Soft Rock Forever

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1With or Without You
recording engineer:
Flood (British producer Mark Ellis)
Synthesizer [DX7]-Programmierung:
Brian Eno
zusätzliche(r) Techniker(in):
Pat McCarthy und Dave Meegan (producer)
Produzent(in):
Brian Eno und Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
assistierende(r) Mix:
Mary Kettle
Mix:
Steve Lillywhite und Mark Wallis
Bassgitarre:
Adam Clayton
Gitarre:
The Edge (U2 guitarist David Evans)
Keyboard:
Brian Eno
Mundharmonika und Sologesang:
Bono (singer of U2)
Omnichord, Tamburin und zusätzlich Gitarre:
Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
Perkussion und Schlagzeug:
Larry Mullen, Jr.
Hintergrundgesang:
The Edge (U2 guitarist David Evans), Brian Eno und Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
phonographisches Urheberrecht (℗) von:
BMG Ariola München GmbH (in 1987), Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 1987, in 2007, in 2017), Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1987) und Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (in 2007)
aufgenommen bei und mixed at:
Windmill Lane Studios (original location, until 1990) in Dublin, County Dublin, Leinster, Irland
Musikvideos:
With or Without You von U2 (Irish rock band)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 13), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 131) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 211)
recording of:
With or Without You
Texter:
Bono (singer of U2)
Komponist(in):
Bono (singer of U2), Adam Clayton, Larry Mullen, Jr. und The Edge (U2 guitarist David Evans)
publisher:
Blue Mountain Music Ltd, Mother Music, PolyGram International Music Publishing B.V., Taiyo Music Inc., U2 Music, Universal Music Publishing B.V. (Benelux subsidiary of Universal Music Publishing Group), Universal Music Publishing International B.V. (Global Licensing & Royalty Review division, Universal Music Publishing Group) und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
U24.254:55
2Summer of ’69
assistierende(r) Techniker(in):
Mike Fraser (Canadian record producer, engineer and mixer), Bruce Lampcov und Michael Sauvage
Techniker(in):
Bob Clearmountain (von 1984-03-27 bis 1984-09-22)
Partner-Produzent(in):
Jim Vallance
Produzent(in):
Bryan Adams (Canadian singer/songwriter) und Bob Clearmountain
Mix:
Bob Clearmountain (am 1984-09-22)
E-Bass [bass]:
Dave (Bass player (Bryan Adams) and engineer) (von 1984-03-27 bis 1984-09-22)
Gitarre [lead guitar]:
Keith (Canadian guitarist) (von 1984-03-27 bis 1984-09-22)
Gitarre [rhythm guitar] und Hintergrundgesang [harmony vocal]:
BA (Canadian singer/songwriter) (von 1984-03-27 bis 1984-09-22)
Perkussion:
Jim (von 1984-03-27 bis 1984-09-22)
Schlagzeug [drums]:
Pat (von 1984-03-27 bis 1984-09-22)
Sologesang:
Bryan Adams (Canadian singer/songwriter) (von 1984-03-27 bis 1984-09-22)
phonographisches Urheberrecht (℗) von:
A&M Records (in 1984), A&M Records, Inc. (in 1984, in 1999) und Badman Ltd. (Bryan Adams’ own publishing company, for copyrights use) (in 1999)
aufgenommen bei:
Little Mountain Sound in Vancouver, British Columbia, Kanada (von 1984-03-27 bis 1984-09-22)
mixed at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (am 1984-09-22)
Teil von:
SWR1 Hitparade 2004 der Frauen (Baden-Württemberg) (Nummer: 1), SWR1 Hitparade 2005 der Badener (Baden-Württemberg) (Nummer: 3), SWR1 Hitparade 2005 der Württemberger (Baden-Württemberg) (Nummer: 3), SWR1 Hitparade 2007 (Baden-Württemberg) (Nummer: 5), SWR1 Hitparade 2008 (Baden-Württemberg) (Nummer: 8), Huffington Post: 100 Best Canadian Songs Ever (Nummer: 9), SWR1 Hitparade 2009 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2004 der Männer (Baden-Württemberg) (Nummer: 10) und The Downloader’s Music Source Book (Nummer: 179)
recording of:
Summer of ’69 (von 1984-03-27 bis 1984-09-22)
geschrieben in:
Vancouver, British Columbia, Kanada (am 1984-01-25)
Verfasser(in):
Bryan Adams (Canadian singer/songwriter) (am 1984-01-25) und Jim Vallance (am 1984-01-25)
publisher:
Adams Communications Inc. (in 1984), Almo Music Corp. (USA, affiliated with ASCAP) (in 1984), Calypso Toonz (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984) und Testatyme Music (in 1984)
Bryan Adams4.43:32
3If I Could Turn Back Time
recording engineer und Mix:
Frank Wolf (engineer at Skyline Recording)
assistierende(r) Techniker(in):
Ken Allardyce, Mario Luccy, Craig Porteils (producer, engineer) und Duane Seykora
zusätzliche(r) Techniker(in):
Guy Roche
Produzent(in):
Guy Roche und Diane Warren (US songwriter)
Bassgitarre:
John Pierce (US session bassist)
Gitarre:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
Keyboard:
Alan Pasqua und Guy Roche
Schlagzeug und Tamburin:
Mark T. Williams
zusätzlich Gitarre:
Gene Black und Glenn Sciurba
Hintergrundgesang:
Michael Anthony (US bassist, formerly of Van Halen), Robin Beck, Desmond Child, Jimmy Demers, Jean McClain und Maria Vidal (American singer-songwriter)
Sologesang:
Cher
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1989), The David Geffen Company (legal rights relating to Geffen Records) (in 1989), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
aufgenommen bei:
Bill Schnee Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Criterion Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
The Complex Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 386)
recording of:
If I Could Turn Back Time
Texter und Komponist(in):
Diane Warren (US songwriter)
publisher:
EMI Music Publishing (do not use as a release label!) und Realsongs (in 1989)
Cher3.753:53
4All Right Now
phonographisches Urheberrecht (℗) von:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 1970), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
All Right Now
Verfasser(in):
Andy Fraser (English bassist, member of Free) und Paul Rodgers
publisher:
Blue Mountain Music, Blue Mountain Music Ltd., Blue Mountain Music Scandinavia, Catherine’s Peak Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music, Inc., Kobalt Music Publishing Ltd. (UK), Polygram Music, Songs of Kobalt Music Publishing und Universal Music Publishing (use ONLY if no country‐specific information is available)
Free53:47
5You Ain’t Seen Nothing Yet
Techniker(in):
Mark Smith (Canadian engineer)
Produzent(in):
Randy Bachman (Canadian guitarist, singer & songwriter)
Solo-Gitarre und Sologesang:
Randy Bachman (Canadian guitarist, singer & songwriter)
phonographisches Urheberrecht (℗) von:
Mercury Records (the holding company; for use as ℗&© credits only!) (in 1974), Phonogram, Inc. (in 1974, in 1978), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1974), The Island Def Jam Music Group (American holding company, not normally a release label) (in 1974), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
You Ain’t Seen Nothing Yet
Texter und Komponist(in):
Randy Bachman (Canadian guitarist, singer & songwriter)
publisher:
BMG Music Publishing Ltd., Ranbach Music (publisher), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Songs LLC und Top Soil Music (publisher)
sub-publisher:
Ranbach Music Ltd. und Sony/ATV Music Publishing (Germany) GmbH (1998–2002)
Bachman–Turner Overdrive4.53:39
6You’re the Best
recording of:
You’re the Best
Verfasser(in):
Bill Conti und Allee Willis
Joe Esposito32:57
7Rush Hour
Produzent(in):
Stephen Hague
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1988)
recording of:
Rush Hour
Verfasser(in):
Peter Rafelson und Jane Wiedlin
publisher:
BMG Music Publishing Ltd., Palan Music Publishing Ltd. und Universal Music–MGB Songs
Jane Wiedlin4:01
8Heat of the Moment
Techniker(in) und Produzent(in):
Mike Stone (producer and engineer, 1960s–80s)
E-Bass:
John Wetton
Gitarre:
Steve Howe
Keyboard:
Geoff Downes (English keyboardist)
Schlagzeug und Perkussion:
Carl Palmer
vocals:
Geoff Downes (English keyboardist), Steve Howe und John Wetton
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1982), The David Geffen Company (legal rights relating to Geffen Records) (in 1982) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1982)
aufgenommen bei:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Heat of the Moment (music video) von Asia (UK progressive rock band)
recording of:
Heat of the Moment
Verfasser(in):
Geoff Downes (English keyboardist) und John Wetton
publisher:
BMG Gold Songs, Crosstown UK (Palan), Island Music Ltd., John Wetton Music Ltd, Kobalt Music Publishing Ltd. (UK), Neue Welt Musikverlag GmbH & Co. KG (– 2017), Palan Music Publishing Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music Co., Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music, Inc., Ackee Music Inc. (vom 1982 bis heute), Almond Legg Music Corp. (vom 1982 bis heute), WB Music Corp. (1929–2019) (von 1982 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Fujipacific Music, Inc., Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music Publishing (bis 2017-03-31) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (vom 2017-04-01 bis heute)
Asia4.53:50
9Hit Me With Your Best Shot
Techniker(in):
Chris Minto (engineer) und Keith Olsen (US producer and engineer)
Produzent(in):
Keith Olsen (US producer and engineer)
Bass:
Roger Capps
Gitarre:
Scott St. Clair Sheets
Gitarre und Keyboard:
Neil Giraldo (multi-instrumentalist, songwriter, producer)
Schlagzeug:
Myron Grombacher
Hintergrundgesang:
Roger Capps und Neil Giraldo (multi-instrumentalist, songwriter, producer)
Hintergrundgesang und Sologesang:
Pat Benatar
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1980, in 2002), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980) und Chrysalis Records, Inc. (not for release label use!) (in 1981)
recording of:
Hit Me With Your Best Shot
Texter und Komponist(in):
Eddie Schwartz
publisher:
ATV Music Publishing of Canada Ltd., Round Hill Songs und Sony Music Publishing (Germany) GmbH
Pat Benatar4.152:50
10Heart and Soul
Bearbeitung von:
Heart and Soul von T’Pau
recording of:
Heart and Soul
Verfasser(in):
Carol Decker und Ron Rogers (Ronald Phillip Rogers, T'Pau)
publisher:
AMP Publishing Ltd und Virgin Music (Publishing) Ltd.
T’Pau3:37
11Nobody’s Fool
assistierende(r) Techniker(in):
David Glover (bass guitarist), Joe Hauserman (engineer), Mark McKenna (engineer), Nick Didia und Paul Wertheimer (engineer)
Techniker(in) und Produzent(in):
Andy Johns
Bassgitarre:
Eric Brittingham
Gast-Keyboard:
Jeff Paris
Gitarre:
Tom Keifer und Jeff LaBar
Klavier und Sologesang:
Tom Keifer
Schlagzeug:
Fred Coury
Gast Hintergrundgesang:
Tony Mills (former vocalist for TNT and Shy)
Hintergrundgesang:
Eric Brittingham und Jeff LaBar
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1986)
aufgenommen bei:
Bearsville Studios in Bearsville, New York, Vereinigte Staaten, Kajem/Victory Studios (An American recording studio and production facility.) in Philadelphia, Pennsylvania, Vereinigte Staaten, Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten, Sound Factory (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten und The Warehouse (Philadelphia, PA) in Philadelphia, Pennsylvania, Vereinigte Staaten
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Nobody’s Fool
Texter und Komponist(in):
Tom Keifer
publisher:
Chappell & Co., Inc. (USA) und Eve Songs, Inc.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Cinderella44:47
12I Can Dream About You
recording engineer:
Dan Hartman
zusätzlich recording engineer:
Shelly Yakus
zusätzliche(r) Techniker(in):
Gabe Veltri
assistierende(r) Mix:
Steve Krause (Steven A Krause)
Mix:
Humberto Gatica
E-Bass:
Eddie N. Watkins Jr.
Klavier:
Bill Payne
Perkussion:
Bobbye Hall
zusätzlich Gitarre:
Richie Zito
zusätzlich Schlagzeug:
Art Wood (US session drummer/percussionist)
Hintergrundgesang:
Winston Ford, Dan Hartman und Joe Pizzullo
Sologesang:
Dan Hartman
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1984), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1984) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1984)
recording of:
I Can Dream About You
Texter und Komponist(in):
Dan Hartman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!) und Multi-Level Music, Inc. (BMI affiliated)
Dan Hartman4.24:08
13Harden My Heart
Techniker(in):
Paul Grupp
Produzent(in):
John Boylan
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 32)
recording of:
Harden My Heart
Texter und Komponist(in):
Marv Ross (guitarist, songwriter)
publisher:
Bonnie Bee Good Music (publisher) (in 1981), Geffen/Kaye Music (in 1981) und Narrow Dude Music (publisher) (in 1981)
Quarterflash43:50
14Tom Sawyer
assistierende(r) Techniker(in):
Robbie Whelan
Techniker(in):
Paul Northfield
Produzent(in):
Terry Brown (producer) und Rush (Canadian rock trio)
Bassgitarre, Minimoog, Synthesizer und Sologesang:
Geddy Lee (von 1980-10 bis 1980-11)
Gitarre:
Alex Lifeson (von 1980-10 bis 1980-11)
Perkussion und Schlagzeug:
Neil Peart (von 1980-10 bis 1980-11)
arranger:
Terry Brown (producer) und Rush (Canadian rock trio)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2022)
aufgenommen bei und mixed at:
Le Studio in Morin‐Heights, Québec (Quebec), Kanada (von 1980-10 bis 1980-11)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 19) und Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 91)
recording of:
Tom Sawyer (von 1980-10 bis 1980-11)
Texter:
Pye Dubois und Neil Peart
Komponist(in):
Geddy Lee und Alex Lifeson
publisher:
Ole Core Music Publishing
Rush4.554:32
15I Was Made for Lovin’ You
Produzent(in):
Vini Poncia
E-Bass:
Gene Simmons (KISS bassist and vocalist)
E-Gitarre [lead guitar]:
Ace Frehley (American rock guitarist)
E-Gitarre [rhythm guitar] und Sologesang:
Paul Stanley (KISS frontman)
Gast-Schlagzeug:
Anton Fig
phonographisches Urheberrecht (℗) von:
Casablanca Record & FilmWorks, Inc. (not for release label use, for copyrights use only) (in 1979)
produced for:
Mad Vincent Productions
Bearbeitung von:
I Was Made for Lovin’ You von KISS (US rock band)
recording of:
I Was Made for Lovin’ You
Verfasser(in):
Desmond Child, Vini Poncia und Paul Stanley (KISS frontman)
publisher:
Desmobile Inc., Hori Productions America Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Polygram International Publishing I (existed only since ca. 1998), Universal–Songs of PolyGram International, Inc., Kiss (publisher for the rock band KISS, formerly KISS Songs Inc.) (in 1979) und Mad Vincent Music (publisher) (in 1979)
sub-publisher:
Taiyō Music, Universal Music Publishing France (not for release label use!), Universal Music Publishing GmbH (Universal Music Publishing Group Germany) und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
KISS44:01
16Parisienne Walkways
Produzent(in):
Gary Moore (Thin Lizzy, blues guitar) und Chris Tsangarides
accordion, Gitarre, Mandoline, string synthesizer und Hintergrundgesang:
Gary Moore (Thin Lizzy, blues guitar) (von 1978-03 bis 1978-05)
Bass und Gast Sologesang:
Phil Lynott (von 1978-03 bis 1978-05)
Schlagzeug:
Brian Downey (Thin Lizzy drummer) (von 1978-03 bis 1978-05)
recording of:
Parisienne Walkways (von 1978-03 bis 1978-05)
Verfasser(in):
Phil Lynott und Gary Moore (Thin Lizzy, blues guitar)
publisher:
Agelong Music Publishing Inc und Maxwood Music Ltd.
basiert auf:
Blue Bossa
Gary Moore3.653:19
17More Than This
Produzent(in):
Rhett Davies und Roxy Music
Mix:
Bob Clearmountain
Bassgitarre:
Alan Spenner (in 1982)
Gitarre:
Neil Hubbard (in 1982) und Phil Manzanera (in 1982)
Keyboard:
Bryan Ferry (in 1982)
Perkussion:
Jimmy Maelen (percussion) (in 1982)
Saxophon:
Andy Mackay (of Roxy Music) (in 1982)
Schlagzeug:
Andy Newmark (in 1982)
Hintergrundgesang:
Fonzi Thornton (in 1982)
vocals:
Bryan Ferry (in 1982)
phonographisches Urheberrecht (℗) von:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1982) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 1999)
Teil von:
Mixtape – Game Soundtrack (Nummer: 16)
recording of:
More Than This (in 1982)
Texter und Komponist(in):
Bryan Ferry
publisher:
BMG Platinum Songs US, BMG Rights Management (UK) Ltd. (not for release label use! see annotation), E.G. Music Inc., EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Virgin Songs, Inc. und E.G. Music Ltd. (publisher) (in 1982)
Roxy Music3.84:30
18We’re All Alone
Produzent(in):
David Anderle
phonographisches Urheberrecht (℗) von:
A&M Records (in 1977) und A&M Records, Inc. (Los Angeles) (in 1977)
cover recording of:
We’re All Alone
Texter und Komponist(in):
Boz Scaggs
publisher:
BMG Songs, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Kobalt Music Publishing Ltd. (UK) und Boz Scaggs Music (publisher) (vom 1975 bis heute)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Rita Coolidge43:39
19Music
Techniker(in):
Alan Parsons (of The Alan Parsons Project) (von 1975-11 bis 1975-12)
Produzent(in):
Alan Parsons (of The Alan Parsons Project)
Bass:
Bob Marshall (bassist/songwriter, worked with John Miles) (von 1975-11 bis 1975-12)
Gitarre, Keyboard, Synthesizer und Sologesang:
John Miles (UK singer/songwriter/guitarist/keyboardist) (von 1975-11 bis 1975-12)
Perkussion:
Barry Black (von 1975-11 bis 1975-12)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1975-11 bis 1975-12)
Teil von:
SWR1 Hitparade 2004 der Frauen (Baden-Württemberg) (Nummer: 5), SWR1 Hitparade 2005 der Württemberger (Baden-Württemberg) (Nummer: 6), SWR1 Hitparade 2004 der Männer (Baden-Württemberg) (Nummer: 7), SWR1 Hitparade 2005 der Badener (Baden-Württemberg) (Nummer: 7), SWR1 Hitparade 2010 (Baden-Württemberg) (Nummer: 7), SWR1 Hitparade 2011 (Baden-Württemberg) (Nummer: 7), SWR1 Hitparade 2016 (Baden-Württemberg) (Nummer: 7), SWR1 Hitparade 2009 (Baden-Württemberg) (Nummer: 8), SWR1 Hitparade 2013 (Baden-Württemberg) (Nummer: 8), SWR1 Hitparade 2007 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2008 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2012 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2014 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2017 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2019 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2022 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2023 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2015 (Baden-Württemberg) (Nummer: 10) und SWR1 Hitparade 2020 (Baden-Württemberg) (Nummer: 10)
recording of:
Music (von 1975-11 bis 1975-12)
Texter und Komponist(in):
John Miles (UK singer/songwriter/guitarist/keyboardist)
publisher:
Velvet Music (John Miles)
John Miles4.45:51
20Over My Shoulder
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1995)
aufgenommen bei:
The Farm (of Genesis fame) in Surrey, England, Vereinigtes Königreich
recording of:
Over My Shoulder
Verfasser(in):
Paul Carrack und Mike Rutherford
publisher:
EMI Music Publishing (do not use as a release label!), Hit & Run Music (Publishing) Ltd und Plangent Visions Music Ltd.
Mike + the Mechanics3.23:34
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ASIN:UK: B07BF7BNNJ [Info]