiera :
Frank Esler‐Smith e Sam McNally
voce:
Graham Russell (Air Supply)
voce di accompagnamento:
Criston Barker, Tommy Dassalo (percussionist and backing vocalist for Air Supply), Russell Hitchcock, Marcy Levy, David Moyse e Graham Russell (Air Supply)
voce principale:
Russell Hitchcock
arrangiatore:
Air Supply e Robie Porter
orchestratore:
Frank Esler‐Smith e Robie Porter
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1980), Arista Records, LLC (holding company - file NO releases here!) (nel 1980), Big Time Phonograph Recording Co. (nel 1980), Big Time Phonograph Recording Co. Pty Ltd. (nel 1980) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1980)
registrata presso:
Paradise Studios (Sydney) in Sydney, New South Wales, Australia e Studios 301 (Byron Bay) in Byron Bay (Byron Bay, New South Wales), New South Wales, Australia
mixata presso:
Larrabee Sound Studios (original location of Larrabee Sound Studios from 1969–1991) in West Hollywood, California, Stati Uniti
parte di:
The Downloader’s Music Source Book (numero: 290)
registrazione di:
All Out of Love
autore:
Clive Davis (record producer, A&R executive and music industry chief executive) e Graham Russell (Air Supply)
editore:
Arista Music, Inc., BMG Music Publishing Ltd., BRM Publishing, Careers–BMG Music Publishing, Inc., DJDMP, Inc., Nottsongs, Riva Music Ltd., Universal Music Careers, Universal Music Publishing MGB Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) e Warner/Chappell Music Ltd. (1996–2019)
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Air Supply4.454:03
20Through the Barricades
assistente tecnico:
Stephen Wissnet
tecnico:
Gary Langan
produttore:
Gary Langan e Spandau Ballet
basso :
Martin Kemp (UK actor, musician, bassist for Spandau Ballet)
batteria :
John Keeble
chitarra :
Gary Kemp
percussione e sassofono :
Steve Norman (UK saxophonist/percussionist for Spandau Ballet)
tastiera :
Toby Chapman
voce di accompagnamento:
Ruby James (L.A-based singer/songwriter), Shirley Lewis e Helena Springs
voce principale:
Tony Hadley
esecutore:
Spandau Ballet
diritti fonografici (℗) detenuti da:
CBS Records (CBS, CBS Records’ international imprint from 1962–1990; renamed since 1991 as Columbia) (nel 1986) e Sony BMG Music Entertainment (UK) Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1986)
registrata presso e mixata presso:
Musicland Studios (Munich) in München (Munich), Bayern (Baviera), Germania e Studio Miraval in Le Val, Var, Provence-Alpes-Côte-d'Azur, Francia
registrazione di:
Through the Barricades
paroliere e compositore:
Gary Kemp
editore:
Reformation Publishing Co. Ltd.
Spandau Ballet35:53
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Accreditamenti

Pubblicazione

fabbricata a:Europa
design:zwozwo (German design agency, based in Gütersloh, Germany)
diritti fonografici (℗) detenuti da:RM Buch und Medien Vertrieb GmbH (German publisher and distribution company) (nel 2007)
Discogs:https://www.discogs.com/release/9102304 [info]