The Searcher: The Original Soundtrack (Deluxe Edition)

~ Veröffentlichung von Elvis Presley (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Trouble / Guitar Man
live medley including a cover recording of:
Guitar Man (am 1968-06-22)
Texter und Komponist(in):
Jerry Reed
publisher:
Sixteen Stars Music (BMI-affiliated) und The International Music Network
live medley including a recording of:
Trouble (Elvis Presley) (am 1968-06-22)
Texter:
Jerry Leiber
Komponist(in):
Mike Stoller
publisher:
Carlin Music Corporation, Jerome Leiber Music, Jerry Leiber Music, Mike Stoller Music (ASCAP), Purple Starfish Music, Sony Songs und Sony/ATV Songs LLC
?:??
2My Baby Left Me
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-01-30, von 1956-01-30 bis 1956-02-03)
Gitarre:
Elvis Presley (“The King of Rock and Roll”) (am 1956-01-10, von 1956-01-30 bis 1956-02-03) und Scotty Moore (American guitarist and recording engineer) (am 1956-01-30, von 1956-01-30 bis 1956-02-03)
Klavier:
Shorty Long (1950s country/rockabilly artist) (am 1956-01-30, von 1956-01-30 bis 1956-02-03)
Schlagzeug:
D.J. Fontana (am 1956-01-30, von 1956-01-30 bis 1956-02-03)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956) und BMG Music (in 1956)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1956-01-30, von 1956-01-30 bis 1956-01-31, am 1956-02-03)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 29)
cover recording of:
My Baby Left Me (von 1956-01-30 bis 1956-02-03)
Texter und Komponist(in):
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Cherry River Music, Crudup Music, Elvis Presley Music, Elvis Presley Music Inc., R&H Music, Unichappell Music, Unichappell Music, Inc. und Williamson Music Company
recording of:
My Baby Left Me
Texter und Komponist(in):
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Cherry River Music, Crudup Music, Elvis Presley Music, Elvis Presley Music Inc., R&H Music, Unichappell Music, Unichappell Music, Inc. und Williamson Music Company
3.25?:??
3Baby, What You Want Me to Do (First ‘Stand‐Up’ Show)
cover recording of:
Baby What You Want Me to Do (am 1968-06-29)
Texter:
Jimmy Reed (blues musician) (bis 1952-08-07)
Komponist(in):
Jimmy Reed (blues musician) (bis 1959-08-07)
publisher:
Arc Music (U.S. rock & blues publisher), Conrad Music (publisher; do NOT use as release label), Seeds of Reed Music und Tristan Music Ltd.
?:??
4Old Shep
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (von 1956-09-01 bis 1956-09-03)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1956-09-01 bis 1956-09-03) und Elvis Presley (“The King of Rock and Roll”) (von 1956-09-01 bis 1956-09-03)
Klavier:
Elvis Presley (“The King of Rock and Roll”) (von 1956-09-01 bis 1956-09-03) und Gordon Stoker (US pianist, tenor vocalist and music publisher) (von 1956-09-01 bis 1956-09-03)
Schlagzeug:
D.J. Fontana (von 1956-09-01 bis 1956-09-03)
vocals:
The Jordanaires (southern gospel group) (von 1956-09-01 bis 1956-09-03)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (von 1956-09-01 bis 1956-09-03)
cover recording of:
Old Shep (von 1956-09-01 bis 1956-09-03)
publisher:
Clyde Julian Foley (US country music musician) (am 1935-06-24)
Texter:
Willis Arthur (lyricist)
Komponist(in):
Clyde Julian Foley (US country music musician)
publisher:
Westpar Music
3?:??
5That’s When Your Heartaches Begin
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (in 1953-07)
cover demo recording of:
That’s When Your Heartaches Begin (in 1953-07)
Verfasser(in):
Fred Fisher, Billy Hill (US songwriter) und William Raskin
publisher:
Fred Fisher Music Co., Inc. und Sony/ATV Tunes LLC (ASCAP)
2?:??
6That’s All Right
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Akustikgitarre:
Elvis Presley (“The King of Rock and Roll”)
Bass und Kontrabass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1954-07-05)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1954-07-05)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1954-07-05) und Elvis Presley (“The King of Rock and Roll”) (am 1954-07-05)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1954-07-05)
vocals:
Elvis Presley (“The King of Rock and Roll”) (am 1954-07-05)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1954) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1954-07-05)
Teil von:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 41) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 112)
cover recording of:
That’s All Right (am 1954-07-05)
Texter und Komponist(in):
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Crudup Music, Hill & Range Songs, Inc. (publisher), Intersong GmbH (publisher; do NOT use as release label), PW Ballads, Special Rider Music, St. Louis Music Corp., Unichappell Music und Unichappell Music, Inc.
2.9?:??
7Blue Moon of Kentucky
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1954-07-05, am 1954-07-07)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1954-07-05, am 1954-07-07)
Gitarre:
Elvis Presley (“The King of Rock and Roll”) (am 1954-07-05, am 1954-07-07)
vocals:
Elvis Presley (“The King of Rock and Roll”) (am 1954-07-05, am 1954-07-07)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1954)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1954-07-05, am 1954-07-07)
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 49)
cover recording of:
Blue Moon of Kentucky (am 1954-07-05)
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”) (in 1946)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)), Peer International Corporation (BMI), Southern Music Publishing ((ASCAP) tradename Peermusic), Southern Music Publishing Company Limited und ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
cover recording of:
Blue Moon of Kentucky (am 1954-07-07)
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”) (in 1946)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)), Peer International Corporation (BMI), Southern Music Publishing ((ASCAP) tradename Peermusic), Southern Music Publishing Company Limited und ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
2.65?:??
8Fool, Fool, Fool
cover recording of:
Fool, Fool, Fool (am 1955-01-06)
Texter und Komponist(in):
Ahmet Ertegun (US songwriter/producer)
publisher:
Unichappell Music und Unichappell Music, Inc.
3.7?:??
9Tweedlee Dee
aufgenommen bei:
Gladewater High School in Gladewater, Texas, Vereinigte Staaten (am 1955-04-30)
live cover recording of:
Tweedlee Dee (am 1955-04-30)
Texter und Komponist(in):
Winfield Scott (in 1954)
publisher:
Hill & Range Songs, Inc. (publisher) und Unichappell Music
?:??
10Baby, Let’s Play House
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (von 1955-01-30 bis 1955-02-04)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1955-01-30 bis 1955-02-04)
Gitarre:
Elvis Presley (“The King of Rock and Roll”) (von 1955-01-30 bis 1955-02-04)
vocals:
Elvis Presley (“The King of Rock and Roll”) (von 1955-01-30 bis 1955-02-04)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1953, in 1955)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (von 1955-01-30 bis 1955-02-04)
cover recording of:
Baby Let’s Play House (von 1955-01-30 bis 1955-02-04)
Texter und Komponist(in):
Arthur Gunter
publisher:
Campbell Connelly (Australia) P/L, Embassy Music Corp., J. Albert & Son Pty. Ltd. und LPGV Music (BMI)
recording of:
Baby Let’s Play House
Texter und Komponist(in):
Arthur Gunter
publisher:
Campbell Connelly (Australia) P/L, Embassy Music Corp., J. Albert & Son Pty. Ltd. und LPGV Music (BMI)
3.85?:??
11Good Rockin’ Tonight
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (in 1954, von 1954-09-12 bis 1954-09-16)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1954-09-12 bis 1954-09-16)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (in 1954) und Elvis Presley (“The King of Rock and Roll”) (in 1954, von 1954-09-12 bis 1954-09-16)
vocals:
Elvis Presley (“The King of Rock and Roll”) (von 1954-09-12 bis 1954-09-16)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1954) und BMG Entertainment (in 1955)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (in 1954, von 1954-09-12 bis 1954-09-16)
cover recording of:
Good Rockin’ Tonight (am 1954-09-10)
Texter und Komponist(in):
Roy Brown (blues musician) (in 1947-07)
publisher:
Brown Angel Music Publishing (BMI-affiliated), Carlin Music Corporation, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Knox Music, Inc., Lark Music Ltd., Lois Music Publishing Co., Trio Music (publisher), Trio Music Co., Inc. und Wixen Music UK Ltd.
5?:??
12Trying to Get to You
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (in 1955-07)
cover recording of:
Trying to Get to You (in 1955-07)
Verfasser(in):
Rose Marie McCoy und Charles Singleton (composer/lyricist)
publisher:
Carlin Music Corporation, Cherry Lane Music Publishing, Chrysalis Music (music publisher, ASCAP-affiliated), Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Gladys Music, Motion Music Co., Motion Music Company (US publisher), Red Storming Heaven Music, Rockland Music, Slow Dancing Music LLC, Songs of Windswept Pacific und You Look Good Music Publishing
?:??
13Blue Moon
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1954-08-19)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1954-08-19) und Elvis Presley (“The King of Rock and Roll”) (am 1954-08-19)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1954)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1954-08-19)
cover recording of:
Blue Moon (am 1954-08-19)
Texter:
Lorenz Hart (in 1934)
Komponist(in):
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV und Francis Day Editions (SABAM)
Teil von:
New York, New York (1977 musical film soundtrack)
3.65?:??
14When It Rains, It Really Pours
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (in 1955-11)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (in 1955-11) und Elvis Presley (“The King of Rock and Roll”) (in 1955-11)
Schlagzeug:
Johnny Bernero (in 1955-11)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (in 1955-11)
cover recording of:
When It Rains It Pours (von 1955-08 bis 1955-10)
Texter und Komponist(in):
Billy “The Kid” Emerson (rock ’n’ roll on Sun, Vee‐Jay & Chess Records)
publisher:
Hi Lo Music Inc. (BMI-affiliated) und Riverline Music
1?:??
15Blue Christmas
live cover recording of:
Blue Christmas (am 1968-06-27)
Verfasser(in):
Bill Hayes (songwriter) und Jay Johnson (songwriter of “Blue Christmas”)
publisher:
Anglo-Pic Music Co. Ltd., Bibo Music Publishing, Inc., J. Albert & Son Pty. Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) und Universal Polygram International, Inc.
?:??
16Heartbreak Hotel
Techniker(in):
Bob Ferris (engineer)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-01-10)
Gitarre:
Chet Atkins (am 1956-01-10), Scotty Moore (American guitarist and recording engineer) (am 1956-01-10) und Elvis Presley (“The King of Rock and Roll”) (am 1956-01-10)
Klavier:
Floyd Cramer (am 1956-01-10)
Schlagzeug:
D.J. Fontana (am 1956-01-10)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1956-01-10)
vocals:
Elvis Presley (“The King of Rock and Roll”), Ben Speer (am 1956-01-10), Lena Brock "Mom" Speer (am 1956-01-10) und Gordon Stoker (US pianist, tenor vocalist and music publisher) (am 1956-01-10)
Herausgeber:
Sony/ATV Songs LLC
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956), BMG Music (in 1956) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1956-01-10)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 45) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 347)
recording of:
Heartbreak Hotel (am 1956-01-10)
Verfasser(in):
Mae Boren Axton, Tommy Durden und Elvis Presley (“The King of Rock and Roll”)
publisher:
Belwin Mills Music Ltd., Durden Breyer Publishing, EMI Harmonies Limited, EMI Mills Music Limited (PRS for Music-affiliated), Sony/ATV Songs LLC, Sony/ATV Tree Publishing und Unichappell Music
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
3.65?:??
17Lawdy, Miss Clawdy
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-02-03)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1956-02-03) und Elvis Presley (“The King of Rock and Roll”) (am 1956-02-03)
Klavier:
Shorty Long (1950s country/rockabilly artist) (am 1956-02-03)
Schlagzeug:
D.J. Fontana (am 1956-02-03)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1956-02-03)
cover recording of:
Lawdy Miss Clawdy (am 1956-02-03)
Texter und Komponist(in):
Lloyd Price (US R&B/soul singer) (in 1952-03)
publisher:
ATV Music, Carlin Music Corporation, Sony/ATV Songs LLC und Venice Music
3.4?:??
18Money Honey
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-01-10)
Gitarre:
Chet Atkins (am 1956-01-10), Scotty Moore (American guitarist and recording engineer) (am 1956-01-10) und Elvis Presley (“The King of Rock and Roll”) (am 1956-01-10)
Klavier:
Floyd Cramer (am 1956-01-10)
Schlagzeug:
D.J. Fontana (am 1956-01-10)
aufgenommen bei:
RCA Victor Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1956-01-10)
cover recording of:
Money Honey (am 1956-01-10)
Texter und Komponist(in):
Jesse Stone
publisher:
Carlin Music Corporation, First Digital Music, Walden Music, Inc., Walden, Inc., WB Music Corp. (1929–2019) und ZFC Music
3.35?:??
19Hound Dog
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1956-07-02)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 19) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 318)
cover recording of:
Hound Dog (am 1956-07-02)
Texter:
Jerry Leiber (am 1952-08-12)
Komponist(in):
Mike Stoller (am 1952-08-12)
vorher zugeschrieben zu:
Johnny Otis
publisher:
Chappell Morris Ltd., Cherry Lane, Cherry Lane Music, Cherry Lane Music Publishing, Elvis Presley Music, Gladys Music, Lion Publishing Co., MCA Music Inc. (US-based music publishers), MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Sony/ATV Songs LLC, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal/MCA Music (music publisher; do not use as release label!), Williamson Music Company und Williamson Music, Inc.
?:??
20(There’ll Be) Peace in the Valley (for Me)
Techniker(in):
Thorne Nogar
Produzent(in):
Steve Sholes
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1957-01-13)
Klavier:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (am 1957-01-13)
Kontrabass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1957-01-13)
Schlagzeug:
D.J. Fontana (am 1957-01-13)
Hintergrundgesang:
The Jordanaires (southern gospel group) (am 1957-01-13)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1957-01-13)
vocals:
The Jordanaires (southern gospel group) (am 1957-01-13)
aufgenommen bei:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1957-01-13)
cover recording of:
There’ll Be Peace in the Valley for Me (am 1957-01-13)
publisher:
Thomas A. Dorsey (blues and gospel musician aka “Georgia Tom”) (am 1939-01-25)
Texter und Komponist(in):
Thomas A. Dorsey (blues and gospel musician aka “Georgia Tom”)
publisher:
Carlin Music Corp., Rightsong Music, Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
3?:??
21Crawfish
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1958-01-15)
cover recording of:
Crawfish (am 1958-01-15)
Texter:
Fred Wise
Komponist(in):
Ben Weisman
publisher:
Chappell & Co. und Erika Publishing
3.5?:??
22Trouble
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1958-01-15)
recording of:
Trouble (Elvis Presley) (am 1958-01-15)
Texter:
Jerry Leiber
Komponist(in):
Mike Stoller
publisher:
Carlin Music Corporation, Jerome Leiber Music, Jerry Leiber Music, Mike Stoller Music (ASCAP), Purple Starfish Music, Sony Songs und Sony/ATV Songs LLC
?:??
23Farther Along
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (am 1966-05-26)
cover recording of:
Farther Along (am 1966-05-26)
Texter:
Rev. W.A. Fletcher (in 1911)
Verfasser(in):
[traditional] (special purpose artist)
Komponist(in):
J.R. Baxter und W.B. Stevens
publisher:
Carlin Music Corporation
?:??
24Mona Lisa
recorded in:
Bad Nauheim, Hessen, Deutschland (in 1959)
Gitarre:
Elvis Presley (“The King of Rock and Roll”) (in 1959)
recording of:
Mona Lisa (in 1959)
Texter:
Raymond B. Evans (American songwriter)
Komponist(in):
Jay Livingston
publisher:
Famous Chappell und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
sub-publisher:
BMG Unisong Music Publishers BV
Teil von:
The 23rd Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1950 winner)
?:??
25Hide Thou Me
recorded in:
Bel Air, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1966)
cover recording of:
Hide Thou Me (in 1966)
Verfasser(in):
Fanny Crosby und Robert Lowry (American hymn writer, 1826-1899)
publisher:
Bridge Building Music
?:??
26Loving You
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (von 1957-02-23 bis 1957-02-24)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1957-02-23 bis 1957-02-24) und Elvis Presley (“The King of Rock and Roll”) (von 1957-02-23 bis 1957-02-24)
Klavier:
Dudley Brooks (von 1957-02-23 bis 1957-02-24)
Schlagzeug:
D.J. Fontana (von 1957-02-23 bis 1957-02-24)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1957-02-24)
vocals:
The Jordanaires (southern gospel group) (von 1957-02-23 bis 1957-02-24)
zusätzliche(r) Interpret(in):
The Jordanaires (southern gospel group) (am 1957-02-24)
phonographisches Urheberrecht (℗) von:
BMG Music und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (von 1957-02-23 bis 1957-02-24)
recording of:
Loving You (von 1957-02-23 bis 1957-02-24)
Texter:
Jerry Leiber
Komponist(in):
Mike Stoller
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Jerry Leiber Music, Mike Stoller Music (ASCAP) und Sony/ATV Songs LLC
cover recording of:
Loving You
Texter:
Jerry Leiber
Komponist(in):
Mike Stoller
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Jerry Leiber Music, Mike Stoller Music (ASCAP) und Sony/ATV Songs LLC
3.5?:??
27Lonely Man
Gitarre:
Tiny Timbrell (am 1960-11-07)
aufgenommen bei:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1960-11-07)
cover recording of:
Lonely Man (am 1960-11-07)
Verfasser(in):
Bennie Benjamin und Sol Marcus
publisher:
Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Warner Bros. Music Corp. und WB Music Corp. (1929–2019)
?:??
28Power of My Love
aufgenommen bei:
American Sound Studio ((Defunct) Memphis, TN - American North) in Memphis, Tennessee, Vereinigte Staaten (am 1969-02-18)
recording of:
Power of My Love (am 1969-02-18)
Verfasser(in):
Bernie Baum, Bill Giant (Bill (Harvey) Zimmerman) und Florence Kaye
publisher:
Elvis Presley Music Inc. und R&H Music
?:??
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Nennungen

Veröffentlichungsgruppe

Wikidata:Q55610790 [Info]