Monster ’80s, Volume 2

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD
#TitoloArtistaValutazioneDurata
1Everybody Wants to Rule the World
tecnico:
David Bascombe
produttore:
Chris Hughes (producer, aka “Merrick”)
tecnico di missaggio:
Steven Wilson (founder of Porcupine Tree)
batteria :
Manny Elias (nel 1984)
chitarra e chitarra solista :
Neil Taylor (guitarist) (nel 1984)
chitarra basso :
Curt Smith (nel 1984)
tastiera :
Ian Stanley (nel 1984)
voce di accompagnamento:
Roland Orzabal (UK musician, songwriter and producer) (nel 1984)
voce principale:
Curt Smith
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1985, nel 2014) e Phonogram Ltd. (not for release label use!) (nel 1985)
video musicali:
Everybody Wants to Rule the World di Tears for Fears
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 28) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 319)
registrazione di:
Everybody Wants to Rule the World (nel 1984)
autore:
Christopher Hughes (producer, aka “Merrick”), Roland Orzabal (UK musician, songwriter and producer) e Ian Stanley
editore:
10 Music Ltd., Amusements Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Virgin Music (Publishers) Ltd.
sub-editore:
フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31) e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi)
Tears for Fears3.954:13
2Miss Me Blind
tecnico:
Simon Humphrey, Gordon Milne (engineer) e Mike Ross‐Trevor (engineer)
produttore:
Steve Levine (producer)
tecnico di missaggio:
Steve Levine (producer) e Jon Moss
batteria e percussione :
Jon Moss (nel 1983)
chitarra , pianoforte , sitar , sitar elettrico e tastiera :
Roy Hay (Member of Culture Club and composer for film and television) (nel 1983)
chitarra basso :
Mikey Craig (Culture Club bassist) (nel 1983)
voce principale:
Boy George (nel 1983)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1983, nel 2003)
registrata presso:
CBS Studios (London, 1972–1989) in London (Greater London), England, Regno Unito (nel 1983) e Red Bus Studios in London (Greater London), England, Regno Unito (nel 1983)
video musicali:
Miss Me Blind di Culture Club (English pop group)
registrazione di:
Miss Me Blind (nel 1983)
autore:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) e Jon Moss
Culture Club34:34
3Come On Eileen
produttore:
Clive Langer, Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners) e Alan Winstanley (English record producer)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1982)
registrazione di:
Come On Eileen
autore:
Kevin Adams, James Mitchell Paterson e Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) e Kevin Adams Music Ltd.
Dexys Midnight Runners4.754:15
4I Ran (So Far Away)
tecnico di registrazione:
Mike Score
tecnico:
Mike Shipley (audio engineer, mixer, producer)
produttore:
Mike Howlett
batteria :
Ali Score
chitarra :
Paul Reynolds (UK guitarist, in A Flock of Seagulls) e Mike Score
chitarra basso e voce di accompagnamento:
Frank Maudsley
tastiera e voce principale:
Mike Score
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1982), Zomba Productions Limited (nel 1982) e Zomba Records Limited (not strictly a label - avoid adding releases here) (nel 1986)
registrata presso:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Regno Unito
video musicali:
I Ran di A Flock of Seagulls
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 55)
registrazione di:
I Ran
autore:
Frank Maudsley, Paul Reynolds (UK guitarist, in A Flock of Seagulls), Ali Score e Mike Score
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
A Flock of Seagulls4.35:06
5867-5309/Jenny
assistente tecnico:
Catharina "Mix" Masters (dal 1981-07 al 1981-08)
tecnico:
Toby Scott (dal 1981-07 al 1981-08)
produttore:
Jim Keller (member of Tommy Tutone) e Chuck Plotkin
batteria [drums] :
Victor Carberry (dal 1981-07 al 1981-08)
chitarra , pianoforte e voce principale:
Tommy Heath (dal 1981-07 al 1981-08)
chitarra [lead guitar] :
Jim Keller (member of Tommy Tutone) (dal 1981-07 al 1981-08)
chitarra basso [bass] :
Jon Lyons (dal 1981-07 al 1981-08)
percussione e voce di accompagnamento [harmonies]:
John Cowsill (dal 1981-07 al 1981-08)
tastiera [keyboards] :
Steve LeGassick (dal 1981-07 al 1981-08)
voce:
Jim Keller (member of Tommy Tutone) (dal 1981-07 al 1981-08)
registrata presso:
Clover Recorders (Chuck Plotkin’s Clover Studios in Hollywood CA, USA) in Hollywood, Los Angeles, California, Stati Uniti (dal 1981-07 al 1981-08)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 4), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 36) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 494)
registrazione di:
867‒5309/Jenny (dal 1981-07 al 1981-08)
paroliere e compositore:
Alex Call e Jim Keller (member of Tommy Tutone)
Tommy Tutone4.753:46
699 Luftballons
tecnico:
Imre Sereg (nel 1982)
produttore:
Reinhold Heil (nel 1982) e Manfred Praeker (nel 1982)
tecnico di missaggio:
Udo Arndt (nel 1982)
basso elettrico :
Jürgen Dehmel (nel 1982)
batteria :
Rolf Brendel (nel 1982)
chitarra elettrica :
Carlo Karges (nel 1982)
tastiera :
Jörn‐Uwe Fahrenkrog‐Petersen (nel 1982)
voce principale:
Nena Kerner (the person, performing solo since 1987) (nel 1982)
diritti fonografici (℗) detenuti da:
CBS Schallplatten GmbH (nel 1983), Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (nel 1983) e Sony Music Entertainment Germany GmbH (not for use as release label! © & ℗ holders or distributors since 2009/01/14) (nel 1983)
registrata presso:
Spliff in Berlin, Germania (nel 1982)
mixata presso:
Audio-Studio in Berlin, Germania (nel 1982)
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 3), VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 16), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 73) e Cachitos Nochevieja 2022 (numero: 105)
registrazione di:
99 Luftballons (nel 1982)
paroliere:
Carlo Karges (nel 1982)
compositore:
Uwe Fahrenkrog-Petersen (nel 1982)
editore:
Edition Hate Music (publisher), EMI Songs Australia Pty. Ltd. e EMI Songs Musikverlag GmbH
sub-editore:
EMI Songs France (27, rue de Berri)
Nena4.13:55
7What I Like About You
produttore:
Peter Solley (English pianist, songwriter and producer)
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1979) e Nemperor Records, Inc. (nel 1979)
registrata presso:
Coconut Recording in Miami, Florida, Stati Uniti (nel 1979-10)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 97) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 483)
registrazione di:
What I Like About You (nel 1979-10)
autore:
Jimmy Marinos (American drummer), Wally Palmar (guitarist and songwriter) e Mike Skill (Singer, bassist, guitarist, songwriter)
editore:
EMI April Music Inc. e EMI Music Publishing Australia Pty. Limited (not for release label use!)
parte di:
Freaky Friday (2003)
The Romantics4.552:58
8Bette Davis Eyes
tecnico di registrazione:
Val Garay (nel 1981-01)
produttore:
Val Garay
chitarra elettrica :
Waddy Wachtel (nel 1981-01)
voce principale:
Kim Carnes (nel 1981-01)
diritti fonografici (℗) detenuti da:
Capitol Records (imprint of Capitol Records, Inc.) (nel 1981), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1981), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1981), EMI America Records, Inc. (holding – file NO releases here!) (nel 1981), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1981), EMI USA (renamed EMI Records USA in the beginning of the 1990s) (nel 1981), EMI–Manhattan Records (company credits only; do NOT use as release label) (nel 1981) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1997)
registrata presso:
Record One in Sherman Oaks, Los Angeles, California, Stati Uniti (nel 1981-01)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 18) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 425)
registrazione cover di:
Bette Davis Eyes (nel 1981-01)
autore:
Jackie DeShannon e Donna Weiss
editore:
Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. e Warner/Chappell Music Ltd. (1996–2019)
Kim Carnes3.953:48
9Caribbean Queen (No More Love on the Run)
registrazione di:
Caribbean Queen
autore:
Keith Diamond e Billy Ocean
Billy Ocean53:43
10One Thing Leads to Another
registrazione di:
One Thing Leads to Another (The Fixx song)
autore e compositore:
Alfie Agius, Cy Curnin, Rupert Greenall, Jamie West‐Oram e Adam Woods (drummer)
The Fixx3:25
11Goody Two Shoes
produttore:
Adam Ant (English new wave singer and actor) e Marco Pirroni (British musician and producer)
batteria :
Bogdan Wiczling
chitarra acustica e chitarra basso :
Adam Ant (English new wave singer and actor)
sassofono :
Jeff Daly
tromba :
Martin Drover
voce:
Adam Ant (English new wave singer and actor)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1982)
registrata presso:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito (nel 1982-06)
remixata presso:
Alchemy Studio (London studio owned by Kenny Jones) in London (Greater London), England, Regno Unito (nel 1982-06)
video musicali:
Goody Two Shoes di Adam Ant (English new wave singer and actor)
parte di:
The Downloader’s Music Source Book (numero: 149)
registrazione di:
Goody Two Shoes
autore:
Adam Ant (English new wave singer and actor) e Marco Pirroni (British musician and producer)
editore:
Sony/ATV Tunes LLC (ASCAP), Universal Music Publishing MGB Limited e EMI Music Publishing Ltd. (PRS‐affiliated) (nel 1982)
Adam Ant2.353:32
12Voices Carry
assistente tecnico:
Jeff Lippay e Mike Krowiak
tecnico:
Domenic Maita
produttore:
Mike Thorne (UK producer & keyboardist)
assistente tecnico di missaggio:
Moira Marquis
tecnico di missaggio:
Bob Clearmountain e Harvey Goldberg
batteria e percussione :
Michael Hausman
chitarra :
Robert Holmes (guitarist, member of 'Til Tuesday)
chitarra basso :
Aimee Mann
pianoforte e sintetizzatore :
Joey Pesce
voce:
Aimee Mann, Joey Pesce e Robert Holmes (guitarist, member of 'Til Tuesday)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1985) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1985)
registrata presso:
RPM Studios in New York, New York, Stati Uniti
mixata presso:
Right Track Recording in Manhattan, New York, New York, Stati Uniti
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 56)
registrazione di:
Voices Carry
paroliere:
Aimee Mann
compositore:
Michael Hausman, Robert Holmes (guitarist, member of 'Til Tuesday), Aimee Mann e Joey Pesce
editore:
'til tunes associates e Intersong U.S.A. (publisher)
’Til Tuesday4.554:22
13Working for the Weekend
assistente tecnico:
Mike Fraser (Canadian record producer, engineer and mixer) e Rob Porter
tecnico:
Bob Rock e Keith Stein
produttore:
Paul Dean (Canadian guitarist) e Bruce Fairbairn
batteria :
Matt Frenette
chitarra e voce di accompagnamento:
Paul Dean (Canadian guitarist)
chitarra basso :
Scott Smith (Canadian bassist for Loverboy)
tastiera :
Doug Johnson (Canadian keyboardist for Loverboy)
voce principale:
Mike Reno
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Canada Inc. (not for release label use! post-2008 subsidiary of Sony Music Entertainment)
registrata presso:
Mushroom Studios in Vancouver, British Columbia (Columbia Britannica), Canada
mixata presso:
Little Mountain Sound in Vancouver, British Columbia (Columbia Britannica), Canada
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 100)
registrazione di:
Working for the Weekend
autore:
Paul Dean (Canadian guitarist), Matt Frenette e Mike Reno
Loverboy4.23:43
14You Spin Me ’Round (Like a Record)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 19)
registrazione di:
You Spin Me Round (Like a Record)
autore:
Pete Burns, Steve Coy, Tim Lever e Mike Percy
editore:
Burning Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Métisse Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996) e Westbury Music Ltd.
parte di:
American Psycho
Dead or Alive44:29
15Safety Dance
produttore:
Marc Durand (Canadian producer)
diritti fonografici (℗) detenuti da:
Statik Records (nel 1982) e Marc Durand Production (nel 1983)
edit di:
The Safety Dance di Men Without Hats (Canadian new wave/synthpop group)
video musicali:
The Safety Dance di Men Without Hats (Canadian new wave/synthpop group)
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 39) e Huffington Post: 100 Best Canadian Songs Ever (numero: 48)
registrazione di:
The Safety Dance (dal 1982-01 al 1982-03)
paroliere e compositore:
Ivan Doroschuk (Men Without Hats)
editore:
Betty Songs, Ivan Ltd., Polygram Music, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Texas City Music Inc., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Tactik Music (publisher) (nel 1982) e Wintrup Musik (nel 1982)
Men Without Hats3.82:47
16The Warrior
tecnico:
William Wittman
produttore:
Mike Chapman (Australian producer and songwriter)
esecutore:
Patty Smyth
diritti fonografici (℗) detenuti da:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1982)
registrazione di:
The Warrior
autore:
Nick Gilder e Holly Knight
editore:
712 Stone Avenue Music, All Nations Music, Chrysalis Songs, Hebbes Music Group Pty. Ltd., Kobalt Music Publishing Ltd. (UK), Mike Chapman Publishing Enterprises, Music & Media International, Inc. e Red Admiral Music Inc. (publisher)
Scandal feat. Patty Smyth4.53:53
17Missing You
assistente tecnico:
Ken Stiger (engineer)
tecnico:
Gary Hellman
produttore:
Gary Gersh, David Thoener e John Waite
tecnico di missaggio e editor:
John Luongo
diritti fonografici (℗) detenuti da:
Capitol Records (imprint of Capitol Records, Inc.) (nel 1984), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1984), EMI America Records (holding – file NO releases here!) (nel 1984) e EMI–Manhattan Records (company credits only; do NOT use as release label) (nel 1984)
registrazione di:
Missing You
paroliere:
John Waite
compositore:
Mark Leonard, Chas Sandford e John Waite
editore:
Alley Music Corp., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Everpop Songs, Markmeem Music (publisher), Paperwaite Music (publisher) (, nel 1984), Quartet Music Inc., Sony Music Publishing (worldwide except Japan, ended 1995), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (fino al 2019-05-28), Fallwater Music (nel 1984), Markeem Music (publisher) (nel 1984), The Hudson Bay Music Co. (publisher) (nel 1984) e WC Music Corp. (dal 2019-05-28 a oggi)
John Waite54:00

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