Australian Legends

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1Beds Are Burning
supporto artisti & repertorio (A&R):
S. Ralbovsky
assistente tecnico:
Kathy Naunton (editor)
tecnico:
Guy Gray
produttore:
Warne Livesey e Midnight Oil (Australian rock band)
basso :
Peter Gifford
batteria [drums] :
Rob Hirst
chitarra :
Jim Moginie e Martin Rotsey
corno francese :
Jeremy Smith (Horns)
tastiera :
Warne Livesey e Jim Moginie
trombone :
Glad Reed
violoncello :
John Ockwell (Cello Artist)
diritti fonografici (℗) detenuti da:
Midnight Oil (Australian rock band) (nel 1987)
diritti fonografici (℗) detenuti da:
Midnight Oil Ents Pty Ltd (nel 1987) e Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (nel 1987)
registrata presso:
Alberts Studios (Australian studio, Neutral Bay location, 1985-2016) in Neutral Bay, Sydney, New South Wales, Australia
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 18) e VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 95)
registrazione di:
Beds Are Burning
autore:
Peter Garrett, Rob Hirst e Jim Moginie
editore:
Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. e Sprint Music Pty. Ltd.
Midnight Oil4.54:17
2Help Is on Its Way
assistente tecnico:
John Hodge (engineer)
tecnico:
Ross Cockle e Paul Grupp
produttore:
John Boylan e Little River Band
basso :
George McArdle (nel 1977-03)
batteria :
Derek Pellicci (nel 1977-03)
chitarra :
Beeb Birtles (nel 1977-03) e David Briggs (producer, guitarist of Little River Band) (nel 1977-03)
pianoforte :
Peter Sullivan (nel 1977-03)
voce:
Beeb Birtles (nel 1977-03), Graham Goble (nel 1977-03) e Glenn Shorrock (nel 1977-03)
diritti fonografici (℗) detenuti da:
EMI Music Australia (defunct holding company, not for release label use!) (nel 1972, nel 1977, nel 2002), EMI (Australia) Limited (not for release label use! EMI's AU subsidiary, active from May 1957 to late 1980s) (nel 1976, nel 1977), EMI Music Australia Pty. Limited (not for release label use!) (nel 1976, nel 1977), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1977), Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (nel 1977) e Capitol Records Ltd. (not for release label use; UK company) (nel 1989)
è stato produttore per:
Tumbleweed Productions
registrata presso:
Armstrong Audio/Video (later renamed AAV Studios) in Melbourne, Victoria, Australia e Armstrong Audio Video (later renamed AAV Studios) in Melbourne, Victoria, Australia (nel 1977-03)
mixata presso:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, Stati Uniti
registrazione di:
Help Is on Its Way (nel 1977-03)
paroliere e compositore:
Glenn Shorrock
editore:
Australian Tumbleweed Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tumbleweed Music Pty. Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd., WB Music Corp. (1929–2019) e Wheatley Music Pty Ltd.
Little River Band3.353:57
3Don’t Dream It’s Over
tecnico di registrazione:
Tchad Blake e Dennis Kirk
assistente tecnico:
Glen Holguin (engineer)
produttore:
Mitchell Froom
tecnico di missaggio:
Michael Frondelli
basso :
Nick Seymour (Nicholas More Seymour)
batteria :
Paul Hester (Australian drummer for Crowded House/Split Enz)
chitarra elettrica [Gibson Les Paul Goldtop] e voce principale:
Neil Finn
chitarra elettrica [Tom Anderson “S” Style] :
Tim Pierce (US session guitarist)
congas , mbira [kalimba] e shaker :
Jorge Bermudez
organo e tastiera :
Mitchell Froom
voce di accompagnamento:
Noel Crombie, Jim Gilstrap, Andy Milton e Joe Satriani
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1986)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti e Sunset Sound Factory (1982–2017) in Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
Studio 55 in Los Angeles, California, Stati Uniti
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 5)
registrazione di:
Don’t Dream It’s Over
paroliere e compositore:
Neil Finn
editore:
Chrysalis Music (music publisher, ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Mushroom Music (Mushroom label’s publishing company), Mushroom Music Publishing e Roundhead Music (Neil Finn)
parte di:
APRA Top 100 New Zealand Songs of All Time (numero: 2)
Crowded House3.93:54
4What You Need
tecnico:
Steve Churchyard
produttore:
Chris Thomas (UK record producer / remixer)
batteria :
Jon Farriss
chitarra basso :
Garry Gary Beers
voce:
Michael Hutchence
diritti fonografici (℗) detenuti da:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1985)
registrazione di:
What You Need
autore:
Andrew Farriss (in band INXS) e Michael Hutchence
editore:
Tol Muziek
INXS3.653:34
5Khe Sanh
tecnico:
Alan Wright (engineer)
armonica (a bocca) :
Dave Blight
basso :
Phil Small
batteria :
Steve Prestwich
chitarra :
Ian Moss
chitarra acustica :
Peter Walker (Australian producer & engineer)
organo e pianoforte :
Don Walker (Australian musician and songwriter, member of Cold Chisel)
diritti fonografici (℗) detenuti da:
Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited), Cold Chisel Pty Ltd (nel 1991, nel 2001) e Warner Music Australia (AU subsidiary of Warner Music International since 1988) (nel 1991)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 8)
registrazione di:
Khe Sanh
paroliere e compositore:
Don Walker (Australian musician and songwriter, member of Cold Chisel)
editore:
Rondor Music, Rondor Music (Australia) Pty Ltd e Universal Music Publishing Group, Pty. Ltd
Cold Chisel4:10
6Not Pretty Enough
diritti fonografici (℗) detenuti da:
EMI Music Australia Pty. Limited (not for release label use!) (nel 2001)
registrazione di:
Not Pretty Enough
paroliere e compositore:
Kasey Chambers (Australian country singer‐songwriter)
editore:
Mushroom Music Pty. Ltd. e Sony/ATV Music Publishing Australia Pty Ltd.
Kasey Chambers3:18
7Before Too Long
diritti fonografici (℗) detenuti da:
Paul Kelly (Australian singer/songwriter) (nel 1986)
registrazione di:
Before Too Long (Paul Kelly song)
paroliere e compositore:
Paul Kelly (Australian singer/songwriter)
editore:
Mushroom Music (Mushroom label’s publishing company), Mushroom Music Publishing e Sony/ATV Music Publishing Australia Pty Ltd.
Paul Kelly & the Coloured Girls3.53:22
8To the Moon and Back
produttore:
Charles Fisher (Australian producer)
tecnico di missaggio:
Chris Lord‐Alge
diritti fonografici (℗) detenuti da:
JWM Productions (John Woodruff Management) (nel 1997)
mixata presso:
Gotham Audio in Melbourne, Victoria, Australia
registrazione di:
To the Moon and Back
autore:
Darren Hayes e Daniel Jones (Australian singer/producer of Savage Garden)
editore:
EMI (EMI Records, or EMI Music only if there is no other imprint)
Savage Garden5:34
9What’s My Scene
armonica (a bocca) :
Brad Shepherd
basso :
Clyde Bramley
batteria :
Mark Kingsmill
chitarra :
Dave Faulkner (David Faulkner) e Brad Shepherd
tastiera :
Dave Faulkner (David Faulkner)
voce:
Dave Faulkner (David Faulkner)
diritti fonografici (℗) detenuti da:
Hoodoo Gurus Pty Ltd (nel 1987)
registrazione di:
What’s My Scene?
autore:
Dave Faulkner (David Faulkner)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Mushroom Music (Mushroom label’s publishing company) e Sony/ATV Music Publishing
Hoodoo Gurus3.353:48
10Are You Gonna Be My Girl
assistente tecnico:
Evil Chris
tecnico:
Greg Fidelman (Greg Fields, US producer, engineer, mixer and songwriter)
tecnico aggiunto:
Greg Gordon (producer/engineer)
produttore e tecnico di missaggio:
Brooklyn’s own Dave Sardy (American score composer)
editor:
Greg Gordon (producer/engineer)
batteria :
Chris Cester
chitarra :
Cam Muncey e Nic Cester
chitarra aggiunto:
Brooklyn’s own Dave Sardy (American score composer)
chitarra basso :
Mark Wilson (Bass player for Jet)
voce:
Cam Muncey, Chris Cester e Nic Cester
diritti fonografici (℗) detenuti da:
Elektra Entertainment Group Inc. (not for release label use! a division of Warner Music Group) (nel 2003), Real Horrorshow Pty. Ltd. (nel 2003) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 2003)
registrata presso:
Larrabee East in Los Angeles, California, Stati Uniti e Sunset Sound in Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, Stati Uniti
video musicali:
Are You Gonna Be My Girl di Jet (Australian garage rock band)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 23), triple j’s Hottest 100 (Australian annual music listener poll) (numero: 2003), Sean Michaels: The Top 30 Songs of 2003 (numero: runner-up) e Indie 88: Top 500 Indie Rock Songs (numero: 364)
registrazione di:
Are You Gonna Be My Girl
autore:
Nic Cester e Cameron Muncey
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Universal Music Publishing (use ONLY if no country‐specific information is available) e Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Jet3.73:36
11Tomorrow
tecnico di registrazione e tecnico di missaggio:
Kevin Shirley (producer & mixer)
produttore:
Kevin ‘Caveman’ Shirley (producer & mixer)
diritti fonografici (℗) detenuti da:
Sony Music Productions Pty. Ltd. (for copyrights use only) (nel 1994) e Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (nel 1995)
registrata presso:
Festival Studio in Pyrmont (Pyrmont, New South Wales), New South Wales, Australia
mixata presso:
Eclipse Studio in Sydney, New South Wales, Australia
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 17)
registrazione di:
Tomorrow
paroliere e compositore:
Ben Gillies e Daniel Johns
editore:
Kobalt Music Publishing Ltd. (UK), Tinia Flab Music, Control (not for release label use! this is only for copyrights and publishing relationships) (nel 1995), Sony/ATV Music Publishing Australia Pty Ltd. (dal 1997-10-14 al 2020-12-15) e Sony Music Publishing (Australia) Pty Limited (2020-12–present, Australian publisher of Sony Music; fka Sony/ATV Music Publishing Australia Pty Limited) (dal 2020-12-15 a oggi)
Silverchair4.14:27
12Jessie’s Girl
produttore:
Keith Olsen (US producer and engineer)
arrangiatore:
Neil Geraldo (multi-instrumentalist, songwriter, producer), Keith Olsen (US producer and engineer) e Rick Springfield
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1981), BMG Music (nel 1981), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1981), RCA Records, Inc. (this is a company, only use in companies fields such as Copyright and Manufacturer - for the label use RCA) (nel 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1981, nel 2001) e Wizard Records (nel 1981)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 20) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 55)
registrazione di:
Jessie’s Girl
paroliere e compositore:
Rick Springfield
editore:
BMG Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Muscleman Music, PolyGram Music Publishing Ltd., Portal Music, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc. e Wizard Music
Rick Springfield4.43:14
13Are You Old Enough
basso :
Todd Hunter (Todd Stuart Hunter of Dragon)
batteria :
Kerry Jacobson
chitarra :
Robert Taylor (singer-songwriter and guitarist)
tastiera :
Paul Hewson (New Zealand keyboardist; not to be confused with the Irish rock star better known as Bono)
voce:
Marc Hunter
diritti fonografici (℗) detenuti da:
Sony Music Productions Pty. Ltd. (for copyrights use only) e Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (nel 1976, nel 1978)
registrazione di:
Are You Old Enough
paroliere e compositore:
Paul Hewson (New Zealand keyboardist; not to be confused with the Irish rock star better known as Bono)
editore:
EMI Songs e EMI Songs Australia Pty. Ltd.
Dragon4:03
14Live It Up
tecnico:
Thom Panunzio
produttore:
Richard Gottehrer (American songwriter and music executive)
diritti fonografici (℗) detenuti da:
Syray Pty. Limited (Australian record company copyright holder and distributor) (nel 1984), Sony Music Productions Pty. Ltd. (for copyrights use only) (nel 1986) e Festival Records (Australian) (nel 1999)
registrata presso:
Rhinoceros Studios in Sydney, New South Wales, Australia
registrazione di:
Live It Up
paroliere e compositore:
Greedy Smith (Australian musician and songwriter with Mental As Anything)
editore:
Syray Music e Universal Music Publishing (use ONLY if no country‐specific information is available)
Mental as Anything3.253:48
15Better the Devil You Know
produttore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
diritti fonografici (℗) detenuti da:
Mushroom Records Pty Ltd (nel 1990) e PWL Records Ltd. (not release use) (nel 1990)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 40)
registrazione di:
Better the Devil You Know
autore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
editore:
All Boys Music Ltd., BMG Music, BMG Music Publishing Ltd., Mike Stock Publishing Ltd., Mushroom Music (Mushroom label’s publishing company) e Sid’s Songs Ltd.
Kylie Minogue33:52
16Solid Rock
diritti fonografici (℗) detenuti da:
Warner Music Australia (AU subsidiary of Warner Music International since 1988) (nel 1982, nel 1997) e Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited) (nel 1982)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 47)
registrazione di:
Solid Rock (Sacred Ground)
autore:
Shane Howard (Australian singer / songwriter)
editore:
Mushroom Music (Mushroom label’s publishing company) e Mushroom Music Publishing
Goanna4:32
17Down Under
tecnico:
Jim Barbour e Peter McIan
tecnico aggiunto:
Paul Ray (70s/80s US engineer)
produttore:
Peter McIan
basso :
John Rees
batteria :
Jerry Speiser (drummer for Men at Work)
chitarra :
Ron Strykert
legni e tastiera :
Greg Ham (member of Men at Work)
voce:
Colin Hay
diritti fonografici (℗) detenuti da:
CBS Records Australia Limited (do not use as a release label! for copyrights use only) (nel 1981), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1981), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (nel 1981), Sony Music Entertainment (Australia) Pty. Ltd. (not for release label use! AU subsidiary of SME since 2009) (nel 1981), Sony Music Productions Pty. Ltd. (for copyrights use only) (nel 1981, nel 1982), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1982) e Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (nel 1986)
registrata presso:
Richmond Recorders in Melbourne, Victoria, Australia
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 21) e VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 96)
registrazione di:
Down Under (Men at Work song, “Do you come from a land down under?”)
paroliere:
Colin Hay
compositore:
Colin Hay e Ron Strykert
editore:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Music Australia Pty. Limited (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (fino al 2014-12-31) e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (dal 2015-01-01 a oggi)
Men at Work4.053:36
18Great Southern Land
diritti fonografici (℗) detenuti da:
Warner Music Australia (AU subsidiary of Warner Music International since 1988) (nel 1997)
registrazione di:
Great Southern Land
paroliere e compositore:
Iva Davies
editore:
EMI Songs Australia e EMI Songs Australia Pty. Ltd.
Icehouse5:13
19What About Me
produttore:
Charles Fisher (Australian producer)
basso :
Ian Lees (Australian bassist)
batteria :
Paul Freeland
chitarra :
Garry Frost
ottoni e tastiera :
Charlie Cole (Australian keyboards)
voce:
Alex Smith (Australian artist ex. Moving Pictures)
diritti fonografici (℗) detenuti da:
WBE Records (label founded by Glenn Wheatley) (nel 1981)
registrazione di:
What About Me (Moving Pictures song)
autore:
Garry Frost e Frances Swan
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Unichappell Music, Warner Chapell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) e Warner/Chappell Pty. Ltd.
Moving Pictures3:34
20Spicks and Specks
produttore:
Ossie Byrne e Nat Kipner (Australian producer, songwriter, label owner & publisher)
direttore d'orchestra:
Bill Shepherd (British orchestra leader, arranger and music director, most known for his arrangements for the Bee Gees) (nel 1966)
arrangiatore:
Bill Shepherd (British orchestra leader, arranger and music director, most known for his arrangements for the Bee Gees)
diritti fonografici (℗) detenuti da:
Barry Gibb (nel 1966), Maurice Gibb (nel 1966) e Robin Gibb (nel 1966)
diritti fonografici (℗) detenuti da:
Festival Records (Australian) (nel 1966), Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (nel 1968) e Robert Stigwood Organisation Ltd. (nel 1968)
registrazione di:
Spicks and Specks (nel 1966)
paroliere e compositore:
Barry Gibb
editore:
BMG Music, Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Unichappell Music, Inc. e Warner/Chappell Music Australia Pty. Ltd.
Bee Gees12:53
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Accreditamenti

Pubblicazione

stampata a:Australia
copyright (©) detenuto da:EMI Music Australia Pty. Limited (not for release label use!) (nel 2004)
licenziata da:BMG Australia Limited (not for release label use!)
licenziata a:EMI Music Australia Pty. Limited (not for release label use!)
Liberation Music (Australian, big L logo or “Liberation” on one line)
commercializzata da:EMI Music Australia Pty. Limited (not for release label use!)
Discogs:https://www.discogs.com/release/10609746 [info]