Die Hit‐Giganten: Best of 60s

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1▼CD
#TitoloArtistaValutazioneDurata
1Suspicious Minds
tecnico:
Al Pachucki
produttore:
Felton Jarvis e Chips Moman
basso :
Tommy Cogbill (il 1969-01-23) e Mike Leech (Nashville session musician and arranger) (il 1969-01-23)
batteria :
Gene Chrisman (il 1969-01-23)
chitarra :
Elvis Presley (“The King of Rock and Roll”) (il 1969-01-23) e Reggie Young (guitarist and songwriter) (il 1969-01-23)
chitarra steel :
John Hughey (il 1969-01-23)
organo :
Bobby Emmons (il 1969-01-23)
pianoforte :
Bobby Wood (American pianist, keyboard player and songwriter) (il 1969-01-23)
voce:
J.D. Sumner & The Stamps, The Sweet Inspirations e Kathy Westmoreland
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1969-01-22)
arrangiatore:
Mike Leech (Nashville session musician and arranger) e Glen Spreen (Arranger, keyboardist, producer, conductor, and songwriter)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1969), BMG Music (nel 1969, nel 1973), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (nel 1969), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1973) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
American Sound Studio ((Defunct) Memphis, TN - American North) in Memphis, Tennessee, Stati Uniti (il 1969-01-23) e United Recording Studios (Las Vegas) in Las Vegas, Nevada, Stati Uniti (il 1969-08-07)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 91) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 363)
registrazione cover di:
Suspicious Minds (dal 1969-01-23 al 1969-08-07)
paroliere e compositore:
Mark James (Francis Zambon, composer of “Suspicious Minds”)
editore:
Laetrec Music, Press Music Co., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd. e Sony/ATV Songs LLC
Elvis Presley4.14:35
2When a Man Loves a Woman
produttore:
Marlin Greene (’60s teen artist, writer & engineer) e Quin Ivy
batteria :
Roger Hawkins (drummer and producer) (il 1966-02-17)
chitarra :
Marlin Greene (’60s teen artist, writer & engineer) (il 1966-02-17)
contrabbasso :
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (il 1966-02-17)
farfisa [farfisa organ] :
Spooner Oldham (il 1966-02-17)
voce:
Percy Sledge (il 1966-02-17)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (, nel 1966) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1966)
registrata presso:
Norala Studio in Sheffield, Alabama, Stati Uniti (il 1966-02-17)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 54) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
When a Man Loves a Woman (il 1966-02-17)
autore:
Calvin Lewis, Percy Sledge e Andrew Wright (US keyboardist)
editore:
Mijac Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (dal 1966 a oggi), Quinvy Music Publishing Company, Inc. (dal 1966 a oggi), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (dal 1966 a oggi), Pronto (BMI‐affiliated publishing company) (nel 1972) e Quinvy (record company and publisher) (nel 1972)
Percy Sledge4.352:53
3Stand by Me
registrata a:
New York, New York, Stati Uniti (il 1960-10-27)
produttore:
Leiber and Stoller (songwriting team)
voce:
Ben E. King (il 1960-10-27)
direttore d'orchestra:
Stan Applebaum (US composer, arranger and conductor) (il 1960-10-27)
arrangiatore:
Stan Applebaum (US composer, arranger and conductor)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1960, nel 1961), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1961, nel 1986), Progressive Music Publishing Company Inc. (nel 1981) e Trio Music Co., Inc. (nel 1981)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 131) e BILLIONS CLUB
registrazione di:
Stand by Me (il 1960-10-27)
editore:
Mike Stoller
autore:
Ben E. King, Jerry Leiber e Mike Stoller
editore:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music e Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.653:00
4Ring of Fire
registrata a:
Nashville, Tennessee, Stati Uniti (il 1963-03-25)
produttore:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) e Don Law
basso :
Marshall Grant
batteria :
W.S. Holland
chitarra :
Johnny Cash (country music legend) e Jack Clement
chitarra elettrica :
Luther Perkins
pianoforte :
Bill Pursell
tromba :
Bill McElhiney
voce e esecutore:
The Carter Family (later generations of the family after 1943)
voce principale:
Johnny Cash (country music legend)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1963, nel 1977)
registrata presso:
Columbia Studios (Nashville) in Nashville, Tennessee, Stati Uniti (il 1963-03-25)
parte di:
Rolling Stone: The 200 Greatest Country Songs of All Time (numero: 25), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 87), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 201) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 388)
registrazione cover di:
Ring of Fire (il 1963-03-25)
autore:
June Carter Cash (American Country singer and songwriter) e Merle Kilgore
editore:
Painted Desert Music Corporation
Johnny Cash4.252:37
5Diana
voce:
Paul Anka (Canadian singer, songwriter and actor)
direttore d'orchestra:
Don Costa (US pop music arranger & producer)
parte di:
Huffington Post: 100 Best Canadian Songs Ever (numero: 26)
registrazione di:
Diana (il 1957-05-20)
paroliere e compositore:
Paul Anka (Canadian singer, songwriter and actor)
editore:
Pamco Music Inc. (conclusa), Epa Publishing, Robert Mellin Music Publishing Corp. e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
sub-editore:
ミュージカル・ライツ・東京 株式会社 (Musical Lights Tokyo)
Paul Anka4.22:20
6River Deep Mountain High
tecnico:
Larry Levine
produttore:
Phil Spector e Ike Turner
voce principale:
Tina Turner
arrangiatore:
Jack Nitzsche (American musician and score composer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2004)
registrata presso:
Gold Star Studios in Hollywood, Los Angeles, California, Stati Uniti (nel 1966-03)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 33) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 221)
registrazione di:
River Deep – Mountain High (nel 1966-03)
autore:
Jeff Barry (nel 1966), Ellie Greenwich (nel 1966) e Phil Spector (nel 1966)
editore:
ABKCO Music, ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Belinda Music, Bug Music (Windswept Account), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Blackwood Music Inc., EMI Music Publishing Scandinavia AB, Leiber Stoller Songs Ltd., Mecolico Music, Mother Bertha Music Inc., Trio Music (publisher), Trio Music Co., Inc., Trio Music Company, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc., Universal/Polygram Music Publishing, Warner Chappell, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e 日本アブコ音楽出版 (ABKCO Japan Publishing)
Ike & Tina Turner3.53:28
7Sugar Sugar
video musicali:
Sugar, Sugar di The Archies
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 6), Rolling Stone: The 50 Best Tunes by Made-Up Musicians (numero: 18), Billboard: Greatest of All Time Hot 100 Songs (numero: 90) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 155)
registrazione di:
Sugar, Sugar (nel 1969)
autore:
Jeff Barry e Andy Kim (pop singer & songwriter)
editore:
Don Kirshner Music Inc., Kirshner CBS Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e Warner/Chappell Music Ltd. (1996–2019)
The Archies3.52:47
8Yummy, Yummy, Yummy
produttore:
Jerry Kasenetz, Jeff Katz (music producer), Joey Levine e Arthur Resnick (songwriter, producer)
chitarra basso e voce di accompagnamento:
Dean Kastran (nel 1968)
voce principale:
Joey Levine (nel 1968)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 465)
registrazione di:
Yummy Yummy Yummy (nel 1968)
autore:
Joey Levine e Arthur Resnick (songwriter, producer)
editore:
T. M. Music (publisher) (, nel 1968)
Ohio Express3.82:21
9Friday on My Mind
produttore:
Shel Talmy
diritti fonografici (℗) detenuti da:
Albert Productions (nel 1966, nel 1967) e United Artists (nel 1966)
è stato produttore per:
Albert Productions
registrazione di:
Friday on My Mind
autore:
Vanda & Young (songwriting & producing duo), Harry Vanda (Australian musician) e George Young (Australian musician and producer)
editore:
J. Albert & Son P/L, J. Albert & Son Pty. Ltd. e Unart Music Corporation (nel 1973)
The Easybeats3.52:44
10All I Have to Do Is Dream
registrazione di:
All I Have to Do Is Dream
paroliere e compositore:
Boudleaux Bryant
editore:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e Acuff-Rose Publications, Inc. (BMI) (il 1958-04-21)
The Everly Brothers2:19
11Rhythm of the Rain
registrazione di:
Rhythm of the Rain
paroliere e compositore:
John Gummoe
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Cascades2:33
12Black Is Black
registrazione di:
Black Is Black (nel 1966)
autore:
Michelle Grainger (UK songwriter, co-wrote “Black is Black”), Tony Hayes (UK songwriter, co-wrote “Black is Black”) e Steve Wadey (UK songwriter, co-wrote “Black is Black”)
editore:
EMI Music Publishing (do not use as a release label!), Mellin Music, Musica (Musica Schallplatten-Vertrieb Gesellschaft m.b.H.), Robert Mellin Music Publishing Corp. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Los Bravos42:58
13Yesterday Man (original)
produttore:
Peter Columbus
registrazione di:
Yesterday Man
paroliere e compositore:
Chris Andrews (UK singer-songwriter)
Chris Andrews2:33
14Ferry Cross the Mersey
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1964)
registrazione di:
Ferry Cross the Mersey
paroliere e compositore:
Gerry Marsden
editore:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) e PolyGram Music Publishing
Gerry & the Pacemakers2:25
15Be My Baby
supporto a vario titolo:
Phil Spector (incarico: under license of)
tecnico:
Larry Levine
produttore:
Phil Spector
voce:
Ronnie Spector (nel 1963-07)
esecutore:
The Ronettes
arrangiatore:
Jack Nitzsche (American musician and score composer)
diritti fonografici (℗) detenuti da:
Phil Spector Records (nel 1963)
registrata presso:
Gold Star Studios in Hollywood, Los Angeles, California, Stati Uniti (nel 1963-07)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 19), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 22) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 22)
registrazione di:
Be My Baby (nel 1963-07)
autore:
Jeff Barry, Ellie Greenwich e Phil Spector
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Carlin Music Corporation, Mother Bertha Music, Inc., Universal–Songs of PolyGram International, Inc. e Trio Music Co., Inc. (nel 1963)
sub-editore:
ABKCO Japan Publishing, Shinko Music Entertainment Co., Ltd., Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Fujipacific Music inc. (fino al 2014-12-31), EMI Music Publishing Japan C.F. division (fino al 2021-06-30), Warner Tamerlane Publishing Corp. (publisher; do NOT use as release label) (nel 1963), Fujipacific Music, Inc. (dal 2015-01-01 a oggi) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
The Ronettes4.152:42
16Hey! Baby
registrazione di:
Hey! Baby
autore:
Bruce Channel e Margaret Cobb (singer, writer, publisher)
editore:
EMI Unart Catalog Inc., Gerig Musikverlag (Musikverlage Hans Gerig KG), Peter Maurice Music Co. Ltd., シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.), CBS Unart Catalog, Inc. (nel 1961) e Le Bill Music (nel 1961)
Bruce Channel2:22
17Young Girl
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1968)
registrazione di:
Young Girl
paroliere e compositore:
Jerry Fuller
editore:
EMI Music Publishing (S.E. Asia) Ltd. (EMI Music Publishing (S.E. Asia) Limited)
Gary Puckett & the Union Gap43:18
18Bus Stop
produttore:
The Hollies e Ron Richards
basso :
Bernie Calvert (il 1966-05-18)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1966, nel 2003) e Parlophone (nel 1966)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1966-05-18)
registrazione di:
Bus Stop (il 1966-05-18)
paroliere e compositore:
Graham Gouldman
editore:
Basement Brazil Editora, Bramsdene Music Corporation, Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Edition Wilhelm Hansen, EMI Blackwood Music (Canada) Ltd., Hournew Music Ltd., Man-Ken Music, Limited e Music Sales Corporation (American copyright holder in both popular and classical music)
The Hollies4.752:53
19Everlasting Love
registrazione cover di:
Everlasting Love
autore:
James “Buzz” Cason e Mac Gayden
editore:
Alberts, J. Albert & Son Pty. Ltd., Peter Maurice Music Co. Ltd. e Rising Sons Music Inc. (nel 1967)
Love Affair43:03
20San Francisco (Be Sure to Wear Flowers in Your Hair)
produttore:
Lou Adler e John Phillips (The Mamas & The Papas)
voce:
Scott McKenzie (nel 1967-05)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1967) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1967)
registrazione di:
San Francisco (Be Sure to Wear Flowers in Your Hair) (nel 1967-05)
editore:
John Phillips (The Mamas & The Papas)
paroliere e compositore:
John Phillips (The Mamas & The Papas)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Honest John Music, MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US) e Wingate Music Corp.
Scott McKenzie3.752:57
21No Milk Today
diritti fonografici (℗) detenuti da:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (nel 1966) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1966)
registrazione di:
No Milk Today (nel 1966-10)
paroliere e compositore:
Graham Gouldman
editore:
Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Hournew Music Ltd.
Herman’s Hermits4.652:57
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Accreditamenti

Gruppo di pubblicazioni

parte di:Die Hit-Giganten (numero: 2011-09-16.1) (ordine: 52)
Discogs:https://www.discogs.com/master/2630633 [info]