Anthems: Electronic 80s 2 (Sony DADC Austria)

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Anmerkung

Packaging is a 4-section Gatefold Digipak in a card slip-case.

Matrix (CD 1): Sony DADC A0101690368-0103 23 A01
Mastering SID (CD 1): IFPI L553
Mould SID (CD 1): IFPI 94Y5
DiscID (CD1): 48OfWZ9S4oerYGgWgQY26VCR0Vc-
Matrix (CD 2): Sony DADC A0101691609-0203 23 A04
Mastering SID (CD 2): IFPI L553
Mould SID (CD 2): IFPI 94U8
DiscID (CD2): zkT1vJ54z1TE.GwK6.6MAIy1wsg-
Matrix (CD 3): Sony DADC A0101690370-0303 25 A00
Mastering SID (CD 3): IFPI L555
Mould SID (CD 3): IFPI 94Z1
DiscID (CD3): 8YisK27xlBELnJJJbOiOKDdLCtE-

Anmerkung zuletzt geändert am 2024-12-15 16:02 UTC.

Titelliste

1▶CD
2▶CD
3▼CD
Nr.TitelKünstlerBewertungLänge
1Let’s Dance
Techniker(in) und Mix:
Bob Clearmountain
Produzent(in):
David Bowie (English singer‐songwriter) und Nile Rodgers
assistierende(r) Mix:
David Bowie (English singer‐songwriter) und Nile Rodgers
Solo-Gitarre:
Stevie Ray Vaughan
Sologesang:
David Bowie (English singer‐songwriter)
phonographisches Urheberrecht (℗) von:
David Bowie (English singer‐songwriter) (in 1983)
aufgenommen bei:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (von 1982-12 bis 1983-01)
recording of:
Let’s Dance (von 1982-12 bis 1983-01)
Texter und Komponist(in):
David Bowie (English singer‐songwriter)
publisher:
Essex (publisher), Jones Music (publishers associated with David Bowie), Jones Music America, RZO Music Ltd und Watanabe Music Publishing CM division
David Bowie44:08
2Don’t You (Forget About Me)
Produzent(in):
Keith Forsey (drummer, producer and songwriter)
Mix:
Jez Coad
Interpret(in):
Simple Minds (Scottish rock band) (am 1984-07-10)
phonographisches Urheberrecht (℗) von:
Simple Minds Ltd, Virgin Records Ltd. (not for release label use! for company relationships only) (in 2001), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 25) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 340)
recording of:
Don’t You (Forget About Me) (am 1984-07-10)
Verfasser(in):
Keith Forsey (drummer, producer and songwriter) und Steve Schiff
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd. und Universal Music (plain logo: “Universal Music”)
Simple Minds4.254:20
3Hungry Like the Wolf
Techniker(in) und Produzent(in):
Colin Thurston
Interpret(in):
Duran Duran (English rock band) (in 1982)
phonographisches Urheberrecht (℗) von:
Tritec Music Ltd. (publisher and copyrights holder) (in 1982) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1998)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 398)
recording of:
Hungry Like the Wolf
Verfasser(in):
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) und Roger Taylor (Duran Duran drummer)
publisher:
EMI Songs, EMI Songs Australia Pty. Ltd. und Tritec Music Ltd. (publisher and copyrights holder)
adaptations:
Hungry Like a Pig
Duran Duran3.353:25
4Everything She Wants
assistierende(r) Techniker(in):
Paul Gomersau
Techniker(in):
Chris Porter (engineer and producer)
Produzent(in):
George Michael
E-Gitarre:
Andrew Ridgeley (in 1984)
Keyboard:
George Michael
Saxophon:
David Baptiste (U.K. Saxophonist, flutist, percussionist, vocalist, & backing vocalist)
Hintergrundgesang und Sologesang:
George Michael (in 1984)
Interpret(in):
Wham! (British pop-duo) (in 1984)
arranger:
George Michael
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1984)
recording of:
Everything She Wants
Texter und Komponist(in):
George Michael
publisher:
Chappell Music (UK)
Wham!4.45:04
5And She Was
recording engineer und Mix:
Eric “E.T.” Thorngren
assistierende(r) Techniker(in):
Melanie West (engineer) (Aufgabe: second engineer)
Produzent(in):
Talking Heads
Bass-Synthesizer [synth bass] und Bassgitarre:
Tina Weymouth
Gitarre:
David Byrne (Talking Heads) und Jerry Harrison (Talking Heads & producer)
Schlagzeug:
Chris Frantz
Hintergrundgesang:
Jerry Harrison (Talking Heads & producer) und Tina Weymouth
Sologesang:
David Byrne (Talking Heads)
arranger:
David Byrne (Talking Heads), Chris Frantz, Jerry Harrison (Talking Heads & producer) und Tina Weymouth
phonographisches Urheberrecht (℗) von:
Sire Records Company (not for release label use!) (in 1985) und Talking Heads Tours Inc. (in 1985)
aufgenommen bei und mixed at:
Sigma Sound (New York) in New York, New York, Vereinigte Staaten
Musikvideos:
And She Was (video) von Talking Heads
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 453)
recording of:
And She Was
Texter und Komponist(in):
David Byrne (Talking Heads)
publisher:
Bleu Disque Music Co., Inc. (publisher), Index Music, Inc. und Warner/Chappell Music Ltd. (1996–2019)
Talking Heads4.153:39
6Locomotion
Techniker(in):
Steve Jackson (recording engineer), Ronald Prent (Dutch Sound engineer and producer) und Brian Tench
Produzent(in):
Orchestral Manoeuvres in the Dark und Brian Tench
Klavier:
Gordian Troeller (band manager)
Interpret(in):
Orchestral Manoeuvres in the Dark
Blechblasinstrumente arranger:
Tony Visconti
recording of:
Locomotion (OMD)
Verfasser(in):
Paul Humphreys (Orchestral Manoeuvres in the Dark), Andy McCluskey und Gordian Troeller (band manager)
publisher:
Virgin Music, Inc. (US arm of Virgin’s publishing company)
Orchestral Manoeuvres in the Dark3:44
7You Spin Me Round (Like a Record)
Produzent(in):
Pete Waterman
Interpret(in):
Dead or Alive (UK new wave band) (in 1984)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1985)
Musikvideos:
You Spin Me Round (Like a Record) (On 'Blue Peter') (TX 10/01/2003) von Dead or Alive (UK new wave band)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 52)
recording of:
You Spin Me Round (Like a Record)
Verfasser(in):
Pete Burns, Steve Coy, Tim Lever und Mike Percy
publisher:
Burning Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Métisse Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996) und Westbury Music Ltd.
Teil von:
American Psycho
Dead or Alive4.153:15
8I.O.U.
recorded in:
New York, New York, Vereinigte Staaten (in 1983)
Produzent(in):
Arthur Baker (American record producer and DJ)
Interpret(in):
Freeez (1980s English electronic music group) (in 1983)
aufgenommen bei:
Unique Recording Studios in Manhattan, New York, New York, Vereinigte Staaten (in 1983)
recording of:
I.O.U.
Verfasser(in):
Arthur Baker (American record producer and DJ) und John Robie
publisher:
Shakin’ Baker Music
Freeez4.653:49
9Atomic
Techniker(in):
Peter Coleman (British engineer & producer) und David Tickle
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (von 1979-05 bis 1979-06)
Gitarre:
Frank Infante (von 1979-05 bis 1979-06) und Chris Stein (von 1979-05 bis 1979-06)
Keyboard:
Jimmy Destri (von 1979-05 bis 1979-06)
Schlagzeug:
Clem Burke (von 1979-05 bis 1979-06)
Gast Hintergrundgesang:
Ellie Greenwich (von 1979-05 bis 1979-06)
Sologesang:
Deborah Harry (von 1979-05 bis 1979-06)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1979), Chrysalis Records, Inc. (not for release label use!) (in 1979) und Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980)
aufgenommen bei:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten (von 1979-05 bis 1979-06), Mediasound Studios in New York, New York, Vereinigte Staaten (von 1979-05 bis 1979-06) und Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (von 1979-05 bis 1979-06)
mixed at:
MCA Whitney Recording Studios in Glendale, California (Kalifornien), Vereinigte Staaten
Teil von:
Songs banned by the BBC (Nummer: Gulf War ban)
recording of:
Atomic (von 1979-05 bis 1979-06)
Verfasser(in):
Jimmy Destri und Deborah Harry
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (beendet), Monster Island Music Publishing Corporation (beendet), BMG Monarch, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), EMI Music Publishing Ltd. (PRS‐affiliated) und Rare Blue Music Inc
Blondie43:47
10White Wedding
assistierende(r) Techniker(in):
Steve Bates (engineer)
Techniker(in):
Brian Reeves
Produzent(in):
Keith Forsey (drummer, producer and songwriter)
Bassgitarre:
Phil Feit
Gitarre:
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
Schlagzeug:
Steve Missal
Sologesang:
Billy Idol (English rock singer‐songwriter)
arranger:
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.) (in 1982), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1982), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1982) und Chrysalis Records, Inc. (not for release label use!) (in 1982, in 2002)
aufgenommen bei und mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
White Wedding, Pt. 1 von Billy Idol (English rock singer‐songwriter)
recording of:
White Wedding
Texter und Komponist(in):
Billy Idol (English rock singer‐songwriter)
publisher:
Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Group Inc., Chrysalis Music Holdings GmbH (DE subsidiary of Chrysalis Group PLC), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Rare Blue Music Inc
Billy Idol4.154:12
11Jerkin’ Back ’n’ Forth
Produzent(in):
DEVO (new wave/rock band)
recording of:
Jerkin’ Back ’n’ Forth (Devo)
Verfasser(in):
Gerald Casale und Mark Mothersbaugh
DEVO43:04
12I Ran
Techniker(in):
Mike Shipley (audio engineer, mixer, producer)
Produzent(in):
Mike Howlett
Bassgitarre und Hintergrundgesang:
Frank Maudsley
Gitarre:
Paul Reynolds (UK guitarist, in A Flock of Seagulls) und Mike Score
Keyboard und Sologesang:
Mike Score
Schlagzeug:
Ali Score
Interpret(in):
A Flock of Seagulls (in 1982)
phonographisches Urheberrecht (℗) von:
Zomba Productions Limited (in 1982) und Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1986)
aufgenommen bei:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Vereinigtes Königreich
Musikvideos:
I Ran von A Flock of Seagulls
recording of:
I Ran
Verfasser(in):
Frank Maudsley, Paul Reynolds (UK guitarist, in A Flock of Seagulls), Ali Score und Mike Score
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
A Flock of Seagulls43:41
13True Faith
Produzent(in):
Stephen Hague und New Order (UK synth pop band)
phonographisches Urheberrecht (℗) von:
Factory Communications Ltd. (holding company – file no releases here!) (in 1987)
recording of:
True Faith
Verfasser(in):
Gillian Gilbert, Stephen Hague, Peter Hook, Stephen Morris (New Order) und Bernard Sumner
publisher:
Be Music (New Order’s own publishing company), Cut Music (UK publisher), MCA Music Inc. (US-based music publishers), Notting Hill Music (publisher) und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Teil von:
American Psycho
New Order3.755:53
14Getting Away With It
Musikvideos:
Getting Away With It (US version, 1990) von Electronic und Getting Away With It (European version, 1989) von Electronic
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 34)
recording of:
Getting Away With It
Komponist(in):
Johnny Marr, Bernard Sumner und Neil Tennant
Electronic4:13
15White Horse
Produzent(in):
The Dwarfs
Interpret(in):
Laid Back (Danish electronic music duo, famous for hits like “Sunshine Reggae” and “Bakerman”) (in 1983)
phonographisches Urheberrecht (℗) von:
Parlophone Music Denmark (in 1983)
recording of:
White Horse (in 1983)
Texter und Komponist(in):
John Guldberg und Tim Stahl
publisher:
PolyGram Music Publishing
Laid Back3.853:55
16When Love Breaks Down
Produzent(in):
Phil Thornalley
Bass:
Martin McAloon
Gast-Keyboard und Synthesizer:
Thomas Dolby
Gitarre:
Paddy McAloon
Schlagzeug:
Neil Conti
vocals:
Paddy McAloon und Wendy Smith (British musician, formerly with Prefab Sprout)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1984)
Bearbeitung von:
When Love Breaks Down von Prefab Sprout
recording of:
When Love Breaks Down
Texter und Komponist(in):
Paddy McAloon
publisher:
EMI Songs Ltd.
Prefab Sprout3:47
17I Second That Emotion
Produzent(in):
John Punter
phonographisches Urheberrecht (℗) von:
BMG Records (U.K.) Ltd. (1987–1996) (in 1981) und Hansa Productions Ltd. (in 1982)
cover recording of:
I Second That Emotion
Verfasser(in):
Al Cleveland (songwriter 1930-1996) und Smokey Robinson
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Japan3.653:44
18Bette Davis Eyes
recording engineer:
Val Garay (in 1981-01)
Produzent(in):
Val Garay
E-Gitarre:
Waddy Wachtel (in 1981-01)
Sologesang:
Kim Carnes (in 1981-01)
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.) (in 1981), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1981), EMI America Records, Inc. (holding – file NO releases here!) (in 1981), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1981), EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1981), EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1981) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1997)
aufgenommen bei:
Record One in Sherman Oaks, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1981-01)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 18) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 425)
cover recording of:
Bette Davis Eyes (in 1981-01)
Verfasser(in):
Jackie DeShannon und Donna Weiss
publisher:
Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. und Warner/Chappell Music Ltd. (1996–2019)
Kim Carnes3.953:44
19This Is Not America
Techniker(in):
Marcellus Frank und David Richards (Swiss-based producer and engineer)
Produzent(in):
David Bowie (English singer‐songwriter) und Pat Metheny
Mix:
Bob Clearmountain
Analoger Synthesizer [Oberheim], Analoger Synthesizer [Prophet-5], Keyboard [Kurzweil] und Marimba:
Lyle Mays (von 1984-09 bis 1984-10)
E-Bass:
Steve Rodby (von 1984-09 bis 1984-10)
E-Gitarre, Gitarrensynthesizer [Roland GR-300 guitar synthesizer] und Synclavier:
Pat Metheny (von 1984-09 bis 1984-10)
Schlagzeug:
Paul Wertico (von 1984-09 bis 1984-10)
Hintergrundgesang und Sologesang:
David Bowie (English singer‐songwriter) (von 1984-09 bis 1984-10)
Interpret(in):
Pat Metheny Group (von 1984-09 bis 1984-10)
phonographisches Urheberrecht (℗) von:
David Bowie (English singer‐songwriter) (in 1985)
phonographisches Urheberrecht (℗) von:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1985)
aufgenommen bei:
Mountain Recording Studios (original Montreux location, 1975–2002) in Montreux, Vaud (Kanton Waadt), Schweiz (von 1984-09 bis 1984-10)
recording of:
This Is Not America (von 1984-09 bis 1984-10)
Texter und Verfasser(in):
David Bowie (English singer‐songwriter)
Komponist(in):
Lyle Mays und Pat Metheny
publisher:
CBS Songs Ltd., Donna Dijon Music Publications, Jones Music (publishers associated with David Bowie), Jones Music America, OPC Music Publishing, Inc., Pat Meth Music Corp (Pat Meth Music Corporation), Pat‐Meth Music, RZO Music Ltd, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing France, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division)
David Bowie & Pat Metheny Group3.453:49
20Avalon
Produzent(in):
Rhett Davies und Roxy Music
Mix:
Bob Clearmountain
Bassgitarre:
Alan Spenner (von 1981 bis 1982)
Gitarre:
Neil Hubbard (von 1981 bis 1982) und Phil Manzanera (von 1981 bis 1982)
Keyboard und Sologesang:
Bryan Ferry (von 1981 bis 1982)
Perkussion:
Jimmy Maelen (percussion) (von 1981 bis 1982)
Saxophon:
Andy Mackay (of Roxy Music) (von 1981 bis 1982)
Schlagzeug:
Andy Newmark (von 1981 bis 1982)
Hintergrundgesang:
Yannick Etienne (von 1981 bis 1982) und Fonzi Thornton (von 1981 bis 1982)
Interpret(in):
Roxy Music (von 1981 bis 1982)
phonographisches Urheberrecht (℗) von:
E.G. Records Ltd. (company credits only; do NOT use as release label) (vom 1982 bis heute, in 1982), Virgin EG Records Ltd. (in 1982) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982, in 1999, in 2003)
aufgenommen bei:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (von 1981 bis 1982)
recording of:
Avalon (von 1981 bis 1982)
Texter und Komponist(in):
Bryan Ferry
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), E.G. Music Inc., EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Virgin Songs, Inc. und E.G. Music Ltd. (publisher) (in 1982)
Roxy Music4.154:16

Nennungen

Veröffentlichung

Verwertungsgesellschaft:MCPS (UK rights society; do not use this as a label or work publisher!)
vertrieben von:Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK)
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2010)
Ministry of Sound Recordings Ltd. (copyrights use only, for its imprint use "Ministry of Sound") (in 2010)
Virgin Records Ltd. (not for release label use! for company relationships only) (in 2010)
Stamm-Pressung von:Sony DADC
Discogs:https://www.discogs.com/release/32573355 [Info]