Verve Jazz Masters 12

~ Veröffentlichung von Billie Holiday (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Anmerkung

Label: Verve - Catalog #: 3145198252
Recording Date:
1952-1956
Personnel:
Billie Holiday (vocals)
Willie Smith, Benny Carter (alto saxophone)
Flip Phillips, Paul Quinichette, Ben Webster (tenor saxophone)
Charlie Shavers, Harry "Sweets" Edison, Joe Newman (trumpet)
Tony Scott (clarinet)
Oscar Peterson (piano, organ)
Bobby Tucker, Wynton Kelly, Jimmy Rowles (piano)
Herb Ellis, Barney Kessel, Kenny Burrell, Freddie Green (guitar)
Ray Brown, Aaron Bell, John Simmons, Joe Mondragon, Red Callender, Red Mitchell, Joe Mondragon (bass)
Ed Shaughnessy, Alvin Stoller, Lennie McBrowne, Larry Bunker, Chico Hamilton, Gus Johnson (drums)
Norman Granz (production)

Anmerkung zuletzt geändert am 2006-05-22 20:38 UTC.

Titelliste

1▼CD
Nr.TitelBewertungLänge
1What a Little Moonlight Can Do
recorded in:
New York, New York, Vereinigte Staaten (am 1954-04-14)
E-Gitarre:
Herb Ellis (jazz guitarist) (am 1954-04-14)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1954-04-14)
Kontrabass [bass]:
Ray Brown (jazz bassist) (am 1954-04-14)
Schlagzeug:
Ed Shaughnessy (am 1954-04-14)
Trompete:
Charlie Shavers (am 1954-04-14)
vocals:
Billie Holiday (am 1954-04-14)
recording of:
What a Little Moonlight Can Do (am 1954-04-14)
Texter und Komponist(in):
Harry M. Woods (American 1920/30s songwriter)
publisher:
Connelly Basart, Warner Bros. Music (publisher; do NOT use as release label) und Warner Brothers Music Inc.
3.653:14
2P.S. I Love You
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-09-03)
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (am 1954-09-03)
Gitarre:
Barney Kessel (am 1954-09-03)
Klavier:
Bobby Tucker (am 1954-09-03)
Kontrabass:
Red Callender (am 1954-09-03)
Schlagzeug:
Chico Hamilton (am 1954-09-03)
Trompete:
Harry “Sweets” Edison (am 1954-09-03)
vocals:
Billie Holiday (am 1954-09-03)
recording of:
P.S. I Love You (am 1954-09-03)
Texter:
Johnny Mercer
Komponist(in):
Gordon Jenkins
publisher:
La Salle Music Publishers, Inc., Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), The Jenkins Family Partnership, The Johnny Mercer Foundation und Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Teil von:
The Real Book (compilation of jazz standards, volume I)
53:38
3Blue Moon
Gitarre:
Barney Kessel (am 1952-03-26)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1952-03-26)
Kontrabass:
Ray Brown (jazz bassist) (am 1952-03-26)
Schlagzeug:
Alvin Stoller (am 1952-03-26)
Tenorsaxophon:
Flip Phillips (am 1952-03-26)
Trompete:
Charlie Shavers (am 1952-03-26)
vocals:
Billie Holiday (am 1952-03-26)
recording of:
Blue Moon (am 1952-03-26)
Texter:
Lorenz Hart (in 1934)
Komponist(in):
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV und Francis Day Editions (SABAM)
Teil von:
New York, New York (1977 musical film soundtrack)
4.653:31
4Remember
vocals:
Billie Holiday (in 1952-04)
recording of:
Remember (in 1952-04)
Texter und Komponist(in):
Irving Berlin (in 1925)
publisher:
Irving Berlin Music Corp. und Williamson Music Company
42:37
5God Bless the Child
recording of:
God Bless the Child (am 1956-06-07)
Texter:
Billie Holiday
Komponist(in):
Arthur Herzog, Jr.
publisher:
Basart Editions (beendet) und Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
44:00
6Yesterdays
vocals:
Billie Holiday (am 1952-07-27)
recording of:
Yesterdays (am 1952-07-27)
Texter:
Otto Harbach
Komponist(in):
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Roberta
42:52
7Lover, Come Back to Me
Instrumente:
Oscar Peterson (Canadian jazz pianist and composer)
Kontrabass [Bass]:
Ray Brown (jazz bassist)
Schlagzeug:
Gus Johnson (drums)
Tenorsaxophon:
Paul Quinichette
Trompete:
Joe Newman (US jazz trumpeter)
vocals:
Billie Holiday
recording of:
Lover, Come Back to Me (from "The New Moon") (am 1952-07-27)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
Verfasser(in):
Sigmund Romberg
Komponist(in):
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
The New Moon: Act II
53:38
8Some Other Spring
recorded in:
New York, New York, Vereinigte Staaten (am 1956-06-06)
E-Gitarre:
Kenny Burrell (am 1956-06-06)
Klarinette:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (am 1956-06-06)
Klavier:
Wynton Kelly (am 1956-06-06)
Kontrabass [bass]:
Aaron Bell (jazz double bassist) (am 1956-06-06)
Schlagzeug:
Lenny McBrowne (US jazz drummer) (am 1956-06-06)
Tenorsaxophon:
Paul Quinichette (am 1956-06-06)
Trompete:
Charlie Shavers (am 1956-06-06)
vocals:
Billie Holiday (am 1956-06-06)
recording of:
Some Other Spring (am 1956-06-06)
Komponist(in):
Arthur Herzog, Jr. und Irene Kitchings
3.653:39
9Nice Work If You Can Get It
vocals:
Billie Holiday (am 1955-08-23)
recording of:
Nice Work If You Can Get It (am 1955-08-23)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) und Gershwin Publishing Corp (in 1937)
Teil von:
A Damsel in Distress (1937 film score)
Teil von:
Crazy for You (1992 musical)
Teil von:
My One and Only (1983 Broadway musical)
53:50
10Willow Weep for Me
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (am 1954-09-03)
Gitarre:
Barney Kessel (am 1954-09-03)
Klavier:
Bobby Tucker (am 1954-09-03)
Kontrabass:
Red Callender (am 1954-09-03)
Schlagzeug:
Chico Hamilton (am 1954-09-03)
Trompete:
Harry “Sweets” Edison (am 1954-09-03)
vocals:
Billie Holiday (am 1954-09-03)
recording of:
Willow Weep for Me (am 1954-09-03)
Texter und Komponist(in):
Ann Ronell (in 1932)
publisher:
Ann Ronell Music und Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
43:08
11All or Nothing at All
Produzent(in):
Norman Granz
Gitarre:
Barney Kessel (am 1956-08-18)
Klavier:
Jimmy Rowles (am 1956-08-18)
Kontrabass:
Red Mitchell (jazz double-bassist, composer and lyricist) (am 1956-08-18)
Schlagzeug:
Alvin Stoller (am 1956-08-18)
Tenorsaxophon:
Ben Webster (am 1956-08-18)
Trompete:
Harry “Sweets” Edison (am 1956-08-18)
vocals:
Billie Holiday (am 1956-08-18)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1956-08-18)
recording of:
All or Nothing at All (am 1956-08-18)
Texter:
Jack Lawrence (US songwriter)
Komponist(in):
Arthur Altman und Jack Lawrence (US songwriter)
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Range Road Music Inc. und Universal‐MCA Music Publishing (US)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
45:42
12Autumn in New York
Gitarre:
Barney Kessel (in 1952-04)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-04)
Kontrabass:
Ray Brown (jazz bassist) (in 1952-04)
Schlagzeug:
Alvin Stoller (in 1952-04)
Tenorsaxophon:
Flip Phillips (in 1952-04)
Trompete:
Charlie Shavers (in 1952-04)
vocals:
Billie Holiday (in 1952-04)
recording of:
Autumn in New York (1934) (in 1952-04)
Texter und Komponist(in):
Vernon Duke
publisher:
Chappell & Co. und Warner Bros., Inc. (not for release label use!)
43:44
13A Fine Romance
alto saxophone:
Benny Carter (am 1954-08-25)
E-Gitarre:
Barney Kessel (am 1954-08-25)
Klavier:
Jimmy Rowles (am 1954-08-25)
Kontrabass:
John Simmons (bassist) (am 1954-08-25)
Schlagzeug:
Larry Bunker (am 1954-08-25)
Trompete:
Harry “Sweets” Edison (am 1954-08-25)
vocals:
Billie Holiday (am 1954-08-25)
cover recording of:
A Fine Romance (from “Swing Time”) (am 1955-08-25)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Chappell & Co.
Teil von:
Swing Time (film)
43:35
14Good Morning Heartache
recorded in:
New York, New York, Vereinigte Staaten (am 1956-06-07)
Gitarre:
Kenny Burrell (am 1956-06-07)
Klarinette:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (am 1956-06-07)
Klavier:
Wynton Kelly (am 1956-06-07)
Kontrabass:
Aaron Bell (jazz double bassist) (am 1956-06-07)
Posaune:
Charlie Shavers (am 1956-06-07)
Schlagzeug:
Lenny McBrowne (US jazz drummer) (am 1956-06-07)
Tenorsaxophon:
Paul Quinichette (am 1956-06-07)
vocals:
Billie Holiday (am 1956-06-07)
recording of:
Good Morning Heartache (am 1956-06-07)
Texter:
Ervin Drake (songwriter)
Komponist(in):
Dan Fisher (U.S. songwriter ("Good Morning Heartache"), author, producer) und Irene Higginbotham
publisher:
Fisher Music Corp., Lindabet Music, Inc. und Universal/MCA Music (music publisher; do not use as release label!)
43:32
15Please Don’t Talk About Me When I’m Gone
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-08-23)
alto saxophone:
Benny Carter (am 1955-08-23)
Bass:
John Simmons (bassist) (am 1955-08-23)
Gitarre:
Barney Kessel (am 1955-08-23)
Klavier:
Jimmy Rowles (am 1955-08-23)
Schlagzeug:
Larry Bunker (am 1955-08-23)
Trompete:
Harry “Sweets” Edison (am 1955-08-23)
Sologesang:
Billie Holiday (am 1955-08-23)
recording of:
Please Don’t Talk About Me When I’m Gone (am 1955-08-23)
Texter:
Sidney Clare
Komponist(in):
Sam H. Stept
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Remick Music Corp.
44:22
16Speak Low
Kontrabass:
Joe Mondragon (am 1956-08-14)
recording of:
Speak Low (One Touch of Venus) (am 1956-08-14)
Texter:
Ogden Nash
Komponist(in):
Kurt Weill (composer)
publisher:
Chappell & Co.
Teil von:
One Touch of Venus (1943 musical)
4:26

Nennungen

Veröffentlichungsgruppe

Teil von:Verve Jazz Masters (Nummer: VJM 12) (Reihenfolge: 12)
Discogs:https://www.discogs.com/master/390957 [Info]
Allmusic:https://www.allmusic.com/album/mw0000114903 [Info]