Jazz Piano Masters

~ Veröffentlichung von Bud Powell (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelBewertungLänge
1So Sorry Please
recorded in:
New York, New York, Vereinigte Staaten (in 1950-02)
Produzent(in):
Norman Granz
Klavier:
Bud Powell (in 1950-02)
Kontrabass:
Curley Russell (in 1950-02)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (in 1950-02)
recording of:
So Sorry Please (in 1950-02)
Komponist(in):
Bud Powell
3:16
2Get Happy
recorded in:
New York, New York, Vereinigte Staaten (in 1950-02)
Produzent(in):
Norman Granz
Klavier:
Bud Powell (in 1950-02)
Kontrabass:
Curley Russell (in 1950-02)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (in 1950-02)
instrumental recording of:
Get Happy (in 1950-02)
Texter:
Ted Koehler (in 1929)
Komponist(in):
Harold Arlen (in 1929)
publisher:
Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Redwood Music Ltd. (Carlin), Remick Music Corp., S.A. Music Co. und Warner Bros. Music (publisher; do NOT use as release label)
Teil von:
Summer Stock
Teil von:
The Nine‐Fifteen Revue (1930)
2:52
3Sometimes I'm Happy
recorded in:
New York, New York, Vereinigte Staaten (in 1950-02)
Produzent(in):
Norman Granz
Klavier:
Bud Powell (in 1950-02)
Kontrabass:
Curley Russell (in 1950-02)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (in 1950-02)
instrumental recording of:
Sometimes I’m Happy (in 1950-02)
Texter:
Vincent Youmans
Komponist(in):
Irving Caesar
publisher:
Harms, Inc.
Teil von:
Hit the Deck (1927 musical)
Teil von:
Hit the Deck (1955 movie)
3:38
4Sweet Georgia Brown
recorded in:
New York, New York, Vereinigte Staaten (in 1950-02)
Produzent(in):
Norman Granz
Klavier:
Bud Powell (in 1950-02)
Kontrabass:
Curley Russell (in 1950-02)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (in 1950-02)
instrumental recording of:
Sweet Georgia Brown (in 1950-02)
Texter:
Kenneth Casey (in 1925)
Komponist(in):
Ben Bernie (in 1925) und Maceo Pinkard (in 1925)
publisher:
Francis Day (publisher), Remick Music Corp. und Warner Bros. Music (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
2:50
5Yesterdays
2:48
6April in Paris
recorded in:
New York, New York, Vereinigte Staaten (in 1950-02)
Produzent(in):
Norman Granz
Klavier:
Bud Powell (in 1950-02)
Kontrabass:
Curley Russell (in 1950-02)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (in 1950-02)
recording of:
April in Paris (in 1950-02)
Texter:
Yip Harburg (in 1932)
Komponist(in):
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
Teil von:
The Real Book (compilation of jazz standards, volume I)
instrumental recording of:
April in Paris (in 1950-02)
Texter:
Yip Harburg (in 1932)
Komponist(in):
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
Teil von:
The Real Book (compilation of jazz standards, volume I)
3:08
7Fine and Dandy (take 1)
recorded in:
New York, New York, Vereinigte Staaten (am 1950-01-26)
Klavier:
Bud Powell (am 1950-01-26)
Kontrabass:
Curley Russell (am 1950-01-26)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1950-01-26)
Tenorsaxophon:
Sonny Stitt (am 1950-01-26)
instrumental recording of:
Fine and Dandy (am 1950-01-26)
Texter:
Paul James (Lyricist, aka James Warburg)
Komponist(in):
Kay Swift
publisher:
Warner Bros., Inc. (Warner Bros. Music Division) und WC Music Corp.
2:43
8Fine and Dandy (take 2)
recorded in:
New York, New York, Vereinigte Staaten (am 1950-01-26)
Klavier:
Bud Powell (am 1950-01-26)
Kontrabass:
Curley Russell (am 1950-01-26)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1950-01-26)
Tenorsaxophon:
Sonny Stitt (am 1950-01-26)
instrumental recording of:
Fine and Dandy (am 1950-01-26)
Texter:
Paul James (Lyricist, aka James Warburg)
Komponist(in):
Kay Swift
publisher:
Warner Bros., Inc. (Warner Bros. Music Division) und WC Music Corp.
2:42
9Strike Up the Band
3:27
10I Want to Be Happy
3:12
11Taking a Chance on Love
2:35
12Tea for Two
Klavier:
Bud Powell
4:15
13Hallelujah
recorded in:
New York, New York, Vereinigte Staaten (am 1950-07-01)
Produzent(in):
Norman Granz
Klavier:
Bud Powell (am 1950-07-01)
Kontrabass:
Ray Brown (jazz bassist) (am 1950-07-01)
Schlagzeug:
Buddy Rich (am 1950-07-01)
recording of:
Hallelujah! (am 1950-07-01)
Texter:
Clifford Grey (in 1927) und Leo Robin (US composer, lyricist & songwriter) (in 1927)
Komponist(in):
Vincent Youmans (in 1927)
Teil von:
Hit the Deck (1955 movie)
3:01
14Parisian
recorded in:
New York, New York, Vereinigte Staaten (in 1951-02)
Produzent(in):
Norman Granz
Klavier:
Bud Powell (in 1951-02)
recording of:
Parisian Thoroughfare (in 1951-02)
Komponist(in):
Bud Powell
2:30
15Oblivion
recorded in:
New York, New York, Vereinigte Staaten (in 1951-02)
Produzent(in):
Norman Granz
Klavier:
Bud Powell (in 1951-02)
recording of:
Oblivion (in 1951-02)
Komponist(in):
Bud Powell
2:10
16Dusk in Sand
2:15
17Hallucinations
recorded in:
New York, New York, Vereinigte Staaten (in 1951-02)
Solo-Klavier:
Buddy Rich (in 1951-02)
recording of:
Hallucinations (in 1951-02)
Komponist(in):
Bud Powell
publisher:
Embassy Music Corporation
2:25
18The Fruit
recorded in:
New York, New York, Vereinigte Staaten (in 1951-02)
Produzent(in):
Norman Granz
Klavier:
Bud Powell (in 1951-02)
recording of:
The Fruit (in 1951-02)
Komponist(in):
Bud Powell
3:19
19A Nightingale in Berkeley Square
recorded in:
New York, New York, Vereinigte Staaten (in 1951-02)
Produzent(in):
Norman Granz
Klavier:
Bud Powell (in 1951-02)
recording of:
A Nightingale Sang in Berkeley Square (in 1951-02)
Texter:
Eric Maschwitz (Holt Marvell)
Komponist(in):
Manning Sherwin (in 1939)
publisher:
Colgems-EMI Music Inc., Peter Maurice Music Co. Ltd. und Shapiro, Bernstein & Co., Inc.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
3:41
20Just One of Those Things
recorded in:
New York, New York, Vereinigte Staaten (in 1951-02)
Produzent(in):
Norman Granz
Klavier:
Bud Powell (in 1951-02)
instrumental recording of:
Just One of Those Things (in 1951-02)
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Teil von:
Jubilee
Teil von:
Panama Hattie (1942 film)
3:52
21The Last Time I Saw Paris
recorded in:
New York, New York, Vereinigte Staaten (in 1951-02)
Produzent(in):
Norman Granz
Klavier:
Bud Powell (in 1951-02)
recording of:
The Last Time I Saw Paris (in 1951-02)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Jerome Kern
Teil von:
The 14th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1941 winner)
3:16

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