Singers and Songwriters: Late ’70s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Overall catalog # for both discs in set is: 314524850-2.

Anmerkung zuletzt geändert am 2012-12-27 00:22 UTC.

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Lonesome Loser
recorded in:
Melbourne, Victoria, Australien (in 1979-06)
Produzent(in):
John Boylan und Little River Band
Bass:
Clive Harrison (in 1979-06)
Gitarre:
David Briggs (producer, guitarist of Little River Band) (in 1979-06)
Klavier:
Peter Sullivan (UK producer) (in 1979-06)
Schlagzeug:
Derek Pellicci (in 1979-06)
vocals:
Beeb Birtles (in 1979-06), Graham Goble (in 1979-06) und Glenn Shorrock (in 1979-06)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 1979), Capitol Records (imprint of Capitol Records, Inc.) (in 1979, in 2002) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1979)
produced for:
Tumbleweed Productions
recording of:
Lonesome Loser (in 1979-06)
Texter und Komponist(in):
David Briggs (producer, guitarist of Little River Band)
publisher:
American Tumbleweed Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tumbleweed Music Pty. Ltd., Unichappell Music, Inc., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd. und Wheatley Music Pty Ltd.
Little River Band43:55
2So in to You
phonographisches Urheberrecht (℗) von:
Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1976), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1976) und Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1976)
recording of:
So in to You
Verfasser(in):
Buddy Buie, Dean Daughtry und Robert Nix (drummer)
publisher:
Low-Sal, Inc.
Atlanta Rhythm Section54:23
3Baby, I Love Your Way
phonographisches Urheberrecht (℗) von:
A&M Records (in 1976)
recording of:
Baby, I Love Your Way
Texter und Komponist(in):
Peter Frampton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), EMI U Catalog Inc. (publisher; do NOT use as release label), Nuages Artists Music Ltd., Rondor Music (London) Ltd., Universal Music Publishing, Synch Division und Yamaha Music EH(CM)
Peter Frampton4:48
4Rich Girl
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1976), BMG Music (in 1976) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1976)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 14)
recording of:
Rich Girl
Texter und Komponist(in):
Daryl Hall (in 1976)
publisher:
Unichappell Music, Inc. und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Daryl Hall & John Oates4.152:24
5Sorry Seems to Be the Hardest Word
Techniker(in):
Gus Dudgeon und Mark Howlett
Produzent(in):
Gus Dudgeon und John Stewart (UK music producer/recording engineer)
accordion:
Carl Fortina
E-Bass:
Kenny Passarelli (Bass, piano)
Hybrid-Piano:
James Newton Howard (American score composer)
Klavier und Sologesang:
Elton John (English singer, songwriter, pianist, and composer)
Vibraphon:
Ray Cooper (percussionist)
conductor:
James Newton Howard (American score composer)
accordion und Saiteninstrumente arranger:
James Newton Howard (American score composer)
phonographisches Urheberrecht (℗) von:
Happenstance Limited (record and publishing company) (in 1976)
aufgenommen bei:
Eastern Sound in Toronto, Ontario, Kanada und Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1976-03)
recording of:
Sorry Seems to Be the Hardest Word
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Big Pig Music Ltd (publisher), Chappell & Co Inc. (USA), Happenstance Limited (record and publishing company), Intersong U.S.A. Inc. (publisher), Muziekuitgeverij Artemis B.V., Rouge Booze, Inc., Universal–Songs of PolyGram International, Inc., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Elton John3.353:50
6We’re All Alone
Produzent(in):
David Anderle
phonographisches Urheberrecht (℗) von:
A&M Records (in 1977) und A&M Records, Inc. (Los Angeles) (in 1977)
cover recording of:
We’re All Alone
Texter und Komponist(in):
Boz Scaggs
publisher:
BMG Songs, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Kobalt Music Publishing Ltd. (UK) und Boz Scaggs Music (publisher) (vom 1975 bis heute)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Rita Coolidge43:40
7The Things We Do for Love
assistierende(r) Techniker(in) und assistierende(r) Mix:
Tony Spath
Techniker(in), Mix und Editing:
Eric Stewart
Produzent(in):
10cc, Graham Gouldman, Mastermix Music Limited und Eric Stewart
Akustikgitarre, Bassgitarre, E-Gitarre, Händeklatschen und Tamburin:
Graham Gouldman (in 1976)
Gitarre, Orgel und Klavier und Hintergrundgesang und Sologesang:
Eric Stewart (in 1976)
Schlagzeug, gong, Händeklatschen und Tamburin:
Paul Burgess (UK rock drummer) (in 1976)
Hintergrundgesang:
Graham (in 1976)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1976, in 1977, in 1997), Mercury Records Ltd. (London) (for copyrights use only) (in 1976), Phonogram Ltd. (not for release label use!) (in 1976, in 1977), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1977) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1977)
recorded by:
Phonogram Ltd. (London) (company name, NOT a label!)
aufgenommen bei:
Strawberry Studios South in Dorking, Surrey, England, Vereinigtes Königreich (in 1976)
Musikvideos:
The Things We Do for Love von 10cc und The Things We Do for Love von 10cc
recording of:
The Things We Do for Love (in 1976)
Verfasser(in):
Graham Gouldman und Eric Stewart
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), St. Anne’s Music Ltd. und Man-Ken Music Ltd. (in 1977)
10cc4.553:33
8Escape (The Piña Colada Song)
phonographisches Urheberrecht (℗) von:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 1979) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1979)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 89)
recording of:
Escape (The Piña Colada Song)
Texter und Komponist(in):
Rupert Holmes
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), The Holmes Line of Music, Inc., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Rupert Holmes23:54
9Fly Away
assistierende(r) Produzent(in) und zusätzliche(r) Produzent(in):
Kris O'Connor
Produzent(in):
Milt Okun
Gast vocals:
Olivia Newton‐John (British‐Australian singer, actress and activist)
Sologesang:
John Denver
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1975) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 2011)
recording of:
Fly Away (am 1975-07-04)
Texter und Komponist(in):
John Denver
publisher:
Cherry Lane Music Publishing Company Inc.
John Denver3.54:12
10When I Need You
recording engineer:
Howard Steele (US producer, sound engineer) (in 1976)
assistierende(r) Techniker(in):
Dana Latham
Produzent(in):
Richard Perry (producer)
Bass:
Willie Weeks (US bass player) (in 1976)
Gitarre:
Dean Parks (American session guitarist) (in 1976)
Hybrid-Piano:
Michael Omartian (in 1976)
Saxophon:
George Palisky, Jr. (in 1976)
Schlagzeug:
Jeff Porcaro (in 1976)
Synthesizer:
James Newton Howard (American score composer) (in 1976)
vocals:
Leo Sayer (in 1976)
Synthesizer arranger:
James Newton Howard (American score composer)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1976), Chrysalis Records, Inc. (not for release label use!) (in 1976), Rhino Records, Inc. (company credits only; not for release label use!) (in 1977), Silverbird Ltd. (in 1977) und Warner Music H.K. Ltd. (in 1997)
cover recording of:
When I Need You (in 1976)
Texter:
Carole Bayer Sager
Komponist(in):
Albert Hammond
publisher:
Albert Hammond Enterprises, Inc., April Music, Begonia Melodies Inc., Chappell Music (UK), Chappell Music Ltd., Empire Music Ltd., Leonard Cohen Stranger Music Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), P and P Songs Limited, R & M Music Inc., R & M Music Productions, Inc., Sis ’n Bro Music Company, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Songs LLC, Sony/ATV Tree Publishing, Spoiled Rotten Kiddies Publishing, Unichappell Music, Inc., Universal/MCA Music Ltd. (not for release label use!), Warner/Chappell North America, WB Music Corp. (1929–2019) und Windswept Music (London) Ltd.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Leo Sayer44:10
11Bluer Than Blue
Assistent recording engineer:
Rich Schirmer
recording engineer:
Brent Maher
Produzent(in):
Steve Gibson (US country vocalist and guitarist) und Brent Maher
Bassgitarre [bass]:
Jack Williams (US multi-instrumentalist and arranger)
Klavier:
Shane Keister
Perkussion:
Farrell Morris
Schlagzeug:
Kenny Malone (session drummer/percussion)
Sologesang:
Michael Johnson (singer, songwriter & guitarist)
arranger:
Bergen White (American arranger, producer, conductor, musician, composer and singer)
phonographisches Urheberrecht (℗) von:
EMI America Records, Inc. (holding – file NO releases here!) (in 1978), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1978) und EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1978)
aufgenommen bei:
Creative Workshop in Nashville, Tennessee, Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 81)
recording of:
Bluer Than Blue
Texter und Komponist(in):
Randy Goodrum
publisher:
Let There Be Music und Springcreek Music, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
Michael Johnson2:57
12Torn Between Two Lovers
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1976) und Arista Records, LLC (holding company - file NO releases here!) (in 1976)
recording of:
Torn Between Two Lovers (There are times when a woman has to say what’s on her mind…)
Texter:
Phillip Jarrell
Komponist(in):
Peter Yarrow
publisher:
Muscle Shoals Sound Publishing, Peermusic France, Peermusic III, Ltd. (BMI), Silver Dawn Music, WB Music Corp. (1929–2019) und ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Mary MacGregor3:51
2▶CD

Nennungen

Veröffentlichung

hergestellt in:Vereinigte Staaten
gedruckt in:Vereinigte Staaten
Fotografie:Michael Ochs Archives
liner notes:Eddie Dean (liner notes writer, AM Gold: Perfect Harmony)
leitende(r) Produzent(in):Robert Hull (Production)
Produzent(in):Joe Sasfy
mastering:Dennis Drake (US PolyGram engineer)
design:The Fiddler Group
hergestellt von:Universal Music Enterprises (not for release label use; catalog/reissue division of UMG Recordings, Inc.)
urheberrechtlich geschützt (©) von:Time Life Inc. (in 2000)
phonographisches Urheberrecht (℗) von:Universal Music Enterprises (not for release label use; catalog/reissue division of UMG Recordings, Inc.) (in 2000)
lizensiert von:Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
BMG Special Products
EMI‐Capitol Music Special Markets
Rhino Entertainment Company (not for release label use!)
hergestellt für:Time–Life Music
Discogs:https://www.discogs.com/release/3022876 [Info]
ASIN:US: B00068LQ9A [Info]

Veröffentlichungsgruppe

Teil von:Singers and Songwriters (Time-Life Music) (Nummer: 10) (Reihenfolge: 23)