Recollections of the Big Band Era (limited edition)

~ Veröffentlichung von Duke Ellington (alle Versionen dieser Veröffentlichung ansehen, 5 vorhanden)

Anmerkung

Tracks 13 to 23 noted as Bonus Tracks.

Some titles issued on Atlantic SD 1665 (94003)
Other titles issued on Reprise RS 6168

Tracks 6 to 8, 11, 20, 21 recorded in Chicago, November 29, 1962.
Tracks 3, 9, 13 recorded in New York December 11, 1962.
Tracks 1, 18 recorded in New York December 14, 1962.
Tracks 2, 19 recorded in New York, December 14, 1962.
Tracks 10, 22, 23 recorded in New York, December 20, 1962.
Track 12 recorded in New York December 29, 1962.
Tracks 5, 17, 15 recorded in New York, January 3, 1963.
Tracks 4, 14, 16 recorded in New York, January 4, 1963.

Japanese issue of https://www.discogs.com/Duke-Ellington-Recollections-Of-The-Big-Band-Era/release/4094456

Anmerkung zuletzt geändert am 2025-01-07 20:17 UTC.

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Minnie the Moocher
Techniker(in):
Fred Christie (Aufgabe: original new york engineer) und Richard Mays (Aufgabe: original new york engineer)
Mix:
Geoffrey Haslam und İlhan Mimaroğlu (Turkish-American electronic composer)
alto saxophone:
Johnny Hodges (am 1962-12-13)
Bass:
Ernie Shepard (am 1962-12-13)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1962-12-13)
Posaune:
Lawrence Brown (jazz trombonist) (am 1962-12-13), Chuck Connors (trombonist) (am 1962-12-13) und Buster Cooper (am 1962-12-13)
Rohrblattinstrumente [alto sax, clarinet]:
Russell Procope (am 1962-12-13)
Rohrblattinstrumente [baritone sax, clarinet, bass clarinet]:
Harry Carney (am 1962-12-13)
Rohrblattinstrumente [clarinet, tenor sax]:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1962-12-13)
Schlagzeug:
Sam Woodyard (am 1962-12-13)
Tenorsaxophon:
Paul Gonsalves (am 1962-12-13)
Trompete:
Roy Burrowes (am 1962-12-13), Cat Anderson (am 1962-12-13) und Cootie Williams (am 1962-12-13)
Orchester:
Duke Ellington and His Orchestra (am 1962-12-13)
arranger:
Eddie Barefield
aufgenommen bei:
Fine Recording Studios in Manhattan, New York, New York, Vereinigte Staaten (am 1962-12-13)
instrumental recording of:
Minnie the Moocher (am 1962-12-13)
Texter und Komponist(in):
Cab Calloway und Irving Mills
publisher:
Big Bad Voodoo Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und J. Albert & Son Pty. Ltd.
basiert auf:
Willie the Weeper
cover recording of:
Minnie the Moocher (am 1962-12-13)
Texter und Komponist(in):
Cab Calloway und Irving Mills
publisher:
Big Bad Voodoo Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und J. Albert & Son Pty. Ltd.
basiert auf:
Willie the Weeper
2:47
2For Dancers Only
Techniker(in):
Fred Christie (Aufgabe: original new york engineer) und Richard Mays (Aufgabe: original new york engineer)
Mix:
Geoffrey Haslam und İlhan Mimaroğlu (Turkish-American electronic composer)
alto saxophone:
Johnny Hodges (am 1962-12-14)
Bass:
Ernie Shepard (am 1962-12-14)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1962-12-14)
Posaune:
Lawrence Brown (jazz trombonist) (am 1962-12-14), Chuck Connors (trombonist) (am 1962-12-14) und Buster Cooper (am 1962-12-14)
Rohrblattinstrumente [alto sax, clarinet]:
Russell Procope (am 1962-12-14)
Rohrblattinstrumente [baritone sax, clarinet, bass clarinet]:
Harry Carney (am 1962-12-14)
Rohrblattinstrumente [clarinet, tenor sax]:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1962-12-14)
Schlagzeug:
Sam Woodyard (am 1962-12-14)
Tenorsaxophon:
Paul Gonsalves (am 1962-12-14)
Trompete:
Bill Berry (Jazz trumpeter, cornetist and big band leader), Roy Burrowes (am 1962-12-14), Cat Anderson (am 1962-12-14) und Cootie Williams (am 1962-12-14)
Orchester:
Duke Ellington and His Orchestra (am 1962-12-14)
aufgenommen bei:
Fine Recording Studios in Manhattan, New York, New York, Vereinigte Staaten (am 1962-12-14)
instrumental recording of:
For Dancers Only (am 1962-12-14)
Verfasser(in):
Sy Oliver, Don Raye und Vic Schoen
recording of:
For Dancers Only (am 1962-12-14)
Verfasser(in):
Sy Oliver, Don Raye und Vic Schoen
3:04
3It’s a Lonesome Old Town When You’re Not Around
Techniker(in):
Fred Christie (Aufgabe: original new york engineer) und Richard Mays (Aufgabe: original new york engineer)
Mix:
Geoffrey Haslam und İlhan Mimaroğlu (Turkish-American electronic composer)
alto saxophone:
Johnny Hodges (am 1962-12-11)
Bass:
Ernie Shepard (am 1962-12-11)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1962-12-11)
Posaune:
Lawrence Brown (jazz trombonist) (am 1962-12-11), Chuck Connors (trombonist) (am 1962-12-11) und Buster Cooper (am 1962-12-11)
Rohrblattinstrumente [alto sax, clarinet]:
Russell Procope (am 1962-12-11)
Rohrblattinstrumente [baritone sax, clarinet, bass clarinet]:
Harry Carney (am 1962-12-11)
Rohrblattinstrumente [clarinet, tenor sax]:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1962-12-11)
Schlagzeug:
Sam Woodyard (am 1962-12-11)
Tenorsaxophon:
Paul Gonsalves (am 1962-12-11)
Trompete:
Roy Burrowes (am 1962-12-11), Cat Anderson (am 1962-12-11) und Cootie Williams (am 1962-12-11)
Orchester:
Duke Ellington and His Orchestra (am 1962-12-11)
aufgenommen bei:
Fine Recording Studios in Manhattan, New York, New York, Vereinigte Staaten (am 1962-12-11)
instrumental recording of:
It’s a Lonesome Old Town (am 1962-12-11)
Verfasser(in):
Charles Kisco und Harry Tobias
publisher:
Harry Tobias Music
cover recording of:
It’s a Lonesome Old Town (am 1962-12-11)
Verfasser(in):
Charles Kisco und Harry Tobias
publisher:
Harry Tobias Music
2:22
4Cherokee
Techniker(in):
Fred Christie (Aufgabe: original new york engineer) und Richard Mays (Aufgabe: original new york engineer)
Mix:
Geoffrey Haslam und İlhan Mimaroğlu (Turkish-American electronic composer)
alto saxophone:
Johnny Hodges (am 1962-12-14)
Bass:
Ernie Shepard (am 1962-12-14)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1962-12-14)
Posaune:
Lawrence Brown (jazz trombonist) (am 1962-12-14), Chuck Connors (trombonist) (am 1962-12-14) und Buster Cooper (am 1962-12-14)
Rohrblattinstrumente [alto sax, clarinet]:
Russell Procope (am 1962-12-14)
Rohrblattinstrumente [baritone sax, clarinet, bass clarinet]:
Harry Carney (am 1962-12-14)
Rohrblattinstrumente [clarinet, tenor sax]:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1962-12-14)
Schlagzeug:
Sam Woodyard (am 1962-12-14)
Tenorsaxophon:
Paul Gonsalves (am 1962-12-14)
Trompete:
Roy Burrowes (am 1962-12-14), Cat Anderson (am 1962-12-14) und Cootie Williams (am 1962-12-14)
Orchester:
Duke Ellington and His Orchestra (am 1962-12-14)
aufgenommen bei:
Fine Recording Studios in Manhattan, New York, New York, Vereinigte Staaten (am 1962-12-14)
cover recording of:
Cherokee (am 1962-12-14)
Texter und Komponist(in):
Ray Noble
publisher:
Peter Maurice Music Co., Redwood Music Ltd. (Carlin) und Shapiro, Bernstein & Co., Inc.
instrumental recording of:
Cherokee (am 1963-01-04)
Texter und Komponist(in):
Ray Noble
publisher:
Peter Maurice Music Co., Redwood Music Ltd. (Carlin) und Shapiro, Bernstein & Co., Inc.
2:53
5The Midnight Sun Will Never Set
Techniker(in):
Fred Christie (Aufgabe: original new york engineer) und Richard Mays (Aufgabe: original new york engineer)
Mix:
Geoffrey Haslam und İlhan Mimaroğlu (Turkish-American electronic composer)
alto saxophone:
Johnny Hodges (am 1963-01-03)
Bass:
Ernie Shepard (am 1963-01-03)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1963-01-03)
Posaune:
Lawrence Brown (jazz trombonist) (am 1963-01-03), Chuck Connors (trombonist) (am 1963-01-03) und Buster Cooper (am 1963-01-03)
Rohrblattinstrumente [alto sax, clarinet]:
Russell Procope (am 1963-01-03)
Rohrblattinstrumente [baritone sax, clarinet, bass clarinet]:
Harry Carney (am 1963-01-03)
Rohrblattinstrumente [clarinet, tenor sax]:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1963-01-03)
Schlagzeug:
Sam Woodyard (am 1963-01-03)
Tenorsaxophon:
Paul Gonsalves (am 1963-01-03)
Trompete:
Roy Burrowes (am 1963-01-03), Cat Anderson (am 1963-01-03) und Cootie Williams (am 1963-01-03)
Orchester:
Duke Ellington and His Orchestra (am 1963-01-03)
aufgenommen bei:
Fine Recording Studios in Manhattan, New York, New York, Vereinigte Staaten (am 1963-01-03)
instrumental recording of:
The Midnight Sun Will Never Set (Sarah Vaughan) (am 1963-01-03)
Texter:
Dorcas Cochran
Komponist(in):
Quincy Jones und Henri Salvador
cover recording of:
The Midnight Sun Will Never Set (Sarah Vaughan) (am 1963-01-03)
Texter:
Dorcas Cochran
Komponist(in):
Quincy Jones und Henri Salvador
3:07
6Let’s Get Together
Techniker(in):
Bernie Clapper (Aufgabe: original chicago engineer)
Mix:
Geoffrey Haslam und İlhan Mimaroğlu (Turkish-American electronic composer)
alto saxophone:
Johnny Hodges (am 1962-11-29)
Bass:
Ernie Shepard (am 1962-11-29)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1962-11-29)
Posaune:
Lawrence Brown (jazz trombonist) (am 1962-11-29), Chuck Connors (trombonist) (am 1962-11-29) und Buster Cooper (am 1962-11-29)
Rohrblattinstrumente [alto sax, clarinet]:
Russell Procope (am 1962-11-29)
Rohrblattinstrumente [baritone sax, clarinet, bass clarinet]:
Harry Carney (am 1962-11-29)
Rohrblattinstrumente [clarinet, tenor sax]:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1962-11-29)
Schlagzeug:
Sam Woodyard (am 1962-11-29)
Tenorsaxophon:
Paul Gonsalves (am 1962-11-29)
Trompete:
Roy Burrowes (am 1962-11-29), Cat Anderson (am 1962-11-29) und Cootie Williams (am 1962-11-29)
Orchester:
Duke Ellington and His Orchestra (am 1962-11-29)
aufgenommen bei:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (am 1962-11-29)
recording of:
Let's Get Together (am 1962-11-29)
Komponist(in):
Chick Webb
cover recording of:
Let's Get Together (am 1962-11-29)
Komponist(in):
Chick Webb
2:38
7I’m Gettin’ Sentimental Over You
Techniker(in):
Bernie Clapper (Aufgabe: original chicago engineer)
Mix:
Geoffrey Haslam und İlhan Mimaroğlu (Turkish-American electronic composer)
alto saxophone:
Johnny Hodges (am 1962-11-29)
Bass:
Ernie Shepard (am 1962-11-29)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1962-11-29)
Posaune:
Lawrence Brown (jazz trombonist) (am 1962-11-29), Chuck Connors (trombonist) (am 1962-11-29) und Buster Cooper (am 1962-11-29)
Rohrblattinstrumente [alto sax, clarinet]:
Russell Procope (am 1962-11-29)
Rohrblattinstrumente [baritone sax, clarinet, bass clarinet]:
Harry Carney (am 1962-11-29)
Rohrblattinstrumente [clarinet, tenor sax]:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1962-11-29)
Schlagzeug:
Sam Woodyard (am 1962-11-29)
Tenorsaxophon:
Paul Gonsalves (am 1962-11-29)
Trompete:
Roy Burrowes (am 1962-11-29), Cat Anderson (am 1962-11-29) und Cootie Williams (am 1962-11-29)
Orchester:
Duke Ellington and His Orchestra (am 1962-11-29)
Solo-Interpret(in):
Ray Nance
aufgenommen bei:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (am 1962-11-29)
instrumental recording of:
I’m Getting Sentimental Over You (am 1962-11-29)
Texter:
Ned Washington
Komponist(in):
George Bassman
publisher:
Catharine Hinen Music, EMI Mills Music Inc. (ASCAP-affiliated) und Mills Music, Inc.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
cover recording of:
I’m Getting Sentimental Over You (am 1962-11-29)
Texter:
Ned Washington
Komponist(in):
George Bassman
publisher:
Catharine Hinen Music, EMI Mills Music Inc. (ASCAP-affiliated) und Mills Music, Inc.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
3:21
8Chant of the Weed
Techniker(in):
Bernie Clapper (Aufgabe: original chicago engineer)
Mix:
Geoffrey Haslam und İlhan Mimaroğlu (Turkish-American electronic composer)
alto saxophone:
Johnny Hodges (am 1962-11-29)
Bass:
Ernie Shepard (am 1962-11-29)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1962-11-29)
Posaune:
Lawrence Brown (jazz trombonist) (am 1962-11-29), Chuck Connors (trombonist) (am 1962-11-29) und Buster Cooper (am 1962-11-29)
Rohrblattinstrumente [alto sax, clarinet]:
Russell Procope (am 1962-11-29)
Rohrblattinstrumente [baritone sax, clarinet, bass clarinet]:
Harry Carney (am 1962-11-29)
Rohrblattinstrumente [clarinet, tenor sax]:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1962-11-29)
Schlagzeug:
Sam Woodyard (am 1962-11-29)
Tenorsaxophon:
Paul Gonsalves (am 1962-11-29)
Trompete:
Roy Burrowes (am 1962-11-29), Cat Anderson (am 1962-11-29) und Cootie Williams (am 1962-11-29)
Orchester:
Duke Ellington and His Orchestra (am 1962-11-29)
Solo-Interpret(in):
Ray Nance
arranger:
Billy Strayhorn
aufgenommen bei:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (am 1962-11-29)
recording of:
Chant of the Weed (am 1962-11-29)
Komponist(in):
Don Redman
cover recording of:
Chant of the Weed (am 1962-11-29)
Komponist(in):
Don Redman
3:22
9Ciribiribin
Techniker(in):
Fred Christie (Aufgabe: original new york engineer) und Richard Mays (Aufgabe: original new york engineer)
Mix:
Geoffrey Haslam und İlhan Mimaroğlu (Turkish-American electronic composer)
alto saxophone:
Johnny Hodges (am 1962-12-11)
Bass:
Ernie Shepard (am 1962-12-11)
Klavier:
Billy Strayhorn und Duke Ellington (US composer, pianist & jazz bandleader) (am 1962-12-11)
Posaune:
Lawrence Brown (jazz trombonist) (am 1962-12-11), Chuck Connors (trombonist) (am 1962-12-11) und Buster Cooper (am 1962-12-11)
Rohrblattinstrumente [alto sax, clarinet]:
Russell Procope (am 1962-12-11)
Rohrblattinstrumente [baritone sax, clarinet, bass clarinet]:
Harry Carney (am 1962-12-11)
Rohrblattinstrumente [clarinet, tenor sax]:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1962-12-11)
Schlagzeug:
Sam Woodyard (am 1962-12-11)
Tenorsaxophon:
Paul Gonsalves (am 1962-12-11)
Trompete:
Eddie Preston, Roy Burrowes (am 1962-12-11), Cat Anderson (am 1962-12-11) und Cootie Williams (am 1962-12-11)
Orchester:
Duke Ellington and His Orchestra (am 1962-12-11)
Solo-Interpret(in):
Ray Nance
aufgenommen bei:
Fine Recording Studios in Manhattan, New York, New York, Vereinigte Staaten (am 1962-12-11)
instrumental recording of:
Ciribiribin (They’re So in Love) (Harry James theme song) (am 1962-12-11)
Texter:
Harry James (US big band leader, trumpeter & actor) und Jack Lawrence (US songwriter)
Komponist(in):
Alberto Pestalozza
basiert auf:
Ciribiribin (original Italian version)
Teil von:
Hit the Deck (1955 movie)
instrumental recording of:
Ciribiribin (original Italian version)
Texter:
Carlo Tiochet
Komponist(in):
Alberto Pestalozza (in 1898)
3:29
10Contrasts
Techniker(in):
Fred Christie (Aufgabe: original new york engineer) und Richard Mays (Aufgabe: original new york engineer)
Mix:
Geoffrey Haslam und İlhan Mimaroğlu (Turkish-American electronic composer)
alto saxophone:
Johnny Hodges (am 1962-12-20)
Bass:
Ernie Shepard (am 1962-12-20)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1962-12-20)
Posaune:
Lawrence Brown (jazz trombonist) (am 1962-12-20), Chuck Connors (trombonist) (am 1962-12-20) und Buster Cooper (am 1962-12-20)
Rohrblattinstrumente [alto sax, clarinet]:
Russell Procope (am 1962-12-20)
Rohrblattinstrumente [baritone sax, clarinet, bass clarinet]:
Harry Carney (am 1962-12-20)
Rohrblattinstrumente [clarinet, tenor sax]:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1962-12-20)
Schlagzeug:
Sam Woodyard (am 1962-12-20)
Tenorsaxophon:
Paul Gonsalves (am 1962-12-20)
Trompete:
Roy Burrowes (am 1962-12-20), Cat Anderson (am 1962-12-20) und Cootie Williams (am 1962-12-20)
Orchester:
Duke Ellington and His Orchestra (am 1962-12-20)
aufgenommen bei:
Fine Recording Studios in Manhattan, New York, New York, Vereinigte Staaten (am 1962-12-20)
cover recording of:
Contrasts (am 1962-12-20)
Komponist(in):
Jimmy Dorsey
recording of:
Contrasts (am 1962-12-29)
Komponist(in):
Jimmy Dorsey
2:47
11Christopher Columbus
Techniker(in):
Bernie Clapper (Aufgabe: original chicago engineer)
Mix:
Geoffrey Haslam und İlhan Mimaroğlu (Turkish-American electronic composer)
alto saxophone:
Johnny Hodges (am 1962-11-29)
Bass:
Ernie Shepard (am 1962-11-29)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1962-11-29)
Posaune:
Lawrence Brown (jazz trombonist) (am 1962-11-29), Chuck Connors (trombonist) (am 1962-11-29) und Buster Cooper (am 1962-11-29)
Rohrblattinstrumente [alto sax, clarinet]:
Russell Procope (am 1962-11-29)
Rohrblattinstrumente [baritone sax, clarinet, bass clarinet]:
Harry Carney (am 1962-11-29)
Rohrblattinstrumente [clarinet, tenor sax]:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1962-11-29)
Schlagzeug:
Sam Woodyard (am 1962-11-29)
Tenorsaxophon:
Paul Gonsalves (am 1962-11-29)
Trompete:
Roy Burrowes (am 1962-11-29), Cat Anderson (am 1962-11-29) und Cootie Williams (am 1962-11-29)
Orchester:
Duke Ellington and His Orchestra (am 1962-11-29)
Solo-Interpret(in):
Ray Nance
aufgenommen bei:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (am 1962-11-29)
instrumental recording of:
Christopher Columbus (am 1962-11-29)
Texter:
Andy Razaf
Komponist(in):
Leon “Chu” Berry
cover recording of:
Christopher Columbus (am 1962-11-29)
Texter:
Andy Razaf
Komponist(in):
Leon “Chu” Berry
3:03
12Auld Lang Syne
Techniker(in):
Fred Christie (Aufgabe: original new york engineer) und Richard Mays (Aufgabe: original new york engineer)
Mix:
Geoffrey Haslam und İlhan Mimaroğlu (Turkish-American electronic composer)
alto saxophone:
Johnny Hodges (am 1962-12-29)
Bass:
Ernie Shepard (am 1962-12-29)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1962-12-29)
Posaune:
Lawrence Brown (jazz trombonist) (am 1962-12-29), Chuck Connors (trombonist) (am 1962-12-29) und Buster Cooper (am 1962-12-29)
Rohrblattinstrumente [alto sax, clarinet]:
Russell Procope (am 1962-12-29)
Rohrblattinstrumente [baritone sax, clarinet, bass clarinet]:
Harry Carney (am 1962-12-29)
Rohrblattinstrumente [clarinet, tenor sax]:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1962-12-29)
Schlagzeug:
Sam Woodyard (am 1962-12-29)
Tenorsaxophon:
Paul Gonsalves (am 1962-12-29)
Trompete:
Roy Burrowes (am 1962-12-29), Cat Anderson (am 1962-12-29) und Cootie Williams (am 1962-12-29)
Orchester:
Duke Ellington and His Orchestra (am 1962-12-29)
aufgenommen bei:
Fine Recording Studios in Manhattan, New York, New York, Vereinigte Staaten (am 1962-12-29)
instrumental recording of:
Auld Lang Syne (original Scots version, lyrics by Robert Burns) (am 1962-12-29)
Texter:
Robert Burns (18th century Scottish poet/lyricist) (in 1788)
Komponist(in):
[traditional] (special purpose artist)
publisher:
Songs of Universal, Inc. (BMI)
Teil von:
Roud Folk Song Index (Nummer: 6294)
recording of:
Auld Lang Syne (original Scots version, lyrics by Robert Burns)
Texter:
Robert Burns (18th century Scottish poet/lyricist) (in 1788)
Komponist(in):
[traditional] (special purpose artist)
publisher:
Songs of Universal, Inc. (BMI)
Teil von:
Roud Folk Song Index (Nummer: 6294)
12:20
13Tuxedo Junction
Techniker(in):
Fred Christie (Aufgabe: original new york engineer) und Richard Mays (Aufgabe: original new york engineer)
Trompete:
Eddie Preston und Cootie Williams
Solo-Interpret(in):
Johnny Hodges
arranger:
Duke Ellington (US composer, pianist & jazz bandleader)
instrumental recording of:
Tuxedo Junction (am 1962-12-11)
Texter:
Buddy Feyne
Verfasser(in):
Dash, Feyne, Hawkins und Johnson (US jazz alto saxophonist, clarinetist & arranger)
Komponist(in):
Bill Johnson (US jazz alto saxophonist, clarinetist & arranger), Julian Dash, Buddy Feyne und Erskine Hawkins
3:30
14Smoke Rings
Techniker(in):
Fred Christie (Aufgabe: original new york engineer) und Richard Mays (Aufgabe: original new york engineer)
Klavier:
Billy Strayhorn
Trompete:
Cootie Williams
Solo-Interpret(in):
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) und Johnny Hodges
arranger:
Duke Ellington (US composer, pianist & jazz bandleader) und Billy Strayhorn
instrumental recording of:
Smoke Rings (am 1963-01-04)
Texter:
Ned Washington
Komponist(in):
Gene Gifford
2:53
15Artistry In Rhythm
Techniker(in):
Fred Christie (Aufgabe: original new york engineer) und Richard Mays (Aufgabe: original new york engineer)
Trompete:
Cootie Williams
Solo-Interpret(in):
Harry Carney, Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer), Ray Nance, Billy Strayhorn und Sam Woodyard
arranger:
Duke Ellington (US composer, pianist & jazz bandleader)
recording of:
Artistry in Rhythm (am 1963-01-03)
Komponist(in):
Stan Kenton
publisher:
Sierra Music Publications und Robbins Music Corp. (vom 1945 bis heute)
3:18
16The Waltz You Saved for Me
Techniker(in):
Fred Christie (Aufgabe: original new york engineer) und Richard Mays (Aufgabe: original new york engineer)
Trompete:
Cootie Williams
Solo-Interpret(in):
Harry Carney, Duke Ellington (US composer, pianist & jazz bandleader), Paul Gonsalves und Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer)
arranger:
Duke Ellington (US composer, pianist & jazz bandleader)
instrumental recording of:
The Waltz You Saved for Me (am 1963-01-04)
Texter:
Gus Kahn
Komponist(in):
Emil Flindt und Wayne King
publisher:
Leo Feist, Inc.
2:29
17Woodchopper’s Ball
Techniker(in):
Fred Christie (Aufgabe: original new york engineer) und Richard Mays (Aufgabe: original new york engineer)
Trompete:
Cootie Williams
Solo-Interpret(in):
Lawrence Brown (jazz trombonist), Chuck Connors (trombonist), Buster Cooper, Duke Ellington (US composer, pianist & jazz bandleader), Paul Gonsalves, Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer), Johnny Hodges und Ray Nance
arranger:
Duke Ellington (US composer, pianist & jazz bandleader)
recording of:
Woodchopper’s Ball (am 1963-01-03)
Komponist(in):
Joe Bishop und Woody Herman
Teil von:
The Real Book (compilation of jazz standards, volume I)
3:16
18Sentimental Journey
Techniker(in):
Fred Christie (Aufgabe: original new york engineer) und Richard Mays (Aufgabe: original new york engineer)
Trompete:
Cootie Williams
Solo-Interpret(in):
Johnny Hodges, Ernie Shepard und Sam Woodyard
arranger:
Duke Ellington (US composer, pianist & jazz bandleader)
instrumental recording of:
Sentimental Journey (am 1962-01-13)
Texter:
Bud Green (in 1944)
Komponist(in):
Les Brown (American big band & jazz musician) (in 1944) und Ben Homer (in 1944)
publisher:
Chappell/Morris Ltd., Holliday Publishing, Morley Music Co. Inc. und Morley Music Corp.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
2:30
19When It’s Sleepy Time Down South
Techniker(in):
Fred Christie (Aufgabe: original new york engineer) und Richard Mays (Aufgabe: original new york engineer)
Trompete:
Bill Berry (Jazz trumpeter, cornetist and big band leader)
Solo-Interpret(in):
Ray Nance und Russell Procope
arranger:
Duke Ellington (US composer, pianist & jazz bandleader)
instrumental recording of:
When It’s Sleepy Time Down South (am 1962-01-14)
Texter:
Leon René und Otis René
Komponist(in):
Clarence Muse
publisher:
Leon Rene Publication, Mills Music, Inc., Otis Rene Publication und Sherwin Music (publisher)
3:17
20One O’Clock Jump
Techniker(in):
Bernie Clapper (Aufgabe: original chicago engineer)
Solo-Tenorsaxophon:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer)
Trompete:
Cootie Williams
Solo-Interpret(in):
Buster Cooper, Duke Ellington (US composer, pianist & jazz bandleader) und Ray Nance
arranger:
Dick Vance (US jazz trumpeter and arranger)
recording of:
One O’Clock Jump (am 1962-11-29)
Komponist(in):
Count Basie (pianist) (in 1937)
publisher:
EMI Feist Catalog Inc.
7:20
21Goodbye
Techniker(in):
Bernie Clapper (Aufgabe: original chicago engineer)
Trompete:
Cootie Williams
Solo-Interpret(in):
Johnny Hodges
arranger:
Duke Ellington (US composer, pianist & jazz bandleader)
instrumental recording of:
Goodbye (am 1962-11-29)
Texter und Komponist(in):
Gordon Jenkins
Verfasser(in):
Benny Goodman (clarinetist and bandleader)
publisher:
Devalbo Inc, La Salle Music Publishers, Inc., LaSalle Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Peermusic (UK) Limited, Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), Universal Music Corp. (USA, affiliated with ASCAP) und WB Music Corp. (1929–2019)
3:05
22Sleep, Sleep, Sleep
Techniker(in):
Fred Christie (Aufgabe: original new york engineer) und Richard Mays (Aufgabe: original new york engineer)
Trompete:
Cootie Williams
Solo-Interpret(in):
William “Cat” Anderson, Duke Ellington (US composer, pianist & jazz bandleader), Johnny Hodges und Ray Nance
arranger:
Duke Ellington (US composer, pianist & jazz bandleader)
recording of:
Sleep, Sleep, Sleep
Verfasser(in):
Earl Burtnett und Adam Geibel (Composer, songwriter, conductor, organist, teacher & publisher)
2:47
23Rhapsody in Blue
Techniker(in):
Fred Christie (Aufgabe: original new york engineer) und Richard Mays (Aufgabe: original new york engineer)
Trompete:
Cootie Williams
Solo-Interpret(in):
Harry Carney, Duke Ellington (US composer, pianist & jazz bandleader), Paul Gonsalves, Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) und Johnny Hodges
arranger:
Duke Ellington (US composer, pianist & jazz bandleader)
instrumental recording of:
Rhapsody in Blue (standard 1942 orchestration) (am 1962-12-20)
Orchestrator(in):
Ferde Grofé (pianist, arranger, conductor and composer) (in 1942)
Komponist(in):
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., Ferde Grofé Music Publishing (New York), New World Music Co. und Warner Bros. Music (publisher; do NOT use as release label)
Teil von:
Classic 100: Feel Good (2024) (Nummer: 5)
Revision von:
Rhapsody in Blue (original 1924 jazz band version, less often performed)
14:50

Nennungen

Veröffentlichung

sonstige Unterstützung:Duke Ellington (US composer, pianist & jazz bandleader) (Aufgabe: leader)
Jerry Valburn (Aufgabe: research / credits and solo identifications)
Produzent(in):Duke Ellington (US composer, pianist & jazz bandleader) (Aufgabe: original sessions)
Bob Porter (American record producer) (Aufgabe: for compact disc)
alto saxophone:Russell Procope
baritone saxophone und Bassklarinette:Harry Carney
Geige / Violine und Trompete:Ray Nance
Klarinette:Harry Carney
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer)
Russell Procope
transferrer:Bobby Warner
hergestellt von und vertrieben von:Warner Music Japan Inc. (holding company - file no releases here!)
phonographisches Urheberrecht (℗) von:WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
mixed at:Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten
Teil von:JAZZ BEST COLLECTION 1000 (Reihenfolge: 6)
Discogs:https://www.discogs.com/release/11123998 [Info]