All by Myself, Volume 2

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1▼CD
#TitoloArtistaValutazioneDurata
1It Must Have Been Love
edit di:
It Must Have Been Love di Roxette (Swedish pop rock duo)
registrazione di:
It Must Have Been Love
paroliere e compositore:
Per Håkan Gessle (Swedish singer and guitarist)
editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) e Jimmy Fun Music
Roxette33:52
2Chocolate Girl
produttore:
Jon Kelly (engineer at Air London Studios) (dal 1986-12 al 1987-02)
batteria e percussione :
Dougie Vipond (dal 1986-12 al 1987-02)
chitarra :
Graeme Kelling (dal 1986-12 al 1987-02)
chitarra basso :
Ewen Vernal (dal 1986-12 al 1987-02)
chitarra pedal steel :
BJ Cole (dal 1986-12 al 1987-02)
tastiera :
James Prime (dal 1986-12 al 1987-02)
voce di accompagnamento:
Lorraine McIntosh (vocalist for Deacon Blue) (dal 1986-12 al 1987-02)
voce principale:
Ricky Ross (Scottish singer-songwriter) (dal 1986-12 al 1987-02)
remixer:
Michael Brauer (engineer)
registrata presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito (dal 1986-12 al 1987-02)
registrazione di:
Chocolate Girl (dal 1986-12 al 1987-02)
paroliere e compositore:
Ricky Ross (Scottish singer-songwriter)
Deacon Blue3.253:17
3Take It to the Limit
registrazione di:
Take It to the Limit
autore:
Glenn Frey (US musician/singer/songwriter, member of the Eagles), Don Henley e Randy Meisner
editore:
Cass County Music, Nebraska Music, Red Cloud Music, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Eagles3:46
4Will You Love Me Tomorrow
batteria [drums] :
Gary Chester (studio drummer and educator) (nel 1960)
pianoforte :
Paul Griffin (American pianist, session musician) (nel 1960)
timpano :
Carole King (nel 1960)
voce:
Doris Coley (nel 1960), Addie Harris (nel 1960) e Beverly Lee (singer for The Shirelles) (nel 1960)
voce principale:
Shirley Owens (nel 1960)
diritti fonografici (℗) detenuti da:
HHO Licensing Ltd.
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1960 (numero: 4), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 33), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 125), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 151)
registrazione di:
Will You Love Me Tomorrow (Carole King song) (nel 1960)
paroliere:
Gerry Goffin
compositore:
Carole King
editore:
Lushmole Music, Pathe Publications (Far East) Limited, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Warner/Chappell Music Ltd. (1996–2019), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Shirelles3.82:41
5Cry for Help
edit di:
Cry for Help di Rick Astley (English singer, songwriter and radio personality)
registrazione di:
Cry for Help
autore:
Rick Astley (English singer, songwriter and radio personality) e Rob Fisher (UK keyboardist, in Naked Eyes)
editore:
Cruz Music (Rick Astley's label) e Universal Music Publishing MGB Ltd.
Rick Astley4:18
6I Can See Clearly Now
produttore:
Johnny Nash (US reggae/pop singer-songwriter)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (UK) Limited (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (nel 1972) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1972)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 165)
registrazione di:
I Can See Clearly Now (nel 1972)
paroliere e compositore:
Johnny Nash (US reggae/pop singer-songwriter)
editore:
Cayman Music, CP Masters B V, Dovan Music, Rondor Music (London) Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Artemis Music Limited, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Johnny Nash4.152:46
7Save a Prayer
registrazione di:
Save a Prayer (Duran Duran)
autore:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) e Roger Taylor (Duran Duran drummer)
editore:
Gloucester Place Music Ltd.
Duran Duran5:26
8A Little Time
tecnico:
Rupert Coulson (sound engineer), Ben Kape e Lance Phillips
produttore:
Mike Hedges (UK producer/recording engineer)
diritti fonografici (℗) detenuti da:
Go! Discs Ltd. (company credits only; do NOT use as release label) (nel 1990)
video musicali:
A Little Time di The Beautiful South
registrazione di:
A Little Time
paroliere:
Paul Heaton
compositore:
Paul Heaton e Dave Rotheray
editore:
Go! Discs Music Ltd. (publisher), Island Music Ltd. e Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
The Beautiful South33:00
9The King of Wishful Thinking
tecnico di registrazione:
Paul Erickson (recording engineer)
programmazione:
Peter Wolf (US rock vocalist, member of J. Geils Band)
programmazione degli strumenti:
Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
produttore:
Peter Wolf (US rock vocalist, member of J. Geils Band) e Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
produttore esecutivo:
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter)
tecnico di missaggio:
Tom Lord‐Alge
chitarra ospite :
David Williams (session guitarist and songwriter)
corno ospite :
Gary Grant (brass), Jerry Hey, Dan Higgins (saxophonist and woodwind recording artist) e Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
tastiera :
Peter Wolf (US rock vocalist, member of J. Geils Band)
voce di accompagnamento ospite:
Lynn Davis (vocalist), Dorian Holley, Phillip Ingram (Soul and R&B singer-songwriter and keyboardist) e Alfie Silas
arrangiatore:
Jerry Hey e Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1990)
registrazione di:
King of Wishful Thinking
autore:
Peter Cox (Artist and songwriter), Richard Drummie e Martin Page
editore:
Bug Music (music publishing), Campbell Connelly & Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Sony/ATV Music Publishing (UK) Ltd., Warner Chappell e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Go West33:58
10Waiting for a Star to Fall
programmazione degli strumenti:
George Merrill
produttore:
Arif Mardin
assistente tecnico di missaggio:
Jim Dineen
tecnico di missaggio:
David Leonard (US producer and engineer)
batteria :
Denny Fongheiser e Michael Jochum
chitarra :
John Goux
chitarra basso , pianoforte e sintetizzatore :
George Merrill
sassofono contralto :
Andy Snitzer
sintetizzatore [Crowning touch] :
Joe Mardin
voce:
George Merrill e Shannon Rubicam
voce aggiuntiva:
Susan Boyd
diritti fonografici (℗) detenuti da:
BMG Music (nel 1988) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1988)
mixata presso:
The Grey Room in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Waiting for a Star to Fall
autore:
George Merrill e Shannon Rubicam
editore:
Irving Music, Inc., Rondor Music (London) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Boy Meets Girl Music (dal 1987 a oggi) e Irving Music (BMI) (dal 1987 a oggi)
Boy Meets Girl3.44:30
11So Sad (to Watch Good Love Go Bad)
registrazione di:
So Sad (to Watch Good Love Go Bad)
paroliere e compositore:
Don Everly
editore:
Acuff-Rose (BMI) e Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
The Everly Brothers2:32
12Everywhere
programmazione:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (nel 1987)
produttore:
Lindsey Buckingham (guitarist, singer, songwriter and producer) e Richard Dashut
basso elettrico :
John McVie (nel 1987)
batteria e percussione :
Mick Fleetwood (nel 1987)
campionatore [Fairlight CMI] e chitarra :
Lindsey Buckingham (guitarist, singer, songwriter and producer) (nel 1987)
tastiera :
Lindsey Buckingham (guitarist, singer, songwriter and producer) (nel 1987) e Christine McVie (nel 1987)
voce di accompagnamento:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (nel 1987), Christine McVie (nel 1987) e Stevie Nicks (nel 1987)
voce principale:
Christine McVie (nel 1987)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1987) e Warner Music International (trademark of Warner Music International the company) (nel 1988)
registrazione di:
Everywhere (nel 1987)
paroliere e compositore:
Christine McVie
editore:
Bright Music Ltd. (publisher)
Fleetwood Mac43:41
13Vincent
tecnico:
Tom Flye
produttore:
Ed Freeman (producer, arranger, musician, and photographer)
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1971-05 al 1971-06)
registrazione di:
Vincent (Starry Starry Night)
paroliere e compositore:
Don McLean
editore:
Benny Bird Co. Inc. (BMI-affiliated), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Songs of Universal, Inc. (BMI) e Universal/MCA Music Ltd. (not for release label use!)
versione tradotta di:
Wim
Don McLean4.43:59
14Midnight at the Oasis
tecnico:
Lee Herschberg e Donn Landee
produttore:
Joe Boyd (US producer, founder of Hannibal Records) e Lenny Waronker
tecnico di missaggio:
Lee Herschberg
batteria :
Jim Gordon (US drummer with Derek and the Dominos)
chitarra acustica :
David Nichtern
chitarra basso :
Freebo
chitarra elettrica :
Amos Garrett
pianoforte :
Mark T. Jordan
voce:
Maria Muldaur
voce parlata:
Greg Prestopino
arrangiatore archi :
Nick de Caro
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
mixata presso:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Midnight at the Oasis
paroliere e compositore:
David Nichtern
editore:
Space Potato Music (nel 1974)
Maria Muldaur43:49
15Go Now
registrazione cover di:
Go Now
autore:
Larry Banks e Milton Bennett
editore:
Belinda Music e Trio Music Company
The Moody Blues3:12
16Couldn’t Say Goodbye
tecnico, produttore e tecnico di missaggio:
John Hudson (producer, recording and mixing engineer)
registrazione di:
Couldn’t Say Goodbye
autore:
Albert Hammond e Diane Warren (US songwriter)
Tom Jones3:50
17Reason to Believe
produttore:
Rod Stewart
basso :
Andy Pyle (nel 1971-01)
batteria :
Micky Waller (nel 1971-01)
chitarra acustica :
Martell Brandy (nel 1971-01), Martin Quittenton (guitarist for Steamhammer) (nel 1971-01) e Rod Stewart (nel 1971-01)
chitarra basso, chitarra e chitarra pedal steel :
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood) (nel 1971-01)
chitarra slide :
Sam Mitchell (nel 1971-01)
contrabbasso :
Danny Thompson (English double bass player) (nel 1971-01)
organo :
Ian McLagan (nel 1971-01)
pianoforte :
Pete Sears (nel 1971-01)
violino :
Dick Powell (Violinist and double-bass player) (nel 1971-01)
voce:
Madeline Bell (nel 1971-01)
voce principale:
Rod Stewart (nel 1971-01)
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1971)
registrazione cover di:
Reason to Believe (nel 1971-01)
paroliere e compositore:
Tim Hardin
editore:
Allen Stanton Productions, Alley Music Corp., EMI Music (do not use as release label! this is a music publisher), Faithful Virtue Music Co. Inc., Hudson Bay Music Inc., Robbins Music Co. Ltd., Robbins Music Corp. e Trio Music Co., Inc.
registrazione di:
Reason to Believe
paroliere e compositore:
Tim Hardin
editore:
Allen Stanton Productions, Alley Music Corp., EMI Music (do not use as release label! this is a music publisher), Faithful Virtue Music Co. Inc., Hudson Bay Music Inc., Robbins Music Co. Ltd., Robbins Music Corp. e Trio Music Co., Inc.
Rod Stewart3.154:04
18She Makes My Day
registrazione di:
She Makes My Day
paroliere e compositore:
Robert Palmer (English singer‐songwriter)
editore:
Island Music Ltd.
Robert Palmer4:18

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