101 Ultimate Beer Songs

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1Prisoner of Society
Assistent recording engineer und assistierende(r) Techniker(in):
Matt Voight
recording engineer und Techniker(in):
Lindsay Gravina (engineer & guitarist)
Produzent(in):
Lindsay Gravina (engineer & guitarist) und The Living End (Australian punk band)
Mix:
Jerry Finn
phonographisches Urheberrecht (℗) von:
The Living End Pty. Ltd. (in 1997, in 1998)
aufgenommen bei:
Sing Sing Studios (closed in 2017) in Cremorne, Melbourne, Victoria, Australien
mixed at:
Conway Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Prisoner of Society (US version) (film clip) von The Living End (Australian punk band)
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 41) und Triple J’s Hottest 100: Twenty Years (2013) (Nummer: 20)
recording of:
Prisoner of Society
Texter und Komponist(in):
Chris Cheney (The Living End frontman)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc. und EMI Music Publishing (do not use as a release label!)
The Living End3.653:52
2Hot Chilli Woman
recording of:
Hot Chilli Woman
Verfasser(in):
Steve Balbi und Justin Stanley
Noiseworks3:24
3Dumb Things
recording of:
Dumb Things
Texter und Komponist(in):
Paul Kelly (Australian singer/songwriter)
Paul Kelly and the Messengers2:30
4He's Gonna Step on You Again
phonographisches Urheberrecht (℗) von:
Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1992)
cover recording of:
He’s Gonna Step on You Again
Texter:
Shaun Ryder
Verfasser(in):
Christos Demitriou und John Kongos
publisher:
Essex Music of Australia Pty. Ltd.
The Party Boys4:09
5Early Warning
Techniker(in):
Kevin Shirley (producer & mixer)
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Mix:
Mike Chapman (Australian producer and songwriter) und Kevin Shirley (producer & mixer)
Bassgitarre [bass]:
Eddie Parise
Gitarre:
Suze DeMarchi und Dave Leslie
Schlagzeug [drums]:
Frank Celenza
Sologesang [vocals]:
Suze DeMarchi
vocals:
Dave Leslie und Eddie Parise
phonographisches Urheberrecht (℗) von:
Imago Recording Company (in 2007)
recording of:
Early Warning
Verfasser(in):
Suze DeMarchi, Dave Leslie und Eddie Parise
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs, Mushroom Music Pty. Ltd. und Mushroom Music Publishing
Baby Animals3:57
6Fall of Rome
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1987)
recording of:
Fall of Rome
Texter und Komponist(in):
James Reyne
publisher:
Mushroom Music Pty. Ltd. und Mushroom Music Publishing
James Reyne4:58
7Do You See What I See?
phonographisches Urheberrecht (℗) von:
Human Frailty Pty. Ltd. (in 1987)
recording of:
Do You See What I See?
Verfasser(in):
Doug Falconer, Jack Howard (trumpeter), Rob Miles (Hunters & Collectors art/design & live sound), Mark Seymour und Michael Waters
publisher:
Mushroom Music Pty. Ltd.
Hunters & Collectors2.53:36
8No Secrets
Bass:
Chris Bailey (Australian bassist for The Angels)
Gitarre:
John Brewster und Rick Brewster
Schlagzeug:
Graham (Buzz) Bidstrup
vocals:
Doc Neeson
phonographisches Urheberrecht (℗) von:
Sony Music Productions Pty. Ltd. (for copyrights use only) und Tutankhamen Nominees Pty. Ltd. (in 1980)
recording of:
No Secrets
Verfasser(in):
Graham "Buzz" Bidstrup und Doc Neeson
publisher:
J. Albert & Son und J. Albert & Son Pty. Ltd.
The Angels4:18
9Pleasure and Pain
Produzent(in):
Mike Chapman (Australian producer and songwriter)
phonographisches Urheberrecht (℗) von:
EMI Records (UK label renamed from Virgin EMI Records in 2020), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1985), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1985) und Chrysalis Records, Inc. (not for release label use!) (in 1985)
recording of:
Pleasure and Pain
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Holly Knight
publisher:
Hebbes Music Group Pty. Ltd., Warner Chappell und Warner/Chappell Music Ltd. (1996–2019)
Divinyls3.353:48
10Come Said the Boy
phonographisches Urheberrecht (℗) von:
M-Rock Pty. Ltd. (in 1983) und Mondo Rock Records (in 1983)
recording of:
Come Said the Boy
Verfasser(in):
Eric McCusker
publisher:
Origin Music (publisher) und Origin Music Publishing Pty Ltd
Mondo Rock45:15
11Cry in Shame
recording engineer:
Terry Manning (US recording engineer) (von 1988-08 bis 1988-09)
Produzent(in) und Mix:
Terry Manning (US recording engineer)
Bass:
Johnny 'Tatt' Dalzell (von 1988-08 bis 1988-09)
Gitarre:
Diesel (Australian pop rock aka Mark Lizotte) (von 1988-08 bis 1988-09)
Saxophon und Hintergrundgesang:
Bernie Bremond (von 1988-08 bis 1988-09)
instruments arranger:
Brent Eccles und Terry Manning (US recording engineer)
aufgenommen bei:
Ardent Studios in Memphis, Tennessee, Vereinigte Staaten (von 1988-08 bis 1988-09)
recording of:
Cry in Shame (von 1988-08 bis 1988-09)
Texter und Komponist(in):
Diesel (Australian pop rock aka Mark Lizotte)
publisher:
EMI Songs
Johnny Diesel & the Injectors34:43
12Down on the Border
Techniker(in) und Mix:
Ern Rose
Produzent(in):
Little River Band und Ern Rose
Akustikgitarre:
Beeb Birtles (in 1982-03) und Graham Goble (in 1982-03)
Bass:
Wayne Nelson (in 1982-03)
E-Gitarre:
Stephen Housden (guitarist) (in 1982-03)
Perkussion und Schlagzeug:
Derek Pellicci (in 1982-03)
Hintergrundgesang:
Beeb Birtles (in 1982-03), John Farnham (in 1982-03) und Graham Goble (in 1982-03)
Sologesang:
John Farnham (in 1982-03)
vocals arranger:
Graeham Goble
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) und Capitol Records (imprint of Capitol Records, Inc.) (in 2002)
aufgenommen bei und mixed at:
AAV Australia (fka Armstrong Studios until 1974) in Melbourne, Victoria, Australien
recording of:
Down on the Border (in 1982-03)
Texter und Komponist(in):
Graeham Goble
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Universal/MCA Music Publishing Pty Ltd
Little River Band2:56
13Helping Hand
recording of:
Helping Hand
Verfasser(in):
Paul Woseen
The Screaming Jets34:48
14That Ain't Bad
recording of:
That Ain’t Bad
Verfasser(in):
Simon Day (Australian musician, member of Ratcat)
Ratcat34:03
15Girls Like That (Don't Go for Guys Like Us)
Produzent(in) und Mix:
Magoo (Australian producer Lachlan Goold)
Bass-Synthesizer [roland sh101], membranophone und shakers:
Glenn Thompson
Bassgitarre:
Paul Medew
Gitarre:
David McCormack
Gitarre [lead]:
Matthew Strong
aufgenommen bei:
The Dirty Room in Fortitude Valley, Brisbane, Queensland, Australien (von 1998-07-26 bis 1998-07-28)
mixed at:
Sing Sing Studios (closed in 2017) in Cremorne, Melbourne, Victoria, Australien (in 1998-08)
Musikvideos:
Girls Like That (Don't Go for Guys Like Us) von Custard (Australian rock band)
recording of:
Girls Like That (Don’t Go for Guys Like Us)
Texter und Komponist(in):
Trevor J. Ludlow, David McCormack und Dylan McCormack
publisher:
PolyGram Music Publishing (beendet), Control (not for release label use! this is only for copyrights and publishing relationships) und Mushroom Music Publishing
Custard2.53:12
16Miss Freelove '69
Mix:
Ed Stasium (US record producer & audio engineer)
recording of:
Miss Freelove ’69
Texter, Verfasser(in) und Komponist(in):
Dave Faulkner (David Faulkner)
publisher:
EMI Music (do not use as release label! this is a music publisher)
Hoodoo Gurus4:11
17People
phonographisches Urheberrecht (℗) von:
Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1980)
recording of:
People
Verfasser(in):
Murray Burns, Steve Gilpin und Kevin Stanton
publisher:
BMG Music Publishing Australia Pty Ltd, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs und EMI Songs Australia Pty. Ltd.
Mi‐Sex3:52
18Come On, Come On
assistierende(r) Techniker(in):
Cameron Craig und Robin Mai
Produzent(in):
Joe Camilleri
Mix:
Ian McKenzie (engineer)
baritone saxophone:
Paul Williamson (Australian jazz saxophonist)
Bassgitarre:
Steve Hadley (Australian bassist for Professor Ratbaggy)
E-Gitarre:
Jeff Burstin
Hammond-Orgel:
James Black (Australian guitarist and keyboard)
Perkussion:
Michael Barker (NZ drummer)
Schlagzeug:
Peter Luscombe
Slide-Gitarre:
Sam See
Hintergrundgesang:
Joe Camilleri und Vika & Linda
Sologesang:
Joe Camilleri
aufgenommen bei:
Metropolis Audio (fka AAV Studios) in Melbourne, Victoria, Australien
recording of:
Come On, Come On
Texter:
Laurie Polec
Verfasser(in):
Joe Camilleri
The Black Sorrows4:32
19Now We're Getting Somewhere
recording of:
Now We’re Getting Somewhere
Texter und Komponist(in):
Neil Finn
Crowded House4:07
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Veröffentlichungsgruppe

Teil von:101 Hits (Australian compilation series) (Nummer: Ultimate Beer Songs) (Reihenfolge: 30)