Double J – The 90s: The Greatest Decade in Music?

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

Celebrating 90's month across Double J and triple j in June, 2017. We've handpicked a giant 4CD collection and download that showcases and celebrates the 90s.

To say it was all about the fuzzy guitars and fiery screams of grunge is to discount the slinky synths of West Coast hip hop and the thumping, anthemic big beats of the decade's best dance music.

The beauty of 90s music was both its diversity and the way artists took the styles of previous decades, refined them, then added a sonic dimension and attitude that matched both the optimism and, at times, despair of the decade.

Was the 90s really just one decade?

When you look at the 80 or so songs we've collected here, you realise it's just a snapshot of what was an explosive, diverse, and prolific era for music.

Annotazione modificata l'ultima volta il 2023-04-06 03:07 UTC.

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#TitoloArtistaValutazioneDurata
1Breathe
chitarra :
Jim Davies (The Prodigy studio guitarist)
diritti fonografici (℗) detenuti da:
XL Recordings (nel 1996)
edit di:
Breathe (album version) di Prodigy (UK electronic group, main member Liam Howlett)
registrazione di:
Breathe
autore:
Keith Flint (vocalist in The Prodigy), Liam Howlett e Keith Palmer (English singer‐songwriter and MC)
editore:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Ltd., EMI Virgin Music Ltd (do not use this as a release label!) e MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
The Prodigy3.953:58
2Prisoner of Society
assistente tecnico di registrazione e assistente tecnico:
Matt Voight
tecnico di registrazione e tecnico:
Lindsay Gravina (engineer & guitarist)
produttore:
Lindsay Gravina (engineer & guitarist) e The Living End (Australian punk band)
tecnico di missaggio:
Jerry Finn
diritti fonografici (℗) detenuti da:
The Living End Pty. Ltd. (nel 1997, nel 1998)
registrata presso:
Sing Sing Studios (closed in 2017) in Cremorne, Melbourne, Victoria, Australia
mixata presso:
Conway Studios in Hollywood, Los Angeles, California, Stati Uniti
video musicali:
Prisoner of Society (US version) (film clip) di The Living End (Australian punk band)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 41) e Triple J’s Hottest 100: Twenty Years (2013) (numero: 20)
registrazione di:
Prisoner of Society
paroliere e compositore:
Chris Cheney (The Living End frontman)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc. e EMI Music Publishing (do not use as a release label!)
The Living End3.653:51
3My Favourite Game
assistente tecnico:
Lars Göransson (1970s Swedish folk singer)
tecnico e produttore:
Tore Johansson
tecnico di missaggio:
Tore Johansson e Staffan Schöler (engineer)
batteria :
Bengt Lagerberg
chitarra :
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
chitarra basso :
Magnus Sveningsson
tastiera :
Lars-Olof Johansson
voce principale:
Nina Persson
diritti fonografici (℗) detenuti da:
Stockholm Records e Universal Music AB (Swedish subsidiary of Universal Music Group) (nel 1998)
mixata presso:
Country Hell in Skurup Municipality (Skurup municipality), Skåne (Skåne county), Svezia e New York City Center in New York, New York, Stati Uniti
lavorazione tecnica effettuata presso:
Country Hell in Skurup Municipality (Skurup municipality), Skåne (Skåne county), Svezia e Tambourine Studios in Malmö, Skåne (Skåne county), Svezia
prodotta presso:
Country Hell in Skurup Municipality (Skurup municipality), Skåne (Skåne county), Svezia e Tambourine Studios in Malmö, Skåne (Skåne county), Svezia
parte di:
Cachitos Nochevieja 2022 (numero: 57)
registrazione di:
My Favourite Game
paroliere:
Nina Persson
compositore:
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
editore:
Stockholm Songs e Universal Music Publishing (use ONLY if no country‐specific information is available)
The Cardigans3.753:37
4Plush
Stone Temple Pilots5:11
5Standing Outside a Broken Phone Booth With Money in My Hand
tecnico:
David Vaught
produttore:
Chris O’Connor (member of Primitive Radio Gods)
voce:
Mary Kay Fishell
esecutore:
Chris O’Connor (member of Primitive Radio Gods)
registrata presso e mixata presso:
Camp David in Thousand Oaks, California, Stati Uniti
campionamenti:
Back to Life (club mix) di Soul II Soul e How Blue Can You Get? (live, 1970-09-10: Cook County Jail, Chicago, Illinois, USA) di B.B. King
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 446)
registrazione di:
Standing Outside a Broken Phone Booth With Money in My Hand
autore:
Jane Feather, Leonard Feather e Chris O’Connor (member of Primitive Radio Gods)
Primitive Radio Gods4.15:35
6No Aphrodisiac
produttore:
Tim Freedman (Lead singer for The Whitlams) e Rob Taylor (Australian audio producer and engineer)
archi :
FourPlay String Quartet
basso e contrabbasso :
Andy Lewis (Australian bassist)
batteria :
Mike Richards (Australian drummer formerly of The Whitlams)
chitarra :
Òscar Briz
pianoforte e voce di accompagnamento:
Tim Freedman (Lead singer for The Whitlams)
viola :
Chris Emerson (violist) e Tim Hollo
violino :
Lara Goodridge
violoncello :
Peter Hollo
voce:
Tim Freedman (Lead singer for The Whitlams)
diritti fonografici (℗) detenuti da:
Phantom Records (Australian indie label) (nel 1997)
registrata presso:
Albert Studios (Australian studio, Neutral Bay location, 1985-2016) in Neutral Bay, Sydney, New South Wales, Australia e Paradise Studios (Sydney) in Sydney, New South Wales, Australia
mixata presso:
Albert Studios (Australian studio, Neutral Bay location, 1985-2016) in Neutral Bay, Sydney, New South Wales, Australia
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 91) e triple j’s Hottest 100 (Australian annual music listener poll) (numero: 1997)
registrazione di:
No Aphrodisiac (The Whitlams song)
paroliere:
Tim Freedman (Lead singer for The Whitlams), Glenn Dormand (Australian songwriter and musician Glenn Dormand) e Matt Ford (Australian singer/songwriter Matt Ford)
compositore:
Tim Freedman (Lead singer for The Whitlams)
editore:
EMI April Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), Mushroom Music Pty. Ltd., Mushroom Music Publishing e Phantom Music Pty. Ltd. (Publishing company for Phantom Records (active from 1999-2016)) (dal 1997 al 2016-10-24)
The Whitlams34:19
7Black Steel
produttore:
Mark Saunders (UK record producer) e Tricky (UK trip hop producer Adrian Thaws)
batteria e chitarra :
FTV
voce:
Martina Topley‐Bird e Tricky (UK trip hop producer Adrian Thaws)
diritti fonografici (℗) detenuti da:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (nel 1995)
registrazione cover di:
Black Steel in the Hour of Chaos
autore:
Carlton Douglas Ridenhour, Eric Sadler, Hank Shocklee e William Jonathan Drayton
editore:
Bring the Noize Inc. e Def American Songs, Inc.
Tricky3.955:40
8Wait and Bleed
tecnico di registrazione:
Chuck Johnson (US nu‐metal engineer)
tecnico di registrazione aggiunto:
Rob Agnello
co-produttore:
Slipknot (US metal band)
produttore:
Ross Robinson
tecnico di missaggio:
Chuck Johnson (US nu‐metal engineer), Joey Jordison e Ross Robinson
batteria :
①: Joey
campionatore [samples/media] :
⑤: Craig (Slipknot sampler)
chitarra :
⑦: Mick e Josh Brainard
chitarra basso :
②: Paul (Slipknot bassist)
percussione [custom percussion] :
③: Chris e ⑥: Shawn
piatto (giradischi) :
⓪: Sid
voce:
⑧: Corey
diritti fonografici (℗) detenuti da:
The All Blacks U.S.A., Inc. (company, for copyrights purposes) (nel 1999)
registrata presso e mixata presso:
Indigo Ranch in Malibu, California, Stati Uniti
registrazione di:
Wait and Bleed
autore:
Shawn Crahan, Chris Fehn, Paul Gray (Slipknot bassist), Craig Jones (Slipknot sampler), Joey Jordison, Corey Taylor, Mick Thomson e Sid Wilson
editore:
EMI April Music, Inc. e Music That Music
Slipknot4.152:28
9Just Ace
assistente tecnico di registrazione:
Greg Courtney (nel 1997-02)
tecnico di registrazione:
Phillip McKellar (Australian producer and engineer) (nel 1997-02)
produttore:
Grinspoon e Phillip McKellar (Australian producer and engineer) (nel 1997-02)
assistente tecnico di missaggio:
Aaron Pratley (nel 1997-04)
tecnico di missaggio:
Phillip McKellar (Australian producer and engineer) (nel 1997-04)
diritti fonografici (℗) detenuti da:
Universal Music Australia (see annotation before using) (nel 1997)
registrata presso:
Rockinghorse in Byron Bay (Byron Bay, New South Wales), New South Wales, Australia (nel 1997-02)
mixata presso:
Studios 301 (Byron Bay) in Byron Bay (Byron Bay, New South Wales), New South Wales, Australia (nel 1997-04)
prodotta presso:
RockingHorse Studios in Byron Bay (Byron Bay, New South Wales), New South Wales, Australia (nel 1997-02)
registrazione di:
Just Ace (nel 1997-02)
autore:
Phil Jamieson (Australian musician)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Shock Music Publishing Pty. Ltd.
Grinspoon31:47
10SexualityBilly Bragg3.83:46
11Sing It Back (Boris Musical mix)
registrazione di:
Sing It Back
autore:
Mark Brydon e Róisín Murphy
editore:
Chrysalis Music (music publisher, ASCAP-affiliated) e Chrysalis Music Publishing
Moloko4:38
12Pepper
Butthole Surfers4:07
13Taillights Fade
produttore:
Paul Q. Kolderie e Sean Slade
tecnico di missaggio:
Ron Saint Germain
registrazione di:
Taillights Fade
autore:
Chris Colbourn, Bill Janovitz e Tom Maginnis
Buffalo Tom4.353:45
14Down Again
registrazione di:
Down Again
autore:
Sarah McLeod e Chris Tennent
editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!) (, nel 1998)
The Superjesus35:14
15Praise You
tecnico e tecnico di missaggio:
Simon Thornton (Big beat mixing engineer)
produttore:
Fatboy Slim
diritti fonografici (℗) detenuti da:
Skint Records (nel 1998)
campionamenti:
Take Yo’ Praise di Camille Yarbrough
video musicali:
Praise You di Fatboy Slim
registrazione di:
Praise You
autore:
Norman Cook e Camille Yarbrough
editore:
Maat Music Inc., Polygram Music e PolyGram Music Publishing Ltd.
si basa su:
Take Yo' Praise
Fatboy Slim4.153:48
16(He’ll Never Be an) Ol’ Man River
tecnico di registrazione, tecnico e tecnico di missaggio:
Lawrence Maddy
produttore:
TISM
registrata presso:
Platinum in Melbourne, Victoria, Australia (nel 1994-09)
registrazione di:
Ol’ Man River ((He’ll Never Be An) Ol’ Man River)
autore:
Eugene Paul Mark Cester, Damian Cowell, John Angus Holt, Peter Minack e James Desmond Paull
editore:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
TISM32:24
17Dogs Are the Best People
tecnico di registrazione, produttore e tecnico di missaggio:
Greg Wales (Australian producer, engineer and drummer. Live music producer at triple j)
diritti fonografici (℗) detenuti da:
The Fauves (Australian rock band) (nel 2017)
diritti fonografici (℗) detenuti da:
Polydor Records Australia (nel 1996)
registrata presso:
Hothouse (Australian recording studios) in St Kilda, City of Port Phillip, Victoria, Australia
mixata presso:
Charing Cross (Waverley, Sydney) in Sydney, New South Wales, Australia
registrazione di:
Dogs Are the Best People
paroliere e compositore:
Andrew Cox
The Fauves32:46
18Fade Into YouMazzy Star3:58
19The Outdoor Type
registrazione cover di:
The Outdoor Type
autore:
Tom Morgan (Smudge / Sneeze member)
The Lemonheads4.352:35
20Losin’ It
Underground Lovers4:34

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