The Best Club Anthems: 80s Classics

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Another One Bites the Dust
Techniker(in):
Mack (German rock producer/engineer Reinhold Mack)
Koproduzent(in):
Mack (German rock producer/engineer Reinhold Mack)
Produzent(in):
Mack (German rock producer/engineer Reinhold Mack), Brian May (Queen guitarist), Queen (UK rock group) und Roger Taylor (Queen drummer)
Bass, Bassgitarre, Gitarre, Keyboard, Klavier [piano (reversed)] und Synthesizer [synthesizer (reversed)]:
John Deacon (von 1980-02 bis 1980-05)
E-Gitarre:
John Deacon (von 1980-02 bis 1980-05) und Brian May (Queen guitarist) (von 1980-02 bis 1980-05)
elektronische Instrumente [electronic percussion] und Schlagzeug:
Roger Taylor (Queen drummer) (von 1980-02 bis 1980-05)
Hintergrundgesang und Sologesang:
Freddie Mercury (von 1980-02 bis 1980-05)
phonographisches Urheberrecht (℗) von:
Hollywood Records, Inc. (holding company, not a release label; Disney subsidiary) (in 1980, in 2014), Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1980, in 2011) und Raincloud Productions Ltd. (in 1980, in 2014)
aufgenommen bei:
Musicland Studios (Munich) in München, Bayern, Deutschland (von 1979-06 bis 1980-05)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 48)
recording of:
Another One Bites the Dust (von 1980-02 bis 1980-05)
Texter und Komponist(in):
John Deacon
publisher:
EMI Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Queen Music Ltd. (, in 1980), EMI Music Publishing Japan Ltd., Sony Division (bis 2021-06-30), Beechwood Music Corp. (in 1980) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
enthalten in:
We Will Rock You (Queen musical)
enthalten in:
We Will Rock You (German version of the Queen musical)
Queen4.153:35
2Rapper's Delight (Full Length version)
recording of:
Rapper’s Delight (am 1979-08-02)
Verfasser(in):
Bernard Edwards (American bassist and record producer), Guy O'Brien (US rapper Guy Anthony O’Brien), Henry Jackson, Michael Wright, Sylvia Robinson und Nile Rodgers
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
basiert auf:
Good Times
The Sugarhill Gang4.357:04
31999 (LP version)
assistierende(r) Techniker(in):
Don Batts
Techniker(in):
Peggy McCreary
Produzent(in):
Prince (“The Artist Formerly Known as…”)
Becken, cowbell, drum machine [Linn LM-1], E-Bass, E-Gitarre, elektronisches Schlagzeug / E-Drums [Pearl SY-1 Syncussion], Händeklatschen, Synthesizer [ARP Omni-2], Synthesizer [Oberheim OB-Xa] und Tamburin:
Prince (“The Artist Formerly Known as…”) (von 1982-07 bis 1982-08)
drum machine [Pearl SY-1 Syncussion]:
Bobby Z.
Hintergrundgesang:
Jesse Johnson (original guitarist for The Time)
Sologesang:
Lisa Coleman (US pianist/keyboardist & composer) (von 1982-07 bis 1982-08), Dez Dickerson (von 1982-07 bis 1982-08), Jill Jones (American singer, songwriter, and actress) (von 1982-07 bis 1982-08) und Prince (“The Artist Formerly Known as…”) (von 1982-07 bis 1982-08)
Interpret(in):
Prince (“The Artist Formerly Known as…”) (von 1982-07 bis 1982-08)
arranger:
Prince (“The Artist Formerly Known as…”)
aufgenommen bei:
Kiowa Trail Home Studio in Chanhassen, Minnesota, Vereinigte Staaten (von 1982-07 bis 1982-08)
recording of:
1999 (von 1982-07 bis 1982-08)
Texter und Komponist(in):
Prince (“The Artist Formerly Known as…”)
publisher:
Controversy Music, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) und フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
Prince4.456:15
4Last Night a DJ Saved My Life (12" version)
recording of:
Last Night a D.J. Saved My Life
Texter und Komponist(in):
Mike Cleveland (80's dance)
publisher:
Windswept Pacific Music Ltd.
Indeep3.655:38
5Can You Feel It (album version)
Techniker(in):
Tom Perry (engineer)
Partner-Produzent(in):
Greg Phillinganes
Produzent(in):
The Jacksons (formerly “The Jackson 5”)
Bassgitarre:
Nathan Watts
Gitarre:
Tito Jackson und David Williams (session guitarist and songwriter)
Keyboard:
Ronnie Foster, Greg Phillinganes und Bill Wolfer (record producer, songwriter, musician and synthesizer programmer from USA)
Schlagzeug:
Ollie E. Brown (US drummer, session musician & record producer)
Vibraphon:
Gary Coleman (US percussionist)
Chorgesang:
Lita Aubrey, Paulette Brown, Brigette Bush, Soloman Daniels, Rock Deadrick, Carolyn Dennis (American singer), Venetta Fields, Roy Galloway (soul singer), Gerry Garrett, Rhonda Gentry, Jim Gilstrap, Gerry Gruberth, Bunny Hull, Roger Kenerly II, Josie James, Roger Kenerly-Saint, Yolanda Kenerly, Lewis Price, Bob Mack, Arnold McCuller, Paulette McWilliams, Lisa Roberts, Phyllis St. James, Brian Stilwell, Audra Tillman, Carmen Twillie, Ronald Vann, Peter Wade (vocalist) und Gregory Wright
Sologesang:
Michael Jackson (“King of Pop”) und Randy Jackson (brother of Michael and Janet)
chorus master:
Stephanie Spruill (American soul/disco singer, songwriter, and percussionist)
Saiteninstrumente arranger:
Tom Tom 84
arranger:
Jackie Jackson (member of the Jackson 5) und Michael Jackson (“King of Pop”)
phonographisches Urheberrecht (℗) von:
CBS Inc. (US broadcasting company; file no releases here!) (in 1980)
aufgenommen bei:
Hollywood Sound Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1980-01 bis 1980-07) und Sound City Studios in Van Nuys, California (Kalifornien), Vereinigte Staaten (von 1980-01 bis 1980-07)
recording of:
Can You Feel It
Verfasser(in):
Jackie Jackson (member of the Jackson 5) und Michael Jackson (“King of Pop”)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
MJ: The Musical
The Jacksons45:58
6Use It Up and Wear It Out
recording of:
Use It Up and Wear It Out
Verfasser(in):
Lawrence Russell Brown (lyricist) und Sandy Linzer
publisher:
ATV Music Ltd., Chappell & Co Ltd., Featherbed, Larball Music (publisher), Peermusic (UK) Limited, Unichappell (publisher) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Odyssey43:45
7Rapture
Techniker(in):
Lenise Bent
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (in 1980)
Gitarre:
Frank Infante (in 1980) und Chris Stein (in 1980)
Keyboard:
Jimmy Destri (in 1980)
Pauke:
Chris Stein (in 1980)
Saxophon:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (in 1980)
Schlagzeug:
Clem Burke (in 1980)
Sologesang:
Deborah Harry (in 1980)
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.) (in 1980), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1980), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980) und Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981)
aufgenommen bei:
United Western Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1980)
recording of:
Rapture (in 1980)
Verfasser(in):
Deborah Harry und Chris Stein
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music (do not use as release label! this is a music publisher), Monster Island Music Publishing Corporation und Rare Blue Music Inc
Blondie3.64:56
8Oops Upside Your Head
Produzent(in):
Lonnie Simmons (producer, songwriter)
phonographisches Urheberrecht (℗) von:
Phonogram, Inc. (in 1979), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1979) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1980)
produced for:
Total Experience Productions
recording of:
I Don’t Believe You Want to Get Up and Dance (Oops!)
Verfasser(in):
Lonnie Simmons (producer, songwriter), Rudy Taylor (vocalist and songwriter), Charlie Wilson (R&B singer), Robert Wilson (US vocalist/bassist, member of Gap Band) und Ronnie Wilson (Gap Band member)
publisher:
Minder Music Ltd., Rachel Music Ltd., Total Experience Music Publ. Co., Leosong (publisher) (in 1979) und Total Experience Music (publisher) (in 1979)
cover recording of:
I Don’t Believe You Want to Get Up and Dance (Oops!)
Verfasser(in):
Lonnie Simmons (producer, songwriter), Rudy Taylor (vocalist and songwriter), Charlie Wilson (R&B singer), Robert Wilson (US vocalist/bassist, member of Gap Band) und Ronnie Wilson (Gap Band member)
publisher:
Minder Music Ltd., Rachel Music Ltd., Total Experience Music Publ. Co., Leosong (publisher) (in 1979) und Total Experience Music (publisher) (in 1979)
The Gap Band3:23
9(Somebody) Help Me Out
recording of:
(Somebody) Help Me Out
Verfasser(in):
David Baptiste (U.K. Saxophonist, flutist, percussionist, vocalist, & backing vocalist), Neville McKrieth und Kenny Wellington
Beggar & Co3:32
10Chant No. 1 (I Don't Need This Pressure On)
Produzent(in):
Richard James Burgess
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981)
recording of:
Chant No. 1 (I Don't Need This Pressure On)
Texter und Komponist(in):
Gary Kemp
publisher:
Reformation Publishing Co. Ltd.
Spandau Ballet44:03
11Temptation
Produzent(in):
B.E.F. und Greg Walsh (producer and engineer)
recording of:
Temptation
Verfasser(in):
Glenn Gregory, Ian Craig Marsh und Martyn Ware
publisher:
Cradle of Filth Music Ltd. (publishing company for British metal band Cradle of Filth), Sound Diagrams (publisher), Virgin Music (Publishers) Ltd. und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Heaven 173.54:36
12Love Town (extended version)
recording of:
Love Town
Verfasser(in):
Len Barry und Bobby Eli
Booker Newberry III5:13
13Get Down Saturday NightOliver Cheatham4:01
14Dancing Tight
recording of:
Dancing Tight
Texter und Komponist(in):
Phil Fearon
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Handle Music Ltd. und Imagem Songs Ltd.
Phil Fearon & Galaxy53:33
15Flashdance... What a Feeling
Produzent(in):
Giorgio Moroder
vocals:
Irene Cara
phonographisches Urheberrecht (℗) von:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (in 1983), Unidisc Music Inc. (not for release label use! use “Unidisc” instead) (in 1983) und Universal Music TV (UK, a division of Universal Music Operations Limited) (in 1995)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 38) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 492)
recording of:
Flashdance… What a Feeling
Texter:
Irene Cara und Keith Forsey (drummer, producer and songwriter)
Komponist(in):
Giorgio Moroder
publisher:
Alcor Music (publisher), Carasmatic Music, Carub Music (publisher), Chappell Music Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), GMPC, Intersong Music, Intersong Music Ltd., Intersong U.S.A. (publisher), Sony/ATV Harmony und WB Music Corp. (1929–2019)
Teil von:
The 56th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1983 winner)
Irene Cara3.653:53
16I.O.U.
recorded in:
New York, New York, Vereinigte Staaten (in 1983)
Produzent(in):
Arthur Baker (American record producer and DJ)
Interpret(in):
Freeez (1980s English electronic music group) (in 1983)
aufgenommen bei:
Unique Recording Studios in Manhattan, New York, New York, Vereinigte Staaten (in 1983)
recording of:
I.O.U.
Verfasser(in):
Arthur Baker (American record producer and DJ) und John Robie
publisher:
Shakin’ Baker Music
Freeez4.653:47
17We Got the Funk
recording of:
We Got the Funk
Verfasser(in):
Nate Edmonds (keyboard player/songwriter), Brenda Reynolds und Albert Williams
publisher:
Sugar Hill Music Publishing Ltd. (beendet), B.I.B. Music und Songs of Universal, Inc. (BMI)
Positive Force3:20
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